Features
Old sunken boats

by Somasiri Devendra
(continued from last week)
Underwater archaeology also took us inland into rivers. I well remember the first expedition we undertook, which was a modest one carried out by a band of enthusiasts. A newspaper report filed by a local correspondent was headlined ‘Gemmers unearth ancient canoe’. It said that `Gem-diggers in the river Kuru had come up with a Teppama or a boat, about 300 years old, at Gamage-Tota at Teppanawa, in the Ratnapura electorate, while searching for gem veins, deep down in the river.’ We hastily boarded a pick-up truck with our gear and went in search of the place.
It was off Kuruwita and by judicious questioning we were able to find the site. What we found was interesting. The gem-miners were there. They had been digging their pit on the bed of Kuru Ganga, the water level being low during this dry season. About 15 feet below the riverbed, they had come across this ‘log’. Such logs were prized as very good firewood. This was about thirty feet long but they could not see it properly in the pit on account of the muddy water. Because of its size, they had obtained a jack to lever it out of the water, but they failed. Then they lowered a large saw and cut it in two, and that is when they found out that it was a log boat.
As was usual in such instances, the event was a three-day wonder and everybody around had come to see it. Among them was the village schoolmaster who had got the local newspaper correspondent to report it. He had made a linguistic connection between the village name (Teppanawa) and a type of watercraft (teppama) without knowing that the latter was no log boat. The gem-miners had wisely kept the two pieces in the water, and that is where we came in.
The river was sluggish, with a sandbank having formed on one side and the water flowing along a channel on the other bank. We were thus able, with minimum effort, to float the two pieces onto the sandbank and set about photographing, measuring and examining it. It was a log boat all right, with no signs of having had an outrigger. The wood was spongy, but surprisingly the heartwood had not separated itself from the sapwood on one end, as it generally does. It was a pity they had to saw it in two, but even this had its advantages. The clean crosscut gave us a perfect cross-section of the boat and showed that the hollowing-out process had not been done with sophisticated instruments. Perhaps this might help us to learn from it.
The village-folk were very helpful to us, working alongside us and bringing tea in a kettle. My daughter, an artist, soon got into a sarong from the closest house and sketched the two pieces in detail, such drawings being more valuable than photographs. We made our report to the Department of National Museums, which retrieved the two pieces. Now conserved, they are being exhibited at the museum in Ratnapura.
Paruva craft
Another day, a group of us went in search of the vanished paruva craft to the Kelani Ganga. How big a part these craft had played in our history and culture, and how soon they have been forgotten! There was no genuine one to be seen, but we did not return empty-handed. Our first stop was at a timber shed where, the owner said, he had been commissioned to build one decades ago, but the man had run short of money. He showed us the two log-boat chine strakes (iri kaduwa), which he had hollowed and were still stored in his loft, along with the broad planks he had bought for the craft.
Most interestingly he showed us the metal (copper) fittings of a sunken paruva they had tried to salvage, but failed. It was still there, he said, half out and half in the water. We managed to trace it and it was a really magnificent wreck, lying there like a stranded whale. It was massive, well constructed of good wood but no one could have pulled it out of the river. We went through the familiar routine of photographing, measuring and interviewing people, while small boys played around us, taking us as a good excuse not to do their homework! We saw the last, but poor, remaining craft in the shape of the waeli paruva used for sand mining. But most importantly, we were told how to get to the house of “Bomba Sira”, the last builder of these craft in that area.
With some difficulty we found him in his house. Too old to work maybe, but he was not too old to talk. It took some time to get his mind to run on the same groove as ours. He had built both the madel paruva of the coast and the very different paruva of the rivers. The river paruva, according to him was 50 feet long. The reason for keeping to this length was not clear to me till I found the reason years later.
Apparently in the 19th. century, there were toll gates along the river at which boatmen had to pay customs duty depending on the size of the craft. The lowest rate for a paruva was payable only if it was less than fifty feet long, and therefore the size became standard. Sira was able, with no reference to any notes, to give us the exact quantities of different materials needed to build one, such as the number of coils of rope, cadjans, bamboos and nails, and the type of wood used. He introduced us to the jargon of the boat-builder, giving us the names of every part of a paruva. Once again I was thankful that I had tapped a reservoir of oral history before it was lost forever. My mind went back to Hiriwadunna and the idea of the flow of water from one tank to another in a cascade. I felt privileged to have had this good fortune.
