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Sinhala wordsmith extraordinaire remembered on his 40th death anniversary

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Karunaratne Abeysekera with Children at Radio Ceylon

By Dr Upul Wijayawardhana

“I write my songs not for critical acclaim but for the sole purpose of the enjoyment of listeners, without them having to turn the pages of a dictionary!” Thus retorted Karunaratne Abeysekera, during an interview, when reference was made to the disapproval of some critics of his lyrical style. Paradoxically now, 40 years after his death, critics are falling over each other to praise his lyrical style; simple though beautiful and musical words, arranged rhythmically to subtly convey, meanings often very deep, which brought about a sea change in Sinhala music for the masses! More importantly, his philosophy has proved correct as the songs he penned still dominate the airwaves, despite the vast changes in the broadcast media since his death. The young, who have no idea whose compositions they are, join the old in singing his songs, made immortal by the vast number of talented Sinhala singers, most of whom he nurtured. To them, to me and my generation, he was our dearly beloved Karuayya whose life was cut short at the height of his career, prematurely at the age of 52, on 20th April 1983. Even the vast expanse of four decades has not dulled the pain in our hearts.

Because of his enduring legacy as a lyricist, many forget that Karunaratna Abeysekara was a pioneer and excelled in many other fields too. He was a true wordsmith excelling in the written word as well as the spoken. He was born in Ratmale, a little village south of Matara on 3 June 1930, the eldest of ten children of Podiappuhami Abeysekara and Premawathi Abeysekara. The family moved to Colombo where his father started a small business but they moved back temporarily to their village during World War II which gave him the opportunity to study Sinhala, Pali, and Sanskrit under Venerable Ananda of Galkanda Vihara, which laid the foundation for the mastery with words. On return, he entered Nalanda College where his teacher was the poet U A S Perera, better known as Siriayya who conducted Lama Pitiya in Radio Ceylon, which was a life-changing event. This drew him to broadcasting, taking part in “Lama Pitiya” from the age of 12. He continued to study oriental languages under Venerable Dehigaspe Pannasara of Vidyodaya Pirivena whilst continuing his studies in English at Nalanda.

Even before gaining reputation as a lyricist, Karunaratna Abeysekara won recognition as a leading poet of the ‘Colombo Era.’ He started writing Sinhala poetry at a very young age, winning the competition for ‘The Best Young Poet’ conducted by Nava Kala Mandalaya in 1942, and continued to write regularly to Sinhala newspapers till death, in addition to publishing several collections. Thanks to Karuayya’s youngest brother Kirthie, who lives in the USA, I have been able to read three sets of poems written close to his unexpected death, which gives a hint of premonition. In a poem titled Ayachanayak (Request), printed in Kalpana in October 1982, he makes an appeal to the ‘Life-giver’ for an extension of ten years. It is a moving poem wherein he gives reasons why he is requesting the extension; that he wishes to see his son grow up, that he can contribute to Sinhala literature in many ways and write for the unity of the nation. It is not without humour, as he states that all he wants is the extension even if it makes him look aged! In a poem addressed to his sister Suji, who has just got married, titled Thawath Neyek (Another Relative) printed in Silumina of 27 February 1983, two months before death, whilst welcoming the brother-in-law, he ends up with a request: ‘Me neth piyawunoth hema heta midee pinin mage piyambai putui dingak balaganin’ which translates as ‘If by any chance these eyes close due to exhaustion of merit, please look after a bit, my dear wife and son.’ His last poem ‘Duka biya nethi Nivana pathami’ (Wishing for Nibbana sans sorrow and fear) appeared in Silumina a month after his death!

Karunaratna Abeysekara faced the most crucial decision of his life in 1950, when he had to choose between admission to Peradeniya University for a degree or join Radio Ceylon as a relief announcer, earning seven Rupees a day. He opted for the latter as he felt that was the only way he could support his younger siblings, his father’s business being not lucrative. This move not only allowed him to support his siblings admirably but also build a very successful broadcasting career. He was a brilliant newsreader but outshone all others as a commentator. In the era of before television, we were at the mercy of commentators to visualise any important event. Whereas others described what was happening, Karuayya painted the picture in our minds with his unmatched eloquence. I still remember listening to his commentary when Queen Elizabeth visited us in 1954 and painting the picture of the procession in my mind. The way he moved the entire nation to tears at S W R D’s funeral has become part of broadcasting legend.

