Features
Iromie Wijewardena – Award-winning Visual Artist
PLACES, PEOPLE & PASSIONS (3Ps)
Dr. Chandana (Chandi) Jayawardena DPhil
President – Chandi J. Associates Inc. Consulting, Canada
chandij@sympatico.ca
Profile
Iromie has painted for over five decades. She has represented Sri Lanka at numerous international exhibitions, with her work displayed in prestigious galleries in Bulgaria and Yugoslavia. Iromie was the first Sri Lankan artist to have a painting depicted on a foreign postage stamp (“The Royal Procession,” Yugoslavia). Two of her paintings are in the Presidential Collection in Sri Lanka. In 2006, “Iromie Wijewardena Paintings” book was published, and she was elected Chairperson of the jury panel of the prestigious Asian Art Biennale in Bangladesh. In 2021, she was awarded the Kala Vibushana Award by the Ministry of Cultural Affairs.
After 40 years, first chat in 2023
I saw Iromie at an art exhibition in Colombo in the early 1980s. I knew of her as a young visual artist with great potential for a promising career. I did not get an opportunity to speak with her then, but from a distance I followed her career over the next four decades.
In the middle of the pandemic, my elder son, Marlon, called me on a Sunday, from Vietnam. He was working there as the General Manager of Value Addition of a large fashion garment company. “Thaththi, after six years in Vietnam, I decided to move back to Sri Lanka and look for a new job,” Marlon surprised me. Having visited him in Vietnam a year ago, I was impressed with his work in leading a team of 600 associates. I was also very happy to note his popularity in his latest adopted home, after Sri Lanka, The United Kingdom, Iraq, Guyana, Jamaica, and Canada. Mainly owing to his charming personality and his ability to speak Vietnamese, Marlon was very popular among his superiors, peers, and subordinates.
“Putha, as you clearly know, the whole world is in an uncertain crisis management mode owing to the global pandemic. It is not a good time for you to change countries and jobs,” I advised him. During that chat, I realised that Marlon had fallen in love again, and wished to be close to his new girlfriend, who had recently returned to Sri Lanka from England after completing her studies. Worrying that I might post something prematurely on social media, Marlon was reluctant to provide me with any other information!
During our next telephone chat, Marlon provided me with carefully selected limited information about his girlfriend. She had recently qualified as a barrister, she is the only child of a Wijewardena family from Colombo, and her mother is a well-known visual artist. Soon after that chat, I checked Iromie Wijewardena’s Facebook page and learnt that her daughter had recently returned from England and her name is Natalie. Marlon was shocked when I sent him a text with one word: NATALIE? He called me back immediately, and said, “How did you find out in five-minutes? You are correct, Thaththi. Please keep it to yourself for the time being. Please, no posts about this on social media!”
A few months later, Marlon moved back to Sri Lanka. He then introduced Natalie to me as his fiancé, over a zoom video. “I just proposed to Natalie, and our two mothers are already planning a grand wedding in Colombo, when the pandemic ends and the ‘Aragalaya’ situation improves”, Marlon told me. I was thrilled that a great artist would be Marlon’s mother-in-law.
Soon after I arrived in Colombo a week before Natalie and Marlon’s wedding, in March 2023, I was invited to Natalie’s parents’ house for dinner. I was excited to meet them and Natalie and talk with Iromie for the first time. “My favourite paintings and paintings which won awards are in my private collection. I had many offers, but we decided not to sell these” Iromie told me, while taking me around the house. I felt privileged, to experience a private tour of an amazing private gallery, which they call, home.
I was most impressed. Iromie was also a charming hostess. We then agreed to meet for an interview after the busy period for both families during the wedding, homecoming etc. We met at their house again, just before my return to Canada in late April 2023. I posed 10 questions to Iromie.

