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New National Trust – Sri Lanka publication Jaffna Heritage

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This publication completes the National Trust- Sri Lanka series on the North and East with publications on Mannar, Batticaloa and Island of Islands in response to many requests from the public. The orange-red cover reminds of Jaffna’s chaya root heritage as well as its distinctive font. It is however not just another coffee table book with beautiful images although the opening pages with Devaka Seneviratne’s stunning photography suggests it is so. This book celebrates Jaffna as a multicultural city, a “meeting point of cultures and languages” where the old “grid city” is almost lost in the urban sprawl.

Here is gathered a collection of articles from experts, mostly academics from the University of Jaffna together with several contributions from overseas , stretching from the west coast of the US to Europe and Australia, making it quite difficulty for the editorial team of Sarala Fernando, Stefan D’Silva and Dr Malik Fernando to hold the project together over the three years of gestation.

The substantive chapters are divided into two parts, first, the archaeology, architecture, art, culture, religion, philosophy, sociology, the diaspora, entrepreneurship and tourism and second, the biodiversity covering water, freshwater fishes, mangroves, marine resources, fisheries, palmyra, mango, birds, ponds and homegardens.

Gray Francolin Photo S. Wijayamohan

Each of the authors had been was left free to chose their own style of writing and some provided their accompanying photographs with the end result that the publication serves as a free flowing reference book despite some loss of conformity. The editors came with no preconceived objectives and their wish was simply to add to existing knowledge and stimulate more interest and publications on Jaffna.

A starting point was the acknowledgement that since ancient times, Jaffna has been connected to the outside world. This is illustrated by the opening section on Glimpses of History displaying the earliest maps including one rare version from 1587, as well as various archaeological sites, inscriptions, flags and paintings. Jaffna’s strategic location at the intersection of the ancient trans-oceanic routes enabled linguistic, cultural and trade links with south India through its string of seaports before 400 years of European colonial rule linked Jaffna with European cultures. Yet the Sri Lankan Tamils would boast of “a distinctive culture of their own which originated and flourished in Sri Lanka.” Professor Pushparatnam’s opening article on numismatics as related to Murukan worship in Sri Lanka suggests a bridge of connection between the North and South of the island.

Fishermen with Fort Hammenheil in background Photo Devaka Seneviratne

The people of Jaffna find reflection in several articles, from migrating communities to the clash between tradition and modernity and the drive today for entrepreneurship and digital business. Although traditional house design in Jaffna guarded the privacy of women members of the family, today they are seen to be empowered, free to show their long tresses and ride bicycles without hindrance, unlike elsewhere in the region.

World Atlas 1676

For the diaspora which left during the years of conflict, Jaffna is an “ïmagined space” a place of natural beauty and warm sunshine where the palmyra and home gardens beckon those who have gone to take refuge in cold far-off lands and dream of return. For many, the Nallur Kovil and its annual festival performs the role of intermediary, bringing together thousands of celebrants from overseas and around Sri Lanka, probably the most important event in Jaffna today. Yet unlike elsewhere in the island, here strict regulation is maintained, punctuality observed and the pooja offering still costs only one rupee.

The second part of Jaffna Heritage focuses on the biodiversity and natural assets from fresh water fishes to mangroves, marine creatures and agricultural products like palmyra, banana and mango.

It is the heart of the book which pleads for the protection of Jaffna’s unique biodiversity in this era of rapid development ignoring the challenges of global climate change. Jaffna’s geography with singular characteristics, comprising both the mainland peninsula, 22 coastal islands, five coastal stretches and four lagoons offer critical habitats for many species of fauna and flora. The National Trust’s earlier publication Island of Islands describes how many of these islands have their own special history and natural heritage and have played a role since ancient times when local kingdoms and ports were part of a thriving network of Indian Ocean trade and cultural exchanges.

A central theme that runs through the book is a question – how will this proud heritage meet the challenges of the strong influences from our Big Neighbour across the water and from Colombo in the

South, and will cooperation or conflict prevail?

Authors: Jekhan Aruliah, Arumugam Kandiah, Gehan de Silva Wijeyeratne, Somasiri Devendra, Sarala Fernando, Raji

Gnaneswaran, Kristina Renee Hodelin, Asiff Hussein, Nahmagal Krishnapillai, R. Mayooranathan, P. Pushparatnam,

Pathmanathan Raghavan with Gayathri Pathmanathan, Arunthathy Ranganathan with Suhanya Aravinthon, Thulasitha

William Shanthakumar, Piratheepa Sivakumar, Hiranya Sudasinghe, Sanathanan Thamotherampillai, Mahendran Thiruvarangan,

S. Wijeyamohan with S. Jayasingam and G. Mikunthan.

Editorial Team: Sarala Fernando, Stefan D’Silva (photography),Dr Malik Fernando (Scientific Consultant)
Principal Photographers: Stefan D’Silva, Devaka Seneviratne, Studio Times, Luxshmanan Nadaraja, Steve Persighetti.
Available at National Trust office tel:2682730 and leading bookstores.



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What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

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In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

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Shaping the future of style

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Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

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Capturing the spirit of Christmas

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Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

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