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Sohan Weerasinghe Award-winning, Ever-green Musician

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Sohan’s wife Lali congratulating us for winning 1992 The Island Music Awards

PLACES, PEOPLE & PASSIONS (3Ps)

Part 8

Dr. Chandana () Jayawardena DPhil
President – Chandi J. Associates Inc. Consulting, Canada
chandij@sympatico.ca

Profile

Sohan is a popular singer, entertainer, band leader, song composer, lyrics writer, and showbiz personality. He is an attorney at law but decided to make a career in the entertainment industry. After winning the Observer Talent contest in the mid-seventies, he formed his own band – Sohan & The X’Periments. Sohan did a five-year stint with his band at the Hotel Muscat InterContinental in Oman. His first English original composition – “Whispers in the sand” won the song of the year award at the 1993 Island Music awards. Today, Sohan is one of the most sought-after Sri Lankan singers for performances around the world.

First Meeting in 1972

When I was a first-year student at Ceylon Hotel School in 1972, the idea of celebrating the graduation of the third-year diploma students came up during a booze party at our hostel. We organized Graduation Ball 1972 at the Samudra Hotel with one of the most popular dance bands in Sri Lanka at that time – Gabo & the Breakaways.

That was the first time I met Sohan Weerasinghe, their lead singer. He was friendly and fully focused on entertaining the audience, most of whom were in their late teens and early twenties. With a charming smile, he accommodated a few songs requested by the Australian teenage girl who was my dance partner.

Making Colombo 2000 the # 1 Night Club

When I joined Le Galadari Meridien Hotel in 1986, as the Director of Food & Beverage, I was responsible for hiring musicians and signing their contracts. Just before I joined this five-star 500 room hotel, Sohan had negotiated a good contract with my French predecessor. Sohan & The X’Periments with Estelle performed three days a week at what was then the trendiest night club in Sri Lanka – Le Meridien’s Colombo 2000.

One day I had a business chat with Sohan to renegotiate the contract with a revenue-based payment per night. After a long negotiation, Sohan eventually accepted my proposal. Sohan was shrewd, diplomatic, intelligent, and funny. He also had a good business sense and practical ideas. We quickly became good friends. After that I felt that I should meet all hotel entertainers under contract at the hotel for a brainstorming session, which was productive with some great ideas for the year 1987.

Most of the night clubs in Sri Lanka at that time had a limited operation of three or four nights, focusing on the weekend business. We took a chance on making Colombo 2000 a seven-day operation with live bands every day and opening at the same time (9:30 pm). We used ‘the seven-day’ operation as the unique selling proposition in our ad campaigns.

We found it useful to check night club themes and special effects in Asian countries more advanced than Sri Lanka, such as Singapore (which was around two years ahead of nightclub trends in Sri Lanka). I did a couple of trips to Singapore and Thailand with Sohan to check night club trends. Our two wives joined us on these trips, mainly to keep a close eye on us! We also played lot of 304 card games during our trips. The ladies were annoyed to lose every time and accused Sohan and I of cheating. They never found out how!

One of the many awards won by Sohan.

Late 1980s were the heyday of the nightclub business in Colombo, and with the support of Sohan and many other leading musicians, my team at Le Meridien made Colombo 2000 the king of nightclubs in Sri Lanka from 1986 for a long time… Thank you Sohan!

Hospitality and Showbiz

I gradually concluded that hospitality and showbusiness which go hand in hand and have many similarities, are really one industry focusing on entertaining customers, while making profits. Entertainment was an essential element of our total food and beverage operation. Usually, in the evening, we had live music in three locations of the hotel. I learnt to treat entertainers as very important members of the hotel family. That orientation proved to be mutually beneficial.

Le Galadari Meridien provided me an opportunity to develop a new hobby, as part of my work. I gradually learnt a lot from Sohan and other hotel entertainers and I became a busy showbiz producer. I regularly used images of Sohan and other leading entertainers to promote events, such as New Year’s Eve dinner dances, which eventually established new records in Sri Lanka.

Mastering Show Biz Productions

During a brainstorming session with musicians, after explaining my objective of improving the ballroom occupancy during the slow months, I encouraged the musicians to suggest solutions. They came with a few great ideas and we decided to organize a series of weekly shows under the theme ‘Musical Stars of 1986’ in the ballroom. A key aim was to promote young musicians who had performed in western bands around the country during the year. All musicians under contract at Le Meridien contributed on an honorary basis as judges for these new, weekly contests and as performers for the gala final show.

