Fashion
Legendary Italian designer Giorgio Armani dies at the age of 91
The Italian fashion designer and billionaire brand owner Giorgio Armani has died at the age of 91.
He was the archetype of Italian style and elegance, reimagining men’s and women’s suits for a modern audience.
His company Armani expanded from fashion into an empire spanning beauty, fragrance, music, sport and even luxury hotels, bringing in more than £2bn a year.
Donatella Versace paid tribute to the late designer on her Instagram page, posting a picture of him, saying “The world lost a giant today, he made history and will be remembered forever.”
In a statement on the brand’s Instagram page it said Armani ” worked until his final days, dedicating himself to the company, the collections and the many ongoing future projects”.
It also said he was “indefatigable to the end” and “driven by relentless curiosity and a deep attention to the present and to people”.
The designer was seen as a pioneer in many ways, elevating red carpet fashion to what we see today.
He was also the first designer to ban underweight models from the runway, after the death of model Ana Carolina Reston in 2006 from anorexia nervosa.
Russell Crowe described Armani as a man who “made a mark acknowledged around the globe”.
The actor said he “adored” Armani and was meant to be seeing him this month, adding that the designer was there for “so many significant moments in my life”.
Julia Roberts shared a picture of herself in an Armani dress alongside the designer on Instagram with the words “A true friend. A legend” and a heartbreak emoji.
British designer Paul Smith also spoke about his “dear friend and fellow designer”.
“His continuity, his down-to-earth nature and his staying power in remaining as an unlisted, independent company have always been a huge inspiration for me personally,” Smith wrote on social media.
“He has been an enormous source of strength and creativity for many years.”
Italian Prime Minister Giorgia Meloni also paid tribute, saying: “With his elegance, sobriety, and creativity, he was able to bring lustre to Italian fashion and inspire the entire world.
“An icon, a tireless worker, a symbol of the best of Italy. Thank you for everything.”
In a profile in the Financial Times, in one of the designer’s last interviews, Alexander Fury wrote: “He put women into a uniform of suits just as radical as Chanel’s, creating forceful, confident clothing that helped to power the working woman’s social revolution of the 1980s.
“By contrast, he relaxed menswear, deconstructing traditional tailoring in a manner that has affected how just about every suit in the world is made.”
A friend of Hollywood, he understood the power of publicity and dressed some of its biggest stars for the red carpet including for the Oscars – including Zendaya, Cate Blanchett and Julia Roberts.
He also designed stage outfits for Lady Gaga and various costumes for films American Gigolo and The Wolf of Wall Street.
Even as he entered his 10th decade, Armani continued to present new collections on the French and Italian catwalks.
His March 2025 show was designed to make a statement on global politics, with him stating that he “wanted to imagine new harmony” as he believed “that is what we all need”.
Concern over his health was first expressed in June this year, when he missed Milan fashion week.
He directed a couture show in Paris in July 2025, but did this remotely from his home in Milan.
Armani was described as a “true gentleman” and “titan of the industry” by Vogue’s Laura Ingham, who paid tribute to the late designer.
She added: “If you don’t know anything about fashion, you’ll still know Giorgio Armani. Mr. Armani built a house synonymous with timeless Italian elegance and enduring style”.
Referencing his classic style, which included “refined silhouettes” and “immaculate tailoring”, she concluded that “his legacy is woven not only into fashions past and present but will continue to shape its future for generations to come”.
Starting his career in medicine, he moved to fashion in the 1960s and set up his own luxury label in 1975 alongside his late partner Sergio Galeotti.
He faced much criticism during his career, including in 2015 when he said a gay man “does not need to dress homosexual”.
His company also reached a financial settlement with Italian tax authorities over offshore subsidiaries in 2014, though no wrongdoing was admitted.
Away from fashion, he was a keen sports fan and supported Serie A football team Inter Milan and owned the Olimpia Milano basketball team.
The fashion brand also had a partnership with the Scuderia Ferrari F1 team, with one of their drivers, Charles Leclerc writing on Instagram that it was “a great honour to have had the chance to meet and work with such an amazing person”.
Armani was also presented with the French Legion of Honour and Italian Order of Merit for Labour for his work in fashion.
[BBC]
Irish fashion designer Paul Costelloe has died in London aged 80.
Costelloe became one of the best-known names in British and Irish fashion and was personal designer to the late Diana, the Princess of Wales.
His family issued a statement on Saturday saying they were “deeply saddened to announce the passing of Paul Costelloe following a short illness”.
They added: “He was surrounded by his wife and seven children and passed peacefully in London.”
He was born in Dublin where his father ran a successful company making raincoats.
After studying at the Grafton Academy of Fashion Design he moved to Paris where he took a course at the Chambre Syndicale de la Haute Couture in Paris.
He set up his own label in 1979, Paul Costelloe Collections, and presented collections at London Fashion Week, as well as in Paris, Milan and New York.
