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World of Prasanna Vithanage

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By Uditha Devapriya

The films of Prasanna Vithanage come back to you long after you’ve seen them. They move you, chasten you, sometimes make you angry, and frequently make you question life. The characters in them are usually ordinary people: It’s the situations they are placed in that are extraordinary. As with the crusader in The Seventh Seal and the priest in Diary of a Country Priest, they encounter a moral dilemma that ends up testing their very souls.

Vithanage’s characters often fail these tests, though sometimes they win. Yet the payoff in these films comes from seeing not how they win or lose, but from how the world at large responds to their moral dilemmas. In Anantha Rathriya, to give just one example, Suvisal ends his friendships, even with the girl he intended to marry. He does so not just because he wants redemption for the sin of violating his servant, but also because everyone disagrees with his resolve to go out into the open and seek forgiveness.

Nimmi Harasamaga’s character in Ira Mediyama also refuses to believe official accounts about her husband. Unlike the old man in Purahanda Kaluwara, the journey she undertakes to find out what happened to him is both physical and metaphoric. Suvisal informs us at the very beginning of Anantha Rathriya that he is going back to the past: Again, both physically and metaphorically. This is the fate that typically awaits Vithanage’s protagonists: They have to go back to their pasts to confront their sins. For Suvisal, the attempt is a failure; for the old man in Purahanda Kaluwara, it is not; for Nimmi Harasgama, it goes both ways.

But any hopes he may have had about reconciling with that servant, dissipates when she walks away from him. Vithanage does not give us a heroic ending. The simple truth is that his world has no room for heroes; as Suvisal’s girlfriend tells him, he wants to confess what he did not because of any remorse for his crime, but because of his desire to free himself from the memory of his rape. Defiant and angry, she tells him that he can never escape his past. To this Suvisal says nothing; he merely frowns at her.

Such dilemmas seem so convincing not because of the people who wind up facing them, but because of their impact on them. Not until the very last quarter of Anantha Rathriya, for instance, does Suvisal realise the full weight of his crime. When he does, he tries to release himself from the memory of his sin. The protagonist in Purahanda Kaluwara is desperate to know what happened to his son; like Nita Fernando’s Baba Nona from Paangshu, he refuses to believe the official record. His catharsis is considerably different from Suvisal’s: He goes to a water hole and stares at a group of children frolicking in a lake nearby. Blind and a little hard of hearing, he nevertheless smiles: Perhaps at the children, but more likely at having confirmed his suspicions, and at the hope that his son may be alive.

 

Yet the specificity of these locations belies a universality that transcends time and space. Hence Anantha Rathriya, though taking place during the second JVP insurrection, feels and looks contemporary. There is hardly any sense of time or place in Purahanda Kaluwara: The only object that offers a clue is the Grama Niladhari’s motorbike. Even then we are not sure when or where the story is taking place: The war seems a distant reality, its impact felt in the village only through the death of Vannihamy’s soldier-son.

At one level, Vithanage’s stories play out in specific locations: A drought-ridden village in the North-Central Province in Purahanda Kaluwara; Batticaloa and Colombo in Ira Madiyama; Bogawantalawa in Oba Nathuwa Oba Ekka. Vithanage frequently turns hills and mountains into metaphors; in his debut, Sisila Gini Gani, the mists and mountains form a crucial part of the story, and play a large part in the tragedy it centres on.

 

The very first shot of Anantha Rathriya shows us a misty hilltop. Interposed with the sound of beating drums, it ominously foretells what is to come. In roughly the same vein, the coldness of the romance in Oba Nathuwa Oba Ekka, between the pawnbroker and his wife, is echoed in the coldness of their surroundings. From misty mountains, Vithanage turns to sun-baked expanses as well, particularly in Purahanda Kaluwara and Ira Madiyama. He works with contrasts of atmosphere and weather: Misty or sun-baked, these places evoke the tensions of his characters, situating them in their surroundings.

 

In Ira Madiyama, Colombo and the Eastern Province conjure two different worlds.

In Akasa Kusum, this rift turns inward: Sandya Kumari loses her sense of time as she retreats to the past, fantasising about her stardom after a scandal puts her into the spotlight. Like Gloria Swanson from Sunset Boulevard, Malini Fonseka epitomises Sandya’s schizoid imaginings. When all romantic illusions are shattered in Oba Nathuwa Oba Ekka, similarly, the woman retreats to her fantasies. Betrayed by her husband’s secrets, she kills herself.

