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Sumitra shines with the Rising Sun

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‘Poetess of Sinhala cinema’ Sumitra Peries was recently conferred Order of the Rising Sun by the Japanese Government. The first Sri Lankan film artiste to have been decorated with this coveted 145-old Order, sits with the Sunday Island to recap her treasured memories of the ‘Land of the Rising Sun’ …

by Randima Attygalle

When the new bride Sumitra Peries impulsively changed her return ticket home from Mexico, having clinched the Golden Head of Palenque for Gamperaliya directed by her soul mate Dr. Lester James Peries (and edited by her) at an international film festival and set foot in the Land of the Rising Sun in 1966, she was “completely bowled over” not only by kimonos, platform slippers and deftly crafted tea ceremonies, but by a ‘cultured nation’ at large.

For young Sumitra who sailed to the University of Lausanne chartering unknown waters as a young girl, exploration of the unknown comes as the most natural. Carrying only the motifs of the dreaded Mount Fuji Volcano and the air attack on Colombo during the Second World War by the Japanese Navy with her, the avant-garde young cinema-maker booked into the Imperial Hotel in Tokyo reputed to have withstood many earthquakes! “Next day when I went to the Sri Lankan Embassy there, our people were horrified to hear of my outrageously expensive choice of accommodation, claiming I had to be just out of my mind. My only concern was that it would be a buffer against a possible earthquake,” recollects the poetess of the Sinhala cinema decked with The Order of the Rising Sun 2020 more than half a century later since she had her first taste of Japan.

Established on April 10, 1875 by Emperor Meiji, the Order was the first decoration awarded by the Japanese government. The badge features rays of sunlight symbolizing energy as powerful as the rising sun in harmony with the Land of the Rising Sun Japan is known to be. The order is conferred on those who have left a footprint in international relations, promotion of Japanese culture, advancements in their fields and development in welfare or preservation of the environment. “Interestingly it was only 20 years later in the same era that the Lumiere brothers first presented moving pictures to an audience with the help of a projector in Paris, sowing the earliest seeds of film-making. For over a century women were not eligible to receive this Order,” reflects Sumitra, the first Sri Lankan film artiste to have been decorated with this 145-year old coveted Order. Former Speaker, Karu Jayasuriya was honoured in 2017.

Followed by her hits Gehenu Lamai, Ganga Addara and Yahalu Yeheli, Sumitra took the silver screen by storm, with Sagara Jalaya madi henduwa oba handa an adaptation of Simon Nawagaththegama’s short story Ohu mala da pasu. The golden couple of Sinhala cinema once again captured the imagination of a nation transcending national boundaries. With Dr. Lester James Peries credited for the script, Lal Piyasena for his editing, Donald Karunaratne for his cinematography and Pandith Amaradeva for his musical score, Japan embraced it and celebrated it. Despite the protagonist Heen Kella’s pathos (played by Swarna Mallawarachchi) threading the plot and the film-maker’s milieu taking a shift to a rustic setting in Sagara Jalaya madi henduwa oba handa, the visual sophistication which is Sumitra’s strong suit is unmistakable in it. “Perhaps it was the kind of lifestyle which was beyond the imagination of the contemporary Japanese living that arrested them to it,” reflects Sumitra. The film which clinched her the Sarasaviya Best Director Award and Swarna, the Best Actress Award was telecast by the NHK in 1990, capturing the hearts of many a Japanese.

The invitation extended to Dr. Lester James Peries to sit on a jury of a film festival of documentaries in Yamagata in the mid-90s further solidified the Japan-Sri Lanka bridge. The communal bonding the couple shared with the rural Yamagata folk still warms Sumitra’s heart. “It was the first time the villagers had seen a ‘coloured’ person, so much so I remember them stroking my hands to see if I had actually applied some paint!” chuckles Sumitra. The ‘Japanese connection’ as she avers, was further fuelled by close friends such as Joy Fernando who came to work as an assistant to Lester and Sumitra. “Joy had studied in Japan and many of his acquaintances which later became mutual friends strengthened our bonding with Japan,” says Sumitra who came to be effortlessly assimilating into its culture over her many visits to Japan. She fondly recollects sleeping on tatami mats, yet laments that she could never master the Japanese language.

