Features
Rebekah Pieris and her worlds made of fragments
‘The Commons Cofffeehouse’ down Flower Road is sometimes too busy a place to notice certain things. Quite apart from the comings and goings of regular and random clientele, there always seems to be something else happening. Decorations are put up for various festive holidays, then taken down. The furniture is rearranged. Indeed, there’s the occasional refurbishment as well. Posters are put up to announce a play or musical. They are removed only to be replaced by posters announcing some other event.
I didn’t really notice the fact that a team of young people were setting up an exhibition of paintings. Maybe my mind was on other things; others may have been more curious. I might have not known, at least not for a while, unless a friend, Jehan Pieris, told me about it.
So I took a look. They had just started their work. One or two had already been placed on a wall. The young men were trying to figure out where the next one ought to be placed. There were some paintings, all framed, lying on one of the tables and some on a couch. And a young girl with some painting instrument, perhaps a pen or maybe a marker, diligently ‘working’ on one of the ‘works.’
Strange. I had thought that the work of the artist is done by the time a painting is ready to be exhibited. I was intrigued and told Jehan that I would like to interview her. I was introduced to her, Rebekah, Jehan’s daughter. I told her I’d be around and asked her to tell me when she was ready. When she was, I wasn’t, but I promised to come look for her once I was done.
Rebekah Pieris had been doodling since she was little. Apparently her father also liked to draw. There was ‘canvas’ wherever she went. Like most children she too used the walls and her parents indulged. She could literally spend hours drawing short lines, rendering with black on white, the universe of her imagination or the world as she saw it. ‘It was therapeutic for me. I just kept going on and on for hours.’ She didn’t plan or think too much, apparently. ‘The hand does its thing,’ she simply said.
‘I always had a vivid imagination. For me, it’s just laying out feelings on canvas, my experiences, what I’ve seen and extracted, but not necessarily intentionally; it just comes out in my art.’
She had taken some formal lessons at Cora Abraham’s art school and had offered Art for her ALs before moving to an Art School in Norway, Seljord. Thereafter she’s been reading for an art degree, ‘for a long time,’ she said, adding, ‘with multiple breaks!’
When she was younger she had been interested in drawing portraits. ‘That was the time I was looking at Uncle Harry’s work.’ ‘Uncle Harry’ is actually her granduncle, one of the founders of the renowned Colombo ’43 Group and considered as the finest Asian portraitists of the 20th century working in a European style.
‘While practicing portraits, I would get bored easily. I realised that I don’t really enjoy realism. I like a more fragmented view, leaving interpretation to the viewer, instead of giving a flat out this-is-what-it-is. I wanted to make it different, mixing abstract with pop art, maintaining that mess, creating organised chaos.’
The process was and is essentially experimental. Rebekah was to make it her own, but quickly interjected, ‘you might not recognise it and indeed it certainly can’t be what I see or paint, but that’s alright.’
Where does the inspiration come from, i.e. apart from her vivid imagination and determination to fragment or, as the case may be, extract from the ‘intact’ that which constitute it, the innumerable fragments? According to Rebekah, she is inspired by Frida Kahlo and Salvador Dali, but offers, ‘my approach would align more with cubists and fragmented approaches.’
She also mentioned Pala Pothupitiya. ‘He advises me a lot. He always tells a story. His work is political commentary. Mine is not. I am about expressions and emotions; my own little doodles in an extract of time.’
I don’t understand art and know nothing of artists and styles, so she explained, as though to a complete novice: ‘Imagine a picture of someone on a glass; now imagine it being shattered. Things get shifted.’
Yes, everything is a bit askew. We are all ‘askew,’ it occurred to me. Our eyes and even minds are trained to see neat composites. We are conditioned to caress surfaces. We don’t often read the back stories and are completely ignorant of the ‘deep down.’ Maybe that’s how we manage to suffer the agonies of life and indeed our very existence as human beings and collectives. We get disturbed by things that are ajar or appear to be so. Well, what if that’s how things are?
Such thoughts crossed my mind. Rebekah reminded me, ‘the world and life have multiple dimensions; even 3D art would be limiting.’