I learned to produce music shows with 1,000+ audiences with help from Sohan and other musicians under contract at Le Galadari Meridien. The first three shows I produced in 1987: ‘Musical Stars of 1986’, ‘A Farewell to Priyanthi & Raja’ and ‘Noeline… a Celebration’, all were very successful in terms of production, audience satisfaction, ticket sales, profits, reviews, and publicity. I eventually produced a total of 16 stage music shows, with Sohan as a key member of my team, who provided sound, backing music to all singers and also performing as a leading vocalist.

Sohan and other performers at the finale of The Island Music Awards show in 1988.

More Creative Collaborations with Sohan

A Mega Festival in Oman – 1988

The experiences I gained in showbiz productions in Sri Lanka were memorable and useful in the next phase of my career as an expatriate hotelier. I was invited by Oman Sheraton to coordinate and lead the food and entertainment aspects of a mega Sri Lankan festival which included a versatile team of 54 Lankans flown to Oman. Sohan once again was my right-hand man in this initiative. During this trip in 1988, I became more interested and knowledgeable about fashion shows, and the concept of the first-ever ‘Fashion Model of the Year’ competition in Sri Lanka was born

After a short break from Sri Lanka, to work in the Middle East and the United Kingdom, I returned to Sri Lanka by the early 1990s for three years to work as the General Manager of Mount Lavinia Hotel. Although Sohan was not under contract to perform there, he collaborated with me in producing some more stage productions. Sohan always was a great team player.

‘Whispers in the Sand’ – 1991

One day I received a call from Sohan with an unusual request: “Mr. J, Just now I recorded a new English song with the band at my studio. I have themed it: ‘Whispers in the Sand’. If I send you the rough mix, can you kindly give me your comments?” I was surprised with that request. “Sohan, as you know, I am not a singer and have no musical talents. I am not qualified to give you any advice!”, but he sent me the rough mix anyway.

Soon after I listened to it a couple of times, Sohan called me to check what I felt about his composition. “Sohan, congratulations! ‘Whispers in the Sand’ is easily the most beautiful English song recorded in Sri Lanka. You should make a beautiful four and half minute video for it. If you are looking for a director and producer for it, I would love to give it a try.” Sohan immediately agreed to give me 100% free hand with the creation of the video.

Overnight I learnt to create a detailed storyboard for the video. I also consulted movie makers I knew from my acting days. Willie Blake, an award-winning cinematographer, movie director and my friend, was on a holiday in Sri Lanka and was staying at Mount Lavinia hotel at that time. He advice on camera angles and shooting were particularly helpful for me in planning the production. Mount Lavinia hotel was the location and sponsor of the production. ITN network provided the technical support and an excellent crew. We spent a whole day for the shoot and a full night in the editing rooms of ITN to create a video which was nominated for the Best Music Video of the Year award.

‘Fleeting Moments’ – 1992

During the night I spent with Sohan and the editing team at ITN, I learnt about song composing. I was surprised that Sohan created the tune for ‘Whispers in the Sand’ first, then wrote the lyrics, and finally allowed me to write a story for the video. I felt that the better process should be in the reverse: story – lyrics – music. Following that conceptual process, I created my first song composition that night, based on a personal experience I had at Bentota Beach Hotel in 1974.

Sohan did the arrangement for ‘Fleeting Moments’ and sang it. I wrote the story board and directed the video at Mount Lavinia Hotel during the 1992 New Year’s Eve dinner dance at the Empire Ballroom. It was an instant hit on the charts and motivated me to compose lyrics for more songs.

‘The Show’ – 1992

Having produced, annually, The Island Music Awards shows on three occasions, I did my largest show in Sri Lanka in 1992. It was The Island Music Awards 1991, staged at the largest hall in Sri Lanka – BMICH National Convention Centre. At that time, I was also the General Manager of Mount Lavinia Hotel Catering Services at BMICH. This was my last major production before I left Sri Lanka for good, and I was keen to do something spectacular and memorable. We called it ‘The Show.’

On that occasion, I came with my vision for the show and then requested input from the musicians in the organizing team. It worked well. I accepted most of their suggestions and fine-tuned the concept. With that, we were able to take this show to a much higher level, in terms of production, than all the previous shows that I had produced in Sri Lanka.

In addition to employees of the hotel and BMICH, our production team for that show consisted of 153 professionals: musicians, dancers, choreographers, set designers, sound engineers, lighting engineers, special effects professionals, make-up artists, photographers, video recorders and my favourite stage manager – Kenneth Honter.

We added two new features to this show – a complete dress rehearsal the day before the show, and the show video launched on TV a week after the show. We commenced the show exactly at 7:00 pm with a full attendance of 1,506.