Curiously enough, in only two instances do these characters choose death or are pushed into it: The boy in Sisila Gini Gani and the woman in Oba Nathuwa Oba Ekka. The first death sets in motion the events of the film, while the second ends it. Vithanage tries to avoid this fate for his characters as much as he can. Thus, even on the verge of suicide, Nita Fernando retreats to a clandestine affair from the past in Pawuru Walalu. Like Blanche DuBois from A Streetcar Named Desire, she is saved by the kindness of strangers.

The tension between social reality and moral complexity is what determines the course of these stories. Vithanage’s characters resolve this tension in different ways: Most of them push themselves into the thick of things, while others try as much as they can to avoid them. Suvisal, for instance, takes up the advice his friend, a lawyer, gives him, and refrains from revealing himself. His prospects are too dear for him to lose.

Not until much later do we realise what he has staked until now: His wealth, his career, and his marriage. When he lets go, everyone he knows leaves him. That is what makes the final scene so searing, yet so fitting: Despite everything he gave up for the woman he raped, nothing can or will wash away the crime or his guilt. Like the hero (or antihero) of Tolstoy’s Resurrection on whom Suvisal’s character is based, he does everything, not for the love of this woman, but to atone himself. In Tolstoy’s novel the protagonist’s pursuit of atonement turns our attention to the sordid conditions of Tsarist Russia’s prisons and penal colonies. In Vithanage’s film, it turns the focus inward, to Suvisal’s conscience.

 

Enveloped by their desires, these characters evoke both pity and loathing. This is a quality few Sinhala films, among them those of Lester James and Sumitra Peries, possess; almost every work of Vithanage contains it. At once culturally specific and broadly humanist, they enrapture us in ways none of his contemporaries have been able to match.

The concept of sin and atonement looms large in Vithanage’s world. That has a great deal to do with his childhood and teenage experiences; as he recounted to the authors of Profiling Sri Lankan Cinema, while he grew up in a predominantly Buddhist and Sinhala atmosphere in Panadura, his neighbours happened to be Catholic. Waking up to the sound of hymns and sermons, he would invariably imbibe their world.

Later on, when he became enamoured of the cinema while still at school, he would return home, take a train back to Colombo, and make the acquaintance of Father Ernest Poruthota. There is thus something distinctly Catholic about his work, not just in the religious sense, but in the secular too: The catholicity of a perceptive and deeply sensitive artist.

Somewhere between Anantha Rathriya and Akasa Kusum, I grew up. These were formative years for Sri Lankan cinema. Difficult years, too: In the midst of a never-ending conflict, it almost went down under. Looking back, I can’t say I’m entirely satisfied with the trajectory of our cinema during the last decade of the war. Many daring films have come out, as have many daring directors. Yet not a few of them seem content in recycling the same motifs and themes, the same narratives and stereotypes, to the point of tedium.

My fascination with Prasanna Vithanage’s oeuvre, in that sense, stems from a recognition of the fact that more than any of his peers, he has stuck to his guns and given us some highly original films. Not all of them can claim to be as good as his best, and yet, the best he’s given us so far convinces me that he’s the best our cinema has got. With another highly ambitious project, a tragic romance set in the twilight of the Kandyan kingdom, yet to come, I can only hope that he continues giving us more of the best, and more of the same.

(The writer can be reached at udakdev1@gmail.com)



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Features

Trump’s tariffs, AKD’s gazette and Sri Lanka’s diplomatic slumber

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“We are rather respectable in Colombo. We go to bed fairly early, and we remain there till morning. “

According to Sri Lanka’s diplomatic folklore, the late S.W. R. D. Bandaranaike uttered these words while explaining the reasons for Sri Lanka’s abstention on the UN resolution condemning the Soviet invasion of Hungary. Apparently, SWRD’s foreign ministry officials were asleep at home when the diplomatic cable seeking instructions was received from New York. In those days, there were no cell phones, Internet, or even fax or telex machines. The diplomatic cables were sent through post offices. Decoding them was a slow and time-consuming process. Thus, the government could not provide appropriate instructions to our mission in New York in time, and the Sri Lankan delegation abstained on that sensitive UN vote.