From art and painting, she moved to life and philosophy, which of course are not different planets but co-exist and are even entwined.
‘I don’t like to be told what to do or what to think. So the question comes to me, “why not break all the rules?”
She claims that her art changes each season. That’s probably because her interests are varied. ‘I read all kinds of books, all the time. I just want to keep my mind busy. Science has always interested me. I think the Cubists were probably inspired by science. Einstein’s relativism, for example.
Rebekah says she never plans. Well, she didn’t when she was a kid doodling on walls either. So that has remained all these years. But she explained why: ‘art becomes raw and honest when it’s not planned.’
Speaking of the exhibition, Rebekah said it was a speed exercise. ‘I gave myself a couple of hours for each piece. There’s no time to think and I don’t want to think either. I just let it happen. It’s fun for me. There’s something happening in the mind and it evolves. The end product however lives for a long time. I don’t hold on to my work once I am done.
It’s just a moment in time, anyway. Things change, I change, everything is constantly evolving. I am not sentimental.’ She attributes this thinking in part to Pala, who encouraged her to ‘walk away.’
‘Pala told me to walk away from the pieces so I wouldn’t overdo them. His intent hadn’t much to do with sentimentality I guess.’
There are others who have inspired her. She mentioned Francis Bacon and Edvard Munch. I knew of the latter and his ‘The Scream’ but never knew that Bacon painted. Rebekah showed me some of the portraits by the former. She was quite excited to show me one of his self-portraits where the artist portrays himself in semi-mangled ways. This was when I got a sense of what she had told me about fragments and fragmenting.
Rebekah held her first solo exhibition at the Lionel Wendt. It was called ‘Ephesus.’ That was a time she had been trying to understand the concept of god: ‘it had nothing to do with the exhibition, but I thought I would give it that name; it was a transitional time in my life.’
She lives and works in the UK. Apparently she had spent 10 years as a professional bartender, having attended the European Bartender School. Now she’s a supervisor who leads a team in sales related to high-end supplements and healthcare.
‘I sell, but I don’t market myself or my art!’ They do sell, though but the marketing is mostly through word of mouth. She said that even the one instagram post related to her exhibition was done just three days before the event.
She clearly has a preference for acrylics and markers: ‘it’s mostly acrylic and if it’s on paper I use ink.’ The drawings that adorn the walls of ‘The Commons’ are all black-and-white affairs.
‘Black is what I always wore. Black to me is a relaxing colour. I have of course experimented with colour a little bit but my strength is black.’
Speaking of the exhibition, she said ‘his particular collection has an undersea vibe. I am leaning towards the submerged. But then again, I don’t want to name it. Maybe I will explore shipwrecks soon. My dad and I are both divers!”
She revealed that she maintains what she calls ‘a doodle diary.’ It’s her mind in a book. Her paintings are, by the same token, diary-entries.
The interview was done. She went back to her work and I to mine. A couple of hours later, as I was walking out, I saw Rebekah once again dabbing on one of the paintings. This time it was dots. She spoke while ‘dotting.’
‘So you keep working on these?’
‘Yes, until I am done. That’s when I know I can walk away.’
Her work remains. They capture the viewer who could theoretically caress or dive into the canvas and make what he or she will of dots, lines and their peculiar configurations. Until they too can walk away, Rebekah might say.
by Malinda Seneviratne
Features
Ranking public services with AI — A roadmap to reviving institutions like SriLankan Airlines
Efficacy measures an organisation’s capacity to achieve its mission and intended outcomes under planned or optimal conditions. It differs from efficiency, which focuses on achieving objectives with minimal resources, and effectiveness, which evaluates results in real-world conditions. Today, modern AI tools, using publicly available data, enable objective assessment of the efficacy of Sri Lanka’s government institutions.