As written on my concept document and the detailed production plan, we had two segments with contrasting sub-themes. For each segment, we used contrasting music, choreographed dance acts, special effects, lighting, and sound. It had two major ‘ambitious’ set changes with unprecedented special effects, to enhance the two segments of the show.

‘Nature’ – 1992

The first half of ‘The Show’ was themed: ‘Nature’ with waterfalls, large trees, mist and 34 little ballerinas performing as butterflies, birds, blossoming flowers in a rainforest waking up early in the morning. A gentle ray of the morning sun gradually made the lead singer of the first song (Noeline) visible to the audience. It was slow moving and misty, using greens and blues in the backdrops with subtle lighting. It was a gentle and happy celebration of our beautiful nature.

‘Future’ – 1992

The second half was themed ‘Future’ depicting humankind advancing with science and flying rockets, but destroying our planet with short sighted policies, human greed, unwanted wars, and disruptions. It was fast moving, with sounds of explosions and smoke, using red and orange in the backdrops with flashing lighting. In one scene a rocket landed on the stage, militants came out of the rocket and took a performing singer (Sohan) as a prisoner before flying away from the BMICH stage. It was a warning that we are selfishly destroying our planet.

Sohan, after recording the song ‘Dream Woman’ composed by Gamini Fonseka in 1998.

With Noeline and Sohan, I co-wrote two new songs aligned with the two segment themes of the show (they did most of the work!). The song, ‘Nature’ dominated the top of the pop charts in Sri Lanka for several weeks, and a year later, Noeline and I jointly won The Island Music Award for the ‘Composer of the Year.’

‘Am I guilty?’ – 1993

My next song was the most popular. I followed my process of ‘story – lyrics – music’ and Sohan became my co-composer and did the arrangements. I chose Dalrene Suby for vocals with Sohan for supporting vocals. We filmed the music video at the Colombo Airport and Airport Garden Hotel. “Am I guilty?” dominated the pop charts for eight weeks at the most popular English song in Sri Lanka. Concurrently I composed another song titled ‘Faithful’ which was arranged by Chandralal Fonseka, who also did vocals with Crystal Williams. I did not make a video for it.

‘Fitness Fever’ – 1993

My sixth and the last song composition was ‘Fitness Fever’. With 20 top Sri Lankan western musicians providing vocals and 16 semi-professional actors appearing in the video, it was my most ambitious song and music video undertaking. We filmed it over a day at the Ramada Renaissance Hotel. It dominated the pop charts for three weeks as the most popular English song in Sri Lanka. Later I produced a cassette with the same name and included four of the songs I was involved in creating. All the participating singers, actors and technicians worked free of charge and we donated all proceeds to Ranvirusevana (fund to rehabilitate soldiers wounded in the civil war). We held a grand launch of the cassette at the Little Hut night club of Mount Lavinia Hotel.

Re-connecting in 2023

After meeting Sohan in January 2020 on the day he paid last respects to his dear wife, Lali, we did not see each other for three years mainly due to the global pandemic. I was happy to re-connect with Sohan in Colombo in 2023, when he sang at my elder son Marlon’s wedding. In the groom’s speech, Sohan’s family was identified as Marlon’s extended family.

Recently, for the first time in my life I sang. I recorded five video covers of old popular Sinhala songs and posted those on social media over five weeks. I was happy to receive thousands of positive reactions but did not see any comments from my friend Sohan. Finally, I heard from him. “Chandi I was not impressed at all! Singing in not your forte. Don’t believe these people who just praise your singing. Your sense of rhythm was bad and your pitching was way out. Please stick to many other things you are extremely good at. This is from the heart of a genuine friend.”

“That’s what friends are for…” I never sang again.

Questions & Answers

Q: Out of all the places you have visited in Sri Lanka and overseas, what is your favourite and most interesting place?

A: My favourite place is Australia. There are so many Lankans who have migrated to Australia, but they still have a special place in their hearts for Sri Lanka. Whenever I perform there, I do get a very warm reception and tremendous crowd support especially in Melbourne. Most musicians will agree with me that Australia is the place for us!

Q: Out of all the inspiring people you have met, who inspired you most to do well in the entertainment industry?

A: I have been inspired by many including Elvis, Humperdinck, Tom Jones, the Beatles, and Bee Gees. In the local music scene by people like Desmond De Silva, Raj Seneviratne, Mignonne Fernando, Dalrene Suby, Victor Ratnayake, Pandith Amaradeva, and Clarence Wijewardena.

Q: At the present time, apart from music, what is your key passion in life?

A: I love spending a lot of time with my only granddaughter Sienna who means the world to me. I also keep in touch with my son Darshan (fitness trainer) and my daughter Erandika who lives and works in New York. I am also an avid filmgoer and love going out for movies.

