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‘ Ksheera Sagaraya Kalabina ‘ – (The Milky Ocean Churned )

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By Tharishi Hewavithanagamage

‘Ksheera Sagaraya Kalabina ’ (The Milky Ocean Churned) is the latest masterpiece of veteran filmmaker Professor Sunil Ariyaratne. The movie is an adaptation of the novel of the same name, by the late writer, Simon Navagaththegama. Directed by Professor Sunil Ariyaratne, produced by H.D. Premasiri, Ksheera Sagaraya Kalabina presents a stellar cast, including Jackson Anthony, Gihan Fernando, Hemal Ranasinghe, Harini Kavyanjani, Udari Warnakulasuriya, Ravin Kanishka, Lucian Bulathsinghala, Kalana Gunasekara, Sarath Kothalawela and Priyanka Samaraweera.

The film revolves around an emperor who is blissfully ignorant and unaware of the suffering his subjects face. On a sudden impulse, he leaves the palace and journeys through the kingdom, meeting the general public who are unaware of his true identity. Seeing the immense dislike of the general public and the abuse of power by local chieftains in his name, the emperor becomes slowly embroiled in a battle with himself and joins in a revolution against himself with the rebel warriors.

The Island discussed Ksheera Sagaraya Kalabina with the award-winning director himself, Professor Sunil Ariyaratne:

Why did you choose this specific novel to adapt onto the big screen?.

“I chose this novel as it was one of the lesser known works of the late writer, Simon Navagaththegama. This is also coincidently my favourite novel. I recall the moment he first gave me a copy of the novel and said ‘I wrote a screenplay at first hoping someone would make a film. Since no one came forward I turned into a novel instead.’ Later, as I read the novel over and over again, I always saw a screenplay within it. I pictured all the visuals and imagery as part of a screenplay. But the decision to actually work on creating a film came to me much later. When I decided to make the film, the late writer had already given the copyrights to the award-winning director Ananda Abeynayake in 1995. He had planned to cast Gamini Fonseka as the Emperor and Jackson Anthony as the rebel warrior/revolutionary. Since his project did not see the light of day, I obtained copyright and commence production.”

How different is the film from the novel?

Of course, many changes occur when adapting stories onto the big screen. Sometimes many sections will be omitted, and occasionally new scenes may be added to provide more clarity. That theory is applicable to any such situation. With regards to this particular novel, we encountered quite a few issues. The novel is written in a literary genre called ‘Magical Realism’. This genre blends the real world with elements of fantasy, magic and surrealism and Simon Navagaththegama has used this extensively in his writings. I was concerned about how this style would translate when adapted into film, but I believe that Jackson Anthony, who undertook the mammoth task of changing it all, was successful in creating an apt screenplay with powerful messages for the audience. For example, Purambika appearing in front of the Emperor, despite not being there in reality, is an aspect of magical realism that the audience will notice.

Another issue we encountered was the ending of the novel which we all agreed was too complex. We had to have many discussions about creating an appropriate ending that would be easier for the audience to grasp. The ending may seem ambiguous at first, but that this where the Emperor’s true journey begins.

What challenges did you face as you worked on this project?

Many challenges stemmed from the novel itself. The story does not state any specific place or time. We had no idea what country or kingdom the story referred to. We didn’t know what kind of people they were, how they dress, how they eat, how they speak or what type of traditions they follow. The lack of a proper time period made it very difficult for us to picture how we were to tell this story to the masses. There is no past, present or future either. We had multiple discussions on these matters and I remember asking our art director Dammika Hewaduwatta about the direction the film will be taking in terms of the visual and imagery aspects. We also faced the same issue with regards to the music and dancing elements of the story. We had to create a completely different set of dances and pieces of music for this. As a director this was a brand-new experience for me, as none of other my other creations didn’t require such efforts.

Production also stalled as some of our cast caught COVID-19, but I believe that we were able to accomplish what we set out to do and overcome challenges that fell before us.

What did you envision when you made this film?

