Life style
From Skies to Scripts: A young editor taking Sri Lanka’s stories to the world
At just 26, Avishka Mario Senewiratne has already done what many spend a lifetime trying to achieve. A trained pilot, published author, historian, and now Editor-in-Chief of The Ceylon Journal, Senewiratne is fast emerging as a defining voice in Sri Lanka’s literary and historical landscape. But behind the titles lies a story of deep passion, quiet perseverance, and an unwavering love for history – and the written word.
Speaking to The Sunday Island, Avishka says his fascination with writing began at an unusually early age. “I’ve been into history and writing from the age of around seven and a half,” he says. “To be honest, I wasn’t really interested in the school curriculum. So, my mother brought in a tutor to teach me basic subjects — but in between lessons, he’d tell me stories from Sri Lankan history, from King Pandukabaya to the more recent war.
“That was the moment something clicked. I got curious. I needed to know more.”
That spark, born out of informal storytelling, eventually turned into an intellectual obsession. “At first, I used to just copy what I read. But as I grew older, I wanted to say things in my own way. That’s how writing started taking shape.”
Writing the Unwritten
One of the first major projects he took on was documenting the rich but under-explored history of his alma mater, St. Joseph’s College, Colombo. “It shocked me that a 125-year-old school didn’t have a comprehensive written history,” he says. “So, I began a collaboration with Rev. Fr. Stanley Abeysekera, a former rector and historian.
“Sadly, he passed away before we could finish the book.”
Despite the loss, Avishka remained committed to the project. When wrote that book, Till the Mountains Disappear: The Story of St. Joseph’s College, he was just 22. “In fact, some tried to suppress it. But that made people more curious – they wanted to know what was in it that caused such a fuss.”
The book became an unexpected hit. “The first print sold out in six or seven days. We had to do two more prints within the same year – all sold out.”
Rediscovering Forgotten Reels
In the process of his research, Avishka stumbled upon a long-lost treasure: a 1956 film titled Little Bike Lost, produced by students and clergy at St. Joseph’s. “It was made by a Catholic priest named Noel Cruz. But what is amazing is that this film predates Rekava by Lester James Peries. It’s perhaps the first Sri Lankan film made entirely outside a studio.”
He not only traced the reel but digitised the film through the Tulana Media Unit, preserving it for future generations. “I produced a book detailing the making of that film. It took me about a year. The school history book took me six.”
After strong feedback on the first book, Avishka decided to rewrite certain sections in the second volume. “Not because the facts were wrong – but I wanted to write from a new perspective. The second book, Fruits of Virtue: The Early History of St. Joseph’s College focused more on the political and financial history of the school – how land was acquired, how buildings were funded. That side of institutional history wasn’t covered in the first one. I co-authored this book with Dr. Srilal Fernando.”
A Journal is Born
These projects eventually inspired something even bigger – the creation of The Ceylon Journal, a space to explore neglected or forgotten aspects of Sri Lankan history, culture, and society. “Is realised there wasn’t a single journal-style publication that was boths scholarly and accessible to general readers. That’s how the idea for The Ceylon Journal came about.”
Now well into its third run, the journal has quickly gained a readership among academics, students, and curious minds both in Sri Lanka and abroad. “We don’t publish just for the sake of being academic. The idea is to make history – and by extension identity – relatable and exciting.”
His writing has since moved from institutional histories to broader Sri Lankan themes, especially focusing on the British colonial and post-independence periods. “But of course, I read and write on ancient and medieval history too. My interest is wide. It’s not bounded by era or discipline.” He has recently finished writing the biography of the late Dr. Neville Fernando, which is expected to be launched in the near future.
Between Clouds and Culture
What makes Avishka’s journey even more unique is that he isn’t a full-time writer – by profession, he’s a qualified commercial pilot who works as an instructor for the Asian Aviation Centre. “Flying is demanding, just like writing. But in different ways. The mental discipline, the exposure to different people, systems and cultures – all of it feeds into my writing. And reading, in turn, is what helps me handle the pressure of flying.”