Q: After dreaming of practising as an attorney, what made you change your mind about a career in music?

A:Music was my passion, as I come from a very musical family. Although I passed out from Law College with first class honours, when I had to decide between law and music, I opted to make music my full-time career. I have no regrets. I have met so many interesting people and loved doing overseas tours entertaining friends and fans abroad.

Q: You also worked for few years as the General Manager of Finco Group of Companies. At that time, how did you balance your work, hobbies, and family?

A:Yes, it was tough, as I had to spend time with my family, with my band the “X’Periments” and try to pursue my career as a legal officer. The best thing I did was to quit my office job and then concentrate on my music and my family and try to balance it out. Initially it was difficult but eventually it turned out OK.

Q: Before forming Sohan & The X’Periments, what key lessons did you learn from bands you served as the lead singer?

A:I worked with the Moonstones with Annesley Malewana, with Esquire set with Ralph Menezies and with Gabo & the Breakaways with Priyanthi. I realized you had to put in a lot of effort to get to the top. Learn a nice repertoire of songs that were catchy and current at the time. Desist from drinking and smoking and breaking too much rest. Also, I learnt a lot about being a good band leader from both Annesley Malewana and Gabo Pieries.

Q: How successful was your first English original – ‘Whispers in the Sand’ in terms of popularity?

A: ‘Whispers in the Sand’ was an amazing hit for me. It ended up getting the award for the song of the year and was the most popular song in the top of the pops list for a few weeks based on votes to the ‘Teen Page’ of The Island newspaper. Thanks to Chandana Jayawardena who was the General Manager of Mount Lavinia hotel and the ITN network I was able to put out a nice video of the song with Brian Kerkoven and Shani J, playing the lead roles in the music video. That was nominated for the 1992 Best Music Video of the Year award by Sunday Observer newspaper.

Q: Out of many awards you have won during your long career in music, which single award made you most proud ?

A: Yes, I have won many awards during my musical journey but the award I liked most was winning the ‘Showbiz personality of the Year’ at The Island Music Awards show at the BMICH, produced by Chandana Jayawardena of Mount Lavinia Hotel.

Q: You are certainly an ever-green musician, who continues to grow in popularity among Sri Lankans in many countries, resulting in a hectic global travel schedule. What is your secret of success?

A: I have made it a point to “read” the crowd and have constant eye contact with my audience. Do the songs they like and not do advanced stuff just to show them one’s high class. Bringing in humour wherever possible helps you to get the audience on your side. Also being simple, flexible, and down to earth has helped my career immensely.

Q: What is your advice to aspiring young western musicians?

A: My message to young musicians is simple – There is no short cut to success. Hard work pays off in the end. If you choose music as your career, make sure you have the “passion” for it. You also need an element of luck. There will be many ups and downs in your career, but you have to put it aside and have a positive attitude. At least have one or two originals to your credit so that you have your own identity. Be focused and give it your 100 percent and eventually you will succeed. Most importantly, try to get on with your fellow musicians and treat them with a bit of love, respect and understanding.

Next week, 3Ps will feature a doctor turned award-winning portrait artist.



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Features

Beyond traditional jobs: Why Sri Lanka needs to facilitate the gig economy

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Image courtesy Oxford University

by Kapila Chinthaka Premarathne
Head of the Department of Agricultural Systems and a Senior Lecturer in Agricultural Economics at the Faculty of Agriculture,
Rajarata University of Sri Lanka

Beyond the Graduate Unemployment Number

Sri Lanka’s economic recovery has improved macroeconomic stability, but youth unemployment remains a significant labour-market concern. Around 43% of Sri Lankan youth aged 15–24 with postsecondary education are unemployed, the highest among the Asian economies compared in the IMF analysis, compared with about 36% in Bangladesh and 13.2% in Thailand. This reflects a problem of skills mismatches and the difficulty of connecting higher education with changing labour-market demand. The concern goes beyond unemployment itself. Sri Lanka has invested heavily in educating its younger population, yet the conventional labour market is not creating enough opportunities to convert these qualifications into income. Many young people possess degrees, technical knowledge and growing digital familiarity, but remain outside formal employment because suitable jobs may not exist in the right place, at the right time or under conditions compatible with their circumstances. This makes it necessary to think beyond traditional employment models and explore new ways of connecting Sri Lanka’s educated youth with economic opportunities.

This is where Sri Lanka needs to reconsider how it understands employment

Employment has traditionally been viewed through the employer–employee relationship, with qualifications leading to a formal job and regular salary. While this model remains important, digital platforms are creating new ways to generate income, allowing individuals to work for multiple clients across geographical boundaries without permanent employment. Sri Lanka therefore needs to look beyond simply creating conventional jobs and consider whether it is building the conditions for its educated population to participate in the growing global market for digital services.