Iromie featured in the back cover of an issue of Reader’s Digest Magazine – which has the largest circulation of any periodical in the world.
Q: Out of all the places you have visited in Sri Lanka and overseas, what is your favourite and most interesting place?
A: That is a hard question to answer as almost all the countries I have visited have their own uniqueness about them! However, when not in Sri Lanka, I always find myself gravitating to Paris, especially the area of Montmartre, as it is full of life and art!
Q: Out of all the inspiring people you have met, who inspired you most to paint for five decades?
A: At the start of my career, it was my university professors who really encouraged me to keep painting and persevere. However, it has been my own love and passion of creating art that has kept me painting for such a long time!
Q: At the present time, what is your key passion in life, other than visual art?
A: While art takes up most of my time, when I am not painting, I gravitate towards the performing arts – music, dance, and theatre. I find the rhythm, movements, and choreography to be very inspiring.
Q: Can you talk more about the foundation you laid for your career when you were a student at the Institute of Aesthetic Studies of the University of Kelaniya and Wilson College in USA?
A: While at university, I made a concerted effort to immerse myself into multiple disciplines of art, including sculpture, textile designing, leather work, graphic art, and art history. All these different areas of art helped and influenced my style of painting to become what it is today.
Q: You had the honour of representing Sri Lanka at numerous international exhibitions in the USA, UK, France, Germany, Bulgaria, Yugoslavia, Japan, South Korea, Singapore, India, Bangladesh, UAE, and Cuba. Which exhibition resulted in your most memorable experience?
A: My most memorable exhibition was at the Joseph Broz Tito Gallery in former Yugoslavia. My painting, “Royal Procession,” which was done in the Sri Lankan temple mural style, was selected by the Sri Lankan Cultural Ministry as Sri Lanka’s choice for the Non-Aligned Countries Gallery in Titograd. This then led to the opportunity for me to be invited to hold a solo exhibition at the same gallery, which was a truly unforgettable experience.
Q: Can you talk more about the opportunity of becoming the first Sri Lankan artist to have a painting depicted on a foreign postage stamp?
A: In 1985, the Yugoslavian government selected five paintings, from 50 galleries, to be made into postage stamps. The ‘Royal Procession’ was one of the five selected, which was an immense honour and a great highlight of my career.
Q: How was the experience as the Chairperson of the jury panel of the prestigious Asian Art Biennale in Dhaka, Bangladesh?
A: Being a part of the Asian Art Biennale has always been a very fulfilling experience and being made the Chairperson and working alongside the others in the panel, all celebrated and talented artists from across Asia, was a great privilege. The Biennale itself comprises artists and paintings from 34 countries, and it is very interesting to see the different styles and methods used, as every artist’s process is unique and often influenced by their own culture. As part of the jury panel, I found it quite a challenging task to pick one artist to win from each category, as the talent at the Biennale is immense.
Q: The beauty of the female form is predominant in your recent works. What are the main themes for your work over five decades?
A: The themes of my work have evolved through the years. Initially I concentrated mostly on landscapes and seascapes, and then moved on to figure compositions. Since moving to figure compositions, my paintings have revolved around the female form, mostly depicted in village life. I have chosen to paint art that highlights not only the beauty and elegance of women but also the pivotal role played by women in society.
Q: Can you explain your process and the average duration in creating a commissioned painting?
A: My process varies with each painting and is rarely ever the same. It often depends on the medium used, as working with oils and acrylics can be different. As for duration, it tends to be very unpredictable – once I had a buyer who wanted a painting done in a week!
Q: What is your main advice to young visual artists dreaming of a career like yours?
A: Expose yourself to different forms of art and don’t be afraid to experiment with different styles and media. Develop your own unique and individual style and keep in mind that it is perfectly fine for your style of painting to change and evolve!
Next week, 3Ps will feature an entrepreneur focusing on sustainable development of community tourism to showcase authentic cuisine of Sri Lanka…
Features
Silence of the majority keeps West Asian conflict raging
With no military quick-fix in sight to the ongoing, convoluted West Asian conflict it ought to be clear to the rationally inclined that there is no other way to a solution to the blood-letting other than through a negotiated one. Unfortunately, there are not many takers the world over for such an approach.
Consequently the war rages on incurring the gravest human costs to all relevant sides. Whereas it should be obvious to the Trump administration that Iran wouldn’t be backing down any time soon from its position of taking on the US frontally and with the required military competence in the Hormuz Strait and adjacent regions, the US demonstrates a stubbornness to persist with war strategies that are showing no quick, positive results on the ground.