During the COVID-19 pandemic, he also completed a degree in Global Business. “That was something I wanted to do to broaden my perspective. It also helped me with how I structure and run the journal today.”
The Road Ahead
So what fuels his passion outside of history? “Travelling. I travel a lot within Sri Lanka – mostly with friends or sometimes alone. I have very good friends across the country, except in the Eastern and Uva Provinces, unfortunately. But I’m working on that.”
Books, of course, are never far away. “I collect books. That’s something I’m very passionate about. My collection ranges from rare Sri Lankan titles to global nonfiction. I’ve been reading only nonfiction since I was about 14.”
When asked about favourite authors, he takes a moment. “From Sri Lanka, I really admire Gananath Obeyesekere – a giant of scholarship.
Also, the earlier works of K. M. de Silva, R. L. Brohier, Fr. S. G. Perera, John Penry Lewis, etc. And for Sinhala classics, Martin Wickramasinghe is in a league of his own.”
Among international writers, he lists Shakespeare, Dickens, and Dan Brown. “I never read Harry Potter,” he laughs. “That whole wave missed me. I was more into Dan Brown and the philosophical works of people like Stephen Hawking. They make you think in a different way.”

Till the Mountains Disappear: The story of St. Joseph’s College launch. Author with all former living Rectors of St. Joseph’s College in 2021.
More Than Just Ink on Paper
But for all the accolades and accomplishments, what matters to Avishka the most are the relationships he’s built along the way. “Writing and reading are tools. But the real reward is the human connection – whether it’s with an author, a reader, or a forgotten voice from 150 years ago.”
“There are so many stories in Sri Lanka that are yet to be told. My hope is to create a space – through The Ceylon Journal and my books – where more people feel inspired to dig, write, and preserve.”
As for what’s next, Avishka smiles, “There are always more stories.
Some sit in dusty archives, others in living memory. I just want to keep uncovering them – and give them the stage they deserve.”
In a world overwhelmed by noise, Avishka Mario Senewiratne reminds us that sometimes the most powerful thing is a quiet, carefully crafted story – one that connects the past to the present, and maybe even shows us the way forward.
By Ifham Nizam ✍️
Life style
The Thinnai heartbeat of Northern tourism
As Northern Sri Lanka continues to emerge as one of the island’s most competing destinations , The Thinnai hotel stands as a shining ambassador of the region, a place where timeless traditions meet contemporary luxury, where every stay tells a story.This is a place where visitors leave not only with cherished memories but also with a deeper appreciation of the culture, warmth and enduring spirit of Jaffna.
The Thinnai Hotel is for more than a luxury retreat, it is a celebration of Jaffna’s heritage, hospitality and residence. From its 39 all suite accommodation, inspired by tourism revival, welcoming travellers from around the world while creating opportunities for local communities and preserving cultural tradition, at this place every stay creates lasting memories.
Tucked away just a few kilometers from the heart of Jaffna. The Thinnai hotel is more than a luxury boutique hotel, it is a destination that celebrates the heritage, hospitality and timeless traditions of Northern Sri Lanka. Inspired by the traditional Tamil Thinnai, the raised verandah where families and neighbours once gathered to welcome guests and share stories, the hotel transforms the cultural symbol into a contemporary travel experience.
Designed around authentic Jaffna architecture, The Thinnai hotel blends elegant all suite accommodation with peace and relaxation.
Every suite reflects a harmonious balance between traditions and modern comfort, making it an ideal place for couples, families, tourists and business travellers. Beyond its luxurious setting, The Thinnai serves as a gateway to the cultural treasures of Jaffna. Guests can easily visit economic landmarks, such as the Nallur Temple, explore colonial era architecture, discover local markets, savour Jaffna cuisine and experience the warmth of Tamil hospitality. As tourism continues to grow in the Northern Province, The Thinnai hotel stands as one of Jaffna’s most distinctive hospitality landmark, the region’s rich cultural heritage with contemporary luxury.