The Opportunity of the Gig Economy

The gig economy extends far beyond ride-hailing and delivery services. Digital platforms increasingly connect skilled individuals with opportunities in software development, design, accounting, data analysis, digital marketing, translation, online education, research and consultancy. This is particularly relevant to Sri Lanka, where a highly educated population faces a relatively limited domestic market for specialised skills. Digital platforms can overcome geographical constraints by connecting Sri Lankan workers directly with international clients.

As highlighted in my previous LSE South Asia article on women and the gig economy, such work should not replace formal employment but can create additional income opportunities when supported by appropriate skills, digital infrastructure, training and institutional support. A skilled person in Anuradhapura, Jaffna, Batticaloa or Monaragala could potentially serve clients in London, Melbourne or Dubai without first relocating to Colombo. This makes the gig economy relevant not only to employment but also to Sri Lanka’s emerging digital services-export strategy.

A Digitally Familiar Generation

Sri Lanka’s younger generation is growing up with smartphones, social media, online learning, digital applications and digital financial services, giving them a level of digital familiarity that previous generations did not have. However, digital familiarity does not automatically translate into digital employability. The challenge is to transform everyday digital use into productive skills such as data analysis, artificial intelligence, software development, digital marketing, financial analysis and online professional services.

Sri Lanka therefore needs to move young people from being consumers of digital services to producers of digital value. Universities, vocational institutions and training providers can play an important role in converting existing digital familiarity into marketable skills that connect young people with both domestic and international opportunities. This is increasingly important as technological change and AI reshape labour markets and intensify the need for skills that match emerging forms of work.

The Gender Dimension

The gig economy may be particularly relevant to women, who often face barriers to conventional employment arising from childcare, eldercare, mobility, social expectations and rigid working arrangements. For mothers and women living outside major urban centres, fixed working hours and daily commuting can make formal employment difficult even when suitable jobs exist.

Digital gig work can provide greater flexibility, allowing women to undertake professional assignments from home or their communities and potentially serve international clients without relocating. As discussed in my earlier LSE South Asia article, this opportunity is most meaningful when supported by digital infrastructure, skills training, virtual work hubs, mentorship and appropriate institutional support. However, flexibility should expand women’s economic choices rather than simply add paid work to existing unpaid household responsibilities.

Pressure on Labour-Market Opportunity

The value of a job cannot be judged by salary alone, as commuting, working hours and household responsibilities can significantly affect its real economic value. Flexible digital work can potentially reduce some of these costs by allowing people to work from home or nearby digital hubs and participate in employment on a part-time or project basis. While gig work cannot solve all household pressures, a more flexible organisation of work can create additional employment opportunities while helping households manage their limited time and resources more effectively.

A Possible Third Option Between Unemployment and Migration

Sri Lanka’s migration and brain-drain concerns highlight the need to explore employment opportunities beyond the domestic labour market. While overseas migration will remain an important individual and economic choice, digital work can provide another pathway by allowing skilled Sri Lankans to serve international clients without physically leaving the country. Software developers, designers, analysts, researchers, translators and consultants can potentially earn from global markets while remaining in Sri Lanka. Digital gig work cannot eliminate migration or reverse brain drain, but it can create an additional option between domestic unemployment and physical migration—working for the world while remaining in Sri Lanka.

Recognising and Making Digital Work Reputable

A major institutional gap is that conventional systems are designed around salaried employment, while a freelancer may earn from multiple clients without a single employer or salary certificate. This can make legitimate digital workers difficult to recognise when they seek loans, leasing, insurance or business finance. Sri Lanka could address this through a voluntary digital-worker or independent-professional registration mechanism, providing a recognised economic identity based on qualifications, verified skills, platform activity and documented income, without creating unnecessary bureaucracy.

Such recognition should also make digital income bankable. Banks could assess verified platform earnings, bank transactions, contracts, invoices, tax records, savings and repayment history alongside conventional employment documents. A standardised digital income statement could further help workers demonstrate their financial capacity. The key shift is from asking “Who is your employer?” to asking “Can your income be verified and is it sufficiently stable?”. This would allow successful digital workers to build financial credibility and use their earnings to access credit, acquire assets and develop their own businesses.

Digital Payments Are Part of the Labour Market

Access to reliable international payment systems is essential if Sri Lankans are to participate effectively in the global digital economy. Recent developments in PayPal’s local banking arrangements, including its partnerships with Sampath Bank and Commercial Bank, indicate progress in this direction. However, the broader priority should be a regulated and efficient digital-payment ecosystem that allows workers to receive international earnings, transfer them to Sri Lankan bank accounts, document their income and meet relevant financial and tax requirements with minimal friction. International payment infrastructure is therefore not simply a technology issue; it is an essential component of Sri Lanka’s emerging services-export economy.