In 1983 he was appointed personal designer to Diana, Princess of Wales, a collaboration which continued until her death in 1997.
Costelloe often used traditional Irish fabrics and textiles in his designs, including Irish linen and tweed.
He collaborated with Dunnes Stores and was the closing designer for the inaugural Ireland Fashion Week in October this year.
He was criticised in 1998 when he said that Irish women lacked style.
“Irish women have difficulty with style because it’s not in their inner nature… like the Italians,” he said at the time
However, during an interview with Irish broadcaster RTÉ this year, he said he felt that Ireland was more European than years ago.
Taoiseach (Irish PM) Micheál Martin said he was “very saddened to learn of the passing of Paul Costelloe”.
“An icon of design, Paul elevated Irish fashion to the global stage,” he said.
Tánaiste (deputy PM) Simon Harris said Costelloe had “led a remarkable life”.
Harris added: “He built a hugely successful business through incredible talent, discipline, and an unwavering commitment to quality.
“He leaves behind a body of work that shaped modern Irish fashion and will continue to shape it in the years to come. He will be greatly missed and warmly remembered.”
[BBC]
Colombo Fashion Week CFW marked a glittering milestone this season -22 glamorous years of elevating Sri Lankan fashion. CFW ‘s evolving platform has shaped designers,nurtured creativity and positioned the island on the global style map
While becoming one of the most influential style platforms in South Asia,what began as a visionary initiative has grown into a movement shaping designers, nurturing talent, reviving craftsmanship and bringing global attention to the region’s extraordinary design language.
This anniversary will shimmer with nostalgia, innovation and unmistakable South Asian flow.
From handwoven saris reimagined for the modern woman to bold menswear, resort wear, sustainable collections and couture dipping in embellishments.
CFW has proved once again that Sri Lanka stands proudly among the region’s fashion capitals.
Over the past decades CFW has redefined the region’s fashion identity.it created opportunities for young designers to open pathways to international markets, revived craft communities, and built a culture where fashion is both creative and responsible.
Today, its influence extends beyond Sri Lanka attracting designers and fashion lovers from India, Pakistan, Bangladesh, Nepal and the wider South Asian sphere.
No celebration is complete without acknowledging the artistry of Raman Fernando, whose beauty direction has shaped the CFW aesthetic since its inception.Her partnership has been integral to elevating the event’s aesthetic from the backstage transformations to the signature looks that complemented each designer’s wish.
Twenty two years on CFW, remains more than a fashion show, it has shaped Sri Lanka’s design voices, contributed to the region’s fashion economy and created a dynamic bridge connecting South Asian talent with the world.
As CFW celebrates its 22 year journey one great thing is clear – the next chapter promises more brilliance, innovation and South Asian glamour. CFW continues to champion young talent through its emerging designer programmes giving newcomers the guidance needed to enter the industry with confidence.
This November Colombo fashion week steps into a bold new chapter with the launch of its latest season titled Couture and Trousseau .a refined platform dedicated to craftsmanship, luxury and modern elegance. This new edition will spotlight Sri Lankan and South Asian designers who specialise in refined couture techniques, artisanal detailing and timeless elegance.
The Couture and Trousseau Edition aims to showcase fashion as both art and heritage where modern silhouettes meet meticulous handicrafts and where designers elevate their creations to the realms of treasured pieces.
The new theme, I am sure will promise a unique runaway rich in sophistication, drama and the signature glamour for which CFW is known for
Couture and Trousseau – the season that redefines Sri Lanka fashion
A new era of elegance, couture and trousseau takes over
Beyond the runway presentations, CFW has established a substantive track record with at least 80% of featured designers having emerged from its ecosystem, with particular emphasis on nurturing Sri Lankan talent. Designers who have developed their craft through CFW have subsequently achieved international recognition, demonstrating that sustained commitment and strategic focus deliver results in an industry often characterized by transient trends.
At 22 years, CFW stands as one of only four fashion weeks in Asia to surpass the two-decade mark, a feat that underscores both its resilience and its relevance. Unlike many regional events that have come and gone, CFW has evolved into a diplomatic force, fostering reciprocal partnerships with fashion weeks across the BRICS nations, the Commonwealth, and South Asia.
This extends beyond runway presentations. CFW generates measurable economic impact through tourism, hospitality infrastructure development, and the creation of business opportunities that benefit host cities and their broader communities. The platform’s model demonstrates how strategic cultural investment can drive commercial growth across multiple sectors simultaneously.
Since 2003, CFW has systematically expanded its scope, inviting designers from neighbouring nations to share the platform with Sri Lankan counterparts. The result is a distinctive space where regional diversity is celebrated rather than marginalized and where collaboration supersedes competition. In a geopolitical climate frequently defined by division, CFW presents an alternative narrative: fashion as shared language, commerce as common ground.