Invariably, he was drawn to children’s programmes and Saraswathi Madapaya he hosted on Sunday evenings, became the star of children’s programmes. I had the fortune of participating regularly and helping Karuayya from 1957 to 1964, being introduced to it by Karuayya’s brother Daya and my good friend Buddhadasa Bodhinayaka. We would help by sorting out letters, writing features and reading scripts live ,etc.. which gave us the grounding in broadcasting. Karuayya arrived about half an hour before the programme goes live on-air and penned a couple of songs, which were set to music by Master D D Denny to be sung by the children who became the leading musicians later. Saraswathi Mandapaya was the incubator not only for budding singers but also for lyricists and script writers, far too many to mention by name.

Karuayya was the creator of the genre of Sinhala Children’s Songs and his compositions like Sarungale, Lenage pitameda Iri tuna ende kauda mage amme, Dan nivadukale hinda ne iskole, Mamai Raja kale vihilu keru Andare, Surathal ape denila vana mal kele pipeela are still sung by children and adults alike.

He pioneered cricket commentary in Sinhala, the very first being a report on the Ananda-Nalanda Big-match he gave on Saraswathi Mandapaya. He quickly switched to live commentary and is credited with coining many Sinhala cricket terms. No doubt the enthusiasm for and the popularity of cricket, the ‘coloniser’s game,’ in the villages is in no mean measure due to the commentaries in Sinhala which Karuayya pioneered in his inimitable style which enabled the listeners to visualise the game long before the advent of television.

On retiring from the National Service, he joined the Commercial Service of Radio Ceylon where he revolutionised advertising by coining catchy slogans and introducing memorable jingles which are played even today. He was ethical to the core, ensuring that products he advertised stood to scrutiny, often visiting the establishments to ensure. This, unfortunately, is a practice unknown today when celebrities sell their souls endorsing any product for cash!

He was in great demand to present concerts and, in fact, many attended to see Karuayya as much for the concert. When he commenced the proceedings, immaculately dressed with hair combed with Brylcream and a wide smile below the thin moustache, crowds roared with applause as he raised his hands and said Ayubowan His introductions were crisp and concise, describing a lot in a few words. Another less well-known activity was writing the dialogue for films.

Without any doubt, Karunaratna Abeysekara was one of the best lyricists, if not the best, Sri Lanka has ever had; the most versatile without a doubt. His lyrics could be anything from children to classical, funny to provocative but he was at his best when it came to romance, probably because of his own turbulent love affair with Raniakka before marriage. She, like many millions in the country, had fallen in love with his voice initially which later developed into a romance, much objected to by her elders who kept her a virtual prisoner in her home. One day, Tilakasiri Fernado has been waiting in studio 10 of Radio Ceylon for Karuayya as he was one song short for his programme the same evening. When the plight was explained, Karuayya vented the pent-up feelings by writing immediately ‘Enna mada nale, gos pawasanna duka mage’ which was sung with great emotion the same evening and remains a classic in Sinhala music. He requests the wind to take his message of love to her, as it is only the wind that can reach her prison and tells the wind that he is helpless, his only treasure being her, adding that he will be ever grateful if the wind conveys his sadness to her. Quoting a passage from a note Raniakka was able to smuggle through to him, he wrote “Mawa hanga wane, aiyo Sakdevidune, Pandupul asane, aido unu nune” for the film Dingiri Menike.

In turn, Karuayya extended a helping hand to others in romantic difficulties. When there were problems with Sanath Nadasiri’s romance with Malkanthi Pieris, he is supposed to have mediated, in addition to writing the beautiful song “Ma hada asapuwa, kusumin sarasuwa, e Malbara dethai” sung in the melodious voice of Sanath, with the word Malbara hinting at Malkanthi! When Milton Perera had difficulty in expressing his love to Kalyani, he appealed to Karuayya who obliged with “Kalyaniye oba nesu kathawak kiyannam” with Milton declaring his love over the airwaves and thousands of lovers using it since to overcome their difficulties of romantic expression! In fact, Kalyani is mentioned in another song he wrote for Milton: “Sihina dev duwe, obata thun love, ekama nami ma danne e nama adare” wherein Milton sings “Kalyani namata ama pem, divi banduna puda karannam” No doubt, they were happily married!