The iconic Japanese film director Akira Kurosawa whom Sumitra dubs as “a wonderful craftsman who projected the soul of Japan to the world,” offered her immense inspiration. His landmark creation Rashomon which shone at the 1951 Venice Film Festival, winning the Golden Lion, enabled the Japanese film industry a window to the Western film markets. “An energetic and a visually rich” architect of cinema as Sumitra alludes to him, Kurosawa first crossed her path in the 1980s, around the time when her box office hit Ganga addara and Lester’s Beddegama toured in Japan.

While Kurosawa inspired Sumitra, it was Yasujiro Ozu whom she found “close to her rhythm of narrative.” Her experience as a juror at several film festivals in Japan including the ‘South Asian Young Film Makers’ had widened her horizons of the Japanese way of life. The film director and screenwriter, Nagisa Oshima of Realm of the Senses fame whom Sumitra befriended at one of such festivals, adds to her list of globally renowned Japanese film acquaintances. “I remember him to be quite bashful man sporting a t-shirt with the slogan ‘Oshima Gang’ which I complemented. To my surprise, I found an ‘Oshima Gang’ t-shirt delivered to me a few days after my return!” smiles Sumitra.

The Fukoka City Public Library which is a repository of a sizable collection of films including several local films and the Japan Foundation are lauded by Sumitra as bridges connecting Japan to the rest of the world. Sumitra who counts several visits to the Fukoka City Public Library lauds it to be “a far sighted institution, opening doors for the entire South East Asia” including students of cinema, film makers, researchers and critics. Sumitra’s evergreen hit Ganga addara had been preserved by the Japanese Foundation. Loku Duwa and Sakman Maluwa are among her other work acclaimed by Japan.

Sumitra’s association with the ‘Bunka Awards’ presented to mid-career artistes by the Japan Sri Lanka Friendship Cultural Fund is a long one. Today only she remains out of the four original committee members. Prof. A.J. Gunawardene, Prof. Ediriweera Saraschandra, Dr. P.R Anthonis were among the rest.

A woman who had always championed ‘human conditions’ transcending gender stereotyping, Sumitra was one of the earliest Sri Lankan women to have shattered the glass ceiling. Behind the camera, she proved to be as good as any of her male counterparts. “I was never given the conventional margin for being a woman, for which I’m thankful,” says the iconic artiste who had never felt inadequate in a male domain. A strong advocate of the mantra, “create for your people first”, Sumitra’s notion of ‘global appeal’ is an extension of this acceptance locally. “If your creation is accepted by your own people and if it has some ripple effect somewhere else enabling the rest of the world to log on to it or have some contact, then you can be content that it had impacted the world outside.”



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Sri Lanka eyes conservation-led tourism boost as Gehan urges integrated approach

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View of Trincomalee from Fort Frederick

Sri Lanka could unlock a powerful new economic pathway by integrating biodiversity, archaeology and cultural heritage into a single conservation-driven tourism model, according to author, banker and naturalist Gehan de Silva Wijeyeratne.

Speaking to The Island, de Silva Wijeyeratne said the country possesses a rare convergence of natural and historical assets that, if strategically presented, could reposition Sri Lanka as a leading global destination for nature and heritage tourism.

“At the moment, these elements exist, but they are not fully connected,” he said. “What Sri Lanka has is extraordinary—a complete story of life, from ancient history to modern biodiversity. The opportunity is to bring that together in a way that creates value.”

His remarks come at a time when policymakers are seeking sustainable avenues to revive the economy, with tourism identified as a key growth sector. De Silva Wijeyeratne is currently researching his next book, ‘Enchanting Sri Lanka’ to be published by John Beaufoy Publishing in the UK.

Koneswaram Temple Trincomalee

He said his recent field visit reinforced the untapped potential of integrated landscapes—particularly in the eastern region around Trincomalee.

He spent four days in Trincomalee with Hiran and Hashan Coory, two members of the senior leadership in Jetwing Hotels. Commenting on the visit, he said “Within a short distance, you have forests, marine ecosystems, archaeological sites and protected areas. This is not about isolated attractions—it’s about creating a connected experience that can compete globally.”

