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G.R. Perera : Reflections on a Career

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By Uditha Devapriya

R. Perera, who died last Monday, hailed from the same generation as Sumitra Peries, who passed away in January. A towering hulk of a man, Perera often played characters who did not want to flaunt their strength, who concealed their aggressive streak. This did not make him timid, still less submissive. Whether he was playing a monk or a Mudaliyar, he knew when to be assertive and when to step back. The result was a remarkable combination of bravado and self-restraint that epitomised him. Yet, such a combination served in the end to restrict him: much of the time he had to be content playing secondary roles.

It would be a mistake, however, to view this purely as a limitation. Perera may have been restricted to secondary roles, but even within these limits he gave his best and built up an impressive portfolio of performances. Not all of them ranked at the top of the league, but not all of them ranked at the bottom either: he could play the Mudaliyar (Nidahase Piya) with as much finesse as the servant of the manor (Aswesuma), a henchman (Welikathara) with as much facility as a monk (Giraya). Like Joe Abeywickrema, the greatest character actor Sri Lanka has ever seen, Perera remained, to his last, a chameleonic figure.

Chameleonic, and colourful. When I met him in 2016, he opened himself up, not caring to restrain himself. This may have been because he lived through a very colourful childhood and adolescence. Born in Kirulapone in 1939, Perera was initially educated at Rattanapitiya in Boralesgamuwa. His family moved to Egodawatte, one of the 13 villages which made up Boralesgamuwa, and sent him to Kumara Vidyalaya in Kotahena. It was at Rattanapitiya, in or around 1950, that he met and befriended Tissa Abeysekara. The two of them became good friends, cycling together to Kandy, sampling the latest films and books.

A deeply bilingual man, Perera’s tastes remained decidedly eclectic. He was at ease and at home with both Erskine Caldwell and Martin Wickramasinghe. His own career began with the theatre, specifically with Sugathapala de Silva. There are perhaps many versions of how de Silva came up with a name for his stage troupe, and Perera had his. Apparently the two of them had been brainstorming for names at the Vihara Maha Devi Park for almost two weeks, and along the way several arrack bottles had been, to put it politely, downed. Exasperated and not a little frustrated, on the 12th day Perera had blurted out, “Balahan Sugath, arakku bothal daha thunak oni ne ape kattiyata namak hoyaganna!

De Silva had paused. “Stop right there!” he had expostulated. Thinking for a while, he had smiled at Perera and declared: “Ape Kattiya we shall be!”

All this led to Perera’s debut in Dharmasiri Wickramaratne’s Ran Thodu, which apparently created such a furore and a sensation that several actors and writers joined them, including Wickrema Bogoda and Premaranjith Tilakaratne. Premaranjith, a fiery radical even during his time, subsequently broke away from Ape Kattiya and formed his own troupe, 63 Kandayama. He persuaded Perera to play a leading role in his debut, Waguru Bima, in 1963. One thing led to another again, and D. B. Nihalsinghe chose him to play a minor though important role in his debut, Welikathara. Perera’s performance there lasts for around 10 minutes: it was shot, he remembered for me, at G. D. L. Perera’s office in Nawinne.

These associations made him an integral part of the social transformations which were sweeping across Sri Lanka at the time. The 1956 election had, for all intents and purposes, emancipated a Sinhala speaking intelligentsia and artistic community, giving them the freedom and the agency to do as they pleased and as they wished. From this emerged an entire generation of bilingual artistes, particularly playwrights, who not only repudiated the classical garb of Sarachchandra’s Maname, but also went out to the world in search of new, exciting dramatic and artistic forms. Perera soon found himself in their company, working alongside with, or making the acquaintance of, the likes of Tilakaratne, Perera, Sumana Aloka Bandara, and Sugathapala de Silva, all of whom hailed from his class.

