Life style
Will these bills amplify women’s voices?
Women empowerment, gender and equality
Ambika Satkunanathan is a human rights advocate based in Sri Lanka. For more than twenty years she has worked with persons and communities impacted by human rights violations, and assisted them with accessing remedies. From Oct 2015 to March 2020, she was a Commissioner of the Human Rights Commission of Sri Lanka, where she led the first ever national study of prisons. Prior to that foreight years she was a Legal Advisor to the UN Office of the High Commissioner for Human Rights.
She is a board member of the UN Voluntary Trust Fund for Victims of Torture, a member of the Expert Panel of the Trial Watch Project of the Clooney Foundation and a member of the Network of Experts of the Global Initiative Against Transnational Organised Crime.
Her research, advocacy and activism have focused on counter-terrorism law and policy, drug control and rehabilitation, transitional justice, custodial violence, penal policy, militarization and gender. Her research on drug control, detention and rehabilitation in Sri Lanka, the first such study, was published in August 2021 by Harm Reduction International. She is currently working on recording the experiences of women who come into conflict with the law due to drug offences.
Her publications include contributions to the International Journal of Transitional Justice, the Oxford Handbook of Gender & Conflict, the Routledge Handbook on Human Rights in South Asia, Feminist Studies and Contemporary South Asia.
She is Chairperson of the Neelan Tiruchelvam Trust, a local grantmaking organisation in Sri Lanka and was a founder member and Vice Chairperson of Urgent Action Fund- Asia and Pacific, a feminist regional grantmaking organisation.
She was an Open Society Fellow from 2020-2022. She has a B.A. and LL.B from Monash University Australia and a LL.M from University of Nottingham, where she was a Chevening Scholar.
Could you tell us about you and some of the early influence in your life?
My experiences as a Tamil in Sri Lanka influenced the way I engaged with the world and drove me to work in human rights protection because I became aware of discrimination, violence and prejudice even as a child. As I grew older, as a woman, I experienced different forms of discrimination and prejudice that women generally face, which were worsened by my ethnic identity. This point at which both my identities intersected, and where I was exposed to the violent and ugly side of humanity is where what I believe something positive- my work, values and activism- were born.
Tell us about your most inspiring moments in your work so far?
In the kind of work I do, what I find most inspiring are the people that despite being subject to discrimination, loss, violence and pain, continue to struggle for their rights and that of others; those who continue to be humane despite the inhumane way in which the world has treated them.
What do your experience as the main challenge as someone working on human rights. And how do you deal with obstacles in your work?
The main challenge persons working on human rights protection face is the state/government viewing persons who work on human rights as enemies and threats to their power, and constantly trying to intimidate and/or discredit them and curtial and/or undermine their work.
The lack of viable, substantive and holistic remedies for persons who experience human rights violations is also a considerable challenge. Even the remedies that do exist, such as filing a fundamental rights petition in the Supreme Court or complaning to the Human Rights Commission of Sri Lanka can take months or even years, and even when a remedy is granted, it does not address all aspects of the violations experienced.
Not surprisingly, the various difficulties faced in supporting victims of human rights violations and assisting them to obtain remedies as well as challenging abusive state power can lead to feelings frustration or dejection. Personally, as a Tamil woman working on human rights I have often been labelled a terrorist, LTTE, anti-national, traitor and subject to gender-based online abuse, vilification and harassment.
One of the ways to deal with these obstacles is through collaborative work, partnerships and networks, and sharing resources. The other is long-overdue state reform, including reform of institutions such as the police. Human rights activists can advocate for such reform but it requires political will and progressive vision, which to date is sorely lacking in Sri Lanka. Another means is to step up and support those that are being attacked for the work they do or because of an aspect of their identity, such as LGBTIQ persons.
Your news on women empowerment bill, gender and equality Bill. Will these bills implement concrete actions to amplify women’s voices. There had been a national policy on women’s empowerment since 1911 your comments?