More sobering was my encounter with the younger generation at another boat site. I was in the Archaeological Department, when word came that a “big ship, with walls and rooms” had been found at Attanagalu Oya. It was apparent to me that it could be no more than a iri kaduwa of a paruva, with its vertical strengtheners carved. The rest of the description was the usual mixture of ignorance and fantasy.
When I visited the site, it wore a carnival atmosphere, with people from everywhere clambering to see this “ship”. People were walking all over the remains of the craft with shoes on, damaging whatever had been saved by time. The sheer irresponsibility and disrespect for one’s heritage was irritating, grating on one’s sensitivity. We shooed all of them away and got down to the business of measuring, sketching and photographing. It was really large, being 60 feet long. I reckoned it would have been a near 100 feet long in its day.
It was subsequently raised by crane, upon a purpose-built cradle, and transferred to the Colombo Museum where, unfortunately, it is being allowed to rot away. It was radio-carbon dated to the 9th century AD. More than a thousand years ago, such craft would have been plying the then-gushing rivers of the Maya Rata, bringing cargoes of forest produce from the thick rain forests to the river mouth ports, particularly along the Kelani Ganga where communities of foreign traders resided.
It is to this century that the first Arabic inscription found in this country can also be attributed. It speaks of the death of an Islamic cleric who had been brought down to teach the correct tenets of his religion to the Arab traders in Colombo.
Further up the river, at Kelanimulla ferry in 1952, another very large log boat, which had an outrigger attached, was found and placed in the Colombo Museum. It too had been dated to the second century BC, about the time of King Kelani Tissa. Maya Rata, long written-off as a forested and uninhabited land, is providing us with new clues and waiting for its history to be rewritten.
Maritime history
Did the people of Sri Lanka venture out to sea and, if so, in what type of ship? It was this question that drove me to the study of boats, ships and maritime history. I have found the answers to my satisfaction. Perhaps the most satisfying was the discovery of the yathra dhoni and its study.
I discovered that Sri Lanka had absorbed the maritime traditions from all over the Indian Ocean, and maybe even from beyond. I found that even into almost the middle of the twentieth century, we have had functioning sailing ships of several types. In the south was the yathra dhoni with its characteristic outrigger. In the east, in Muttur, I found the Arab-Indian battal, large, undecked, sailing craft that brought the harvest from the Mahaveli delta to Trincomalee harbour. It was characterized by the single large Arab-Indian lateen sail hoisted from a pulley atop the for’ ard raking mast.
I would see them sailing daily past the balcony of my house and did not ever think of them disappearing so soon. But a scant 10 years later, there was none to be seen and there were many who did not even remember them. I was left with only one memento, a photograph taken by a fellow naval officer.
However, the ships of the north, the thoni of Jaffna, were to prove more rewarding. Though the last of its kind, the Annapurani, had been built and sailed to England around 1930 (there is a photograph of her in the Suez canal), there is none remaining to be seen. James Hornell, world authority on traditional watercraft, had seen and photographed them, when he had been working for the Fisheries Department in Sri Lanka in the 1930s. He had also studied the customs and traditions connected with their construction.
The thoni was a strange craft, in appearance very much like a 19th century English man-of-war. False gun-ports were painted along the sides. Masts were fitted with square sails and there was a towering bowsprit with a multitude of sprit sails. On board, the picture was very different and the scene was much the same as on a yathra dhoni of Dodanduwa, with cargo hatches with split bamboo thatching covering most of the deck space, and cooking facilities and water casks in the after deck.