He noted that such an approach could continue to transform Sri Lanka’s tourism model beyond traditional beach-centric travel. “You can offer visitors wildlife, marine biodiversity and ancient history in a single journey,” he said. “That’s a very powerful proposition.”

Speaking more on Trincomalee’s potential, he said the combination of ancient history, the more recent colonial history and buildings, the beautiful beaches and coves, the snorkelling and marine mammal watching combined with the potential to create a huge national park that will have large mammals on the doorstep of the city means Trincomalee can become the city with the greatest tourism potential of any city in Sri Lanka.

Maritime and Naval History Museum Trincomalee

“A vast national park on the scale of better-known parks such as Wilpattu and Yala can be created by connecting the forest reserves which stretch from Kantalai and through to the Naval Headworks Sanctuary, almost to the borders of the Trincomalee town” he says. “A new national park could be constructed with a network of safari roads and water holes and grass plains to increase the prey density for iconic mammals like the leopard. Trincomalee can then become a top land safari destination with an entrance gate to a national park just 15 minutes drive from the town. No other city will be able to rival it for land safaris, marine safaris, ancient and colonial history, staggering views and beaches and the heady mix of various ethnic groups with their religious beliefs, cuisine and arts. Trincomalee could overshadow every other city in Sri Lanka for tourism if developed properly”.

Velgam Vehera

De Silva Wijeyeratne emphasised that conservation must be positioned not as a constraint, but as an economic enabler. “If you encourage and enable responsible visitation, it brings revenues to these areas,” he said. “That supports conservation and also creates livelihoods for local communities.”

However, he cautioned that development must be carefully managed to avoid damaging sensitive ecosystems. “You need development that is sensitive to these landscapes and the proper infrastructure to manage visitation,” he said. “The value lies in preserving what is already there.”

In addition to tourism, de Silva Wijeyeratne highlighted the need to strengthen Sri Lanka’s conservation capacity through international collaboration. He has proposed the introduction of a special visa to attract experienced global conservationists willing to work on a voluntary basis.

He referenced his article ‘A visa for bringing in expertise and expanding tourism’ which was published in The Island on Friday, 23 May, 2025, and is available online. In this he proposes a special visa to address four strands – volunteering, internships, academic exchange and short term study. The idea is that the visa should be as easy as to obtain an online tourist visa, but the visitor can now apply for a longer term visa for a declared purpose, such as volunteering.

Gehan de Silva Wijeyeratne

He was careful to emphasise that the proposed visa is not for paid work and does not give the visitor special rights, and any relevant permits and permission need be obtained by the local partner. “There are people with 30 or 40 years of experience in research and conservation who would gladly come to Sri Lanka and contribute” he said. “If we create a proper framework, they can work with local organisations, share knowledge and build expertise.” Such a system, he stressed, would not undermine local employment. “These are unpaid roles—they are not taking jobs away. Furthermore, they will help locals to upskill,” he said. “They are helping to strengthen the system.”

De Silva Wijeyeratne also underscored the importance of science communication in driving conservation outcomes. Drawing from his recent lecture to the Wildlife and Nature Protection Society, he said public understanding of biodiversity remains limited, particularly when it comes to foundational elements, such as plant life. “In my recent lecture I started with plants because they are often overlooked,” he said. “In Sri Lanka we have the descendants of ancient plant groups, like lycophytes and bryophytes, as well as an abundance of the relatively more modern flowering plants (or angiosperms). They all form the basis of all ecosystems.” Sri Lankan researchers would benefit from international collaborations to describe and study the ecology of species found in Sri Lanka. As an example of the gaps in our knowledge, he pointed that it is hard to find online even a species inventory of Sri Lankan species of Lycophytes.

He further highlighted the interconnected nature of life, pointing to the role of microscopic organisms. “Every cell in our body contains mitochondria, and that DNA originated from bacteria,” he said. “So we are, in a sense, composite organisms built on ancient biological relationships. “This perspective, he said, is critical to fostering a deeper appreciation of biodiversity and the need for its conservation. “If people understand how interconnected life is, they begin to value it differently,” he said.