This November 2025, CFW’s new season titled ‘Couture and Trousseau,’ strategically focusing on a segment of fashion that presents significant growth opportunities for Sri Lankan designers: bridal and destination weddings. This expansion reflects South Asia’s burgeoning bridal market and positions Sri Lankan designers to capture a larger share of this lucrative sector. By identifying and activating relevant commercial opportunities prior to each season, CFW continues to demonstrate that regional collaboration and sustained investment in creative talent can reshape not only an industry, but the economic landscape of an entire region.
The Couture + Trousseau season of CFW was presented in partnership with Nations Trust Bank American Express, Cinnamon Grand, Lanka Tiles, IDL, Vision Care, Hameedia, ITC, Beauty by Rosh, Ramani Fernando Salons, , Emerging Media, Hardtalk and Acorn whose continued collaboration strengthens CFW’s commitment to celebrating innovation, creativity, and craftsmanship within Sri Lanka’s fashion industry.
Two Miss Universe judges have resigned days before the annual beauty pageant, with one of them accusing organisers of rigging the selection process.
Lebanese-French musician Omar Harfouch, who announced his resignation from the eight-member jury on Instagram, alleged that an “impromptu jury” had pre-selected finalists ahead of the competition, set to be held on Friday in Thailand.
Hours later, French football manager Claude Makélélé also announced he’d pulled out, citing “unforeseen personal reasons”.
The resignations come two weeks after several Miss Universe contestants walked out of a pre-pageant event over controversial comments made by an official from host nation Thailand.
“An impromptu jury has been formed to select 30 finalists from among the 136 participating countries, without the presence of any of the real eight members of the jury, including me,” Harfouch wrote in an Instagram post on Tuesday, saying he had discovered this via social media.
The unofficial jury comprises “individuals with a significant potential conflict of interest due to some personal relationships with some of the Miss Universe contestants”, he claimed.
Harfouch did not elaborate on how this “impromptu jury” would function, or how it would override the official jury’s decision.
The Miss Universe Organisation on Tuesday put out a statement to rebuff Harfouch’s claims, saying that “no external group has been authorised to evaluate delegates or select finalists”.
It suggested that Harfouch may have been referring to the Beyond the Crown programme: a “social impact initiative” that operates independently from the Miss Universe competition, and has a separate selection committee.
The Miss Universe Organisation announced the Beyond the Crown selection committee on Monday. In its statement on Tuesday, the organisation said that Harfouch’s allegations had “mischaracterised” the programme.
Mr Makélélé, who also announced his resignation via Instagram, described it as a “difficult decision”. “I hold Miss Universe in the highest regard. The platform represents empowerment, diversity, and excellence – values I have always championed throughout my career,” he wrote.
The beauty pageant drew backlash earlier this month after its Thailand director Nawat Itsaragrisil publicly berated Miss Mexico, Fatima Bosch, at a pre-pageant event for not posting promotional content on her social media platforms.
In videos that have since gone viral, Ms Bosch and several other contestants could be seen walking out of the event, and some could be heard shouting at Nawat.
Mr Nawat later claimed that some of his words were misunderstood – but his conduct nevertheless prompted a stern rebuke from the Miss Universe Organisation, which has since sent a delegation of international executives to take over running the competition.
[BBC]
Ireland among countries boycotting Eurovision after Israel allowed to compete
Putin says Russia will take Donbas by force or Ukraine’s troops will withdraw
486 dead, 341 missing, 171,778 displaced as at 0600hrs today [05]
Showers above 75 mm are likely at some places in the Western and Sabaragamuwa Provinces and in Galle and Matara districts
Media slams govt.’s bid to use Emergency to silence critics
Cardinal calls for compassionate Christmas amid crisis
‘Dates have the highest sugar content to fight Coronavirus’
Sunday Island 27 December – Headlines
#SundayIsland 17th December – Headlines
Sunday Island – 28th March
Sunday Island Headlines – 21 March
Sunday Island – 21st February – Headlines
-
News5 days agoWeather disasters: Sri Lanka flooded by policy blunders, weak enforcement and environmental crime – Climate Expert
-
Latest News6 days agoLevel I landslide RED warnings issued to the districts of Badulla, Colombo, Gampaha, Kalutara, Kandy, Kegalle, Kurnegala, Natale, Monaragala, Nuwara Eliya and Ratnapura
-
Latest News6 days agoINS VIKRANT deploys helicopters for disaster relief operations
-
Latest News7 days agoMajor flood warning for the Kalu Ganga Basin
-
News2 days ago
Lunuwila tragedy not caused by those videoing Bell 212: SLAF
-
Latest News6 days ago
Department of Irrigation issues Critical flood warning to the Kelani river basin
-
Latest News3 days agoLevel III landslide early warnings issued to the districts of Badulla, Kandy, Kegalle, Kurunegala, Matale and Nuwara-Eliya
-
News6 days agoCountry reels under worst weather in living memory