.This was a completely different film from my usual work, so the underlying message is also new. The film has political undertones that are very relevant in this day and age. The film revolves around the Emperor and his inner battle, and regardless of the time and place, this is relevant to any leader or governing structure. There’s a slogan in the film that reads ‘an Emperor against himself’ which intertwines with modern political thoughts and frameworks. And as citizens we see ourselves in the film as well.

Sunil Ariyaratne

The budget for this project was around 600 million and shooting was done over a period of 45 days. The end goal was to create a family-friendly film. Generally, Navagaththegama’s work contains some sexual insinuations, which I had to tone down. But I wanted to keep the political theme intact when I made the necessary adjustments.

There were quite a few new faces in your work. What was the casting process like?

Casting is very important in order to ensure the success of the characters and the film as a whole. I paid great attention to each and every character in this story and I wanted to pick out the most suitable actors and actresses for these roles. When working on the screenplay and the dialogues, I already thought of casting Jackson Anthony as the titular role of the Emperor, because I was very confident in his capacity. I know that he and Hemal are well-known among the Sri Lankan audiences, so the need to cast new faces was equally important. I enjoy working with talented youth as they bring an air of freshness to the project and to the audience as well.

Two new faces appeared on the big screen this time. Casting Ravin Kanishka as Hirimala was unexpected as he is known mostly for his work on the teledrama Devani Inima. His goal was to play a ‘crazy lad’ and I think he played that role very well. The second new introduction was Harini Kavyanjani, who played the role of the ‘child’ alongside Jackson’s Emperor. Her character was very important to the character development of the Emperor, and I think she did justice to the role and the film as well. I would say that every actor and actress that was cast did immense justice to their role and the film.

Jackson Anthony was unfortunately unable to watch the film after its completion. He was very enthusiastic about watching it. I feel his absence a lot, even now as I do this interview. Ideally it would’ve been Jackson who would have contributed the most to this discussion. He contributed greatly to this project and his absence is definitely a big blow to the Sri Lankan film industry.

There is no doubt that veteran actor Jackson Anthony’s absence can be felt deeply in the Sri Lankan film industry and among audiences of many generations. His contribution to the industry is immeasurable, and audiences will once again witness his calibre and range as an actor on the big screen in Professor Sunil Ariyaratne’s latest work, Ksheera Sagaraya Kalabina

Ksheera Sagaraya Kalabina (The Milky Ocean Churned) began screening on May 18.



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Polarizing rhetoric greets America on its epochal anniversary

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President Donald Trump addresses the public on the occasion of the US celebrating the 250th anniversary of the US Declaration of Independence from Britain.(BBC)

Democratic and progressive opinion in the US and the world over would likely have been further jolted by the divisive rhetoric blared forth by US President Donald Trump on no less an occasion than the 250th anniversary of the US Declaration of Independence from Britain. The world has been placed on notice that what it would be having in the main is aggravated polarization on multiple fronts during what’s left of the Trump tenure.

If the world was expecting positive moves by the Trump administration to bridge divisions, heal rifts and usher in a more harmonious international political order, this is very unlikely to be. Instead, in all probability we would be left with a far more ‘dangerous place to live in’.

Some of the more thought-provoking recent ‘takes’ from President Trump are : ‘A generation after we fought and won the cold war against the menace of communism, there is now a resurgence of the communist menace in our land, including from newcomers to our country who embrace ideas totally opposed to our way of life and our great success.’ ‘We will send them (immigrants) quickly away, and we will continue to build our country bigger and better than ever before.’ ‘We are going to give our country its identity back.’ ‘You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both.’

Accordingly, what the world would have in increasing measure going forward are stepped-up attempts to consolidate a white supremacist administration in the US accompanied by a suppression of ethnic, religious and cultural minorities at home along with renewed attempts to spread and consolidate US hegemonism world wide.

The latter project would mainly translate into US military interventions abroad of the Venezuelan type and a persistence if not a resurgence of identity based conflicts globally. Violent reactions internationally to what are seen as attempts by the US to bring recalcitrant sections in particularly the South under white supremacist control will provide the basis for the steadfast presence and spiking of identity politics globally.