Certainly, these were formative years, particularly for the Sinhala cinema. Yet Perera did not particularly distinguish himself in film. A tally of less than 60 films, including three Indian, two American, and one German, would hardly constitute a “prodigious” career, after all. Rather, it was in television that the man proved his mark and made a name for himself. Counting in more than 600 television serials and performances, Perera carved a niche for himself as a supporting actor, a feat which eventually broke records and for which he was recognised officially, when some years ago, at the Raigam Awards, he received honours as the actor with the highest number of television appearances.

Unlike most of his contemporaries, Perera did not care to stick to a particular mould or archetype. What binds all his performances together today is that they are all supporting characters. There were one or two roles with which he took the lead, but these were, until his last days, exceptional. A concomitant of this was that none of his performances were ever truly likeable or dislikeable. Their function, as it stood, was to propel the plot, to better reinforce relations between the protagonist and the world around him in the narrative. In Aswesuma, for instance, he is the servant of the manor, whose main function, literally, is to despatch messages between the protagonist, played by Jackson Anthony, and the man who will eventually try to kill him, played by Ravindra Randeniya.

This is not to say that these characters lacked agency. But more often than not, they were deprived of it. With very little to do, they often lingered onscreen, waiting until the script gave them something to act on. But within the confines of his characters, he had very little to do, and catalytic though some of his performances may have been, in the end he refused to take the lead with them. This is the case with his performance as the game hamuduruwo in Giraya: in his attempt at educating villagers, he risks running up against the traditional social order represented by the occupants of the manor, particularly the Walawwa Hamine played by Grace Ariyawimal. But Perera’s monk does not become a complete radical either: he contents himself in educating his people, rather than inciting them to rebel.

The most obvious comparison and contrast that comes to mind is Joe Abeywickrema. Until Welikathara, which coincidentally was Perera’s debut, Abeywickrema remained at best a secondary player, whose roles in film seemed to be that of a consoler, the man who went out of his way to make things happen faster for the protagonist. After Welikathara, things never stayed the same. In both Welikathara and Aswesuma, one notices at once the rift, the contrast, between these two actors: Abeywickrema does not hesitate to take the lead, while Perera does all he can to stay away. In this both were responding to the limitations placed on them by their script, and in both cases, they gave the best they had. It is perhaps a sign of how distinct the one was from the other that although their characters in Welikathara and Aswesuma know each other, these two actors never meet in person.

He remained, to the last, prone to talk. It was impossible to end any conversation you began with him, especially if that conversation centred on subjects close to his heart. And there were quite a number of subjects close to his heart, among them the state of the nation’s theatre. Once, for instance, he had approached the Norwegian Ambassador and proposed a novel idea. “I wanted Sri Lanka to have more complexes outside Colombo. These would be named after playwrights from the world over and funded by the citizens of their respective countries. Norwegians, for instance, could help build a complex named after Ibsen.” Sadly, though the Ambassador had been intrigued, the project never came to be.

Such passions and obsessions dotted Perera’s life, though people would not normally associate him with them. For them, as for most of us, Perera remained an actor, a pretty decent one. Although much can be said and written about the quality of the productions that he took part in – from the high point of Sri Lankan cinema and television in the 1970s and 1980s, we have slipped, badly – it goes without saying that, despite the limits within which he had to perform, he performed well. Perhaps the best example for this would be one of his last roles, as Mudaliyar Don Spater Senanayake in Nidahase Piya. That film left much to be desired, historically, but as the paterfamilias of the Senanayake family, Perera reimagined his role, embodying him, but also individualising him. In the end that became his signature: his ability at assimilating his role, and giving it his own distinct flavour.

The writer is an international relations analyst, researcher, and columnist who can be reached at udakdev1@gmail.com.



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High govt. revenue and low foreign exchange reserves High foreign exchange reserves and low govt. revenue!