When Dileepa was born, after a gap of ten years, Karuayya was overjoyed and had been lying down on a mat between the two beds occupied by his wife and mother, when he got the sudden urge to pen a song. He got up and wrote “Dileepa podi puthu, saneepayata nidi, Mawage ukul yahane” which was printed in Silumina. Seeing this Clarence Wijewardene has approached Karuayya and had said he will pay anything for the song! In an interview Karuayya mentioned that this and “Enna mada nale” are his favourite songs. Shortly before his death, Karuayya had been listening to a radio programme where they had discussed “Enna mada nale” Raniakka mentioned in an interview that Karuayya was very pleased and had commented “It is a haunting song.” It is a small mercy that he could listen to his favourite as the last.

No one knows how many songs he wrote in his short but fruitful lifetime as he penned songs for many including my wife, Primrose and the figure of 2,000 often quoted is a gross underestimate. He must have written thousands for the Saraswathi Mandapaya, which went unrecorded. Before the introduction of television, more than half the songs in the SLBC library had been written by him. He had written songs for over 300 films. Though the first song he composed for a film was “Kataragame Devige bime, Ruhunu janapade” screening of Sirisena Wimalaweera’s film Asoka was delayed, Varada Kageda being released before, two songs of which remain popular to this day: “Dalula prema gase” and “Piyalee kedila wetuna nebul Saman male” both sung by Mohideen Baig.

Some critics consider Karuayya’s best lyrics for a film are in Kurulu Bedda, with music by R Muthusamy and sterling performances by Punya Heendeniya and D R Nanayakkara, which include “Aruna Udaye” by Milton Perera, “Oya belma, oya kelma, nilupul nete” by Lata and Dharmadasa Walpola. However, my personal choice is Daskama, the only film Edwin Samaradiwakara provided music for. “Ipida mere” sung by Amaradewa is a synopsis of Buddhism and is a classic but there are many other beautiful songs too, masterfully crafted, and beautifully sung: “Honda Kala ada” by Mohideen Baig, “Mada diye pipunata” and “Turu wadulu tule” by GSB Rani Perera, “Goyam paseela kumbure” by Indrani Wijebandara as well as “Devlova devsepa” by Indrani Wijebandara and Mallika Kahavita.

Karuayya had the versatility to suit the lyric to the singer’s style and even to suit the actor, for film songs. It is said that seven other lyricists failed to satisfy Nimal Mendis for his composition for the film Kalu Diya Dahara but Karuayya succeeded with “Master Sir” He excelled in writing about inanimate objects; perhaps, the only lyricist to do so. “Awile semada” is about a candle, “Basicale” is about the bicycle, “Sarungale” is about a kite and “Naga lovin gena apu Bulathatha” is about sheaf of Betel, a song that runs through all the associated rituals, reminding us about our old traditions. Often, he made use of life-events to pen a song. Whilst having dinner in a Chinese restaurant, the waiter has dropped a tray earning a public reprimand from the manager which prompted, the moment he got home, to write “Wedakarala ewara nometha deviyane – Mokotada ma duppathwe ipadune”

A week or two before his death, we visited Karuayya’s place as Primrose wanted a song for her SLBC concert and she requested any song. It took him less than fifteen minutes to write the song “Minimewuldama nethath banda bendune, Visakavak wanna Diyaniyane Amila kahavanu nethath ata randune, Anepindusitu wanna Puthanuwane” It was his message to our two children telling them to be generous even if they do not posses the riches of Anathapindika or Visaka. In the lyrics, he urged them to love the nation, serve and treasure Buddhism and shine like the moon by eradicating ignorance through wisdom. Perhaps, he knew this was our last meeting as when he died, I was in Vienna attending the World Congress of Pacing. Forever I regret, for not being with him in his hour of need.

May Karuayya attain the Supreme Bliss of Nibbana!



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Opinion

Lakshman Balasuriya – Not just my boss but a father and a brother

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Lakshman Balasuriya

It is with profound sadness that we received the shocking news of untimely passing of our dear leader Lakshman Balasuriya.

I first met Lakshman Balasuriya in 1988 while working at John Keells, which had been awarded an IT contract to computerise Senkadagala Finance. Thereafter, in 1992, I joined the E. W. Balasuriya Group of Companies and Senkadagala Finance when the organisation decided to bring its computerisation in-house.