De Silva Wijeyeratne’s ongoing research for ‘Enchanting Sri Lanka,’ to be published by John Beaufoy Publishing, also touches on Sri Lanka’s layered history, including its colonial past. During his recent visit to Trincomalee, he visited the grave of Rear Admiral Charles Austen, the brother of renowned novelist Jane Austen. “I read in the Bradt Guide to Sri Lanka that her brother was buried in the Esplanade Cemetery. There was an article online by Nishan Fernando in the Sunday Times where he describes how, in 1984, he and his father, Admiral Clancy Fernando, located the grave. Fernando wrote of the burial ground on the Esplanade in the middle of Trincomalee town, opposite the beautiful horseshoe shaped Dutch Bay.”

After a false start at another cemetery, using Google maps, de Silva Wijeyeratne with others, including Hiran and Hashan Cooray, some of the senior team from Jetwing Hotels, visited St. Stephan Cemetery which is around 400 meters from the Maritime and Naval History Museum. ‘We found the grave as described in the Sunday Times article by Nishan Fernando. But talking to various hoteliers and people in tourism in Trincomalee, we were struck by how many people were unaware of its existence. Hopefully, knowing that the grave of Rear Admiral Charles Austen, brother of Jane Austen, is roughly in the middle of St. Stephan Cemetery, in Trincomalee, will help others, with an interest in Jane Austen, to locate it.”

During his time in Trincomalee, with the Jetwing Hotels team, de Silva Wijeyeratne also visited Mederigiriya, Seruwila and Velgam Vehera. They encountered elephants on their visits to Seruwila and Velgam Vehera. “That brief visit alone shows how rich and complex Sri Lanka’s story is,” he said. “It spans pre-colonial, colonial and post-colonial periods.” For de Silva Wijeyeratne, the challenge now lies in translating this richness into a coherent national narrative. “This country has everything—biodiversity, ancient civilisation, marine ecosystems, etc.,” he said. “Few places in the world can offer such an all-round package.”

He stressed that aligning conservation with tourism and knowledge-sharing could deliver long-term benefits. “It’s about connecting the dots,” he said. “If we do that successfully, Sri Lanka can position itself as a world-class destination, while protecting its natural and cultural heritage.” As the country looks to rebuild and diversify its economy, de Silva Wijeyeratne’s message is clear: Conservation, when strategically integrated, could become one of Sri Lanka’s strongest assets. (Pictures courtesy Gehan de Silva) Wijeyeratne

By Ifham Nizam

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Bringing the flavours and spirit of Jaffna to life

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Grace draped in tradition

Long before the first dish was placed at the Jaffna food festival at Cinnamon Bentota Beach, a dedicated team of staff and culinary staff journeyed to Jaffna.

In the North they stepped out of professional hotels and into homes, road side eateries and bustling local markets. They observed, listened and, most importantly, tasted. The experience was as much about unlearning as it was learning.

They spent time with local people, women who have perfected their craft over decades, fishermen who spoke of the day’s fresh catch, spice vendors who explained the subtle difference in dried chillies and roasted blends.

They saw the liberal use of black peppers, tamarind and the depth of roasted curry powders.

In the end, what the team brought back from the North was not just technique or taste, it was perspective. What stayed most was the spirit of Jaffna, its people resourceful grounded and deeply connected to roots.

And so when the festival came to life in Bentota, it was not just a recreation, it was a reflection. They realised the heart of Jaffna is not only in its flavours but in its people.

Cinnamon Bentota Beach — signature selection celebrated the rich heritage, vibrant culture, and authentic cuisine of Northern Sri Lanka with its signature “Jaffna Night” recently. The evening was a heartfelt journey into Jaffna’s traditions, inviting guests to experience the warmth, flavours, and stories of this remarkable region.

Guests were welcomed with the traditional greetings, followed by religious rituals that set the evening in a meaningful cultural context. The highlight was the launch of the “Jaffna Culinary Journey” video series, capturing the resort team’s immersive exploration of Jaffna’s culinary landscape and community life.

From preparing local delicacies alongside villagers, to stepping into traditional homes, participating in early morning poojas, and wandering bustling fish markets; vegetable markets, the team discovered that Jaffna’s cuisine is inseparable from its identity, history, and community spirit.

