Life style
Softwear engineer turns bridal designer
by Zanita Careem
AMORINE is Hasanthi Hapugoda’s brand label established in 2017 and I specialized in couture, custom made bridals and designer wear. The Term “Amorine derives from Latin word Love. Love is beautiful and this term has a strong feeling
.I have my own designer studio where customers can and discuss details of their preferences/likes and dislikes regarding the bridal or designer wear because every girl has a dream/ idea of what they want. So I always listen to them in order to understand what my clients really want from me before customizing their designer outfit in a way it suits them. . One of the unique factors that sets AMORINE apart from others is that each designer saree is truly one of a kind.
Little bit about myself and experience
My name is Hasanthi Hapugoda. I studied at Musaeus College Colombo 7 until O/Ls and did advanced level in Gateway International School-Colombo. For my higher studies I graduated from Staffordshire University, UK majoring in BSc (Hons) Business Information Technology in 2012.
After graduating from College, I was recruited as a software QA engineer by one of the leading software company in sri lanka. After few years I joined and worked as senior software QA Engineer and a QA project lead in a Singapore based IT Company.
After completing over four years in the IT industry, I thought of stepping down from my IT career and pursuing my childhood dream of becoming an entrepreneur in the fashion Industry. It was indeed a big decision and every day is a learning experience for me. For me everyday was a another day I learnt new ideas, inspiration related to the fashion industry. With four years of experience I became a self taught designer
Describe the Hasanthi bride?
The Hasanthi bride is original with a sophisticated, tasteful style. She looks for the perfect combination of quality and originality and is not swayed by momentary trends.
Tell us about your design process. What are your first steps when designing a new collection? How long does it take for your ideas to come to fruition?
Several months before starting the design process, I create a mood board for inspiration. I then sketch out the silhouettes I want to include in the collection. My head pattern maker and I work together to bring these silhouettes to life with muslin fittings. In my opinion, this is the most important part of the process because this is where we will make adjustments to perfect the initial shape and fit of the gown. Once finalized, the muslins become the blueprint of what will come next.I then sketch out embroidery layouts directly on to the pattern, and these layouts are meticulously detailed and are often sketched several times to align perfectly with the curves of the body.
On average, the entire process takes about three to four months.
What do you think are the most important aspects for a bride to consider when choosing her wedding gown?
I think every bride has some type of vision for how she wants to look on her wedding day. When you do dress shopping, I think it is important for her to be open-minded and to try on various styles. Sometimes the bride ends up with a completely different silhouette or style then what she originally had in mind. So when shopping for a garment as special as your wedding dress, trusting your consultant is key!
There are several aspects of your designs that set you apart from other designers, such as offering custom options and producing all your beadwork by hand. What made these decisions so important when you began creating your own designs?
A wedding is a very personalized event for a bride and groom. With a sea of options to choose from, a bride may fall in love with different aspects of several different dresses, or she may want to customize a gown to make it uniquely hers. I believe a wedding gown is one of the most important garments a woman will ever wear, and it should be nothing short of exactly how she wants it.
Where do you look for inspiration?
Inspiration comes in many ways for me. I get inspired when I watch fashion shows and read magazines to keep up with the trends
Are there any current or upcoming trends you are excited to include in your designs?
Yes! I want to add different elements, like draping, pleating, and beading to the dresses and bring them together seamlessly.
Can you give us any details for what you have in store for your next collection?
We plan on incorporating wow factors that may not be noticeable at first glance!
Tell us about your beginnings and what made you to enter the world bridal fashion?
I’m very fond and passionate about fashion. I believe fashion is an integral part of a woman’s life and they deserve to easily understand what’s best for them and what colours enhance their beauty. I also believe that every girl should try different trends rather than ignoring it, it really improves the quality of life naturally. As fashion designing and dressmaking has been my hobby since childhood. As a little girl I collected small pieces of fabric and stitched beautiful clothes for my dolls. I still remember how my parents would praise my creations and tell how creative I was. And back then when I was small my mom used to design sarees as well, that was her hobby. So I got the exposure in this area and I loved it when I was small.
I designed my first saree in the year 2014 just for fun. At that time, I was working in one of the leading software company as a software engineer. It came out really nice and I was able to sell it just within a day. Later on I began designing customized designer sarees for my family, friends and office colleagues. However, at that time, it was difficult for me to meet the demand as I was also working fulltime. My aim was to start my own designer collection one day as an entrepreneur. And today I’m happy that I have been able to achieve my dream.
My designs speak volumes for the bride. Less is more is my design philosophy
Most of my designs unique but I love to mix different color combinations and create new designs. I have not restricted myself in how or what inspires me. I don’t get inspired by only one thing but by all the beautiful things around me. It is more like creating magic with different fabrics, colors, shapes, all the hand embellishments are created with so much emphasis and with much effort
Being a wedding dress designer. What part do you enjoy most?
There is a saying from ‘Marc Anthony’ if you do what you love, you’ll never work a day in your life. This is a passion for me than a job. I love what I do. And always my motivation has been the feedback of my clients. When I do a design and made it to a perfection with love and care, and when the client is happy, it’s more like a self-satisfaction that you can’t buy for money. It motivates me to do more and more.
What is your collection called and why?
I always believe that customers are kings Everybody dream s of a beautiful bride when you are young So we should give them a chance to decide what she wants.. Be their style modern, traditional, western, classic romantic or contemporary we will always work with them closely from start to finish through custom sketches, attention to details to bring out the best suited designer bridal and also our designer outfits ,which are made with quality materials but it should have a memorable impression.
What is the best advice you give a bride?
I always tell my brides to follow their instinct, dream or ideas throughout the selection of their wedding outfit. Always listen to your heart in what you like rather than sticking to a trend or what someone else wants. A bride should feel that she’s wearing the perfect dress which makes her feel confidant and beautiful.
I love to do Batik bridals depicting our culture ,the fauna and flora.
The biggest challenges I faced?
The biggest challenge I faced was to establish a customer base apart from my family, cousins and friends when I first started my label in 2017. Designing bridal sarees was a big challenge when we had established designers . Stiff competition and many challenges and obstacles I had to build a certain level of trust and confidence among my clients. That was challenging but I overcame all impedimentsthat within a short period of time.
I would like to specially mention my supportive family who helped me to make my dreams come true and encouraged me to make my cSareer transition.
hasi.hapugoda@gmail.com
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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