Among key public bodies, the Supreme Court of Sri Lanka emerges as the most efficacious, outperforming the Department of Inland Revenue, Sri Lanka Customs, the Election Commission, and Parliament. In the financial and regulatory sector, the Central Bank of Sri Lanka (CBSL) ranks highest, ahead of the Securities and Exchange Commission, the Public Utilities Commission, the Telecommunications Regulatory Commission, the Insurance Regulatory Commission, and the Sri Lanka Standards Institution.
Among state-owned enterprises, the Sri Lanka Ports Authority (SLPA) leads in efficacy, followed by Bank of Ceylon and People’s Bank. Other institutions assessed included the State Pharmaceuticals Corporation, the National Water Supply and Drainage Board, the Ceylon Electricity Board, the Ceylon Petroleum Corporation, and the Sri Lanka Transport Board. At the lower end of the spectrum were Lanka Sathosa and Sri Lankan Airlines, highlighting a critical challenge for the national economy.
Sri Lankan Airlines, consistently ranked at the bottom, has long been a financial drain. Despite successive governments’ reform attempts, sustainable solutions remain elusive.
Globally, the most profitable airlines operate as highly integrated, technology-enabled ecosystems rather than as fragmented departments. Operations, finance, fleet management, route planning, engineering, marketing, and customer service are closely coordinated, sharing real-time data to maximise efficiency, safety, and profitability.
The challenge for Sri Lankan Airlines is structural. Its operations are fragmented, overly hierarchical, and poorly aligned. Simply replacing the CEO or senior leadership will not address these deep-seated weaknesses. What the airline needs is a cohesive, integrated organisational ecosystem that leverages technology for cross-functional planning and real-time decision-making.
The government must urgently consider restructuring Sri Lankan Airlines to encourage:
=Joint planning across operational divisions
=Data-driven, evidence-based decision-making
=Continuous cross-functional consultation
=Collaborative strategic decisions on route rationalisation, fleet renewal, partnerships, and cost management, rather than exclusive top-down mandates
Sustainable reform requires systemic change. Without modernised organisational structures, stronger accountability, and aligned incentives across divisions, financial recovery will remain out of reach. An integrated, performance-oriented model offers the most realistic path to operational efficiency and long-term viability.
Reforming loss-making institutions like Sri Lankan Airlines is not merely a matter of leadership change — it is a structural overhaul essential to ensuring these entities contribute productively to the national economy rather than remain perpetual burdens.
By Chula Goonasekera – Citizen Analyst
Features
Why Pi Day?
International Day of Mathematics falls tomorrow
The approximate value of Pi (π) is 3.14 in mathematics. Therefore, the day 14 March is celebrated as the Pi Day. In 2019, UNESCO proclaimed 14 March as the International Day of Mathematics.
Ancient Babylonians and Egyptians figured out that the circumference of a circle is slightly more than three times its diameter. But they could not come up with an exact value for this ratio although they knew that it is a constant. This constant was later named as π which is a letter in the Greek alphabet.
It was the Greek mathematician Archimedes (250 BC) who was able to find an upper bound and a lower bound for this constant. He drew a circle of diameter one unit and drew hexagons inside and outside the circle such that the sides of each hexagon touch the sides of the circle. In mathematics the circle passing through all vertices of a polygon is called a ‘circumcircle’ and the largest circle that fits inside a polygon tangent to all its sides is called an ‘incircle’. The total length of the smaller hexagon then becomes the lower bound of π and the length of the hexagon outside the circle is the upper bound. He realised that by increasing the number of sides of the polygon can make the bounds get closer to the value of Pi and increased the number of sides to 12,24,48 and 60. He argued that by increasing the number of sides will ultimately result in obtaining the original circle, thereby laying the foundation for the theory of limits. He ended up with the lower bound as 22/7 and the upper bound 223/71. He could not continue his research as his hometown Syracuse was invaded by Romans and was killed by one of the soldiers. His last words were ‘do not disturb my circles’, perhaps a reference to his continuing efforts to find the value of π to a greater accuracy.
Archimedes can be considered as the father of geometry. His contributions revolutionised geometry and his methods anticipated integral calculus. He invented the pulley and the hydraulic screw for drawing water from a well. He also discovered the law of hydrostatics. He formulated the law of levers which states that a smaller weight placed farther from a pivot can balance a much heavier weight closer to it. He famously said “Give me a lever long enough and a place to stand and I will move the earth”.
