Estella and Cruella, dual personalities driven by unstable emotions
By Tharishi Hewavithanagamage
Everyone knows her and simply hearing her name is more than enough to send shivers down the spine. Cruella de Vil was first introduced in the novel ‘The Hundred and One Dalmatians’ by Dodie Smith. The story and the character were later reintroduced as animated renditions in Disney’s 1961 movie. The 1996 live action adaptation of the 101 Dalmatians starred Glenn Close as Cruella and she delivered a truly unhinged performance which drew on the traits of the animated film. The latest film, directed by Craig Gillespie, is the newest addition to the line-up of Disney’s journey to give origin stories to some of their most iconic villains. Comedy-drama ‘Cruella’ marks the third live action film in the 101 Dalmatians franchise. The eponymous role is portrayed by Emma Stone, alongside Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, and Mark Strong.
Set in London in the 1970s during the emergence of the punk scene, the film follows a young Estella, an aspiring fashion designer. The film unfolds as it explores her childhood and adulthood, everything from the tragedies to the delights that come together to form the final product, Cruella De Vil. Born with the classic black and white ombré hairdo, Estella was extraordinary, intelligent and her love for fashion was clear from the get-go. Her strongest traits were often seen as ‘rebellious’ and much of her younger years are marked by her mother Catherine, a kind and gentle woman, constantly encouraging Estella to try and ‘fit in’ with everyone else around. Following a series of unfortunate events, Estella and her trusty companion Buddy (a dog, yes surprisingly she likes dogs) arrive in London, get into a life of thieving with co-conspirators Jasper and Horace who become her family of sorts. Her career as a fashion designer begins as an apprentice under the tutelage of Baroness von Hellman, of the House of Baroness. As she explores the world of fashion, new revelations of her past force her to embrace and unleash the bold, confident and cruel alter-ego in her.
Unlike Glenn Close’s rendition of Cruella, which focused more on the puppy-skinning villain angle, Emma Stone’s version is more grounded and rebellious than villainous. Close’s version of Cruella was relentless and malevolent whereas Stone’s version is one created from scratch, meaning she has the potential to edge further and tap into her more scary traits. The origin story gives Cruella the chance to tell her story in her own perspective and on her own terms. Her progress from being the timid Estella, to embracing the Cruella within her isn’t forced or rushed as the story paces quite well and each scene unravels the story with great execution. The all too common ‘bad-parenting’ narrative gives Estella/Cruella the necessary foundation to grow. But the highs and the lows of the characters are seamlessly intertwined with dark humour and strong camp aesthetics, while the witty comebacks, petty revenge schemes, mean one-liners and classic soundtracks all scream ‘it’s more fun being bad’.
However, apart from the enthralling performances of the cast, audiences are drawn to the iconic and flamboyant high fashion of the ‘70s. Fashion is the highlight of the film, because Cruella, although evil, is a brilliant fashion designer. Fashion enthusiasts will see that the Baroness’s aesthetic was loosely inspired by Dior. Emma Thompson’s Baroness has a very snobbish wardrobe, which tells audiences that she is a brilliant but rather old-fashioned designer. The changing character arc of the titular character is evident in her fashion choices. Estella opted to wear clothes that allowed her to fit in and keep her out of trouble, but Cruella’s designs were more bold and striking, and became sharper and more tailored as the character grew. Her clothes speak volumes about her personality and her brilliance as a designer. Cruella’s character also taps into the more modern practice of reusing clothes to make new clothing.
Unfortunately the positive aspects of the film are hindered by bad CGI. In addition, there is also the matter of Cruella’s puppy-killer attribute which doesn’t make an appearance in the film. The original Cruella is portrayed as a puppy-killing monster, but strangely Stone’s Cruella doesn’t actually hate dogs. Many audiences assumed that (SPOILER ALERT) it would be odd for Cruella to have a lifelong grudge against the Dalmatians who killed her mother. The Dalmatians appear throughout the film, and one would think the animals were either testing Cruella’s patience or simply giving her ideas to pursue in the future. However, she has no interest in killing (yet), although she does entertain the idea of making pelts out of the Baroness’s dogs. Perhaps it was Disney’s intent to create a villain people could empathize with or root for. Giving Estella/Cruella a dog for a close companion makes her somewhat likeable, but the growing detachment to those close to her possibly hints at her veering off track and truly embracing the original character that more adult audiences grew up disliking.