Lakshman Balasuriya obtained his BSc from the University of London and his MSc from the University of Lancaster. He was not only intellectually brilliant, but also a highly practical and pragmatic individual, often sitting beside me to share instructions and ideas, which I would then translate directly into the software through code.

My first major assignment was to computerise the printing press. At the time, the systems in place were outdated, and modernisation was a challenging task. However, with the guidance, strong support, and decisive leadership of our boss, we were able to successfully transform the printing press into a modern, state-of-the-art operation.

He was a farsighted visionary who understood the value and impact of information technology well ahead of his time. He possessed a deep knowledge of the subject, which was rare during those early years. For instance, in the 1990s, Balasuriya engaged a Canadian consultant to conduct a cybersecurity audit—an extraordinary initiative at a time when cybersecurity was scarcely spoken of and far from mainstream.

During that period, Senkadagala Finance’s head office was based in Kandy, with no branch network. When the decision was made to open the first branch in Colombo, our IT team faced the challenge of adapting the software to support branch operations. It was him who proposed the innovative idea of creating logical branches—a concept well ahead of its time in IT thinking. This simple yet powerful idea enabled the company to expand rapidly, allowing branches to be added seamlessly to the system. Today, after many upgrades and continuous modernisation, Senkadagala Finance operates over 400 locations across the country with real-time online connectivity—a testament to his original vision.

In September 2013, we faced a critical challenge with a key system that required the development of an entirely new solution. A proof of concept was prepared and reviewed by Lakshman Balasuriya, who gave the green light to proceed. During the development phase, he remained deeply involved, offering ideas, insights, and constructive feedback. Within just four months, the system was successfully developed and went live—another example of his hands-on leadership and unwavering support for innovation.

These are only a few examples among many of the IT initiatives that were encouraged, supported, and championed by him. Information technology has played a pivotal role in the growth and success of the E. W. Balasuriya Group of Companies, including Senkadagala Finance PLC, and much of that credit goes to his foresight, trust, and leadership.

On a deeply personal note, I was not only a witness to, but also a recipient of, the kindness, humility, and humanity of Lakshman Balasuriya. There were occasions when I lost my temper and made unreasonable demands, yet he always responded with firmness tempered by gentleness. He never lost his own composure, nor did he ever harbour grudges. He had the rare ability to recognise people’s shortcomings and genuinely tried to guide them toward self-improvement.

He was not merely our boss. To many of us, he was like a father and a brother.

I will miss him immensely. His passing has left a void that can never be filled. Of all the people I have known in my life, Mr. Lakshman Balasuriya stands apart as one of the finest human beings.

He leaves behind his beloved wife, Janine, his children Amanthi and Keshav, and the four grandchildren.

May he rest in eternal peace!

Timothy De Silva

(Information Systems Officer at Senkadagala Finance.)

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Opinion

The science of love

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A remarkable increase in marriage proposals in newspapers and the thriving matchmaking outfits in major cities indicate the difficulty in finding the perfect partners. Academics have done much research in interpersonal attraction or love. There was an era when young people were heavily influenced by romantic fiction. They learned how opposites attract and absence makes the heart grow fonder. There was, of course, an old adage: Out of sight out of mind.

Some people find it difficult to fall in love or they simply do not believe in love. They usually go for arranged marriages. Some of them think that love begins after marriage. There is an on-going debate whether love marriages are better than arranged marriages or vice versa. However, modern psychologists have shed some light on the science of love. By understanding it you might be able to find the ideal life partner.

To start with, do not believe that opposites attract. It is purely a myth. If you wish to fall in love, look for someone like you. You may not find them 100 per cent similar to you, but chances are that you will meet someone who is somewhat similar to you. We usually prefer partners who have similar backgrounds, interests, values and beliefs because they validate our own.

Common trait

It is a common trait that we gravitate towards those who are like us physically. The resemblance of spouses has been studied by scientists more than 100 years ago. According to them, physical resemblance is a key factor in falling in love. For instance, if you are a tall person, you are unlikely to fall in love with a short person. Similarly, overweight young people are attracted to similar types. As in everything in life, there may be exceptions. You may have seen some tall men in love with short women.

If you are interested in someone, declare your love in words or gestures. Some people have strong feelings about others but they never make them known. If you fancy someone, make it known. If you remain silent you will miss a great opportunity forever. In fact if someone loves you, you will feel good about yourself. Such feelings will strengthen love. If someone flatters you, be nice to them. It may be the beginning of a great love affair.