- As the sun sets in the evening the tea kade comes alive
- Spacious elegantly appointed rooms providing comfort and privacy
- Hands on journey into one of Jaffna’s oldest traditional craft
- Striking exterior – graceful blend of traditional architecure and contemporary design
This hotel is a cultural ambassador that connects visitors from all over the world with traditions, history and hospitality of Jaffna.
The affable and General Manager, Selvarajah Roshanth, is focussed on delivering exceptional guest experiences, maintaining high hospitality standards and promoting Jaffna as a premier tourist destination in Northern Sri Lanka. He leads with warmth,vision and an unwavering commitment to authentic northern hospitality. He showcases the best of Sri Lanka’s north. He brings a wealth of experience and the guest first philosphy to The Thinnai hotel.
Roshanth is recognised for his warm approachable and guest centric leadership style, and when asked why this hotel is different in this region, he said ‘The Thinnai is not just a hotel, it is an authentic expression of Jaffna’s identity. What makes us different is that we don’t simply offer accommodation. We offer an immerseive cultural experience”
Looking ahead, he explained The Thinnai aims to further strengthen its position as Northern Sri Lanka’s leading boutique hospitality destination by enhancing its great experiences, curating more authentic, cultural and culinary activities and expanding its sustainability initiatives.
‘We make plans to deepen its engagement with local communities through environmental conservation, hospitality training programmes and educational CSR projects ensuring that tourism growth directly benefits the people of the North.
The Thinnai hotel offers 39 spacious all suite accommodations, thoughtfully designed to blend traditional Jaffna architecture with modern luxury. The accommodation includes deluxe, suites, superior suites, luxury suites, and Presidential suites, and each suite is equipment with modern amenities such as an air-conditioner, wifi, led, TVs, mini bar refrigerator and comfortable living spaces.
The Thinnai offers a memorable culinary journey that celebrates the rich flavours of Jaffna while also catering to international tastes. Guests can enjoy specialities like Jaffna crab curry, Jaffna Cool, Dosai, Idiyappam, other sea food dishes and themed buffet nights followed by cultural shows.
A visit to the Thinnai farm is one of the highlights of staying at this hotel because it offers guests an authentic connection to Jaffna’s agricultural heritage and sustainable way of life. This farm supplies many of the fresh ingredients used in the hotel kitchens ensuring a genuine farm to table experience. It is an opportunity to appreciate the region’s rich agricultural traditions, breathe in the tranquil countryside and understand how sustainability and local culture are woven into everyday life. Guests can stroll through thriving vegetable gardens, gaining a first hand appreciation of farm to table experience. One of the unique cultural experiences offered through the Thinnai is the opportunity to discover the art of Jaffna pottery. We saw the traditional pottery making experience highlighting the rich artistic heritage of Northern Sri Lanka while supporting local artisans and presenting centuries old traditions. We saw the skilled artisans demonstrating techniques that have been passed down though generations.
The visit is more than a sightseeing excursion, it is an immersion into one of Jaffna’s oldest living crafts. This activity is part of the Thinnai commitment connecting travellers with authentic Northern Sri Lankan culture. A visit to the pottery village perfectly complements a stay at ‘The Thinnai leaving all of us with a deeper appreciation of the North’s reach cultural identity and timeless craftsmanship.”
Life style
Dr. Hina Shah’s vision for inclusive growth
Empowering women, transforming economies
The Canadian Chamber of Commerce in Sri Lanka (CanCham SL) recently hosted an insightful dialogue on Women’s Development, Economic Empowerment, and the Sustainability of Small and Medium Enterprises, bringing together business leaders, policymakers, and entrepreneur, to explore practical pathways towards inclusive economic growth.