Emma Stone as Estella and Cruella is simply enthralling to watch. She completely owns her role and immerses and seamlessly fluctuates herself between the dual personalities driven by unstable emotions. She brings depth to both characters, with one trying hard to fit in and accomplish her dreams while the other is bold, intelligent and is the perfect mask to hide her unbearable pain. Emma Stone plays out Estella’s descent into madness exceptionally. Emma Thompson proves to be a very stylish and brilliant antagonist as well. She is wildly reminiscent of and radiates Meryl Streep’s energy in ‘The Devil Wears Prada’. Stone and Thompson’s on-screen dynamic is simply ecstatic and riveting to watch as the two icons battle it out fashionably. Joel Fry’s Jasper and Paul Walter Hauser’s Horace bring in the comedy (and sanity) element to the film. From Hauser’s Horace always wanting to know everyone’s ‘angle’, to Jasper grounding Cruella’s thoughts reminding her of their odd-ball family, they add a slightly different touch to the film. They aren’t just her henchmen or a couple of sidekicks, to Cruella in the very depths of her mind, they are her only family.
In the end, ‘Cruella’ does make a refreshing origin story, although Disney has largely stuck with the format of the original character and only made slight tweaks. While exploring the world of fashion, the film also touches on themes of family, togetherness and identity, which no one expects when they hear ‘Cruella De Vil’. The film brings in a fresh perspective of the notorious villainess and allows her to justify herself and her identity as a brilliant but crazy fashion designer. ‘Cruella’ makes a strong and powerful entry in the latest film and it’s unlikely she’ll be going away anytime soon. A sequel may be brewing so audiences can expect to see more of ‘Cruella De Vil’ in the future.
What JVP-NPP needs to do to win
By Dr. DAYAN JAYATILLEKA
A young academic at the Open University writing on a popular website has recently defined the NPP project as ‘Left populist’, a term which is very familiar to us at least from the writings of Ernesto Laclau and Chantal Mouffe. He also mentions several parallels and precursors internationally.
As one who has been advocating a ‘left populist’ project for years, I am disinclined to nit-pick about whether or not the JVP-NPP fits the bill. At the moment and in its current incarnation, it is indeed the closest we have to a ‘left populist’ project. Its competitor the SJB, which its founder-leader identifies as social democratic, would be as approximate –and as loose– a fit for the labels ‘progressive populist’, ‘moderate populist’ or ‘populist centrist’, as the JVP-NPP is for ‘left populist’. But that’s the deck of cards we have.
The points I seek to make are different, and may be said to boil down to a single theme or problematique.
Distorted Left Populism
My argument is that the JVP-NPP is as distant from ‘left populism’ globally as it was from ‘left revolutionism’ globally in an earlier incarnation. In both avatars, it is unique in its leftism but not in a positive or helpful way for its cause at any given time.
Mine is not intended as a damning indictment of the JVP-NPP. It is intended as a constructive criticism of a rectifiable error, the rectification of which is utterly urgent given the deadly threat posed by the Wickremesinghe administration and its project of dependent dictatorship.
The JVP-NPP has a structural absence that no ‘left populist’ enterprise, especially in Latin America, has ever had. It is an absence that has marked the JVP from its inception and has been carried over into the present NPP project.
It is not an absence unique to the JVP but figures more in Sri Lanka than it has almost anywhere else. I say this because the same ‘absence’ characterised the LTTE as well. In short, that factor or its radical absence has marred the anti-systemic forces of South and North on the island.
The homeland of left populism has been Latin America while its second home has been Southern Europe. With the exception of Greece, it may be said that ‘left populism’ has an Ibero-American or culturally Hispanic character, which some might trace to the ‘romanticism’ of that culture. But such considerations need not detain us here.
‘Left populism’ has had several identifiable sources and points of departure: the former guerrilla movements of the 1960s and 1970s; the non-guerrilla movements of resistance to dictatorships; parties and split-offs from parties of the Marxist left; left-oriented split-offs or the leftwing of broad flexible even centrist populist formations; leftwing experiments from within the militaries etc.
Populism, Pluralism & Unity
Despite this diversity, all experiments of a Left populist character in Latin America and Europe, have had one thing in common: various forms of unity – e.g., united fronts, blocs etc.—of political parties. I would take up far too much space if I were to list them, starting with the Frente Amplio (which means precisely ‘Broad Front’) initiated by the Tupamaros-MLN of Uruguay and containing the Uruguayan Communist party and headed by a military man, General Liber Seregni, in 1970. The Frente Amplio lasted through the decades of the darkest civil-military dictatorship up to the presidential electoral victories of Tabaré Vasquez and Mujica respectively. Another example would be El Salvador’s FMLN, which brought together several Marxist guerrilla movements into a single front under the stern insistence of Fidel Castro.
