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The Museum of Modern and Contemporary Art Sri Lanka opens ‘The Foreigners’

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The Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka) opened its new exhibition titled ‘The Foreigners’ on 4 May 2023, at its premises on the ground floor of Crescat Boulevard, Colombo 3. Curated by Sandev Handy and Sharmini Pereira, ‘The Foreigners’ brings together the works of 15 contemporary artists who use varying media to address the entangled ways in which foreignness is inscribed onto them, marking them as strangers, outsiders, or transgressors. Together their works resist, reimagine, and re-mix well-worn tropes of how otherness is categorised and foreignness is perceived. These works include photographs, performances, video artworks, installations, drawings, and paintings.

The exhibition has been specially designed by Jonathan Edward and the exhibition identity has been created by Emile Molin. Speaking about the exhibition, lead curator of the exhibition Sandev Handy noted that, “The Foreigners considers how contemporary artists grapple with often contradictory ideas of home, borders, and belonging. We imagine this exhibition as a complicated cacophony of both local and diasporic voices coming together to testify to their experiences of place and displacement, inviting visitors to listen, tune in and parse through them.” He further added that “My hope is that this exhibition is a starting point; a stake in the ground from which we may begin to recognise the experiences of the foreigner, the outsider, and the stranger, as crucial artistic voices towards helping us critically examine how borders often imposed upon us by dominant cultural narratives may be questioned and even dismantled.”

‘The Foreigners’ features 15 contemporary artists who include Arjuna Gunaratne (b. 1976), Danushka Marasinghe (b. 1985), Dinelka Liyanage (b. 1994), Hema Shironi (b. 1991), Hania Luthufi (b. 1989), Imaad Majeed (b. 1991), Isuru Kumarasinghe (b. 1987), Janani Cooray (b. 1974), K K Srinath Chathuranga (b. 1987), Nina Mangalanayagam (b. 1980), Reginald S. Aloysius (b. 1970), S.H. Sarath (b. 1947), Shyama Golden (b. 1983), Stephen Champion (b. 1959), and Sumudi Suraweera (b. 1982). Two of the artworks titled ‘வாசல்/ එළිපත්ත/ Threshold’ (Part 1) and ‘வாசல்/ එළිපත්ත/ Threshold’ (Part 2) by Dinelka Liyanage (b. 1994), Hania Luthufi (b. 1989) and Sumudi Suraweera (b. 1982) of Music Matters, were commissioned by the MMCA Sri Lanka in 2021 with the support of the European Union. Lenders to the exhibition are based in India, Sri Lanka, Sweden, the UK, and the USA.

Speaking about the exhibition, Sharmini Pereira, Chief Curator at the MMCA Sri Lanka said, “‘The Foreigners’ will give the museum’s visitors an insight into the works of contemporary artists living and working in Sri Lanka, the United States, Sweden, and the United Kingdom. One of the most important aspects of our work is to support and showcase the work of living artists; an opportunity not afforded to the generation of modern artists”, adding that “We look forward to welcoming visitors to an exhibition that we believe touches on many contemporary issues about who we are and where we are from.” Pereira further stated that “This is also our first exhibition to receive support from a group of individuals who reside outside of Sri Lanka and who wish to bring international attention to the country’s many contemporary artists. Through their example, we hope that other individuals will do similar and support research and curation around contemporary art.”

The MMCA Sri Lanka will also offer its visitors a host of free public programmes alongside ‘The Foreigners’. These programmes include Gallery Talks with artists and academics, Workshops conducted by art practitioners and professionals, guided Curator’s and Exhibition Tours, a Poetry club, performances, and other special events. All public programmes are made possible with the generous support of the European Union, whilst ‘The Foreigners’ exhibition is kindly supported by Anojie Amerasinghe, Hugues Marchand, Radhika Chopra, and Rajan Anandan, with additional support from the MMCA Sri Lanka’s Founding Patrons, the British Council, and Lite87. Generous support is also provided by the museum’s major benefactors and funders: John Keells Foundation, Nations Trust Bank, and Fairfirst Insurance.

The MMCA Sri Lanka is an education-led initiative that aims to establish a public museum dedicated to the display, research, collection, and conservation of modern and contemporary art for the benefit and enjoyment of the general public, schools, and tourists. The museum is open daily from 10 am to 6 pm (except on Poya days and public holidays) on the ground floor of Crescat Boulevard, Colombo 3, and the entrance to the museum and all its public programmes are free. Information about the museum and its exhibitions and public programmes can be found via its website www.mmca-srilanka.org, or on Facebook at facebook.com/mmcasrilanka and Instagram at instagram.com/mmcasrilanka/.