The event highlighted the critical role women play in driving economic progress and innovation.
Discussion focussed on creating opportunities for women entrepreneurs, improving access to finance, strengthening leadership capabilities and addressing barriers that continue to limit women’s full participation in the economy.
A key feature of the dialogue was the emphasis on SME sustainability participants and examined how small and medium sized enterprises can remain resistent in a rapidly evolving business environment though innovation, digital transformation, sustainable business practises and stronger public, private partnerships. SMEs which form the backbone of Sri Lanka’s economy, were recognised as a vital contribution to employment generation and community development.
Among the distinguished speakers was Dr. Hina Shah, Founder International Centre for Entrepreneurship Development and Career Development (Ahmedabad, Gujarat, India) who shared valuable insights on leadership innovation and the importance of creating eco systems that enable women to thrive in business. Hosted by the Canadian Chamber of Commerce in Sri Lanka (CanCham) her address underscored the need for mentorship, access to networks and supportive policies that help women led business scale to succeed.
The keynote speaker, Dr. Hina Shah, shared insights from decades of work empowering women entrepreneurs. She highlighted how women-led enterprises drive economic progress and social transformation, drawing on India’s experience in building resilient ecosystems. Dr Shah’s experience bring a rare combination of visionary leadership, proven institutional models, global development experience, scalable implementation systems and many high impact initiatives.
She said ‘ “Established with support from Global Affairs Canada and under the patronage of the Canadian High Commissioner to Sri Lanka, CanCham SL is committed to strengthening trade, investment, innovation, and people-to-people ties between Sri Lanka and Canada. Advancing women’s economic participation is a central priority, aligned with Canada’s commitment to gender equality and inclusive growth.
The dialogue focussed on practical strategies to improve market access, strengthen business eco systems, enhance financial inclusion, and support the long-term sustainability of women-led SMEs.
Looking Ahead
CanCham SL announced plans to form a core stakeholder group with representatives from Sri Lanka, Canada, and the wider Indo-Pacific region to develop a long-term strategic framework for women’s entrepreneurship and SME development.
The Chamber will also host an Economic Summit for Women to scale these discussions, showcase successful women-led enterprises, and forge partnerships for investment and innovation across the region.
CanCham SL remains committed to working with governments, development partners, and business leaders to create an enabling environment where women can thrive as leaders and drivers of economic transformation.
The Secretary General and Executive Director, Canadian Chamber of Commerce in Sri Lanka M/s Nilupul De Silva said: “At the Canadian Chamber of Commerce in Sri Lanka, we believe that empowering women is not only a matter of quality but also a key driver of economic growth and sustainable development. Today’s discussion reflects our commitment to building a bridge between Sri Lanka and Canada while encouraging collaboration across the public and private sectors. Together, we can create opportunities that enable women-led businesses to thrive and contribute meaningfully to national development.’’ She extended her sincere gratitude to partners, sponsors and all participates for being part of this important conversation and to continue working together to inspire change, strengthen SMEs, and build a future where every woman has the opportunity to lead, innovate and succeed.
This event aligns with CanCham Sri Lanka’s broader vision of promoting inclusive growth, entrepreneurship, innovation and sustainable development while strengthening economic ties between Sri Lanka and Canada. Through initiatives, such as this, the chamber aims to create meaningful opportunities that enable women entrepreneurs to thrive, contribute to job creation and play a greater role in shaping Sri Lanka’s economic future.
The event was held CanCham SL office Horton Place.
By Zanita Careem
Life style
Echoes of the Past: A Conversation with Priyalal Sirisena
When Attorney and former The Island journalist Priyalal Sirisena turned his attention to fiction, the result was Deyyange Atha (The God’s Elephant)—a striking debut that was shortlisted for the 2025 Swarna Pusthaka Awards. Drawing deeply from his background in human rights and the rule of law, Sirisena’s novel cuts through the glamour of 19th-century history to expose elite corruption and the endless cycle of political power plays. In this interview, the author discusses how the plight of the common man inspired his unique narrative structure.