Cinnamon Bentota Beach — Signature Selection shared reflections on the journey, emphasising how meaningful experiences can preserve and honour cultural heritage. The evening culminated in the official launch of the Jaffna Food Festival at the resort – a continuation of the journey that brings authentic Jaffna flavours and stories directly to guests in Bentota.

“Jaffna Night” was more than a culinary celebration; it was a testament to connection, culture, and the shared joy of learning through food and tradition.

By Zanita Careem

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Sun Siyam Pasikudah paves the way in sustainability

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Upul - Group Sustainability Manager

Sun Siyam Pasikudah has added another milestone to its growing list of achievements by earning the prestigious Travel Gold Certification, a recognition that reflects the resort’s dedication to exceptional hospitality, high service standards and memorable guest experience. At this resort, sustainability isn’t just a concept it is a commitment. So driving eco conscious change, behind the scenes, is Chaminda Upul Kumara, shaping a hospitality experience where luxury meets responsibility .­

Q: Sun Siyam Pasikudah has earned Travelife Gold Certification, covering 147 criteria, from energy and water to wildlife and community welfare. What did that journey genuinely push the property and the wider group to do differently?

A: Earning Travelife Gold was never just about getting the certificate. Working through 147 criteria covering energy, water, waste, wildlife, and community welfare made us look hard at ourselves and ask whether we were truly doing enough in each of those areas.

What it really pushed us to do was move beyond compliance. We tightened our conservation practices, improved how we manage waste, and put more deliberate effort into biodiversity and community programmes. But perhaps the most meaningful shift was weaving sustainability into the guest experience itself, making it visible and accessible without ever compromising on comfort or quality.

At the group level, Pasikudah became a working model. The practices we refined here have since been adapted and adopted across our other properties, creating a culture where sustainability is not a side project managed by one department but something that shapes how every team member thinks and works. It reinforced what Sun Siyam Care stands for: that responsible hospitality is not a goal we work towards. It is simply who we are.

Q: Most of the Sun Siyam story has been written in the Maldives. How does Pasikudah write its own chapter, given how different the setting, the coastline, and the community around it are?

A: When the civil conflict in Sri Lanka’s Eastern Province ended in 2009, our founder Ahmed Siyam Mohamed saw something in Pasikudah Bay that many others had not yet noticed. The calm, shallow waters and unspoiled beaches were extraordinary, but he also saw a region ready for renewal and an opportunity to be part of that through responsible tourism.

The property opened in 2014 as a 34-room luxury boutique resort, quietly introducing refined hospitality to Sri Lanka’s east coast. Then came COVID-19 and the country’s economic crisis, two of the hardest back-to-back challenges any hospitality business could face. Rather than simply wait it out, General Manager Mohamed Arshed Refai led a comprehensive transformation of the property.

The refurbishment was guided by international design firm Studio 67, but its real character came from a very deliberate decision: every single material used was locally sourced, and Sri Lankan artisans and craftspeople were involved throughout the process. It was not just a renovation. It was a recommitment to the region and the people in it.

That is what sets Pasikudah apart within the Sun Siyam family. The Maldives properties have their own extraordinary identity, but Pasikudah’s chapter is distinctly Sri Lankan. From post-conflict rebuilding to post-crisis renewal, it is a story of courage, community, and the belief that investing in a place means investing in its people.

Q:There is an organic farm on the property growing over 38 varieties of fruits, vegetables, and herbs. Tell us about that. It feels like it says something bigger about how the resort thinks about its place here.

A: The farm is a fairly direct expression of how we think about our responsibility to this place. At least 30 percent of our menu is plant-based, and being able to grow a meaningful portion of that on the property makes that commitment tangible rather than theoretical. Guests receive their welcome drinks made with fruit grown here. The chefs know exactly where their produce comes from and what it took to grow it.

We also have what we call climate-conscious dishes on the menu, options designed around sustainable food principles that prompt guests to think about what they are eating and where it originated. Beyond the farm itself, we source a significant share of our ingredients from local farmers and producers in the surrounding community. That reduces food miles and carbon emissions, but it also means the resort is actively supporting the local food economy rather than bypassing it.

Put simply, the farm is not a marketing feature. It reflects a commitment to operating in a way that is connected to this land and these communities, rather than sitting apart from them.

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