Many provisions of the Gender Equality Bill and the Women’s Empowerment Act give the appearance of sections of national action plans that have been turned into law. For instance, what is the purpose of making the appointment of focal points, which is an administrative function, a provision in a law? Furthermore, women’s groups and activists have stated they were not consulted on the gazetted version of the laws. Hence, the lawmaking process seems haphazard, was lacking in transparency and was not inclusive. The President’s remarks in parliament about the Supreme Court determination on the Gender Equality Bill where he stated that a parliamentary committee should be appointed to review the determination seems like an attempt to control judges and threatens the independence of the judiciary. Although the Suprene Court determination is problematic and not progressive, the executive undermining the independence of public institutions, particularly the judiciary, will only further erode the rule of law and democracy in Sri Lanka.
Enacting laws or establishing commissions or institutions will not magically lead to gender equality or women’s empowerment. To achieve gender equality, we need to acknowlege the patriarchal nature of Sri Lankan society and address misogyny, sexism and discrimination structurally and socially. This means we must address it in the family, school, universities, workplaces and particularly public institutions and systems.
Most importantly, do not forget that every right the government undermines, also undermines the rights of women and their safety and security. Every government attempt to undermine the rule of law, also adversely impacts women. Therefore, enacting these laws, while undermining the rule of law and public institutions and enabling violence by state entities, such as the police, is farcical and will only further undermine the rights, security and well-being of women.
Human rights remains a issue not only in Sri Lankan but all over the world. What is your assessment of the situation?
As you rightly say, human rights are under threat globally and the international legal order is being attacked and undermined. Sri Lanka is complicit in this as much as global powers, such as the US. What the detractors of the international legal order do not seem to understand or perhaps do not care about is that respecting the international legal order, international human rights standards and international processes, such as the UN processes, creates safety for all of us. Yet, the reality is that generally states do not like to be held accountable and go on the offensive when challenged, particularly in international fora as they feel being held accountable is a loss of face. States also weaponize human rights against certain countries and contexts and countries often point to other states that flout international law to justify their own violations. None of these positions are valid or viable. As I say, this is not a race to the bottom and you cannot claim the protections that international law affords only when it is expedient because then others will do the same and the result will be anarchy.
Specifically what are the main problem areas of human rights in Sri Lanka?
We have a government that does not respect the rule of law – for instance, police officers engaging in torture and the government and other state entities ignoring Supreme Court judgments and determinations is quite common. This further entrenches impunity and enables the government and state entities to abuse their power and continue to committ human rights violations. There is lack of trust in public institutions due to successive governments undermining their independence and policitising them.
Corruption is another critical issue that needs to be addressed. Repressive laws that do not adhere to international human rights standards, such as the Prevention of Terrorism Act, the Vagrants Ordinance, the Online Safety Act and provisions that criminalise same sex relations remain on the statute books.
Fifteen years after the end of the war a political solution to the ethnic conflict is elusive, and those responsible for war time violations have not been held accountable. Instead, war affected populations in the North and East, such as the families of the disappeared that demand truth and justice are surveilled, intimidated and harassed. This year families of those killed during the last stages of the war were not even allowed to hold ceremonies to remember the dead.
Socio-economic rights are also human rights- hence there are many violations that are taking place, including due to the economic crisis, such as the loss of livelihood, increasing poverty, malnutrition and reduced access to health care and education. The position of social groups that have been marginalised and discriminated against, such as persons with disabilities, LGBTIQ persons and Muslims and Malaiyaha communities remain largely unaddressed.
What are the main changes you like to see in the world particularly in relation to women and their rights?
I would like to see a world that is not patriarchal, sexist or misogynist- in which women do not have to constantly struggle to be seen, respected or heard. A world in which they are equal and have the choice to make decisions about their bodies and their lives, without being criminalised, abused, vilified, ridiculed or controlled.
ambikasat@gmail.com
Life style
Upali returns with Sinhala adaptation of Murdoch classic
EMD Upali, a familiar name in both the Colombo Bar and the Sinhala stage, is gearing up to unveil his latest theatrical venture, Pavul Kana Minihek, the Sinhala adaptation of Iris Murdoch’s acclaimed novel The Black Prince. The play goes on board on December 6 at 7 pm at the open-air theatre of the Sudarshi Hall, Colombo.