Building Infrastructure Outside Colombo

Digital familiarity alone is insufficient without reliable internet, electricity, computers, software and suitable working environments, particularly in rural and underserved areas. To ensure that the gig economy supports regional development rather than becoming another Colombo-centred opportunity, Sri Lanka could establish regional digital-work hubs through universities, vocational institutions, libraries and public-private partnerships. These hubs could provide connectivity, equipment, training, mentoring and assistance with platform registration and international payments. If graduates must migrate to Colombo simply to access such infrastructure, the geographical advantage of digital work is significantly reduced.

From Freelancer to Entrepreneur

Gig work should not be viewed as an end in itself. A person may begin with small online assignments, develop regular clients and professional credibility, and eventually establish a small digital enterprise. This creates a potential pathway from graduate to freelancer, professional service provider and entrepreneur, allowing individuals to create markets around their own skills rather than waiting for conventional vacancies. Universities can support this transition by teaching students not only subject knowledge but also portfolio development, market identification, client communication, digital platforms and contract management. A degree demonstrates educational attainment, while a professional portfolio demonstrates what a graduate can offer to the market.

Facilitation Must Be Matched by Protection

Promoting the gig economy without appropriate safeguards could simply transfer employment risks from institutions to individuals. Digital workers may face uncertain incomes, weak bargaining power and limited social protection. Sri Lanka should therefore facilitate digital work while also ensuring opportunities for independent workers to build savings, access insurance and participate in portable social-protection mechanisms. Flexibility should create greater economic choice without compromising long-term financial security, particularly for women.

A regional Example from India: Think Globally and act Locally

India provides a useful regional example of how the gig economy can be approached as a policy issue rather than simply as informal or temporary work. NITI Aayog has estimated the size and future employment potential of India’s gig and platform economy and has developed recommendations covering employment generation, skills, financial inclusion and social protection. More importantly, India has begun creating institutional mechanisms around these workers. Its e-Shram portal provides a national database of unorganised workers, including gig and platform workers, creating a recognised identity through which workers can potentially access employment, skills development and social-security services. India has also explored platform-led skills development through skill certificates, skill passports and on-the-job training, while NITI Aayog has proposed cash-flow-based lending models that could allow platform workers to demonstrate creditworthiness through their earnings rather than conventional employment or collateral.

Social protection has also entered the policy framework. India’s Code on Social Security, 2020 formally recognises gig and platform workers and provides a basis for schemes covering areas such as accident insurance, health, maternity, disability and old-age protection. India is still developing and refining these arrangements, and Sri Lanka need not replicate the Indian model.

However, the experience demonstrates an important policy lesson: the gig economy can be supported through a system that identifies workers, develops their skills, makes their income more visible to financial institutions and extends appropriate social protection. Sri Lanka could develop its own simpler framework suited to its smaller economy, beginning with recognising digital workers and building the institutional conditions that allow their skills and earnings to become part of the formal economy.

Rethinking Employment and the Next Opportunity

The 43 percent figure for educated young Sri Lankans should encourage a wider discussion about the changing nature of work. Sri Lanka will continue to need conventional employment through firms, industries, farms, professional organisations and public institutions, but the changing labour market also requires new opportunities to connect educated Sri Lankans with global digital markets. The gig economy can provide an additional pathway to increase female labour-force participation, reduce the pressure for migration and brain drain, and connect Sri Lankan skills with markets beyond geographical boundaries.

This does not require a complicated bureaucracy. It requires recognising legitimate digital workers, facilitating access to international platforms and payment systems, allowing verified digital income to support credit assessment, developing portable social protection, and strengthening digital infrastructure and skills beyond major urban centres. Better data on digital workers would also help policymakers develop evidence-based interventions.

The future of work is therefore not only about creating more jobs, but about creating more ways for Sri Lankans to work, earn and build livelihoods while continuing to live and contribute in Sri Lanka. The gig economy should be recognised as part of an emerging digital labour market and services-export economy, where workers can build professional identities, earn internationally, access finance and eventually develop their own enterprises.

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Features

Are religions getting redundant in the modern world?

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by Dr Upul Wijayawardhana

We are living in an era of astonishingly rapid scientific advancement. From the time Apple launched the ‘iPhone’ in January 2007, the first targeting the mass market, smartphones have taken over the world, making them indispensable. According to the latest statistics, there are around 8.1 billion mobile phones with 7.4 billion active smartphones, for the world population of 8.25 billion. Except for a tiny minority of the very poor, most people have at least one smartphone.