Though the roots of unity were back in the 1970s, the formula has only been strengthened in the 1990s and 21st century projects of Left populism. There is a theoretical-strategic logic for this. The polarisation of ‘us vs them’, the 99% vs. the 1%, the many not the few—in socioeconomic terms—is of course a hallmark of populism. But pro-NPP academics and ideologues are unaware of or omit its corollary everywhere from Uruguay to Greece and Spain. Namely, that socioeconomic ‘majoritarianism’ is not possible with a single party as agency.
When the JVP and the NPP have the same leader, and the JVP leader was the founder of the NPP, I cannot regard it as a truly autonomous project, but a party project. Left populism globally, from its inception right up to Lula last year, is predicated on the admission of political, not just social plurality, and the fact that socioeconomic, i.e., popular majoritarianism is possible only as a pluri-party united front, platform or bloc.
This recognition of the imperative of unity as necessitating a convergence of political fractions and currents; that unity is impossible as a function of a single political party; that authentic majoritarianism i.e., “us” is possible only if “we” converge and combine as an ensemble of our organic political agencies, is a structural feature of Left Populism.
It is radically absent in the JVP-NPP and has been so from the JVP’s founding in 1965. It was also true of the LTTE.
It is this insistence on political unipolarity (to put it diplomatically) or political monopoly (to put it bluntly) is a genetic defect of the JVP which has been carried over into the NPP project.
I do not say this to contest the leading role and the main role that the JVP has earned in any left populist project. I say it to draw the Gramscian distinction between ‘leadership’ and ‘domination’. Only ‘leadership’ can create consensus and popular consent; domination through monopoly cannot.
The simple truth is that however ‘left populist’ you think you are; no single party can be said to represent the people or even a majority – as distinct from a mere plurality– of the people. Furthermore, the people are not a unitary subject, and therefore cannot have a unitary leadership. This is the importance of Fidel Castro’s insistence to the Latin American Left of a ‘united command’ which brings together the diverse segments of the left by reflecting plurality.
Anyone who knows the history of Syriza and Podemos knows that they are not outcrops of some single party of long-standing but the result of an organic process of convergences of factions.
Had the JVP had a policy of united fronts – within the Southern left and with the Northern left– it would not have been as decisively defeated as it was in its two insurrections, and might have even succeeded in its second attempt. Though it has formed the NPP which has brought some significant success, it is still POLITICALLY sectarian in that it has no political alliances, partnerships, i.e., NO POLITICAL RELATIONSHIPS outside of itself.
I must emphasize that here I am not speaking of a bloc with the SJB, though it is most desirable, to be recommended, and if this were Latin America would definitely be on the agenda of discussion.
Let us speak frankly. The most important phenomenon of recent times (since the victorious end of the war) was the Aragalaya of last year. The JVP, especially its student front the SYU, participated in that massive uprising which dislodged President Gotabaya Rajapaksa, but it played a less decisive role in the Aragalaya than did the FSP and the IUSF which is close to it. This is by no means to say that the FSP led the Aragalaya, but to point out that it played a more decisive role – which included some mistakes– than did the JVP.
How then does one remain blind to the fact that the JVP-NPP’s ‘left populism’ does not include the FSP and by extension the IUSF? How can there be a ‘popular bloc’ – a key element of left populism—without the IUSF?
Given that Pubudu Jayagoda, Duminda Nagamuwa, Lahiru Weerasekara and Wasantha Mudalige are among the most successful public communicators today (especially on the left), what kind of ‘left’ is a ‘left populism’ devoid of their presence, participation and contribution?
What does it take to recognise that unity of some sort of these two streams of the Left could result in a most useful division of labour and a quantum leap in the hopes and morale of the increasingly left-oriented post-Aragalaya populace, especially the youth?
Surely the very sight of a platform with the leaders of the JVP-NPP and the FSP-IUSF (AKD and Kumar Gunaratnam, Eranga Gunasekara and Wasantha Mudalige, Wasantha Samarasinghe and Duminda Nagamuwa, Bimal Ratnayake and Pubudu Jayagoda) will take the Left populist project to the next level?
As a party the JVP from its birth, and by extension, the NPP today, have set aside one of the main weapons of leftist theory, strategy and political practice: the United Front. Lenin, Trotsky, Stalin, Dimitrov, Gramsci, Togliatti, Ho Chi Minh, Mao Zedong and Fidel Castro have founded and enriched this strategic concept.