Some people like Romeo and Juliet fall in love at first sight. It has been scientifically confirmed that the longer a pair of prospective partners lock eyes upon their first meeting they are very likely to remain lovers. They say eyes have it. If you cannot stay without seeing your partner, you are in love! Whenever you meet your lover, look at their eyes with dilated pupils. Enlarged pupils signal intense arousal.

Body language

If you wish to fall in love, learn something about body language. There are many books written on the subject. The knowledge of body language will help you to understand non-verbal communication easily. It is quite obvious that lovers do not express their love in so many words. Women usually will not say ‘I love you’ except in films. They express their love tacitly with a shy smile or preening their hair in the presence of their lovers.

Allan Pease, author of The Definitive Guide to Body Language says, “What really turn men on are female submission gestures which include exposing vulnerable areas such as the wrists or neck.” Leg twine was something Princess Diana was good at. It involves crossing the legs hooking the upper leg’s foot behind the lower leg’s ankle. She was an expert in the art of love. Men have their own ways. In order to look more dominant than their partners they engage in crotch display with their thumbs hooked in pockets. Michael Jackson always did it.

If you are looking for a partner, be a good-looking guy. Dress well and behave sensibly. If your dress is unclean or crumpled, nobody will take any notice of you. According to sociologists, men usually prefer women with long hair and proper hip measurements. Similarly, women prefer taller and older men because they look nice and can be trusted to raise a family.

Proximity rule

You do not have to travel long distances to find your ideal partner. He or she may be living in your neighbourhood or working at the same office. The proximity rule ensures repeated exposure. Lovers should meet regularly in order to enrich their love. On most occasions we marry a girl or boy living next door. Never compare your partner with your favourite film star. Beauty lies in the eyes of the beholder. Therefore be content with your partner’s physical appearance. Each individual is unique. Never look for another Cleopatra or Romeo. Sometimes you may find that your neighbour’s wife is more beautiful than yours. On such occasions turn to the Bible which says, “Thou shalt not covet thy neighbour’s wife.”

There are many plain Janes and penniless men in society. How are they going to find their partners? If they are warm people, sociable, wise and popular, they too can find partners easily. Partners in a marriage need not be highly educated, but they must be intelligent enough to face life’s problems. Osho compared love to a river always flowing. The very movement is the life of the river. Once it stops it becomes stagnant. Then it is no longer a river. The very word river shows a process, the very sound of it gives you the feeling of movement.

Although we view love as a science today, it has been treated as an art in the past. In fact Erich Fromm wrote The Art of Loving. Science or art, love is a terrific feeling.

karunaratners@gmail.com

By R.S. Karunaratne

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Opinion

Are we reading the sky wrong?

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Rethinking climate prediction, disasters, and plantation economics in Sri Lanka

For decades, Sri Lanka has interpreted climate through a narrow lens. Rainfall totals, sunshine hours, and surface temperatures dominate forecasts, policy briefings, and disaster warnings. These indicators once served an agrarian island reasonably well. But in an era of intensifying extremes—flash floods, sudden landslides, prolonged dry spells within “normal” monsoons—the question can no longer be avoided: are we measuring the climate correctly, or merely measuring what is easiest to observe?

Across the world, climate science has quietly moved beyond a purely local view of weather. Researchers increasingly recognise that Earth’s climate system is not sealed off from the rest of the universe. Solar activity, upper-atmospheric dynamics, ocean–atmosphere coupling, and geomagnetic disturbances all influence how energy moves through the climate system. These forces do not create rain or drought by themselves, but they shape how weather behaves—its timing, intensity, and spatial concentration.

Sri Lanka’s forecasting framework, however, remains largely grounded in twentieth-century assumptions. It asks how much rain will fall, where it will fall, and over how many days. What it rarely asks is whether the rainfall will arrive as steady saturation or violent cloudbursts; whether soils are already at failure thresholds; or whether larger atmospheric energy patterns are priming the region for extremes. As a result, disasters are repeatedly described as “unexpected,” even when the conditions that produced them were slowly assembling.