We are now entering the era of Artificial Intelligence (AI) and smart robots. Recently, a ‘Chinese’ robot ran 100 metres faster than Usain Bolt! Though Alan Turing proposed the idea of ‘Thinking Machines’ way back in 1950, the real AI boom commenced with the release of the generative AI chatbot, ChatGPT, by OpenAI in November 2020. Number of technology firms in the US as well as in China have joined the race, China catching up very fast, quite unexpectedly. There is a frenzy at the moment, raising expectations, as the imminent floating of these companies is likely to value the two leaders, OpenAI and Anthropic, trillion dollars each!

However, trouble is brewing in the AI field. On top of the concerns raised by environmentalists regarding the huge power drain by AI centres, there are recent reports of some AI models hacking independently into other systems, without human input. Worse still, a senior researcher at Anthropic, who has previously worked for OpenAI as well, resigned in early September on ethical grounds stating that the way the two companies are fast-tracking AI poses an existential threat to humanity. Surprisingly, instead of a rebuttal the head of Anthropic supported his view, soon joined by three more heads of leading AI developers. Whilst they agreed on slowing progress, President Trump has claimed that slowing is totally unnecessary as long as a super intelligent President like himself is at the helm! There does not seem to be an end to Trump’s grandiosity! He was joined by Tony Blair. In contrast, King Charles held a summit with representatives of all AI developers to find a way AI could be developed without a threat to humanity. That is how wise leaders act!

Less sophisticated AI tools are already in widespread use and installed in computers, laptops and smartphones. Some of us are using these automatically. However, the more advanced AI tools like ChatGPT can change even reality. For instance, AI can generate videos hardly distinguishable from real ones. What you enjoy watching on YouTube may be just the creations of AI! Some people use AI to write articles; only a few of them admit that they do so. Very soon we may be reading stories AI creates and listening to music, courtesy of AI. Technology seems to be fast becoming the new religion? Or, will the existential threat move us more towards religion?

Religion, perhaps, is as old as humanity itself; various belief systems evolving and disappearing coupled with the fortunes of the associated civilizations. Just like AI, religion is also a creation of the human mind which our ancestors did to explain many phenomena which appeared, at that time, to be supernatural. Starting with Animism, perceiving the divine in the natural world around, humans went on to Polytheism, believing in many gods like in Hinduism, culminating in the concept of Monotheism.

World’s oldest religion, Hinduism, still in wide practice, is devoid of a founder or a single text. The earliest scriptures, Rigveda, is considered to be around 3,500 years old but archaeologists have discovered symbols of importance to Hinduism as far back as 7,000 BCE. Though it is considered to be Polytheistic, it can be argued that it was the precursor of Monotheism, the concept of a creator God, as Brahma was the creator in the triad, Trimurti, Vishnu being the preserver and Shiva being the destroyer. It seems to be a sensible balancing act; create, destroy and repair with improvements.

It is pretty obvious that as science expands, the importance of religion contracts but it is hardly likely religions would be totally redundant. We have no choice as to which family we are born to and that invariably determines what your religion would be, if any. Religion is the first brainwashing a child encounters and most remain in the same faith, often trying to defend even the indefensible, but some change through conviction or conversion due to one of many reasons. Further, religious rituals have social values and religious practices often come to one’s solace at times of distress. Therefore, many will continue with the religion they were born to but with declining enthusiasm, at times. However, some religions seem to be facing problems like falling attendances in places of worship. With education and tech savviness expanding, one would expect the youth to be less enthusiastic about religion but the converse is true in some religions, some youth becoming very militant unfortunately.

While most religions make you subservient to a supernatural power, the Buddha was wise and bold enough to remove those shackles. He proclaimed that one’s destiny is in one’s own hands. However, many Buddhists appear to attach greater significance to rituals than to practising the Dhamma.

Buddhism as a religion may become less relevant as the frontiers of science expands but the Buddha Dhamma, especially Abhidhamma and Vipassana, would receive increasing recognition, the Buddha remaining an authority on consciousness and the mind.

Scientific progress should be for the betterment of society but AI developers are taking huge risks, taking massive loans threatening the world economy, for one aim: profit! Some do not seem to care even if their actions pose an existential threat to humanity.

Perhaps, if the Four Sublime Attitudes (Sathara Brahma Vihara) expounded by the Buddha; loving kindness (Metta), compassion (Karuna), empathetic joy (Muditha) and equanimity (Upekkha) are adopted as universal values, the world would become a safer place to live in, with or without AI.