Up in the, bows again was quite different, dominated by the bowsprit and with the stem coiling backward in the spiral called the surul. On this was painted the three horizontal white stripes that one sees worn by Hindu Saivites on their foreheads, marked in ash. Below the surul was a little shrine room, containing the image of the deity sacred to the ship’s owner, a little stone quern or grinding stone for smashing of coconuts as in a temple, and other paraphernalia that adorn a shrine. Unlike the ships of the Sinhala people, who offered prayers to all the gods, the thoni neither launched nor would undertake a journey without a religious service performed by a member of the crew who officiated as the poosari.
It was off Ambalangoda that we were told of a mysterious shipwreck that appeared and disappeared under the seabed from time to time. Again we were pursuing a newspaper story. We found no wreck, for it had disappeared under the sands again, but we were able to study the artifacts that had been collected (some sold to dealers) by the fishing community nearby. There was a small cannon (sold), cannon balls, a bronze deity (sold), metal cooking vessels and Chinese porcelain, grinding stones, small coconuts (some broken), astrolabe (a mediaeval European navigation instrument) much repaired, several antique hand tools, weights and quantities of cowries and other shells. The likelihood, given all the above and Hornell’s description, is that she was a Jaffna thoni coasting southward before changing course westward to the Maldives. It was a post-colonial wreck, to judge from the cannon, cannon balls and astrolabe. So here we may have the first Sri Lankan shipwreck.
The Amugoda Oruwa, Hercules, Avondster, and the Ambalangoda shipwreck are all victims of the unforgiving sea. And now, the “Mansions of the sea”.
(Concluded)
(Excerpted from Jungle Journeys in Sri Lanka edited by CG Uragoda)
Features
Oscars 2025: The list of winners from the 97th Academy Awards

Anora, a screwball comedy-drama about a sex worker who marries a Russian oligarch’s son, walked away with the biggest prizes at the 97th annual Academy Awards. The film won the awards for Best Picture, Best Actress, Best Director, Best Editing and Best Original Screenplay.
The musical Emilia Perez, which had the highest total nominations with 13 nods, scooped up wins for Best Original Song and Best Supporting Actress on Sunday night.
Adrien Brody won Best Actor for The Brutalist – his second Oscar. In 2003, Brody became the youngest person to win the Best Actor award for The Pianist at the age of 29. Mikey Madison won Best Actress for Anora.
Kieran Culkin bagged the Best Supporting Actor award for A Real Pain, and Paul Tazewell became the first Black man to win the award for Best Costume Design for Wicked.
No Other Land nabbed Best Documentary Feature for its stark portrayal of Israeli settler violence against Palestinians in the occupied West Bank.
Best picture
- Anora – Winner
- The Brutalist
- A Complete Unknown
- Conclave
- Dune: Part Two
- Emilia Perez
- I’m Still Here
- Nickel Boys
- The Substance
- Wicked
Best Actor
- Adrien Brody, for The Brutalist – Winner
- Timothee Chalamet, for A Complete Unknown
- Colman Domingo, for Sing Sing
- Ralph Fiennes, for Conclave
- Sebastian Stan, for The Apprentice
Best Actress
- Mikey Madison, for Anora – Winner
- Cynthia Erivo, for Wicked
- Karla Sofia Gascon, for Emilia Perez
- Demi Moore, for The Substance
- Fernanda Torres, for I’m Still Here
Best Supporting Actress
- Zoe Saldana for Emilia Perez – Winner
- Ariana Grande, for Wicked
- Monica Barbaro, for A Complete Unknown
- Felicity Jones, for The Brutalist
- Isabella Rossellini, for Conclave
Best Supporting Actor
- Kieran Culkin for A Real Pain – Winner
- Yura Borisov, for Anora
- Edward Norton, for A Complete Unknown
- Guy Pearce, for The Brutalist
- Jeremy Strong, for The Apprentice
International Feature Film
- I’m Still Here – Winner
- The Girl with the Needle
- Emilia Perez
- The Seed of the Sacred Fig
- Flow
Documentary Feature
- No Other Land – Winner
- Black Box Diaries
- Porcelain War
- Soundtrack to a Coup d’Etat
- Sugarcane
Original Song
- El Mal from Emilia Perez – Winner
- Never Too Late from Elton John: Never Too Late
- Mi Camino from Emilia Perez
- Like A Bird from Sing Sing