Though not physically tall, he stands tall in fame. Upali’s open, friendly nature and ever-present smile make him a respected figure in both legal and theatrical circles. The veteran director is also remembered for introducing the late Jackson Anthony to the stage through his 1983 hit Methanin Maruwenu, a production that went on to win national acclaim.
But his journey began much earlier. As an undergraduate at the University of Colombo, he created Methanin Maruwenu for an inter-faculty drama competition in 1981 and walked away with the Best Director award. The reworked version won him another Best Director title at the 1983 State Drama Festival. Two years later, he repeated the feat with Piyambana Assaya.
Academic commitments kept him away from the stage until 1995, when he returned with Eva Balawa, a Sinhala adaptation of J.B. Priestley’s An Inspector Calls.
“Lucien de Zoysa first staged the English version at the Lionel Wendt in memory of his son Richard,” Upali recalls. “I adapted it into Sinhala using the script by my guru and friend, Upali Attanayake. Eva Balawa went on to win four State Awards, including Best Director (Adaptation).”
He followed this success with Chara Purusha (2000), adapted from Gogol’s The Government Inspector; Wana Tharavi, his staging of Ibsen’s The Wild Duck during the Ibsen Centenary celebrations; and Chekhov’s The Cherry Orchard as Idamedi Wikine in 2014.
Pavul Kana Minihek is Murdoch’s philosophical and psychologically charged masterwork, adapted from Prof. J.A.P. Jayasinghe’s Sinhala translation. Produced by Jude Srimal, the play features Sampath Perera as Bradley Pearson alongside theatre stalwarts Lakshman Mendis, Nilmini Sigera, Madani Malwage, Jayanath Bandara, Mihiri Priyangani and Chanu Disanayake. Music is by Theja Buddika Rodrigo.
Behind the curtain sits an equally seasoned crew: production designer Pradeep Chandrasiri, costume designer Ama Wijesekara, lighting designer Ranga Kariyawasam, make-up artist Sumedha Hewavitharana and stage manager Lakmal Ranaraja.
Murdoch’s philosophical depth, Upali notes, is central to both the novel and the play.
“Murdoch’s background in philosophy flows through the narrative,” he says. “The Black Prince grapples with the pursuit of truth, through erotic love, through art, through suffering. She was a Platonist, and that worldview shapes the protagonist Bradley Pearson’s journey.”
Murdoch’s novel, published in 1973, won the James Tait Black Memorial Prize and was shortlisted for the Booker Prize before being adapted for the stage in 1989.
“We condensed the play into a sharp, two-hour production,” Upali says. “With Pradeep Chandrasiri’s design, we recreated both Bradley’s and Arnold Baffin’s homes on stage. Our approach was minimalistic, but every decision was grounded in careful experimentation.”
Upali is candid about the realities surrounding Sinhala theatre especially when adapting world-class works.
“The biggest challenge is funding,” he says. “A proper production costs at least five million rupees. Institutions like the British Council or Goethe-Institut help occasionally, but not enough.”
He points to recent successes such as Nuga Gahak, Kanchuka Dharmasena’s Sinhala adaptation of Tim Crouch’s The Oak Tree, staged with the help of the British Council, and Rajitha Dissanayake’s Ape Gedarata Gini Thiyaida, supported by the Sunera Foundation.
“We must be happy some people get sponsorships. It’s rare. But if we create good theatre, audiences still come.”
The director laments Sri Lanka’s lack of proper theatrical infrastructure.
“In Sri Lanka, theatre is treated as a ahikuntika kalawa, a gypsy art,” he says. “Actors and crew load a bus with props, travel, perform once and return. In developed countries, theatres run the same play for months, sometimes years.”
Venues remain limited and expensive. Lionel Wendt is booked out months ahead; most other halls lack even basic acoustics.
“Many places are just meeting halls. Audiences beyond the middle rows can’t hear the actors. These shortcomings drain the cultural life of the nation.”
With auditorium rentals running between Rs. 75,000 and Rs. 100,000 a day, directors often wait months for dates.
“A play must be staged at least once a month to stay alive,” he remarks. “Theatre isn’t something you can store on a chip.”