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‘The Bullet that Missed’

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Tales of Mystery and Suspense 21

by Prof. Rajiva Wijesinha

Another book that is part of a series, today—one that is fun without the brooding concentration on criminality in different forms that marks the Rebus novels. This one about the Thursday Murder Club, is a romp as its two predecessors were interspersed with deaths and what might be deaths.

The Bullet that Missed

begins with a meeting with the presenter of ‘South East Tonight’, a programme about the area, in which Coopers Chase is situated. The meeting is held because the club has decided to look into the murder of the producer’s assistant, Bethany Waites, whose car was found at the bottom of a cliff ten years ago. There was blood in it, but the body was never found.

Or, rather, the book begins with an account of Bethany Waites deciding, on the night she vanished, to meet someone in connection with a case of massive fraud that she had been investigating, after sending the producer, Mike Waghorn, a message that she had found new evidence though he had no idea what it was. The night she died, she sent him another message: “I don’t say this often enough, but thank you.”

CCTV cameras showed her leaving her place, but then the vehicle vanished, before being sighted near the cliff, with two people in it. Investigation of the fraud had led to the imprisonment of a woman, Heather Garbutt, though it proved impossible to pin anything on Jack Mason, the mastermind for whom she had worked.

The Club conducts investigations on several fronts, including through Connie Johnson, the drug dealer they had helped imprison in the earlier book. The psychiatrist Ibrahim, the most respectable member of the Club, interviews her in an attempt to get her to find out more from Heather, who is in the same prison as she. They also investigate the CCTV record of the night Bethany vanished, and deduce that she went to an apartment block and exited from its other side, and that is why she was not seen leaving the town. But some time had elapsed between her being seen in the town and then on the cliff.

Meanwhile, Elizabeth has been kidnapped, along with her husband, and taken to a house in Staffordshire, where she is told by a man called the Viking that she must kill a former KGB agent now in London, who has a profitable career in money laundering. The Viking tells her he will inform Viktor that she was responsible for stealing the diamonds, the story of which is told in the previous Murder Club Mystery, and Viktor will then kill her.

Elizabeth, who has an affair with Viktor, knows he will not kill her, but when the Viking says he will also send Viktor a picture of Joyce, she decides she must act, and goes to see Viktor, and fires when she gets him in the bathroom. But, of course, she fired into the ceiling, and Viktor is then taken to Coopers Chase, to stay with Joyce until they have dealt with the Viking. And Viktor then enjoys the camaraderie of the retirement home so much that he wonders whether he too should settle there.

Elizabeth does trace the Viking, or rather her husband does, for he has noticed rare books on the shelves in his library, and an antiquarian book dealer friend managed to find out who bought them. But before they could confront him, he comes to Coopers Chase, for he has seen the bullet hole in the bathroom of Viktor’s flat and realized he was fooled.

But he cannot bring himself to kill Joyce straight away, and she knocks him out with a drug in a cup of tea. When he meets Viktor, they both decide to fall in with the plans of the Club.

Before this, Heather has been found dead in her cell, with a note saying that ‘they’ were going to kill her, and only Connie could help. Before that she had admitted that she was frightened to name the man behind the fraud. Jack Mason said the same, after Ron had won his confidence. The Club had deduced by then that the body was buried in the garden of Heather’s house which Jack had bought, after she had been jailed, and digging reveals a gun and money, but no body. Jack tells them that the mastermind had said that Bethany was buried with a bullet with his DNA on it.

The Club is now working with the Chief Constable of Kent, Andrew Everton, who writes thrillers himself, but in the form of e-books. He is in search of a publisher, and delighted when Mike Waghorn puts him on his programme, as is Donna, who is substituted at the last minute for Chris.

The Club finds out whom Bethany visited in the apartment block—Mike’s assistant Pauline, who tells them later what she and Bethany had been doing. But this is after the man behind the fraud has been unmasked up in the house in Staffordshire, where he was trying to hire the Viking and Viktor to find the money that he had stashed away, using accounts that he could no longer trace. He has also confessed to murdering Bethany, hoping this will persuade the two money launderers to help him, but it turns out that he did not do this. Nor did he kill Heather, the incriminating note having been placed in her room by Connie, who decided that Heather’s suicide should be treated as murder so that the person who had been blackmailing her should be found out.

It was Jack Mason’s murder that was brought home to the crook. It turns out that Bethany, her appearance altered by Pauline, has vanished, to a new life in Dubai, where she has taken control of the missing millions. She has gone there because the threat, she received through the bullet she was looking at in the preamble, was to Mike and she wanted him out of danger.

Yet another whimsical conclusion to a whimsical book with enough loose ends left hanging for another sequel.

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