- The Journey from The Six Triple Eight
Original Screenplay
- Sean Baker for Anora – Winner
- Brady Corbet and Mona Fastvold for The Brutalist
- Jesse Eisenberg for A Real Pain
- Moritz Binder, Tim Fehlbaum, Alex David for September 5
- Coralie Fargeat for The Substance
Adapted Screenplay
- Peter Straughan for Conclave – Winner
- Jay Cocks and James Mangold for A Complete Unknown
- Jacques Audiard for Emilia Perez
- RaMell Ross and Joslyn Barnes for Nickel Boys
- Clint Bentley and Greg Kwedar for Sing Sing
Animated Feature Film
- Flow – Winner
- Inside Out 2
- Memoir of a Snail
- Wallace & Gromit: Vengeance Most Fowl
- The Wild Robot
Visual Effects
- Dune: Part Two – Winner
- Alien: Romulus
- Better Man
- Kingdom of the Planet of the Apes
- Wicked
Costume Design
- Paul Tazewell for Wicked – Winner
- Linda Muir for Nosferatu
- Arianne Phillips for A Complete Unknown
- Lisy Christl for Conclave
- Janty Yates and Dave Crossman for Gladiator II
Cinematography
- The Brutalist – Winner
- Dune: Part Two
- Emilia Perez
- Maria
- Nosferatu
Documentary Short Film
- The Only Girl in the Orchestra – Winner
- Death by Numbers
- I Am Ready, Warden
- Incident
- Instruments of a Beating Heart
Best Sound
- Dune: Part Two – Winner
- A Complete Unknown
- Emilia Perez
- Wicked
- The Wild Robot
Production Design
- Wicked – Winner
- The Brutalist
- Dune: Part Two
- Nosferatu
- Conclave
Makeup and Hairstyling
- The Substance – Winner
- A Different Man
- Emilia Perez
- Nosferatu
- Wicked
Film Editing
- Sean Baker for Anora – Winner
- David Jancso for The Brutalist
- Nick Emerson for Conclave
- Juliette Welfling for Emilia Perez
- Myron Kerstein for Wicked
Live Action Short Film
- I’m Not a Robot – Winner
- Anuja
- The Last Ranger
- A Lien
- The Man Who Could Not Remain Silent
Animated Short Film
- In the Shadow of the Cypress – Winner
- Beautiful Men
- Magic Candies
- Wander to Wonder
- Yuck!
[Aljazeera]
Features
Nawaz Commission report holds key to government response at UNHRC

by Jehan Perera
The United Nations Human Rights Council (UNHRC) sessions in Geneva have regularly been a focal point of controversy for Sri Lanka. Since 2009, the year the thirty-year internal war ended, the country has been the subject of multiple resolutions aimed at addressing human rights violations and war crimes committed during and after the war. These resolutions have been met with strong resistance from successive Sri Lankan governments, which have accused the UNHRC of double standards and external interference in the country’s internal affairs. Nationalist political factions have often used the UNHRC’s actions as a rallying point to stir anger against the international community and ethnic minorities within Sri Lanka, further deepening divisions within the country.
However, the ongoing UNHRC sessions have seen a notable shift in Sri Lanka’s approach. Unlike in previous years, where government delegations clashed openly with UNHRC representatives, the government representatives delivered speeches that emphasised Sri Lanka’s commitment to international human rights norms. Foreign Minister Vijitha Herath reaffirmed Sri Lanka’s commitment to independent and credible domestic mechanisms within the constitutional framework to address post-war issues of national reconciliation. He emphasised that institutions such as the Office on Missing Persons (OMP), Office for Reparations (OR), and Office for National Unity and Reconciliation (ONUR) will be strengthened.
Foreign Minister Herath also said, “The Government led by President Anura Kumara Disanayaka is firmly and sincerely committed to working towards a unified Sri Lanka that respects and celebrates the diversity of its people with no division or discrimination based on race, religion, class and caste. We will not leave room for a resurgence of divisive racism or religious extremism in our country. The fundamental and longstanding principles of democracy and freedom enshrined in our Constitution will be fully respected and safeguarded while protecting the human rights of all citizens. Every citizen should feel free to practice their religion, speak their language, and live according to their cultural values without fear or discrimination. No one should feel that their beliefs, culture, or political affiliations will make them targets of undue pressure or prejudice.”