Q: Your recent novel, Deyyange Atha, takes place during a highly turbulent chapter of Sri Lankan history. What drew you to the twilight of the Kandyan Kingdom as the backdrop for this story?
A: The era of the Nayakkara dynasty is fascinating because it was defined by a massive crisis of legitimacy. You had a foreign-lineage monarchy ruling over a deeply resentful Sinhalese nobility. Figures like Ehelepola Adigar weren’t just fighting the King; they were actively scheming with external colonial powers to upend the throne.
What struck me most was the rhetoric. Both the King and the aristocracy claimed they were acting purely to “save the motherland,” when in reality, it was a raw, unadulterated scramble for control. I wanted to strip away the grand political and look at how this endless friction ground down the ordinary citizens who had no stake in their power games.
Q: You have expressed some skepticism about how history is portrayed in modern Sri Lankan media. How does your book counter that?
A: what I see is that, much of our contemporary art, television, and cinema treats history like a glossy escapist fantasy. We are fed a steady diet of romanticised national pride. I think it completely erases the realities of the commoners.
Lately, history has also been weaponised. It’s used as a beautiful distraction to hide modern political failures or to fuel ethnic division and chauvinism. When you wrap corruption in the flag of “national interest,” people get mesmerised. They get so caught up in the emotional high of nationalism that they forget their own empty stomachs. I think it is a challenge for any artist to counter this treand.
Q: In your novel, a single elephant serves as the catalyst for the entire plot, instead of focusing purely on human political figures. Why did you choose an animal to anchor a historical political critique?
A: The elephant is the lens through which we see the entire social hierarchy fracture. The story actually sparks into motion with a violent act—the killing of this magnificent creature by a British covert operative, Major Hardy.
Once this elephant enters the picture in rural Sabaragamuwa, it completely upends the status quo. It stops being just an animal and becomes a flashpoint. The King demands it as a symbol of his absolute right to rule, while the Adigar is pushed to his limits trying to secure it. By tracking the ripples of this one elephant’s fate, we see a mirror reflection of how every layer of society—from the poorest peasant to the highest noble—is ultimately broken by the regime’s ambitions.
Q: Some readers might find the narrative structure unconventional, as certain pivotal events are retold multiple times. What was the philosophy behind this stylistic choice?
A: The repetition isn’t accidental; it is the literal thesis of the book. History is a broken record. The exact systemic failures, abuses of power, and political manipulations we saw in the 1800s are playing out on our news feeds today.
By forcing the reader to witness the death of the elephant through several conflicting viewpoints, I am issuing a challenge. The reader may find it frustrating to read the same event repeated across a few chapters, but at the same time, so incredibly tolerant of history repeating its worst tragedies in our actual lives. The novel intends to question this tolerance.
Q: The book concludes with a fascinating, rather dark leap forward in time. What guided that final twist?
A: The final chapter jumps 50 years into the future, viewed through the eyes of an English traveller during the height of the colonial coffee plantation era. He witnesses locals performing gruelling acts of penance to appease the spirit of a deceased local chieftain—the man who had terrorised and exploited that very same village half a century prior.
The tragic paradox is that the oppressor had been elevated to a deity. Decades later, the descendants of his victims are praying for his spirit’s return, seemingly willing to trade their freedom for familiar tyranny. It speaks to a very painful human truth that we still see in modern politics: our habit of deifying and worshiping the very leaders who exploit us.
Q: Following the critical success of being shortlisted for the Swarna Pusthaka Awards, what can you share about your next literary venture?
A: Yes, I am actually putting the finishing touches on my second novel, which I hope to publish later this year. Chronologically, it revisits a similar historical era, allowing me to dig even deeper into the socio-political undercurrents of that time period through an entirely new lens.
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