Connect with us

Life style

A Leopard’s leap

Published

on

The rare Sri Lankan black leopard which succumbed to injuries resulting from a hunter’s trap on a tea estate in Nallathanniya in Hatton a few months ago is being preserved by the Department of National Museums. The stately creature is soon to join its other ‘friends from the wilds’ sheltered at the Museum of Natural History, Colombo.

by Randima Attygalle

Igniting the outrage of animal lovers, a black leopard that was snared at a tea estate in Nallathanniya, Hatton in late May this year, succumbed to its injuries a few days later. A rare subspecies unique to the island, Sri Lankan black leopard is a melanistic colour variant of the Sri Lankan leopard zoologically termed- Panthera pardus kotiya. Although leopards are commonly associated with a yellow coloured skin and dark spots, mutation known as melanism, as in the case of the ill-fated leopard, renders it distinct all black colour. It was the third black leopard to have been reported in the past decade adding to the ill-fated list of over 40 recorded leopard deaths in the country during the period.

In a bid to enable fu

ture research on this rare giant cat, the Department of National Museums is in the process of preserving both its skin and the skeleton. This taxidermy process (preserving of an animal’s body for display purposes) which is now nearing completion is one of the most challenging exercises the Zoology Division of the Department of the National Museum has embarked recently, Assistant Director (Zoology), Department of National Museums, Lankani Somarathna told the Sunday Island.

“Since the animal had suffered severe neck injuries and had gone through a post-mortem process as well, preserving its skin required a lot of effort. Moreover unlike in the case of an elephant or any other commonly sighted animal, understanding its habitat, positioning requires extra effort,” says Somarathna who was responsible for the supervision of the project.

On a request made by the Department of National Museums, the body of the black leopard was handed over to it by the Department of Wildlife Conservation last month. “After the postmortem on the animal was performed by the Peradeniya Veterinary Faculty and following the proper legal process, we were handed the body on July 13 and since then the taxidermy process has been in place,” says Somarathna.

A well-built young male about eight ft in length and four ft tall, was killed by human cruelty robbing the majestic creature of many more years in the highlands and the country of the very few known black leopards.

“Since the death of the last Sri Lankan black leopard eight years ago whose body is preserved at the Wildlife Museum in Giritale, (managed by the Department of Wildlife Conservation), the animal was believed to be extinct in the country and no trace of it could be found until this recent tragedy in Nallathanniya,” says the Zoologist who notes that sightings of the animal have been very rare for several reasons. Its low population, its habitat in the dark

 

er regions enabling camouflage and its solitary nature are cited by her as reasons for rare sightings.

In the study of mammals, their skeleton and skull features are fundamental, notes t

he Zoologist, expl

aining the rationale behind the preservation of the leopard’s skin and the mounting of its skeleton. Both these will soon be displayed at the Osteology Gallery of the Natural History Museum which exhibits the skeleton of the iconic blue whale, Heiyanthuduwe Raja, Lechchami the female tusker and many more four legged creatures and reptiles.

The taxidermy project was carried out by a team from the Department of National Museums comprising the Taxidermist Chamalka Kotelawala and conservationists Ravindra Wickramanayake, P. Gunasiri, Susantha Balasooriya and Ashan Sandaruwan. Counting 30 years of experience, Ravindra Wickramanayake who had played a significant role in ‘resurrecting’ many a wild creature says that the chief challenge in the latest exercise was cleaning of the leopard’s skin for conservation.

 

“This was largely because the animal had suffered severe neck injuries in its trap and skin trauma following the post mortem,” says Wickramanayake who also cites the moulding of its ‘artificial skull’ as another hurdle which had to be overcome. “Since the skull (and the skeleton) was removed for mounting, we had to substitute it with a fibre base and also its teeth retaining its original character as far as possible.”

A base made out of wire mesh on which plaster and gunny material are placed holds the preserved skin of the black leopard- the biggest of the cats he had helped conserve so far he says. “Unlike in the past, now the use of plaster of Paris is minimal to avoid the hassle in moving the exhibits due to its weight and also possible damage,” says Wickramanayake. An assortment of chemicals is used to conserve animal carcasses he says. These chemicals differ from animal to animal.

Thanking the Department of Wildlife and all other relevant authorities who facilitated the move of the black leopard to the Department of National Museums and applauding its skilled team of conservationists for a job well done, the Director General of Department of National Museums, Sanuja Kasthuriarachchi says, “sadly this Sri Lankan black leopard which ideally should have been part of our ‘live heritage’ is no more. By conserving it and displaying it at our Museum of Natural History, what we envisage is to enable research on this stately creature as means of contributing towards its future conservation in its natural habitat.”



Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Life style

What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

Published

on

In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

Continue Reading

Life style

Shaping the future of style

Published

on

Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

Continue Reading

Life style

Capturing the spirit of Christmas

Published

on

Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

Continue Reading

Trending