Moreover, the path has been paved for stepped-up ethnic, religious and cultural disharmony within the US. A united state is far from possible, given this backdrop. Put simply, it would be a question of steeper political polarization at home and abroad.

The persistent, widespread support for the hard line Islamic regime in Iran locally and globally should serve as an eye-opener for the political decision-makers of the US. Huge crowds at the funerals of Iran’s political leaders could very well be state-orchestrated but they are a pointer to the fact that political Islam is far from on the decline. To the extent to which this is so, the phenomenon could be a hurdle in the path of a stridently expansionist US.

Looking back, it was the consolidation of the Islamic regime in Iran in the late seventies of the last century that, besides proving a major challenge to the unfettered global power expansion of the US and its Western allies, provided the motive force as it were for the proliferation of Islam-based identity politics in particularly the South. This continues to be so.

Going forward, the US would need to figure out how best it could manage the persistent presence of Islamic fundamentalism world wide, and for that matter other forms of identity politics, without drastically losing its global power and influence.

The recent successful challenge by Iran to the US’ efforts to exercise its diktat in West Asia should prove an ‘eye-opener’. In these confrontations both sides were bloodied but Iran proved that it could successfully take on the US militarily. The inference for the US ought to be that projecting its military might in the Middle East in a no-holds-barred fashion would not prove easy.

Arising from the foregoing a foremost policy challenge for the US would be to curb Iranian military power while avoiding another major military confrontation with the Islamic state that would cost the US and the world dearly in particularly economic and material terms. The US would have no choice but to persist with the often flagging West Asian peace effort and to render it fully workable.

Ukraine presents the US with another formidable challenge. As is known, Ukraine is proving no easy ‘push-over’ for Russia, but it is badly in need of more sophisticated Western arms, particularly effective air defense systems, to fully neutralize the Russian invasion. What would the US choose to do; go to Ukraine’s assistance fully or opt not to ruffle and antagonize the Putin regime, with which it is on some cordial terms?

A negotiated solution is best in Ukraine and the Trump administration would do well not to lose sight of this ideal but Russia too should see the need for a diplomatic solution if it is to salvage itself from its military stalemate in Ukraine. The US needs to try being a peace mediator in the latter theatre but if the Russian political leadership fails to opt for peace the US would have no choice but to join the rest of NATO and Europe in continuing to arm Ukraine.

The US would need to take the latter course if the ‘world’s mightiest democracy’ is to remain committed to its founding ideals. If President Trump fails to meet this challenge he would prove that he is nothing more than an ‘empty rhetorician’.

However, it should not come as a surprise to the world if Trump chooses not to strongly back the rest of the West on Ukraine. Domestic and foreign policy are closely intertwined. Since the Trump administration is committed to building a white supremacist state at home, democratic development worldwide has been of the least importance to it.

The Trump administration’s strong affinities to white jingoism would increasingly compel it to opt for a policy of international isolationism. As a result Ukraine could prove unimportant for the US going forward.

Consequently, US-Western Europe friction in particular is only likely to intensify in the days ahead. Coupled with the contentious issues growing out of the persistence of identity politics, the Trump administration’s far-sightedness in managing foreign policy issues would be tested to the fullest. Whether the world would have comparative peace or continued blood-letting would depend crucially on such judiciousness.

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Beyond concrete: Sunela Jayewardene urges Sri Lanka to rediscover an ancient wisdom for a planet in peril

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Sunela / Rishan / Spencer

It was more than a lecture on architecture. It was a challenge to rethink civilisation itself.

Standing before a packed audience at Dilmah by Genesis in Maligawatte, internationally acclaimed environmental architect, author and conservationist Sunela Jayewardene delivered a keynote that transcended blueprints, buildings and urban planning.

Instead, she invited her listeners on an intellectual journey into Sri Lanka’s ancient past, arguing that the answers to some of the world’s gravest environmental crises may already exist within the island’s forgotten ecological wisdom.