Mathematicians have found many expressions for π as a sum of infinite series that converge to its value. One such famous series is the Leibniz Series found in 1674 by the German mathematician Gottfried Leibniz, which is given below.
π = 4 ( 1 – 1/3 + 1/5 – 1/7 + 1/9 – ………….)
The Indian mathematical genius Ramanujan came up with a magnificent formula in 1910. The short form of the formula is as follows.
π = 9801/(1103 √8)
For practical applications an approximation is sufficient. Even NASA uses only the approximation 3.141592653589793 for its interplanetary navigation calculations.
It is not just an interesting and curious number. It is used for calculations in navigation, encryption, space exploration, video game development and even in medicine. As π is fundamental to spherical geometry, it is at the heart of positioning systems in GPS navigations. It also contributes significantly to cybersecurity. As it is an irrational number it is an excellent foundation for generating randomness required in encryption and securing communications. In the medical field, it helps to calculate blood flow rates and pressure differentials. In diagnostic tools such as CT scans and MRI, pi is an important component in mathematical algorithms and signal processing techniques.
This elegant, never-ending number demonstrates how mathematics transforms into practical applications that shape our world. The possibilities of what it can do are infinite as the number itself. It has become a symbol of beauty and complexity in mathematics. “It matters little who first arrives at an idea, rather what is significant is how far that idea can go.” said Sophie Germain.
Mathematics fans are intrigued by this irrational number and attempt to calculate it as far as they can. In March 2022, Emma Haruka Iwao of Japan calculated it to 100 trillion decimal places in Google Cloud. It had taken 157 days. The Guinness World Record for reciting the number from memory is held by Rajveer Meena of India for 70000 decimal places over 10 hours.
Happy Pi Day!
The author is a senior examiner of the International Baccalaureate in the UK and an educational consultant at the Overseas School of Colombo.
by R N A de Silva
Features
Sheer rise of Realpolitik making the world see the brink
The recent humanly costly torpedoing of an Iranian naval vessel in Sri Lanka’s Exclusive Economic Zone by a US submarine has raised a number of issues of great importance to international political discourse and law that call for elucidation. It is best that enlightened commentary is brought to bear in such discussions because at present misleading and uninformed speculation on questions arising from the incident are being aired by particularly jingoistic politicians of Sri Lanka’s South which could prove deleterious.
As matters stand, there seems to be no credible evidence that the Indian state was aware of the impending torpedoing of the Iranian vessel but these acerbic-tongued politicians of Sri Lanka’s South would have the local public believe that the tragedy was triggered with India’s connivance. Likewise, India is accused of ‘embroiling’ Sri Lanka in the incident on account of seemingly having prior knowledge of it and not warning Sri Lanka about the impending disaster.
It is plain that a process is once again afoot to raise anti-India hysteria in Sri Lanka. An obligation is cast on the Sri Lankan government to ensure that incendiary speculation of the above kind is defeated and India-Sri Lanka relations are prevented from being in any way harmed. Proactive measures are needed by the Sri Lankan government and well meaning quarters to ensure that public discourse in such matters have a factual and rational basis. ‘Knowledge gaps’ could prove hazardous.
Meanwhile, there could be no doubt that Sri Lanka’s sovereignty was violated by the US because the sinking of the Iranian vessel took place in Sri Lanka’s Exclusive Economic Zone. While there is no international decrying of the incident, and this is to be regretted, Sri Lanka’s helplessness and small player status would enable the US to ‘get away with it’.
Could anything be done by the international community to hold the US to account over the act of lawlessness in question? None is the answer at present. This is because in the current ‘Global Disorder’ major powers could commit the gravest international irregularities with impunity. As the threadbare cliché declares, ‘Might is Right’….. or so it seems.
Unfortunately, the UN could only merely verbally denounce any violations of International Law by the world’s foremost powers. It cannot use countervailing force against violators of the law, for example, on account of the divided nature of the UN Security Council, whose permanent members have shown incapability of seeing eye-to-eye on grave matters relating to International Law and order over the decades.