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First shipment of vehicles imported to Sir Lank after the lifting the ban on automobile imports

Government has permitted, after several years, the import of motor cars. Imports, including cars, were cut off because the government then wisely prioritised importing other commodities vital to the everyday life of the general public. It is fair to expect that some pent-up demand for motor vehicles has developed. But at what prices? Government seems to have expected that consumers would pay much higher prices than had prevailed earlier.

The rupee price of foreign exchange had risen by about half from Rs.200 per US$ to Rs.300. In those years, the cost of production of cars also had risen. The government dearly wanted more revenue to meet increasing government expenditure. Usually, motor cars are bought by those with higher incomes or larger amounts of wealth. Taxes on the purchase of cars probably promote equity in the distribution of incomes. The collection of tax on motor cars is convenient. What better commodity to tax?

The announced price of a Toyota Camry is about Rs.34 million. Among us, a Camry is usually bought by those with a substantially higher income than the average middle-income earner. It is not a luxury car like a Mercedes Benz 500/ BMW 700i. Yes, there are some Ferrari drivers. When converted into US dollars, the market price of a Camry 2025 in Sri Lankan amounts to about $110,000. The market price of a Camry in US is about $34,000, where it is usually bought by income earners in the middle-middle class: typically assistant professors in state universities or young executives. Who in Lanka will buy a Camry at Rs.34 million or $110,000 a piece?

How did Treasury experts expect high revenue from the import of motor cars? The price of a Toyota Camry in US markets is about $34,000. GDP per person, a rough measure of income per person in US, was about $ 88,000 in 2024. That mythical ‘average person’ in US in 2024, could spend about 2.5 month’s income and buy a Toyota Camry. Income per person, in Lanka in 2024, was about $ 4,000. The market price of a Camry in Lanka is about $ 133,000. A person in Lanka must pay 33 years of annual income to buy a Toyota Camry in 2025.

Whoever imagined that with those incomes and prices, there would be any sales of Camry in Lanka? After making necessary adjustments (mutatis mutandis), Toyota Camry’s example applies to all import dues increases. Higher import duties will yield some additional revenue to government. How much they will yield cannot be answered without much more work. High import duties will deter people from buying imported goods. There will be no large drawdown of foreign exchange; nor will there be additional government revenue: result, high government foreign exchange reserves and low government revenue.

For people to buy cars at such higher prices in 2025, their incomes must rise substantially (unlikely) or they must shift their preferences for motor cars and drop their demand for other goods and services. There is no reason to believe that any of those changes have taken place. In the 2025 budget, government has an ambitious programme of expenditure. For government to implement that programme, they need high government revenue. If the high rates of duties on imports do not yield higher government revenue as hypothesised earlier, government must borrow in the domestic market. The economy is not worthy of raising funds in international capital markets yet.

If government sells large amounts of bonds, the price of all bonds will fall, i.e. interest rates will rise, with two consequences. First, expenditure on interest payments by government will rise for which they would need more revenue. Second, high interest rates may send money to banks rather than to industry. Finding out how these complexities will work out needs careful, methodically satisfactory work. It is probable that if government borrows heavily to pay for budgetary allocations, the fundamental problem arising out of heavy public debt will not be solved.

The congratulatory comments made by the Manager of IMF applied to the recent limited exercise of handling the severity of balance of payments and public debt problems. The fundamental problem of paying back debt can be solved only when the economy grows fast enough (perhaps 7.5 % annually) for several years. Of that growth, perhaps, half (say 4 % points) need to be paid back for many years to reduce the burden of external debt.

Domestic use of additional resources can increase annually by no more than 3.5 percent, even if the economy grows at 7.5 percent per year. Leaders in society, including scholars in the JJB government, university teachers and others must highlight the problems and seek solutions therefor, rather than repeat over and over again accounts of the problem itself.

Growth must not only be fast and sustained but also exports heavy. The reasoning is as follows. This economy is highly import-dependent. One percent growth in the economy required 0.31% percent increase in imports in 2012 and 0. 21 percent increase in 2024. The scarcity of imports cut down the rate of growth of the economy in 2024. Total GDP will not catch up with what it was in (say) 2017, until the ratio of imports to GDP rises above 30 percent.