Her address, titled “Beyond Concrete: Architecture for the Coexistence of Species,” was at once philosophical, historical and deeply practical. It questioned humanity’s obsession with dominating nature and called for a return to a design ethic rooted in respect, restraint and coexistence.

“The road is actually very simple,” Jayewardene said. “We have simply forgotten it.”

That observation became the defining thread of an afternoon that challenged conventional thinking about architecture and development.

According to Jayewardene, modern society has inherited a worldview shaped largely by colonial values that placed human needs above those of every other living organism.

“Our value system was turned on its head,” she observed. “We accepted a Western way of looking at nature without questioning it. Today we can clearly see the consequences. The world is in crisis. Species are in crisis. Our lifestyles are in crisis.”

She was careful not to romanticise the past, nor was she dismissive of modern science. Instead, she argued that Sri Lanka’s pre-colonial civilisation possessed a sophisticated environmental philosophy that modern planners and architects have largely ignored.

For Jayewardene, environmental architecture is not about fashionable sustainability slogans or cosmetic landscaping.

It begins with humility.

It begins by recognising that humans are only one species among millions sharing the same landscape.

“The built environment should not exist in opposition to nature,” she said. “It should become part of nature.”

One of the most captivating moments of her presentation came when she introduced her own research into the island’s ancient sacred geography.

Using digital mapping and satellite imagery, Jayewardene demonstrated the remarkable alignment of Sri Lanka’s four original Saman Devalayas, whose axes converge on Sri Pada, historically known as Samanthakuta.

The extraordinary precision of these alignments, she argued, raises profound questions about the scientific and surveying capabilities of ancient Sri Lankan civilisation.

“What kind of technology enabled them to achieve this?” she asked the audience.

Her purpose was not to offer speculative answers but to challenge deeply ingrained assumptions that ancient societies lacked scientific sophistication.

“We often underestimate what our ancestors knew,” she said. “Yet the evidence around us tells a very different story.”

That forgotten knowledge, she argued, extended well beyond engineering.

It shaped an entire philosophy of living with the landscape rather than imposing human will upon it.

Displaying photographs from archaeological sites including Ritigala, ancient monasteries and rock pavilions hidden within Sri Lanka’s forests, Jayewardene illustrated how builders carved steps around natural boulders, integrated structures into existing rock formations and preserved the contours of the land.

Modern construction, she suggested, would almost certainly have bulldozed those landscapes into submission.

“Our ancestors honoured the land,” she said. “They accepted the landscape instead of trying to conquer it.”

For Jayewardene, that principle remains the foundation of every project she undertakes.

She described environmental architecture as an exercise in listening rather than commanding.

Every site, she explained, possesses its own identity, ecological history and natural rhythm.

The responsibility of the architect is to understand that identity before attempting to intervene.

“The land tells you what it wants to become,” she said.

Throughout the presentation, one word repeatedly surfaced—context.

Without understanding context, she argued, architecture becomes little more than sculpture.

Good design cannot be copied indiscriminately from one country to another or even from one district to another.

Climate differs.

Rainfall differs.

Vegetation differs.

Wildlife differs.

Culture differs.

Even the stories associated with landscapes differ.

All of these, Jayewardene insisted, must shape architecture.

“When I speak about inhabitants, I don’t mean only human beings,” she explained.

“The birds, insects, reptiles, mammals, trees and every living organism already occupying that land must become part of the design equation.”

This broader understanding forms the basis of what she describes as non-human-centred design—an approach that rejects the notion that cities exist exclusively for people.

Instead, landscapes should provide refuge for biodiversity while simultaneously serving human communities.

It is an idea that resonates strongly at a time when rapid urbanisation continues to erode habitats across Sri Lanka.

Jayewardene also challenged prevailing attitudes towards development itself.

Too often, she argued, “development” has become synonymous with replacing natural systems by concrete infrastructure.

She questioned whether flattening hillsides, redirecting streams and clearing vegetation can genuinely be described as progress.

In her view, genuine development should first ask what ecological value already exists before deciding what should be built.

One of the simplest yet most profound examples she offered concerned water.

“I always say it is acceptable to interrupt water,” she remarked. “But never disrupt it.”