NAWAZ COMMISSION
However, while the speech did Sri Lanka proud, it largely revolved around broad commitments to human rights rather than addressing specific allegations of war crimes, enforced disappearances, and militarisation in the North and East of the country. For instance, UNHRC Resolution 25/1, adopted in 2014, mandated the Office of the High Commissioner for Human Rights (OHCHR) to conduct an independent investigation into allegations of human rights violations during the final phases of the war. More recently, in 2021, a resolution was passed that granted the UN human rights office a mandate to collect and preserve evidence of war crimes for potential future prosecutions. Successive Sri Lankan governments have rejected these resolutions, viewing them as politically motivated and unfairly targeted at the country’s military and political leadership.
Despite these criticisms, the international community has continued to push for accountability. The extension of the OHCHR’s Sri Lanka Accountability Project in October 2024 highlighted the international perception that Sri Lanka has not done enough to ascertain the truth of what happened in the past and to take action against those who perpetrated war crimes and gross human rights violations during the war period. Foreign Minister Vijitha Herath’s response to this was to say in Geneva, “The contours of a truth and reconciliation framework, will be further discussed with the broadest possible cross section of stakeholders, before operationalization to ensure a process that has the trust of all Sri Lankans.”
The solution of a truth and reconciliation commission is a concept that has taken root and evolved from within the country. The recommendations of the Presidential Commission to Investigate Findings of Previous Commissions of Inquiry on Human Rights chaired by Supreme Court Justice A.H.M.D. Nawaz makes this clear. This Commission was entrusted with the huge task of evaluating the findings of previous Presidential Commissions of Inquiry and assessing their implementation. The Commission’s interim reports, published in 2022 and 2023, and its final report, submitted in January 2024, provide a comprehensive analysis of Sri Lanka’s human rights landscape. The report provides a clear answer—Sri Lanka must establish a Truth and Reconciliation Commission to formally address past injustices, provide justice for victims, and prevent future conflict.
OVERCOMING MISTRUST
The pivotal recommendation from the Nawaz Commission is the formation of a Truth and Reconciliation Commission. As articulated in paragraph 1043 of the report: “Undoubtedly, the Truth and Reconciliation Commission can provide a historical record of serious violations of human rights and international humanitarian law, and influence institutional reforms in law and practice to promote and protect human rights. Critically, they assist in ensuring accountability for serious violations, which is fundamental in order to prevent potential violations, promote compliance with the law, and provide avenues of justice and redress for victims.” By establishing an authoritative historical record, the Truth and Reconciliation Commission can dispel misinformation, acknowledge the suffering of victims, and pave the way for meaningful reforms.
Sri Lanka’s history is replete with numerous commissions of inquiry, each established with the intent to investigate specific incidents or periods of unrest. The Nawaz report goes painstakingly into them. Notable among these are the Three Presidential Commissions of 1994, which investigated violations from 1987 to 1990 but were prematurely halted; the All-Island Presidential Commission of 1998, which built on the earlier inquiries and issued a report in 2002, calling for judicial action; The 2001 Presidential Truth Commission on Ethnic Violence (1981-84), which investigated the 1983 riots. While some victims received compensation in 2004, there was no accountability for perpetrators; The 2006 Udalagama Commission, which investigated cases like the Trincomalee five students and the 17 ACF humanitarian workers but lacked follow-through; The 2010 Lessons Learnt and Reconciliation Commission (LLRC), which reviewed events from 2002 to 2009 and made many recommendations that were not implemented; The 2013 Paranagama Commission, which examined missing persons and civilian casualties during the final years of the war and led to the setting up of the Office on Missing Persons (OMP) in 2016.