Sri Lanka’s Absence from Section 301 Consultations

But then, how does one explain Sri Lanka’s absence from the crucial bilateral consultation held in Washington by the Office of the United States Trade Representative (USTR) during March-April on “Forced Labour” under the Section 301 of the US Trade Act of 1974? Didn’t our foreign and trade ministries send appropriate instructions to Washington in time? Even if the instructions from the foreign ministry were transmitted to our embassy in Washington by pigeon carriers, there was enough time for Sri Lanka to participate in those meetings.

In March, the USTR initiated these 301 investigations on 60 trading partners, and invited all of them for confidential consultations. Out of the 60, 46 participated in these consultations. Sri Lanka was not one of them. Other countries that didn’t participate in these consultations included China, Russia, and Venezuela! In addition to that, the Section 301 Committee conducted a public hearing with interested parties on April 28 and 29. Washington-based diplomats, representatives from few trade ministries as well as representatives from many foreign trade associations and chambers participated in these hearings. Sri Lanka was once again conspicuously absent.

As a result, when the USTR published the proposed forced labour tariffs on June 2nd, Sri Lanka ended up with a 12.5% duty. Pakistani and Indonesian diplomats participated in these consultations and took appropriate follow-up measures, and managed to enter the 10% duty category. As even a threat of a modest tariff hike could disrupt supply chains and reduce competitiveness, particularly in an industry such as garments, I discussed this issue on 15 June and underscored the importance of Sri Lanka’s participation at the next hearing, which was scheduled to be held from July 7th .

Awakening from Diplomatic Slumber and AKD’s Gazette

Fortunately, Sri Lanka finally awoke from weeks of diplomatic slumber, and Ambassador Mahinda Samarasinghe participated in the public hearing on 9 July, and promised, “…. · We have agreed to the text in our negotiations with the USTR on forced labour, …. The gazette as we speak is being printed and I’m getting the gazette tomorrow morning, and the gazette will be shared with USTR as I get it“.

As promised, President Anura Kumara Dissanayake issued a gazette on 10 July banning the imports of goods produced by forced labour. These new regulations are very similar to what Pakistan and Indonesia enacted in April, after their consultations with USTR in March. Why couldn’t we do it in April? Why did we wait till the very last minute?

Challenges ahead

“War is too important to be left to generals alone,” is a famous saying attributed to former French Premier Georges Clemenceau. Similarly, monitoring our main markets is too important to be left to diplomats alone. The United States is the largest single-country market for Sri Lanka. Therefore, Sri Lankan trade chambers and associations should become more proactive in these markets and participate in these events. For example, the chairman of the Pakistani apparel exporters association participated in the April hearings. Similarly, representatives from the Indian Agricultural and Processed Food Products Export Development Authority, the Federation of Indian Chambers of Commerce and Industry, the Confederation of Indian Industry, and Reliance Industries also participated in July hearings. At an event where each speaker is given only five minutes (strictly enforced), having a number of speakers from a country is an advantage. The presence of industry representatives in these kinds of events also help them understand the market dynamics and the future challenges. This is important, particularly because there will be many more challenges with Trump’s tariffs.

With the gazette issued on 10 July, Sri Lanka has imposed a prohibition on the importation of goods produced with forced labour. Now, the challenge will be to effectively enforce the prohibition. And what are the goods produced with forced labour? The USTR list only focuses on aluminum, cotton, electronics, lithium-ion batteries, rice, and tobacco. However, according to the U.S. Department of Labour, the list is much longer. Hence, this list may change continuously during the next two years and tariffs may fluctuate once again.

So, this is definitely not the time to slumber.

(The writer, a retired public servant, can be reached at senadhiragomi@gmail.com)

by Gomi Senadhira ✍️

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Tales of Mystery and Suspense 10 Casino for Sale

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After the overwhelming grotesquerie of J K Rowling’s latest Cormoran Strike novel (written, I should have noted, as the others were, under the pseudonym Robert Galbraith), I thought I should return to the world of fun, and also a much shorter description since this thriller moves quickly without the layers of detail that Rowling engages in.

I then move to the second comic thriller by Caryl Brahms and S J Simon. This, their second story to feature Vladimir Stroganoff and Adam Quill, was Casino for Sale, as lunatic a romp as the first, though without the emphasis on the ballet that characterized A Bullet in the Ballet.