The availability of imports is a binding constraint on the rate of growth of the economy. An economy that is free to grow will require much more imports (not only cement and structural steel but also intermediate imports of many kinds). I guess that the required ratio will exceed 35 percent. Import capacity is determined by the value of exports reduced by debt repayments to the rest of the world. The most important structural change in the economy is producing exports to provide adequate import capacity. (The constant chatter by IMF and the Treasury officials about another kind of structural change confuses the issue.) An annual 7.5 percent growth in the economy requires import capacity to grow by about 2.6 percent annually.

This economy needs, besides, resources to pay back accumulated foreign debt. If servicing that accumulation requires, takes 4% points of GDP, import capacity needs to grow by (about) 6.6 percent per year, for many years. Import capacity is created when the economy exports to earn foreign exchange and when persons working overseas remit substantial parts of their earnings to persons in Lanka. Both tourism and remittances from overseas have begun to grow robustly. They must continue to flow in persistently.

There are darkening clouds raised by fires in prominent markets for exports from all countries including those poor. This is a form of race to the bottom, which a prominent economist once called ‘a policy to beggar thy neighbour (even across the wide Pacific)’. Unlike the thirty years from 1995, the next 30 years now seem fraught with much danger to processes of growth aided by open international trade. East Asian economies grew phenomenally by selling in booming rich markets, using technology developed in rich countries.

Lanka weighed down with 2,500 years of high culture ignored that reality. The United States of America now is swinging with might and main a wrecking ball to destroy that structure which they had put up, one thought foolishly, with conviction. Among those storms, many container ships would rather be put to port than brave choppy seas. High rates of growth in export earnings seem a bleak prospect. There yet may be some room in the massive economies of China and India.

Consequently, it is fanciful to expect that living conditions will improve rapidly, beginning with the implementation of the 2025 budget. It will be a major achievement if the 2025 budget is fully implemented, as I have argued earlier. Remarkable efforts to cut down on extravagance, waste and the plunder of public funds will help, somewhat; but not enough. IMF or not, there is no way of paying back accumulated debt without running an export surplus sufficient to service debt obligations.

Exports are necessary to permit the economy to pay off accumulated debt and permit some increase in the standard of living. Austerity will be the order of the day for many years to come. It is most unlikely that the next five years will usher in prosperity.

By Usvatte-aratchi

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BLOSSOMS OF HOPE 2025

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An Ikebana exhibition in aid of pediatric cancer patients

This Ikebana exhibition by the members of Ikebana International Sri Lanka Chapter #262, brings this ancient art form to life in support of a deeply meaningful cause: aiding the Pediatric Cancer ward of the Apeksha Cancer Hospital, Maharagama and offering hope to young warriors in their fight against illness.

Graceful, delicate, and filled with meaning—Ikebana, the Japanese art of floral arrangement, is more than just an expression of beauty; it is a reflection of life’s resilience and harmony. “Blossoms of Hope”, is a special Ikebana exhibition, on 29th March from 11a.m. to 7p.m. and 30th March from 10a.m. to 6p.m. at the Ivy Room, Cinnamon Grand Hotel and demonstrations will be from 4p.m. to 5p.m. on both days.

Each floral arrangement in this exhibition is a tribute to strength, renewal, and love. Carefully crafted by skilled Ikebana artists, who are members of the Chapter. These breathtaking displays symbolize the courage of children battling cancer, reminding us that even in adversity, beauty can bloom. The graceful lines, vibrant hues, and thoughtful compositions of Ikebana echo the journey of resilience, inspiring both reflection and compassion.

Visitors will not only experience the tranquility and elegance of Japanese floral art but will also have the opportunity to make a difference. Proceeds from “Blossoms of Hope” will go towards enhancing medical care, providing essential resources, and creating a more comforting environment for young patients and their families.