Sri Lanka also lacks full-time theatre companies. “Our actors must juggle movies, teledramas, TV ads, political stages, news anchoring — everything,” Upali notes. “They have to. There’s no other income.”
Hiring them for a single performance can cost Rs. 300,000. Full production ranges from Rs. 2 million to Rs. 5 million.
“When we began, even films didn’t cost this much.”
Meanwhile, audiences are shrinking. “We are living in a TikTok world,” he says with a wry smile. “People want instant gratification. Sitting through a two-hour play is becoming harder and harder.”
Yet despite the odds, Upali remains committed to the stage and to bringing global literature to Sinhala audiences.
“I believe in theatre,” he says simply. “And I believe our audiences still care, even in a distracted world.”
Pavul Kana Minihek
opens this week and promises to remind us of that serious theatre still has a place, and a voice, in Sri Lanka.
(Pix by Hemantha Chandrasiri)
Life style
Celebrating Oman National Day
The celebration of the National Day of the Sultanate of Oman unfolded with distinguished elegance, as diplomats, dignitaries and invited guests gathered to honour the rich heritage and modern achievements of the Sultanate of Oman, under the leadership of Sultan Hatham bin Tarik.
The Ambassador of Oman in Sri Lanka Ahamed Ali Said Al Rashdi delivered a gracious and heart-felt address reflecting on the deep-rooted ties between Sri Lanka and the Sultanate of Oman.
He spoke of the region’s shared maritime history, centuries of cultural exchanges and the growing partnerships that continue to strengthen bilateral friendships between Sri Lanka and with the Sultanate of Oman.
- Former Foreign Minister Al Sabry with other guests
- The Ambassador of Turkiye Semih Lutfu Turgot with Governor of Western province Hanif Yusuf
- Gracious welcome from the Ambassador of Oman, Ahamad Ali Said Al Rashid
The Ambassador also highlighted Oman’s progress under the visionary leadership of the Sultanate, celebrating the nation’s advances in economic and regional co-operation, values that align closely with Sri Lanka’s aspirations.
One of the evening’s best highlights was the culinary journey, specially curated to offer guests an authentic taste of Omani hospitality.
The buffet unfolded a tapestry of flavours, fragrant Omani biryani, slow cooked meats, grilled seafood and an array of vibrant desserts like delicacies especially Omani dates, offering a sweet finale while the aroma of Omani coffee lingered like a gentle cultural embrace.
It was an evening that did far more than celebrate a National Day. It unfolded as a journey into the soul of Oman, wrapped in sophistication and unforgettable charm.
The glamour of the evening was heightened by the graceful flow of distinguished guests in elegant allure, warm diplomatic exchanges and the subtle rhythm of traditional Omani melody.
Life style
Under a canopy of glamour
Rainco’s touch of couture
It was a dazzling evening that merged fashion, function and fine design, as Rainco Sri Lanka’s homegrown brand synonymous with quality and craftsmanship – unveiled its new umbrella collection ‘Be my Rainco’ at Cinnamon Life setting a new standard for stylish innovation.
This event graced by a distinguished guest list of fashion connoisseurs, influencers and design enthusiasts was more than a product launch. It was a celebration of form and artistry. The highlight of the evening was a fashion showcase curated by acclaimed designer Brian Kerkovan who brought his international flair to Rainco’s refined aesthetic. Models glided down the runaway carrying striking umbrellas, their balanced elegance and engineering transforming a daily essential into statement of luxury.
Bathed in soft lighting and accompanied by an evocative musical score, the ambience exuded sophistication. The collection crafted with meticulous attention in detail, featured bold silhouettes, luxe finished and innovative textures, echoing the brand’s philosophy of merging practicality with panache.
Speaking at the launch, Rainco’s General Manager marketing and innovation, Awarna Ventures (Ltd)Gayani Gunawardena said with pride his milestone collaboration, noting how the brand’s evolution from a household essential to a symbol of contemporary lifestyle.
The evening concluded with a toast to creativity – a fitting finale for a brand that continues to inspire confidence and styles ,rain or sunshine.
(ZC)
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