The foregoing considerations could force the conclusion on uncritical sections that Political Realism or Realpolitik has won out in the end. A basic premise of the school of thought known as Political Realism is that power or force wielded by states and international actors determine the shape, direction and substance of international relations. This school stands in marked contrast to political idealists who essentially proclaim that moral norms and values determine the nature of local and international politics.
While, British political scientist Thomas Hobbes, for instance, was a proponent of Political Realism, political idealism has its roots in the teachings of Socrates, Plato and latterly Friedrich Hegel of Germany, to name just few such notables.
On the face of it, therefore, there is no getting way from the conclusion that coercive force is the deciding factor in international politics. If this were not so, US President Donald Trump in collaboration with Israeli Rightist Premier Benjamin Natanyahu could not have wielded the ‘big stick’, so to speak, on Iran, killed its Supreme Head of State, terrorized the Iranian public and gone ‘scot-free’. That is, currently, the US’ impunity seems to be limitless.
Moreover, the evidence is that the Western bloc is reuniting in the face of Iran’s threats to stymie the flow of oil from West Asia to the rest of the world. The recent G7 summit witnessed a coming together of the foremost powers of the global North to ensure that the West does not suffer grave negative consequences from any future blocking of western oil supplies.
Meanwhile, Israel is having a ‘free run’ of the Middle East, so to speak, picking out perceived adversarial powers, such as Lebanon, and militarily neutralizing them; once again with impunity. On the other hand, Iran has been bringing under assault, with no questions asked, Gulf states that are seen as allying with the US and Israel. West Asia is facing a compounded crisis and International Law seems to be helplessly silent.
Wittingly or unwittingly, matters at the heart of International Law and peace are being obfuscated by some pro-Trump administration commentators meanwhile. For example, retired US Navy Captain Brent Sadler has cited Article 51 of the UN Charter, which provides for the right to self or collective self-defence of UN member states in the face of armed attacks, as justifying the US sinking of the Iranian vessel (See page 2 of The Island of March 10, 2026). But the Article makes it clear that such measures could be resorted to by UN members only ‘ if an armed attack occurs’ against them and under no other circumstances. But no such thing happened in the incident in question and the US acted under a sheer threat perception.
Clearly, the US has violated the Article through its action and has once again demonstrated its tendency to arbitrarily use military might. The general drift of Sadler’s thinking is that in the face of pressing national priorities, obligations of a state under International Law could be side-stepped. This is a sure recipe for international anarchy because in such a policy environment states could pursue their national interests, irrespective of their merits, disregarding in the process their obligations towards the international community.
Moreover, Article 51 repeatedly reiterates the authority of the UN Security Council and the obligation of those states that act in self-defence to report to the Council and be guided by it. Sadler, therefore, could be said to have cited the Article very selectively, whereas, right along member states’ commitments to the UNSC are stressed.
However, it is beyond doubt that international anarchy has strengthened its grip over the world. While the US set destabilizing precedents after the crumbling of the Cold War that paved the way for the current anarchic situation, Russia further aggravated these degenerative trends through its invasion of Ukraine. Stepping back from anarchy has thus emerged as the prime challenge for the world community.
-
News6 days agoRepatriation of Iranian naval personnel Sri Lanka’s call: Washington
-
Features6 days agoWinds of Change:Geopolitics at the crossroads of South and Southeast Asia
-
News5 days agoProf. Dunusinghe warns Lanka at serious risk due to ME war
-
Sports4 days agoRoyal start favourites in historic Battle of the Blues
-
Sports3 days agoThe 147th Royal–Thomian and 175 Years of the School by the Sea
-
News3 days agoHistoric address by BASL President at the Supreme Court of India
-
Business7 days agoSeven decades of sartorial excellence: The legacy of Linton Master Tailors in Kandy
-
News4 days agoCEBEU warns of operational disruptions amid uncertainty over CEB restructuring