This exhibition is more than an artistic showcase—it is a gesture of kindness, a symbol of solidarity, and a reminder that hope, like a flower, can grow even in the most unexpected places. By attending and supporting “Blossoms of Hope”, you become a part of this journey, helping to bring light and joy into the lives of children who need it most.

Join in celebrating art, compassion, and the Power of Hope—one flower at a time.

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St. Anthony’s Church feast at Kachchativu island

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Fort Hammenhiel

The famous St. Anthony’s Church feast this year was held on 14 and 15 March. St. Anthony, as per Catholic belief, gives protection and looks after fishermen and seafarers like me. Many Buddhist seafarers are believers in St. Anthony and they usually keep a statue of the saint in their cabins in the ship or craft.

St. Anthony died on 13th June 1231 at age of 35 years, at Padua in Holy Roman Empire and was canonized on 30 May 1232 by Pope Gregory IX.

I was unable to attend last year’s feast as I was away in Pakistan as Sri Lanka’s High Commissioner. I was more than happy to learn that Indians were also attending the feast this year and there would be 4,000 devotees.

I decided to travel to Kankesanturai (KKS) Jaffna by train and stay at my usual resting place, Fort Hammenhiel Resort, a Navy-run boutique hotel, which was once a prison, where JVP leaders, including Rohana Wijeweera were held during the 1971 insurrection. I was fortunate to turn this fort on a tiny islet in Kytes lagoon into a four-star boutique hotel and preserve Wijeweera’s handwriting in 2012, when I was the Commander Northern Naval Area.

I invite you to visit Fort Hammenhiel during your next trip to Jaffna and see Wijeweera’s handwriting.

The train left Colombo Fort Railway Station on time (0530 hrs/14th) and reached KKS at 1410 hrs. I was highly impressed with the cleanliness and quality of railway compartments and toilets. When I sent a photograph of my railway compartment to my son, he texted me asking “Dad, are you in an aircraft or in a train compartment? “

Well done Sri Lanka Railways! Please keep up your good work. No wonder foreign tourists love train rides, including the famous Ella Odyssey.

Travelling on board a train is comfortable, relaxed and stress free! As a frequent traveller on A 9 road to Jaffna, which is stressful due to oncoming heavy vehicles on. This was a new experience and I enjoyed the ride, sitting comfortably and reading a book received from my friend in New York- Senaka Senaviratne—’Hillbilly Elegy’ by US Vice President JD Vance. The book is an international best seller.

My buddy, Commodore (E) Dissanayake (Dissa), a brilliant engineer who built Reverse Osmosis Water Purification Plants for North, North Central and North Western provinces to help prevent chronic kidney disease is the Commodore Superintendent Engineering in the Northern Naval Area. He was waiting at the KKS railway station to receive me.

I enjoyed a cup of tea at Dissa’s chalet at our Northern Naval Command Headquarters in KKS and proceeded to Fort Hammenhiel at Karainagar, a 35-minute drive from KKS.

The acting Commanding Officer of Karainagar Naval Base (SLNS ELARA) Commander Jayawardena (Jaye) was there at Fort Hammenhiel Restaurant to have late lunch with me.

Jaye was a cadet at Naval and Maritime Academy, (NMA) Trincomalee, when I was Commandant in 2006, NMA was under artillery fire from LTTE twice, when those officers were cadets and until we destroyed enemy gun positions, and the army occupied Sampoor south of the Trincomalee harbour. I feel very proud of Jaye, who is a Commander now (equal to Army rank Lieutenant Colonel) and Commanding a very important Naval Base in Jaffna.

The present Navy Commander Vice Admiral Kanchana Banagoda had been in SLNS ELARA a few hours before me and he had left for the Delft Island on an inspection tour.