This one begins with the impresario Stroganoff buying a casino cheap from Baron Sam de Rabinovich, only to find that it was a rundown place, not the grand casino of La Bazouche, a resort on the Frenc+h Riviera, as he had initially thought. The grand one belonged to Lord Buttonhooke, and Stroganoff could  not compete, until he thought of bringing the Ballet Stroganoff to the casino – which of course leads to Buttonhooke deciding to have ballet performances in his Casino too.

Stroganoff invites Quill to visit him, which Quill decides to do since he has left Scotland Yard, having come into a legacy. No one believes this, and he has to face questions as to what he did to have been sacked, with sympathy for having been found out.

Caryl and Simon

The day he arrives in La Bazouche there is a murder, of a vitriolic critic called Citrolo, in Stroganoff’s office. He had been going to write a damning review of the opening night of the ballet and Stroganoff, when he realizes Citrolo cannot be swayed, drugs him and dictates the review himself to the papers. He leaves Citrolo sleeping and finds him shot the next morning, whereupon he decides to muddy the waters and leave a suicide note and lots of other murder weapons. So much overkill, as it were, of course ensures that he is arrested.

But the excitable French detective who makes the arrest follows up his suggestion that Buttonhooke was also involved, and so the two casino owners find themselves in cells next door to each other, with the detective Gustave quite happy to provide creature comforts for a fee.

Quill decides he must investigate, and finds Gustave most cooperative, since he has a laid back attitude to work. So it is Quill that finds a notebook which makes it clear Citrolo is an accomplished blackmailer, and that there are lots of possible murderers, including Stroganoff’s croupier, who was crooked, Rabinovich, who was now working for Buttonhooke, a confidence trickster called Kurt Kukumber, whose prospectus for a dud gold mine was found in the office and Prince Alexis Artishok who was engaged in a deal to buy diamonds from the ballerina Dyra Dyrakova.

Stroganoff had been trying to get Dyrakova to dance for him, but having done so previously she had refused. But then to Stroganoff’s chagrin she agreed to dance for Buttonhooke. The clearly crooked Artishok had told Buttonhooke’s mistress Sadie Souse, who was not very bright, that Dyrakova possessed diamonds she was willing to sell cheap, and Sadie was determined to have them.

Quill meanwhile finds out that there was a secret passage to Stroganoff’s office, the obvious solution to what had begun as a locked room mystery, and that this was known by almost everyone apart from Stroganoff himself. And then Rabinovich is murdered, just after Gustave had released his two original suspects, leading him to blame Quill for having insisted on that and thus allowing them to kill again.

Soon afterwards Dyrakova arrives, and the town is full of posters announcing that she will appear in the casinos, elaborate posters for either one, since Stroganoff is determined that she will dance for him, and if she does not come willingly, he has devised a scheme to make her do so unwillingly. So, though Buttonhooke has her taken off to his yacht immediately she arrives at the station, Quill along with Arenskaya gets her into a launch and to Stroganoff’s casino, where she performs to tumultuous applause, not knowing for whom she is dancing.

When Quill asked her about the diamonds, she said she had sold them long ago, and that gave Quill the solution to the mystery. Rabinovich had known about this, and Artishok had killed him to prevent Sadie learning it from him, he had killed Citrolo who had recognized him for an accomplished card sharper, not a Russian prince at all. But before he is arrested, he gets away in a boat, and the police launch that pursues him is on the point of catching him up when it runs out of petrol.

Again, lots of excitement, and entertaining references  – Gustave grows marrows – and if not quite as brilliant as its predecessor, Casino was certainly a delightful read.

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The challenge of being positive about SAARC

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The RCSS forum addressed by SAARC Secretary General Ambassador Md. Golam Sarwar in progress. (Pic courtesy RCSS)

It was a few years back that a former President of Sri Lanka took it on himself to pronounce SAARC ‘dead’. Since then there have been other sections of Sri Lankan opinion that have joined the critics of SAARC and taken the solemn stance that SAARC has indeed died what may be called a natural death.

Their fatalism is understandable. SAARC has failed to meet at heads of government or state level for the past several years to take the SAARC process notably forward. Regional cooperation has more or less been only an appealing idea. No substantive concrete projects have taken off to make the idea a hard reality. ‘Inner paralysis’ seems to be SAARC’s lot. Hence the fatalism in these circles.

However, being one of the worst cash-strapped regions of the world and a teemingly populated one with people virtually left to their devices, what choices do the ‘SAARC Eight’ have other than to try their best to band together and continue with their cooperation efforts, however small they may be?