Clearly, the virtual ‘lock down within a lock down’ situation in the Strait is not proving beneficial for either party. Instead, the spilling of civilian blood in particular continues with unsettling regularity along with an all-encompassing economic crisis that carries a staggering material toll for ordinary people all over the world.
From this viewpoint it is commendable for Pakistan to offer itself as a peace mediator and go ‘the extra mile’ to keep the principal parties engaged in some sort of negotiatory process. But its efforts need to win greater support from the world community. It is a time for peace-makers the world over to stand up and be counted.
It is also a time for straight-talking. To his glowing credit Pope Leo XIV is doing just that and he is the only religious head worldwide to do so. Very rightly he has called on President Trump to end the war through negotiations and described it as ‘unjust’ and ‘a scandal to humanity’.
May this crucial cause be taken up by more and more world leaders, is this columnist’s wish. Instead of speaking fatalistically about a ‘Third World War’, decision and policy makers and commentators, and these are found in plenty in Sri Lanka as well, would do better to help in drumming-up support for a peaceful solution and the latter is within the realms of the possible.
Incidentally, the commonplace definition of the phrase ‘World War’ is quite contentious and it would be premature to speak forebodingly about one right now. The fissures within the West on the Middle East conflict alone rule out the possibility of a ‘World War’ occurring any time soon.
Instead, it would be preferable for the international community, under the aegis of the UN, to take the ‘straight and narrow’ path to a peaceful solution. As implied, this path is no easy avenue; it is cluttered with obstacles that only doughty peace makers could take on and clear.
However, the path to a negotiated peace is worth taking and no less a power than the US should know this. After all, the US ‘bled white’ in Vietnam and had to bow out of the conflict, realizing the futility of pursuing a military solution. A similar lesson should have been learned by Russia which bled futilely in Afghanistan. It too is in an unwinnable situation in Ukraine.
The Pope’s observations to President Trump on negotiating peace have earned for him some snarls and growls of criticism but with time these critics would realize that peace could come only by peaceful means and not through ‘the barrel of a gun.’
For far too long the ‘silent majority’ of the world has allowed politicians to take the sole initiative on working towards peaceful solutions to conflicts and wars. As could be seen, the results have been disastrous. The majority of politicians speak the language of Realpolitik only and this tendency runs contrary to the ways of the selfless peace maker.
Power, which is the essence of Realpolitik, and peace are generally at loggerheads in the real world. Power and self-aggrandizement have to be shelved in the pursuit of durable peace anywhere and it is a pity that the likes of Donald Trump and his team are yet to realize this.
At this juncture the ‘peace constituency’ or the silent majority would need to take centre stage and play their rightful role as the ‘Conscience of the World’. If the latter begins to take on the cause of peace in earnest everywhere, the politicians would have no choice but to pay heed to their cause and take it up, since a contrary course would earn for them public displeasure and votes.
An immediate challenge would be for the ‘peace constituency’ to come together and act as one. Right now, such a coordinating role could be played effectively by only the UN and its agencies. Practical problems are likely to get in the way but these need to be managed insightfully and resourcefully by all stakeholders to peace.
In fact the time couldn’t be more appropriate for the backers of peace to come together and work as one. Right now, economic pressures are increasing worldwide and no less a public than that in the US is beginning to feel them in a major, crushing way.
Going ahead the US public, along with other polities, would find the economic consequences of war to be intolerable. There would be no choice but for governments and peoples to champion peace. Peace makers would need to ‘strike while the iron is hot.’
The success of the above endeavours hinges on the importance humans attach to their consciences. The danger about prolonged wars is that they deaden consciences; particularly those of politicians. The latter deaden their consciences to the extent that they prove impervious to the pain and suffering wars incur.
Thus, the ‘peace constituency’ has its work cut out; it cannot rest assured that politicians would prove sensitive to their demands. The latter would need to be constantly dinned into the hearts and minds of politicians and decision-makers if peaceful solutions to conflicts are to be arrived at.
Likewise, the publics of war-torn countries would need to demand the activation and sustaining of accountability processes with regard to those sections that are suspected of committing war crimes and like atrocities. Those publics that cease to demand accountability from powerful sections among them which are faced with war-time atrocity charges are as good as condemning themselves to lives of permanent dis-empowerment and enslavement.
Features
Don’t take the baby: In the quiet night, mother always returns