The recurring theme across these commissions is a pervasive sense of disillusionment among victims and the broader populace. As the Nawaz Commission which went through them in detail poignantly observes, “Our island nation has had a surfeit of commissions. Many witnesses who testified before this commission narrated their disappointment of going before previous commissions and achieving nothing in return.” This sentiment highlights the critical need for a Truth and Reconciliation Commission that not only investigates but also ensures the implementation of its recommendations, thereby restoring public trust in transitional justice mechanisms. The Nawaz commission being an internal one, entirely funded and supported by the Sri Lankan government, documented and analysed material that was also gathered by other national commissions. This would dispel any notion of an international conspiracy behind it.
IMMEDIATE ACTIONS
The government’s recent approach at the UNHRC suggests a willingness to engage diplomatically. However, for its credibility to grow and for trust to develop, this engagement must be backed by concrete action and be more inclusive in its scope to include key stakeholder groups. The government also needs to move beyond general statements and take tangible steps to address the concerns raised by the international community. Key steps could include Returning Land to Displaced Communities. Many communities in the Northern and Eastern provinces remain displaced due to land occupied by the military. The government should expedite the process of returning these lands to their rightful owners to restore livelihoods and promote reconciliation.
This needs to be buttressed by Releasing Long-Term Detainees. A significant number of individuals remain in detention under the Prevention of Terrorism Act (PTA), some without formal charges. Ensuring due process and releasing those against whom there is no credible evidence would demonstrate a genuine commitment to justice and human rights. Finally, the government also needs to set about Reducing Military Presence in the North and East. The continued military presence in civilian areas fuels tensions and undermines reconciliation efforts. Demilitarization, along with empowering local governance structures, would be a crucial step toward normalizing life in these regions.
The government needs to back up its diplomatic engagement with the UNHRC and other international and national stakeholders with real, measurable actions. Addressing core issues such as land restitution, the release of detainees, and demilitarisation would not only help rebuild trust with the international community but also contribute internally to national unity and reconciliation. This needs to be followed by the establishment of a Truth and Reconciliation Commission that is established in consultation with all stakeholders and is genuinely implemented.
Usually, stakeholders are limited to victims and survivor groups and some government institutions. Ideally, stakeholders should also include, the media and journalists, judiciary and legal institutions, CSOs, NGOs and religious and community leaders, who recognise the need for a Truth and Reconciliation process. The Nawaz Commission Report has laid the groundwork for this vital initiative, and it is up to all of them to ensure its success. Sri Lanka has the potential to be the voice of conscience in a world that is increasingly troubled by the breakdown of international norms. Sri Lanka can do its part to contribute to healing processes in the world.
Features
Bassist Benjy…no more with Mirage

Benjy Ranabahu is known for his bass playing prowess and is a drawcard wherever he performs.
I know of several who wait with great expectation, whenever they see Benjy, on stage, knowing that the moment he moves into action, he would light up the stage with his dynamism.
Yes, Benjy is no more with the group Mirage. The scene changed for him after he returned from the Seychelles, last month.
He hasn’t quit the music scene, he said, adding that at the moment he would like to take a break from the showbiz setup.
“I’m taking things easy at the moment…just need to relax and then decide what my future plans would be.
“I’ve already had offers coming my way but it would take a while before I finally decide whether my future would be as a member of another band or … I put together my own outfit.”
Where Benjy is concerned ‘practice makes perfect’ and he says if he decides to have his own outfit he would make sure that what he gives the public would be nothing short of ‘perfect.’
In fact, Benjy had his own band, not too long ago, and I’m sure music lovers would remember Aquarius.
Aquarius was extremely popular in the scene here, and overseas, as well.
They had contracts in the Middle East and were also seen in action in Europe.

Benjy’s own band Aquarius
Towards the latter stages, Aquarius had female vocalists, from the Philippines, doing the needful as upfront singers, and, together with Benjy, they certainly did mesmerize the audience.
Benjy loves to interact with the audience and is seen very often, down from the stage, and moving from table to table, entertaining, with his booming bass playing.
There have also been occasions where Benjy uses pyrotechnics (kind of fireworks emanating from his guitar) and the audience go ga-ga over such happenings.
Sadly, music lovers are going to miss this dynamic bassist … hopefully, for a short while.
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