Commander Jaye was very happy because his Divisional Officer, when he was a cadet, was Vice Admiral Kanchana (then Lieutenant Commander). I had lunch and rested for a few hours before leaving Karainagar in an Inshore Patrol Craft heading to Kachchativu Island by1730 hrs.

The sea was very calm due to inter-monsoon weather and we reached Kachchativu Island by 1845 hrs. Devotees from both Sri Lanka and India had already reached the island. The Catholic Bishop of Sivagangai Diocese, Tamil Nadu India His Eminence Lourdu Anandam and Vicar General of Jaffna Diocese Very Rev Fr. PJ Jabaratnam were already there in Kachchativu together with more than 100 priests and nuns from Sri Lanka and India. It was a solid display of brotherhood of two neighbouring nations united together at this tiny island to worship God. They were joined by 8,000 devotees, with 4,000 from each country).

The church

All logistics—food, fresh water, medical facilities—were provided by the Sri Lanka Navy. Now, this festival has become a major annual amphibious operation for Navy’s Landing Craft fleet, led by SLNS Shakthi (Landing Ship tanks). The Navy establishes a temporary base in a remote island which does not have a drop of drinking water, and provides food and water to 8,000 persons. The event is planned and executed commendably well under Commander Northern Naval Area, Rear Admiral Thusara Karunathilake. The Sri Lankan government allocates Rs 30 million from the annual national budget for this festival, which is now considered a national religious festival.

The Indian devotees enjoy food provided by SLN. They have the highest regard for our Navy. The local devotees are from the Jaffna Diocese, mainly from the Delft Island and helped SLN. Delft Pradeshiya Sabha and AGA Delft Island. A very efficient lady supervised all administrative functions on the Island. Sri Lanka Police established a temporary police station with both male and female officers.

As usual, the Sinhalese devotees came from Negombo, Chilaw, Kurunegala and other areas, bringing food enough for them and their Catholic brothers and sisters from India! Children brought biscuits, milk toffee, kalu dodol and cakes to share with Indian and Jaffna devotees.

In his sermon on 22nd December 2016, when he declared open the new Church built by SLN from financial contributions from Navy officers and sailors, Jaffna Bishop Rt Rev Dr Justin Bernard Ganapragasam said that day “the new Church would be the Church of Reconciliation”.

The church was magnificent at night. Sitting on the beach and looking at the beautiful moon-lit sea, light breeze coming from the North East direction and listening to beautiful hymns sung by devotees praising Saint Anthony, I thanked God and remembered all my friends who patrolled those seas and were no more with us. Their dedication, and bravery out at sea brought lasting peace to our beloved country. But today WHO REMEMBERS THEM?

The rituals continued until midnight. Navy Commander and the Indian Consul General in Jaffna Sai Murali attended the Main Mass.

The following morning (15) the Main Mass was attended by Vice Admiral Kanchana Banagoda and his family. It was a great gesture by the Navy Commander to attend the feast with his family. I had a long discussion with Indian Consul General Jaffna Sai Mulari about frequent incidents of Indian trawlers engaging in bottom trawling in Sri Lankan waters and what we should do as diplomats to bring a lasting solution to this issue, as I was highly impressed with this young Indian diplomat.

The Vicar General of the Jaffna Diocese, my dear friend, Very Rev Father P J Jabarathnam also made an open appeal to all Indian and Sri Lankan fishermen to protect the environment. I was fortunate to attend yet another St. Anthony’s Church feast in Kachchativu.

By Admiral Ravindra C Wijegunaratne WV,

RWP& Bar, RSP, VSV, USP, NI (M) (Pakistan), ndc, psn,
Bsc (Hons) (War Studies) (Karachi) MPhil (Madras)
Former Navy Commander and Former Chief of Defense Staff
Former Chairman, Trincomalee Petroleum Terminals Ltd
Former Managing Director Ceylon Petroleum Corporation
Former High Commissioner to Pakistan

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