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GS1 Lanka drives Sri Lanka’s shift to 2D barcodes

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GS1 Lanka marked its 10th Annual General Meeting with a focus on the next stage of product identification in Sri Lanka, as businesses prepare for the wider adoption of 2D barcodes and the growing demand for trusted product information.

Addressing the AGM, GS1 Lanka president Revan Fernando noted that GS1 has been giving Sri Lankan products a globally recognised identity for more than 30 years. He pointed to the shift from traditional barcodes to 2D barcodes as the next major step, particularly as consumers increasingly look beyond a product’s identity to information they can trust about its origin, ingredients, authenticity and use.

GS1 Sunrise 2027 is a global industry initiative aiming to transition retail checkout systems to read 2D barcodes such as QR codes and Data Matrix codes alongside traditional 1D UPC stripes by the end of 2027

Under its Sunrise 2027 initiative, GS1 Lanka is working with the retail and healthcare sectors to prepare businesses for the transition to 2D barcodes. Unlike a conventional barcode used at checkout, a GS1 QR code can also connect consumers to a wider range of product information and support traceability and product verification through GS1 standards.

Fernando also called on brands to get involved in the transition, noting that the change will require businesses to rethink how they use the limited space on product packaging and how they communicate with consumers. GS1 Lanka will also introduce a new retail information platform to help member brands provide richer product information and improve the presentation of their products to consumers.

GS1 Lanka CEO Alikie Perera said the organisation’s work is increasingly focused on helping Sri Lankan businesses keep pace with changes in global supply chains and consumer expectations. The next phase will place greater emphasis on 2D barcodes, GS1 Digital Link, traceability and digital product information, as businesses prepare for a more connected and information-rich marketplace.

At the local level, GS1 Lanka continued its awareness programmes for entrepreneurs, SMEs, manufacturers and exporters, covering product identification, barcode standards, traceability, supply chain efficiency and market access. The organisation has also seen growing adoption of GS1 Activate and Verified by GS1, with more than 5,500 member companies registered on the platforms and over 20,000 product records uploaded.

The AGM concluded with a recognition of the contribution of GS1 Lanka’s members, partners, Board and team, while setting the direction for the organisation’s continued work to bring global standards and new product identification technologies into wider use among Sri Lankan businesses.

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Sri Lanka must rethink plastics before waste crisis deepens, says OUSL Vice Chancellor

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Dignitaries at 3rd ICPIES

By Ifham Nizam

Sri Lanka’s plastic problem can no longer be treated simply as a waste-disposal issue, with the country facing mounting pressure on its coastal environment, fisheries, communities and public health, Vice Chancellor of The Open University of Sri Lanka Senior Professor P. M. C. Thilakerathne said.

The country must move beyond collecting and disposing of plastic waste and fundamentally rethink how plastics are designed, produced, consumed and recovered, Prof. Thilakerathne said, calling for a national shift towards a circular economy.

Addressing the 3rd International Conference on Plastics, Innovations and Environmental Sustainability, he said Sri Lanka’s experience, particularly the environmental fallout from the 2021 X-Press Pearl disaster, demonstrated why plastic pollution required urgent national attention.

The X-Press Pearl disaster resulted in large quantities of plastic pellets being released into Sri Lanka’s coastal waters, with impacts extending to marine biodiversity, fisheries and coastal livelihoods.

For an island nation whose economy and communities are closely connected to the sea, he said, plastic pollution could not be viewed as an environmental issue separate from national development.

” For Sri Lanka, these figures are not abstract,” Prof. Thilakerathne said, pointing to the global growth in plastic production and waste.

The world produces hundreds of millions of tonnes of plastics annually, while only a small proportion of plastic waste is recycled. A substantial amount ends up in landfills or is leaked, dumped or otherwise mismanaged.

The scale of the global problem has direct relevance to Sri Lanka, he said, because waste that is inadequately collected or managed can ultimately find its way into waterways and the ocean.

The Vice Chancellor said Sri Lanka therefore needed to strengthen not only waste collection and recycling but also the systems that determine what products enter the waste stream in the first place.

“Much of the waste problem is decided at the drawing board,” he said.

Products should be designed for reuse, recycling and disassembly, while businesses should be encouraged to adopt models based on refill, repair and reuse rather than continued dependence on single-use plastics.

He said Sri Lanka also had an opportunity to develop locally appropriate alternatives using renewable resources and agricultural residues.