This blind spot matters because Sri Lanka is unusually sensitive to climate volatility. The island sits at a crossroads of monsoon systems, bordered by the Indian Ocean and shaped by steep central highlands resting on deeply weathered soils. Its landscapes—especially in plantation regions—have been altered over centuries, reducing natural buffers against hydrological shock. In such a setting, small shifts in atmospheric behaviour can trigger outsized consequences. A few hours of intense rain can undo what months of average rainfall statistics suggest is “normal.”

Nowhere are these consequences more visible than in commercial perennial plantation agriculture. Tea, rubber, coconut, and spice crops are not annual ventures; they are long-term biological investments. A tea bush destroyed by a landslide cannot be replaced in a season. A rubber stand weakened by prolonged waterlogging or drought stress may take years to recover, if it recovers at all. Climate shocks therefore ripple through plantation economics long after floodwaters recede or drought declarations end.

From an investment perspective, this volatility directly undermines key financial metrics. Return on Investment (ROI) becomes unstable as yields fluctuate and recovery costs rise. Benefit–Cost Ratios (BCR) deteriorate when expenditures on drainage, replanting, disease control, and labour increase faster than output. Most critically, Internal Rates of Return (IRR) decline as cash flows become irregular and back-loaded, discouraging long-term capital and raising the cost of financing. Plantation agriculture begins to look less like a stable productive sector and more like a high-risk gamble.

The economic consequences do not stop at balance sheets. Plantation systems are labour-intensive by nature, and when financial margins tighten, wage pressure is the first stress point. Living wage commitments become framed as “unaffordable,” workdays are lost during climate disruptions, and productivity-linked wage models collapse under erratic output. In effect, climate misprediction translates into wage instability, quietly eroding livelihoods without ever appearing in meteorological reports.

This is not an argument for abandoning traditional climate indicators. Rainfall and sunshine still matter. But they are no longer sufficient on their own. Climate today is a system, not a statistic. It is shaped by interactions between the Sun, the atmosphere, the oceans, the land, and the ways humans have modified all three. Ignoring these interactions does not make them disappear; it simply shifts their costs onto farmers, workers, investors, and the public purse.

Sri Lanka’s repeated cycle of surprise disasters, post-event compensation, and stalled reform suggests a deeper problem than bad luck. It points to an outdated model of climate intelligence. Until forecasting frameworks expand beyond local rainfall totals to incorporate broader atmospheric and oceanic drivers—and until those insights are translated into agricultural and economic planning—plantation regions will remain exposed, and wage debates will remain disconnected from their true root causes.

The future of Sri Lanka’s plantations, and the dignity of the workforce that sustains them, depends on a simple shift in perspective: from measuring weather, to understanding systems. Climate is no longer just what falls from the sky. It is what moves through the universe, settles into soils, shapes returns on investment, and ultimately determines whether growth is shared or fragile.

The Way Forward

Sustaining plantation agriculture under today’s climate volatility demands an urgent policy reset. The government must mandate real-world investment appraisals—NPV, IRR, and BCR—through crop research institutes, replacing outdated historical assumptions with current climate, cost, and risk realities. Satellite-based, farm-specific real-time weather stations should be rapidly deployed across plantation regions and integrated with a central server at the Department of Meteorology, enabling precision forecasting, early warnings, and estate-level decision support. Globally proven-to-fail monocropping systems must be phased out through a time-bound transition, replacing them with diversified, mixed-root systems that combine deep-rooted and shallow-rooted species, improving soil structure, water buffering, slope stability, and resilience against prolonged droughts and extreme rainfall.

In parallel, a national plantation insurance framework, linked to green and climate-finance institutions and regulated by the Insurance Regulatory Commission, is essential to protect small and medium perennial growers from systemic climate risk. A Virtual Plantation Bank must be operationalized without delay to finance climate-resilient plantation designs, agroforestry transitions, and productivity gains aligned with national yield targets. The state should set minimum yield and profit benchmarks per hectare, formally recognize 10–50 acre growers as Proprietary Planters, and enable scale through long-term (up to 99-year) leases where state lands are sub-leased to proven operators. Finally, achieving a 4% GDP contribution from plantations requires making modern HRM practices mandatory across the sector, replacing outdated labour systems with people-centric, productivity-linked models that attract, retain, and fairly reward a skilled workforce—because sustainable competitive advantage begins with the right people.

by Dammike Kobbekaduwe

(www.vivonta.lk & www.planters.lk ✍️

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