Chaminda Jayasekara
There is a particular stillness in Sri Lanka’s forests, after dusk — a kind of hushed expectancy where shadows lengthen, cicadas soften their chorus, and the night begins to breathe in its own rhythm. It is a world that does not reveal itself easily. You have to wait for it. You have to listen.
And then, suddenly, you see them — a pair of luminous, unblinking eyes suspended in the dark.
The Grey Slender Loris, or unahapuluwa, emerges, not with drama, but with quiet precision. Small, slow-moving, and almost impossibly delicate, it is one of Sri Lanka’s most enigmatic nocturnal primates — a creature that has survived millennia by mastering the art of stillness.
Yet, during these months — from late March through July — the forests hold a more tender story. It is the breeding season of the slender loris, and with it comes a scene that is often misunderstood by those who encounter it for the first time: a tiny infant, alone on a branch, barely three inches long, its fragile body silhouetted against the night.

Grey Slender Loris with twin babies
To many, it appears to be a moment of abandonment.
To nature, it is a moment of trust.
“People often act out of compassion, but without understanding what they are seeing,” explains Chaminda Jayasekara of the University of Hertfordshire. “A baby loris left alone is not necessarily in danger. In fact, it is part of a natural process that is critical for its survival.”
According to Jayasekara, when a baby loris is about a month old, the mother begins a remarkable routine. As darkness settles, she gently places her infant on a secure branch and moves off into the forest to forage. Her journey can take her hundreds of metres away — sometimes close to 800 metres — as she searches for insects and other small prey.
In those hours of solitude, the infant is not abandoned. It is learning.
Clinging to the branch, it begins to explore its immediate surroundings. Tentatively, almost hesitantly, it reaches out — testing balance, grip, and instinct. It may attempt to catch tiny insects, mimicking behaviours it will one day rely on entirely. This is its first classroom, and the forest its only teacher.
“Those early nights are crucial,” Jayasekara says. “The baby is developing motor skills, coordination, and the ability to interact with its environment. These are things that cannot be replicated in captivity.”
And yet, this is precisely where human intervention often disrupts the process.
Across rural and even semi-urban Sri Lanka, stories circulate of well-meaning individuals who come across a lone baby loris and assume the worst. Driven by concern, they pick it up, take it home, or attempt to hand-rear it — believing they are saving a life.

Grey Slender Loris
But the reality is far more complex — and far more tragic.
“When a baby is removed unnecessarily, it loses something fundamental,” Jayasekara emphasises. “It loses the chance to learn how to survive in the wild. Without that, even if it survives in the short term, its long-term prospects are extremely poor.”
The forest, after all, is not just a habitat. It is a living, evolving system of lessons — how to detect predators, how to navigate branches, how to hunt silently, how to recognise territory. These are not instincts alone; they are behaviours refined through experience.
And the mother, contrary to assumption, is rarely far away.
“If people simply waited — even for several hours — they would often see the mother return,” Jayasekara explains. “She knows exactly where she left her baby. Her absence is temporary, purposeful.”
The advice from conservationists is clear and consistent: observe, but do not interfere.
If you encounter a baby loris, watch quietly from a distance. Avoid using bright lights or making noise. Give it time — at least 10 to 12 hours — before drawing conclusions. In most cases, the situation will resolve itself, just as nature intended.

35 days old Grey Slender Loris
Only if the animal is clearly injured, or if there is strong evidence of abandonment after prolonged observation, should intervention be considered — and even then, it must be done through the proper channels, particularly the Department of Wildlife Conservation.
Attempting to care for such a delicate animal at home is not only ineffective but often fatal.
Sri Lanka is home to two species of slender loris — the Grey Slender Loris and the Red Slender Loris — each adapted to specific ecological zones across the island. Both are protected under national legislation and recognised internationally as species requiring urgent conservation attention.
Their threats are many: habitat loss, road mortality, illegal pet trade, and, increasingly, human misunderstanding.
Yet, in the midst of these challenges, there are also signs of hope.

In recent years, the slender loris has become the focus of a unique form of wildlife tourism — one that values patience over spectacle. Night walks, conducted with trained naturalists and strict ethical guidelines, offer visitors a chance to witness the loris in its natural environment without disturbing its behaviour.
At places like Jetwing Vil Uyana, this approach has been refined into a model of responsible eco-tourism. Over more than a decade, the property has developed a dedicated Loris Conservation Project, recording thousands of sightings while educating visitors and supporting local communities.
Here, the loris is not handled, chased, or exploited. It is simply observed — a quiet presence in a carefully protected landscape.
“The success of such initiatives shows that conservation and tourism do not have to be at odds,” Jayasekara reflects. “When done responsibly, tourism can actually support conservation by creating awareness and value for these species.”
There is something profoundly moving about encountering a loris in the wild. It does not roar or charge. It does not demand attention. Instead, it exists — quietly, deliberately — as it has for millions of years.
And perhaps that is why it is so easily misunderstood.