It is difficult to accept that Rohana Wijeweera and Anura Kumara Dissanayake knew/know better than these giants, and that the JVP-NPP can dispense with this political sword and shield and yet prevail–or even survive the coming storm.
The JVP must present a LEFT option in the leadership of which is the major shareholder; not merely a JVP option or para-JVP option, which is what the NPP is. A credible, viable Left alternative cannot be reduced to a single party and its front/auxiliary; it cannot but be a United Left – a Left Front– alternative.
[Dr Dayan Jayatilleka is author of The Great Gramsci: Imagining an Alt-Left Project, in ‘On Public Imagination: A Political & Ethical Imperative’ eds Richard Falk et al, Routledge, New York, 2019.]
Obtaining fresh mandate unavoidable requirement
by Jehan Perera
The government’s plans for reviving the economy show signs of working out for the time being. The long-awaited IMF loan is about to be granted. This would enable the government to access other loans to tide over the current economic difficulties. The challenge will be to ensure that both the old loans and new ones will be repayable. To this end the government has begun to implement its new tax policy which increases the tax burden significantly on income earners who can barely make ends meet, even without the taxes, in the aftermath of the rise in price levels. The government is also giving signals that it plans to downsize the government bureaucracy and loss-making state enterprises. These are reforms that may be necessary to balance the budget, but they are not likely to gain the government the favour of the affected people. The World Bank has warned that many are at risk of falling back into poverty, with 40 percent of the population living on less than 225 rupees per person per day.
The problem for the government is that the economic policies, required to stabilize the economy, are not popular ones. They are also politically difficult ones. The failure to analyse the past does not help us to ascertain reasons for our failures and also avoids taking action against those who had misused, or damaged, the system unfairly. The costs of this economic restructuring, to make the country financially viable, is falling heavily, if not disproportionately, on those who are middle class and below. Fixed income earners are particularly affected as they bear a double burden in being taxed at higher levels, at a time when the cost of living has soared. Unlike those in the business sector, and independent professionals, who can pass on cost increases to their clients, those in fixed incomes find it impossible to make ends meet. Emigration statistics show that over 1.2 million people, or five percent of the population, left the country, for foreign employment, last year.
The economic hardships, experienced by the people, has led to the mobilization of traditional trade unions and professionals’ organisations. They are all up in arms against the government’s income generation, at their expense. Last week’s strike, described as a token strike, was successful in that it evoked a conciliatory response from the government. Many workers did not keep away from work, perhaps due to the apprehension that they might not only lose their jobs, but also their properties, as threatened by one government member, who is close to the President. There was a precedent for this in 1981 when the government warned striking workers that they would be sacked. The government carried out its threat and over 40,000 government officials lost their jobs. They and their families were condemned to a long time in penury. The rest of society went along with the repression as the government was one with an overwhelming mandate from the people.
The striking unions have explained their decision to temporarily discontinue their strike action due to President Ranil Wickremesinghe’s willingness to reconsider their economic grievances. More than 40 trade unions, in several sectors, joined the strike. They explained they had been compelled to resort to strike action as there was no positive response from the government to their demands. Due to the strike, services such as health, posts, and railways were affected. Workers in other sectors, including education, port, power, water supply, petroleum, road development, and banking services, also joined the strike. The striking unions have said they would take up the President’s offer to discuss their concerns with the government and temporarily called a halt to their strike action. This would give the government an opportunity to rethink its strategy. Unlike the government in 1981 this one has no popular mandate. In the aftermath of the protest movement, it has only a legal mandate.
So far, the government has been unyielding in the face of public discontent. Public protests have been suppressed. Protest leaders have been arrested and price and tax hikes have gone ahead as planned. The government has been justifying the rigid positions it has been taking on the basis of its prioritization of economic recovery for which both political stability and financial resources are necessary. However, by refusing to heed public opinion the government has been putting itself on a course of confrontation with organized forces, be they trade unions or political parties. The severity of the economic burden, placed on the larger section of society, even as other sectors of society appear to be relatively unaffected, creates a perception of injustice that needs to be mitigated. Engaging in discussion with the trade unions and reconsidering its approach to those who have been involved in public protests could be peace making gestures in the current situation.
On the other hand, exacerbating the political crisis is the government’s continuing refusal to hold the local government elections, as scheduled, on two occasions now by the Elections Commission and demanded by law. The government’s stance is even in contradiction to the Supreme Court’s directives that the government should release the financial resources necessary for the purpose leading to an ever-widening opposition to it. The government’s determination to thwart the local government elections stems from its pragmatic concerns regarding its ability to fare well at them. Public opinion polls show the government parties obtaining much lower support than the opposition parties. Except for the President, the rest of the government consists of the same political parties and government members that faced the wrath of the people’s movement a year ago and had to resign in ignominy.