There is no escaping the mounting debt trap for many of these countries and bankrupt Sri Lanka is a glaring example, but ‘throwing in the towel’ and abandoning themselves entirely to the diktats of the strongest economies and their agencies will prove a ‘living death’ for many countries in the SAARC fold.

The gains may be meagre but giving-up on SAARC cooperation in full would prove self-defeating for the organization and South Asia. Right now, the collective intention ought to be to salvage what the region could from the tenuous cooperative efforts. Moreover, such initiatives could go some distance to generate a degree of goodwill among the Eight and help in sustaining a dialogue process.

Given this backdrop it proved ‘a stich in time’ for the Regional Centre for Strategic Studies (RCSS), Colombo, to recently host the SAARC Secretary General Ambassador Md. Golam Sarwar to a round table discussion on the unifying potential of SAARC and its future possibilities, besides other related issue areas.

Held on June 24th and moderated by RCSS Executive Director and former ambassador Ravinatha Aryasinha, the forum brought together a vibrant, wide ranging audience comprising academicians, diplomats, senior public servants, civil society activists and many others. Following the presentation by Ambassador Golam Sarwar titled, ‘Reigniting SAARC: Achievements, Challenges and the Way Ahead’, a lively Q&A followed.

The above forum could be described as an act of lighting the proverbial ‘candle’ rather than ‘cursing the darkness.’ It surely is a ‘darkness’ that could be seen as daunting considering that the region’s pivotal powers, India and Pakistan, are failing to act in a spirit of accord but are engaged in bitter finger-pointing on a number of questions of vital importance to SAARC.

On the other hand, what is the rest of the region doing to bring the above sides together? It is disappointing that to date the rest of SAARC has failed to launch a major diplomatic drive to bring peace between the feuding regional heavyweights. It needs to act without delay and establish its earnestness and this effort would need to prove SAARC’s staying power in the unfolding months and even years.

In assessing SAARC’s seeming failure local opinion in particular has failed to factor in what could be described as weak leadership. Since Sheikh Mujibur Rahman of Bangladesh, the founding father of SAARC, the region has failed to produce a visionary leader who could advance the SAARC cause with charisma and drive.

Among other reasons, weak leadership accounts considerably for the faltering and stuttering status, as it were, of SAARC. Badly needed are leaders who could go the extra mile, think less of narrow national interests and work diligently towards the collective well being of the region but SAARC’s millions of ordinary people have been made to wait in vain for leaders of such stature. Instead, they have been burdened with politicians who seem to be relishing the apparently moribund state of SAARC.

Looking back, it could be said that it was the dynamic leadership factor that led to the launching of the Non-Aligned Movement and for its sustenance for a few decades. True, it could be seen in some quarters that NAM is no more, but as in the case of SAARC, the former too has been unfortunate to be burdened over the years with politicians who lack the vision and drive to unflaggingly advance the fortunes of the South. NAM and SAARC lack the dynamism and vision of leaders of the stature of Jawaharlal Nehru, for example, to give them the required guidance and intellectual depth.

The reasons are complex for there not being among us currently political leaders with the vision and the steadfast commitment to advance the legitimate interests of the South. However, it could be stated with conviction that the majority of Southern leaders have too easily caved in to the demands of the global North and its financial agencies.

These leaders have failed to see, for instance, that the largely market economy oriented Northern governments would not view with favour a centrist economic model that attaches priority to the interests of the dis-empowered publics of the South. This realization ought to have dawned on the current government in Sri Lanka, for instance, some while ago but it has no choice but to abide by IMF dictates since economic survival at present is unthinkable without the latter’s succour.

Accordingly for SAARC this should be the time for some soul-searching. Priority needs to be attached to ending the feuding between India and Pakistan since at present the material fortunes of the region hinge largely on these regional giants giving peaceful relations among them a try. This is no easy challenge to meet but some daring, visionary diplomacy needs to take hold among the rest of SAARC.

There is some sense in SAARC bringing the peoples of the region together through programs that address their best collective interests. A meeting of minds among SAARC nations could enable SAARC and its agencies to build a region-wide people’s movement for progressive political and economic change that could in turn lead to the region’s political leaders sensitizing themselves more to the neglected needs of their publics.

However, the time is ‘now’ for the initiation of these progressive changes and the voice of SAARC well wishers would need to drown out those of their critics.

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