The country’s coconut industry and other agricultural resources could support research into alternative materials, he said, but scientists must ensure that such substitutes were genuinely environmentally sustainable and did not simply shift the environmental burden elsewhere.

For Sri Lanka, the challenge is particularly important because plastic pollution intersects with several economic sectors.

Fishing communities depend directly on healthy marine ecosystems, while tourism depends heavily on the country’s beaches, coastal areas and natural environment.

Plastic pollution can therefore translate into economic and livelihood pressures in addition to its ecological consequences, Prof. Thilakerathne said.

He also warned that the problem extended beyond visible plastic waste.

Microplastics and nanoplastics have been detected in drinking water, food and air, while research into their potential effects on human health is continuing.

The longer-term public-health implications represented an important area for scientific research, he said.

Prof. Thilakerathne called for stronger cooperation between universities, government institutions, industry and local communities to develop solutions suited to Sri Lanka rather than relying solely on technologies or approaches developed elsewhere.

Universities, he said, had a responsibility to generate the evidence needed for national policy and to ensure that research reached the communities and industries expected to implement it.

This is where OUSL could make a particular contribution, given its nationwide network and large population of students, including working adults, teachers, professionals and learners from rural communities.

The university plans to strengthen environmental sustainability and circular-economy principles across its curriculum, expand professional education on waste management and sustainable materials, develop international research partnerships and improve sustainable practices within its own campuses and centres, he said.

Prof. Thilakerathne also called attention to the thousands of people who earn a living through informal waste collection and recycling.

Any national strategy, he said, must recognise the contribution of these workers and ensure that the transition towards a circular economy does not leave them economically vulnerable.

Sri Lanka has already introduced restrictions on a number of single-use plastic products, but the Vice Chancellor said regulations must be accompanied by enforcement, investment in recovery infrastructure, industry participation and changes in consumer behaviour.

At the international level, he said, Sri Lanka also needed to contribute actively to efforts to address plastic pollution, backed by credible national scientific research.

The global nature of the plastics trade and pollution meant that action by individual countries alone would not be sufficient.

The conference therefore provided an opportunity for Sri Lankan researchers to connect local environmental challenges with international research and technological developments, he said.

Addressing young researchers and students, Prof. Thilakerathne urged them to measure the value of their work not only by academic publications but also by its ability to produce practical change.

He encouraged researchers to work across disciplines, engage with policymakers and industry, and remain connected to communities affected by the problems they study.

“The most meaningful research is that which changes practice,” he said.

He said Sri Lanka’s plastic crisis ultimately required a change in the country’s approach to materials, consumption and waste.

“Our task is not to abandon the material that shaped the modern world but to make it compatible with the sustainable one,” Prof. Thilakerathne said.

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The internationally acclaimed play ‘Every Brilliant Thing’ comes to Sri Lanka

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Theruni Indrapala

Prepare for a theatrical experience that brings people together and celebrates life. The Peterite Arts Foundation, in proud association with World Vision Lanka, announces the showing of an amateur production arranged with Casarotto Ramsay & Associates Ltd. Every Brilliant Thing, the acclaimed solo play by Duncan Macmillan and Jonny Donahoe. Directed by Theruni Indrapala, the play’s lead is played by former Peterite Mario de Soyza. This uplifting, interactive production will run at Kamatha Studio, BMICH, Colombo, from 05 to 08 November 2026.

Every Brilliant Thing tells a deeply moving yet joyful story. At seven, the narrator begins listing everything worth living for, from ‘ice cream’ and ‘things with stripes’ to ‘rollercoasters’, hoping to help his mother through depression. Over time, the list grows to more than a million entries and becomes a lifelong source of comfort for the narrator.

What began as a short monologue in 2006 has grown into a global phenomenon, performed in more than 80 countries across five continents. Its hopeful message has reached audiences in extraordinary settings, including aboard the USS George H.W. Bush aircraft carrier. The play has also been translated into 44 languages, including Arabic and Greek, with a special Chinese adaptation titled Every Brilliant Little Thing.

The play’s need for emotional intelligence, openness and a strong connection with the audience attracted a distinguished line-up of performers. Following a successful West End run featuring Sue Perkins and Minnie Driver, the play made its Broadway debut at the Hudson Theatre, where it ran from 21 February to 9 August 2026. Tony Award winner Daniel Radcliffe opened the Broadway production, receiving critical acclaim and a Tony nomination for Best Lead Actor in a Play. Law & Order: SVU icon Mariska Hargitay then made her official Broadway debut in the role, followed by Golden Globe winner Tracee Ellis Ross, who closed the run.

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