The government’s response to the pressures it is under has been to repress the protest movement through police action that is especially intolerant of street protests. It has also put pressure on state institutions to conform to its will, regardless of the law. The decisions of the Election Commission to set dates for the local government elections have been disregarded once, and the elections now appear to have to be postponed yet again. The government is also defying summons upon its ministers by the Human Rights Commission which has been acting independently to hold the government to account to the best extent it can. The government’s refusal to abide by the judicial decision not to block financial resources for election purposes is a blow to the rule of law that will be to the longer-term detriment of the country. These are all negative trends that are recipes for future strife and lawlessness. These would have long term and unexpected implications not to the best for the development of the country or its values.
There are indications that President Wickremesinghe is cognizant of the precariousness of the situation. The accumulation of pressures needs to be avoided, be it for gas at homes or issues in the country. As an experienced political leader, student of international politics, he would be aware of the dangers posed by precipitating a clash involving the three branches of government. A confrontation with the judiciary, or a negation of its decisions, would erode the confidence in the entire legal system. It would damage the confidence of investors and the international community alike in the stability of the polity and its commitment to the rule of law. The public exhortations of the US ambassador with regard to the need to conduct the local government elections would have driven this point home.
It is also likely that the US position on the importance of holding elections on time is also held by the other Western countries and Japan. Sri Lanka is dependent on these countries, still the wealthiest in the world, for its economic sustenance, trade and aid, in the form of concessional financing and benefits, such as the GSP Plus tariff concession. Therefore, the pressures coming from both the ground level in the country and the international community, may push the government in the direction of elections and seeking a mandate from the people. Strengthening the legitimacy of the government to govern effectively and engage in problem solving in the national interest requires an electoral mandate. The mandate sought may not be at the local government level, where public opinion polls show the government at its weakest, but at the national level which the President can exercise at his discretion.
Sing-along… Down Memory Lane
Sing-alongs have turned out to be hugely popular, in the local showbiz scene, and, I would say, it’s mainly because they are family events, and also the opportunity given to guests to shine, in the vocal spotlight, for a minute, or two!
I first experienced a sing-along when I was invited to check out the famous Rhythm World Dance School sing-along evening.
It was, indeed, something different, with Sohan & The X-Periments doing the needful, and, today, Sohan and his outfit are considered the No.1 band for sing-along events.
I’m told that the first ever sing-along concert, in Sri Lanka, was held on 27th April, 1997, and it was called Down Memory Lane (DML), presented by the Moratuwa Arts Forum (MAF),
The year 2023 is a landmark year for the MAF and, I’m informed, they will be celebrating their Silver Jubilee with a memorable concert, on 29th April, 2023, at the Grand Bolgoda Resort, Moratuwa.
Due to the Covid pandemic, their sing-along series had to be cancelled, as well as their planned concert for 2019. However, the organisers say the delayed 25th Jubilee Celebration concert is poised to be a thriller, scheduled to be held on 29th April, 2023.
During the past 25 years, 18 DML concerts had been held, and the 25th Jubilee Celebration concert will be the 19th in the series.
Famous, and much-loved, ‘golden oldies’, will be sung by the audience of music lovers, at this two and a half hours programme.
Down Memory Lane was the brainchild of musician Priya Peiris, (of ‘Cock-a-Doodle-Do’ fame) and the MAF became the pioneers of sing-along concerts in Sri Lanka.
The repertoire of songs for the 25th Jubilee Celebration concert will include a vast selection of international favourites, Cowboy and old American Plantation hits, Calypsos, Negro Spirituals, everybody’s favourites, from the ’60s and ’70s era, Sinhala evergreens, etc.
Singers from the Moratuwa Arts Forum will be on stage to urge the audience to sing. The band Echo Steel will provide the musical accompaniment for the audience to join in the singing, supported by Brian Coorey, the left handed electric bass guitarist, and Ramany Soysa on grand piano.
The organisers say that every participant will get a free songbook. There would also be a raffle draw, with several prizes to be won,
Arun Dias Bandaranaike will be the master of ceremonies.
President of the Moratuwa Arts Forum, Melantha Perera, back from Australia, after a successful tour, says: “All music lovers, especially Golden Oldies enthusiasts, are cordially invited to come with their families, and friends, to have an enjoyable evening, and to experience heartwarming fellowship and bonhomie.”
Further details could be obtained from MAF Treasurer, Laksiri Fernando (077 376 22 75).
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