That distinction reflects an ecological understanding often absent from conventional engineering.

Natural drainage systems, she warned, perform countless functions that remain invisible until they are damaged.

Floods, soil erosion, biodiversity decline and even changes in local climate frequently follow.

“We disrupt far more than water,” she said. “We disrupt entire ecological relationships.”

Equally significant was her distinction between degraded brownfield sites and relatively untouched greenfield landscapes.

Brownfield sites require ecological restoration, rehabilitation and renewal.

Greenfield sites demand restraint.

Minimal intervention, she argued, is often the highest form of environmental design.

The keynote found an appropriate setting within Dilmah Conservation’s own efforts to restore degraded urban landscapes.

Earlier in the programme, Rishan Sampath of Dilmah Conservation outlined the organisation’s transformation of an abandoned industrial property in Moratuwa into a flourishing urban forest containing over 300 tree species and more than 1,000 individual plants.

Scientific studies conducted within the restored forest have already demonstrated improvements in air quality compared with adjoining urban roads, providing measurable evidence that biodiversity restoration can improve city life.

For Jayewardene, such initiatives represent far more than beautification projects.

They demonstrate that ecological restoration can become a guiding philosophy for future urban planning.

Her address ultimately became a call to rethink humanity’s place within nature.

Architecture, she argued, should no longer celebrate domination over landscapes.

It should celebrate coexistence.

Every building should strengthen biodiversity.

Every development should restore ecological balance.

Every designer should ask not merely how a project serves people, but how it serves life itself.

As the audience left the hall, they carried with them more than architectural ideas.

They carried a challenge

To question inherited assumptions.

To rediscover indigenous ecological wisdom.

And to recognise that Sri Lanka’s greatest contribution to global sustainability may not lie in importing new environmental models, but in rediscovering the timeless principles embedded within its own civilisation.

For Sunela Jayewardene, the future will not be secured by building more impressive skylines.

It will be secured when humanity learns once again to build gently, intelligently and respectfully—allowing architecture to become not an act of conquest, but an expression of coexistence.

By Ifham Nizam

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Colombia’s “back-to-back queen”

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Beyond modelling, Colombia’s Katherine Castaño, who captured the crown at the Top Model of the World 2026, in Egypt, is also a TV host, entrepreneur and social media influencer.

She’s based in Miami, Florida right now — a hub for fashion and influencer work — a city she calls home base, while representing Colombia on the world stage.

Her Miami base gives her access to fashion, entertainment, and business networks, while her title keeps Colombia front and centre in the global modelling conversation.

Off the runway, she says she enjoys singing, playing the piano, and tennis.

Katherine didn’t make the trip to Egypt as a newcomer. She’s built a strong international portfolio before winning the crown.

In fact, her résumé reads like a fashion passport: Colombia Moda, New York Fashion Week, Miami Swim Week, Miami Fashion Week, Nicaragua Diseña, IXEL Moda, and Mercedes-Benz San José.

On June 8, 2026, Katherine Castaño was crowned by outgoing winner Natalia Garizabal Vera, also of Colombia. That gave Colombia a historic back-to-back victory — the first time any country has done it in the competition’s history, and Colombia’s 4th win overall.

As Top Model of the World 2026, Katherine’s reign is centred on elevating her profile as a model, influencer, and entrepreneur.

She’s built a personal brand around beauty, ambition, style, and professionalism, with strong reach across fashion, social media, and business.

As titleholder, she’s now the face of the pageant’s international fashion platform, representing Colombia globally, while based out of Miami.

Ahead of the competition she was clear about the stakes: “This is bigger than me. This is for my country. This is for the story I’m here to write… And I’m not going quietly… we’re going for that back to back.”

As the reigning titleholder, Katherine Castaño’s role extends far beyond the sash. She’s using the platform to grow her brand as a model, influencer, and entrepreneur rooted in “beauty, ambition, style, and professionalism”.

She will also be doing runway shows, photoshoots, brand appearances, and fashion events.

Sri Lanka’s representative at this pageant was NetalieWithanage.

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