Life style
How Sri Lanka’s batik artists keep the craft alive
By Zinara Rathnayake
Jezima Mohammed has run a small workshop and boutique, Jez Look Batiks, from her home in Matara, Sri Lanka, for nearly seven decades. Now in her 80s, she still works every day. When visitors stop by, the batik artist proudly shows off framed letters from Buckingham Palace and a photo of Queen Elizabeth II sporting a white satin scarf with baby pink florals – one of her designs. Meanwhile, outside, a group of artisans meticulously outline peacock motifs onto off-white fabric with boiling hot wax.
“They are my girls,” she says of the 16 women currently employed by her shop, “and we work like a family.”
It’s often said that batik came to Sri Lanka from Indonesia, where the art form is recognized by UNESCO as an important part of humanity’s intangible heritage, but late researcher Gerret Pieter Rouffaer believed it was India or Sri Lanka that introduced the resist dyeing technique to the Indonesian islands.
Murky origins aside, batik flourished in Sri Lanka during the 1960s, with female artists like Ena de Silva creating massive tapestries that adorned the ceilings of Colombo’s most iconic buildings. Small businesses such as Ms. Mohammed’s shop emerged to meet the demand for the popular medium. Then, in 1983, civil war brought the industry to an abrupt halt.

One of 16 female artisans working at Ms. Mohammed’s home batik workshop in Matara, Sri Lanka, focuses on preparing a new design “We work like a family,” says Ms. Mohammed.
It never fully recovered, say artists and historians. Today, lingering impacts of pandemic lockdowns and record-high inflation make it difficult for cottage artisans to afford supplies, while waning interest in batik apprenticeship threatens the beleaguered art form’s future. Still, batik continues to endure thanks to passionate artists across the island. In fact, industry veterans such Ms. Mohammed say that decades of war and other hardships have helped prepare them for modern challenges.
“One thing is certain,” she says. “You have to keep going. You can’t stop your work. If you do, batik will stop.”
Careers defined by perseverance
Before the Sri Lankan Civil War, Ms. Mohammed’s workshop brimmed with curious outsiders wanting to learn about batik. “One traveler who came here mentioned me in an old guidebook, so everyday there was someone. Tourists loved it,” Ms. Mohammed says.
Making a batik garment starts with drawing the design on paper and planning out each colour. Using a copper stylus and a mix of hot paraffin and beeswax, an artisan then outlines the pattern onto both sides of a natural, white fabric, which is then immersed in dye, starting with the lightest color.
After the pigment sinks in, the artist can remove the wax with boiling water and move onto the next element of the design, repeating this process of waxing, dyeing, and boiling until the pattern is complete. The finished cloth is washed with soap and sun-dried before it’s sewn into kimonos or other garments. Ms. Mohammed also designed bedding, curtains, and staff uniforms for popular seaside hotels.

Colourful batik designs fill the entrance of artist Gnana Prabha Ranasinghe’s home, which has been converted into a small boutique in Galle, Sri Lanka. Ranasinghe is one of the island’s few male batik designers

A batik artist outlines a design using hot wax, a key step in the resist dyeing technique. The finished cloth is washed with soap and sun-dried before its sewn into kimonos or other garments.
“It was a very bright, happy time,” she says. “Then the war started.”
As long standing ethnoreligious tensions erupted into violence across the island, those curious outsiders dwindled, but thanks to her now-international reputation for popular, fashionable garments, Ms. Mohammed was able to maintain a niche market for her designs. Former visitors and hotel owners continued to order new prints, and she was also invited to overseas workshops and exhibitions.
Still, times were tough, and she often found herself relying on the generosity of others.
“I met many kindhearted people who helped me a lot. When business was slow, my sons gave me small loans to pay my girls,” Ms. Mohammed says.
During lockdowns, she bore that lesson of community in mind, allowing her fellow artisans to work whenever they could and making sure they always had dry rations. “We are a team, and we have to look after each other,” Ms. Mohammed says.
Nowadays, Sri Lanka’s cost-of-living crisis makes it difficult to afford kerosene oil, Ms. Mohammed says. She goes out daily to buy dried coconut shells as an alternative fuel for her artisans’ wax burners.
It’s a devotion shared by other batik veterans, such as Gnana Prabha Ranasinghe, who resides in the southern city Galle and is one of Sri Lanka’s few male batik designers. Like many Sri Lankan crafts, batik is widely seen as a job for women, but Mr. Ranasinghe was eager to inherit his family’s home-based workshop in the 1970s.
Christian Science Monitor
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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