In a world that often equates visibility with importance, the loris reminds us that some of the most extraordinary lives unfold beyond the spotlight.
It also reminds us of something else — something simpler, yet harder to practice.
Restraint.
Because conservation is not always about stepping in. Sometimes, it is about stepping back. About recognising when nature does not need our help, but our patience.
So if, on some future night, you find yourself walking beneath the trees, and your light catches a tiny figure sitting alone on a branch — do not rush forward.
Pause.
Watch.
Let the moment unfold.
Because somewhere, moving silently through the darkness, guided by instinct and memory, a mother is already on her way back.
And by morning, the forest will be whole again.
By Ifham Nizam
Features
Kumar de Silva: 40 years of fame and flair
We first saw him on the small screen in January 1986 – a relatively raw, totally untrained and a very nervous 24-year-old presenting ‘Bonsoir’ on ITN.
And now, 40 years later, and as one looks back, one realises what a multi-dimensional journey Kumar de Silva has navigated across the small screen yes, from your television screens to your laptops, and iPads, tabs, and mobile phones.
Says Kumar: “It is the French language I speak that opened the world of television to me, 40 years ago. It was ‘Bonsoir’ alone, and so to my French teacher at Wesley College, Mrs. BA Fernando, to ‘Bonsoir’, and to the Embassy of France in Sri Lanka, I am eternally grateful”.

Promoting the French language, and culture, in Sri Lanka, in a big way
Kumar went on to say that on the heels of ‘Bonsoir” came ‘Fanclub’, on ITN, describing it as yet another resounding success story which saw him as a music DJ on TV.
His inherent talent saw him handle a range of contrasting programmes across ITN, TNL, Prime TV and SLRC with consummate ease – from News Reading, Business Talk Shows, Celebrity Chats, to Dhamma discussions, on Poya Days, to name a few.

Kumar – the 1986 look
Trained in Paris in television production and presentation, the Government of France, in 2012, conferred on him the title of ‘Chevalier dans l’Ordre des Arts et Lettres’ (Chevalier in the Order of Arts and Letters) in recognition of his contribution to promoting the French language, and culture, in Sri Lanka.
In celebration of his four decades on the small screen, Kumar recently launched ‘Bonsoir Katha’, the Sinhala translation (by Ciara Mendis) of his English book ‘Bonsoir Diaries’ (2013), at a gala soiree. at the Alliance Francaise de Colombo, under the distinguished patronage of the French Ambassador in Sri Lanka, Remi Lambert, and francophone President Chandrika Kumaratunga.
He’s now excited about launching the French version of this book, ‘Les Coulisses de Bonsoir’, in Paris, in autumn this year. It is currently being translated by Guilhem Beugnon, a former Deputy Director of the Alliance Francaise de Colombo. This will, co-incidentally, also be Kumar’s 30th visit to Paris.

Chief Guest French Ambassador in Sri
Lanka Remi Lambert
Says Kumar: “The word GRATITUDE means a lot to me and so I always make it a point to spend time with two very special French people every time I go to France. One is Madame Josiane Thureau, formerly of the French Foreign Ministry, who began ‘Bonsoir’ in Sri Lanka. way back in the mid-1980s. The other is Madame Aline Berengier, the lady who designed the ‘Bonsoir’ logo – the Sri Lankan elephant in the colours of the French national flag”.
Kumar is also a much-sought-after Personal Development and Corporate Etiquette Coach in Colombo’s corporate world. Over the past 15 years, tens of thousands of corporates, have been through the different modules of his interactive training sessions. There have also been thousands of school leavers and undergraduates from national and private universities, many of whom will constitute the corporates of tomorrow.

Guest of Honour francophone President Chandrika Kumaratunga at the gala soiree
at the Alliance Francaise de Colombo
The multi-talented Kumar turns 65 next year, and his journey on the small screen still continues – you see him on the (monthly) ‘Rendez-Vous with Yasmin and Kumar’ on the French Embassy’s YouTube Channel, and (every Friday) on ‘Fame Game with Rozanne and Kumar’ on Daily Mirror Online, Hi Online and The Sun Online.
There’s yet another podcast in the pipeline, he indicated, but diplomatically declined to give us details. All he said, with a glint in his eye, was, “It will hit your screens soon.”
Whatever he has in mind, one can be certain that the new programme will continue to showcase Kumar de Silva’s enduring presence in Sri Lanka’s entertainment scene.
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