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Did Rani miss manorani ?

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(A film that avoids the ‘Mannerism’ of a Biopic: Rani)

by Bhagya Rajapakshe
bhagya8282@gmail.com

This is only how Manorani sees Richard. It doesn’t have a lot of what Richard did. Although Manorani is not someone who pays attention to the happenings in the country. It was only after her son was kidnapped that she began to feel that this was happening in the country.She had human emotions. But she was a person who smoked cigarettes and drank whiskey and lived a merry life.”

(Interview with “Rani” film director Ashoka Handagama by Upali Amarasinghe – 02.02.2025 ‘Anidda’ weekend newspaper, pages 15 and 19)

The above statement shows the key attitude of the director of the movie, “Rani” towards the central character of the film, Dr. Manorani Sarawanamuttu. This statement is highly controversial. Similarly, the statement given by the director to Groundviews on 30.01.2025 about capturing the depth of Rani’s character shows that he has done so superficially, frivolously?

A biopic is a specific genre of cinema. This genre presents true events in the life of a person (a biography), or a group of people who are currently alive or who belong to history with recognisable names. The biopic genre often artistically and cinematically explores keenly the main character along with a few secondary characters connected to the central figure. World cinema is proof that even if the characters are centuries old, they are carefully researched and skilled directors take care to weave the biographies into their films without causing any harm or injustice to the original character.

According to the available authentic reports, Manorani Saravanamuthu was a professionally responsible medical doctor. Chandri Peiris, a close friend of her family, in his feature article on Manorani in the ‘Daily Mirror’ newspaper on 06th November 2021, says this about her:

“She was a doctor who had her surgeries in the poorest areas around Colombo which made her popular with communities who preferred their women to be seen by female doctors. She had a wonderful manner with her patients which my mother described by saying, ‘looking at her is enough to make you well …. When it came to our outlandish group of friends, she was always there to steer many of us through some very personal issues such as: unplanned pregnancies, teenage pregnancies, mental breakdowns, STD’s, young lovers who ran away and married, depression, circumcisions, break-ups, fractures, dance injuries, laryngitis (especially among the actors and singers) fevers, pimples, and even the odd boil on the bum.”

But the image of Rani depicted by Handagama in his film is completely different from this. According to the film, a major feature of her life consisted of drinking whiskey and smoking cigarettes. Her true role is unspoken, hidden in the film. A grave question arises as to whether the director spent adequate time doing the research? to find out who Manorani really was. In his article Chandri Peiris further says the following about Manorani:

“Soon after the race riots in 1983, Manorani (along with Richard) helped a great many Sri Lankan Tamils to find refuge in countries all over the world. Nobody knew about this. But all of us who used to hang around their house kept seeing unfamiliar people come over to stay a few days and then leave. Among them were the three sons of the Master-in-Charge of Drama at S. Thomas’ College, who were swiftly sent abroad by the tireless efforts of this mother and son. It was then that we worked out that their home was a safehouse. … Manorani was vehemently opposed to the terror wreaked by the LTTE and always wanted Sri Lanka to be one country that was home to the many diverse cultures within it. When the ethnic strife developed into a full-on war with those who wanted to create a separate state for Tamil Eelam, she remained completely against it.”

According to the director of the film, if Rani had no awareness of what was happening in the country and the world, how could she have helped the victims survive and leave the country during that life-threatening period? It is clear from all this that the director has failed to fully study the character of Manorani and what she did. There is a scene where Manorani watches a Sinhala stage play with much annoyance and on her way back home with Richard, she is shown insensitively avoiding Richard’s friend Gayan being assaulted by a mob. This demeanour does not match the actual reports and information published about Manorani. How did the director miss these records? It shows his indifference to researching background information for a film such as this. He clearly does not think that research is essential for a sharp-witted artist in creating his artwork. In his own words, he told the Anidda newspaper:

“But the information related to this is in the public domain and the challenge I had was to interpret that information in the way I wanted. I am not an investigative journalist; My job is to create a work of art. That difference should be understood and made.”

And according to the director, “I was invited to do the film in 2023. The script was written within two to three months and the shooting was planned quickly.” Thus, it is clear that there has been no time to study the inner details related to Manorani, the main character of the film, or the character’s Mannerism. Professor Sarath Chandrajeewa, who published a book with two critical reviews on Handagama’s previous film ‘Alborada’, emphasises in both, that ‘Alborada’ also became weak due to the lack of proper research work’ (Lamentation of the Dawn (2022), pages 46-57).

Directors working in the biopic genre with a degree of seriousness consider it their responsibility to study deeply and construct the ‘mannerism’ of such central characters to create a superior biographical film. For example, in Kabir Khan’s 2021 film ’83’ the actor Tahir Raj Bhasin, who played the role of Sunil Gavaskar, said that it took him six months to study Sunil Gavaskar’s unique style characteristics or Mannerism.

Also, Austin Butler, the actor who played the role of Elvis Presley in the movie ‘Elvis’ directed by Buz Luhrmann and released in 2022, said in a news conference: After he started studying the character of Elvis, he became obsessed with the character, without meeting or talking to his family for nearly one year, while making the film in Australia before, during Covid and after.

‘Oppenheimer’ (2023) was written and directed by Christopher Nolan, in which Cillian Murphy plays the role of Oppenheimer. Nolan read and studied the 700-page story about Oppenheimer called ‘American Prometheus’ . It is said that it took three months to write the script and 57 days for shooting, and finally a two-hour film was created. The rejection of such intense studies by our filmmakers will determine the future of cinema in this country.

Acting is the prime aspect of a movie. The character of Manorani is performed very skillfully in the movie. But certain of her characteristics and mannerism become repetitive and in their very repetitiveness become tiresome to watch. For example, right across the film Manorani is shown smoking, drinking alcohol, sitting and thinking, going towards a window and thinking and smoking again. It would have been better if it had been edited. The audience is thereby given the impression that Manorani lives on cigarettes and whiskey. Although smoking and drinking alcohol is a common practice among some women of Manorani’s social class, it is depicted in the film so repetitively that it creates a sense of revulsion in the viewer. In the absence of close-ups and a play of light and dark, Manorani’s mental states cannot be seen in their intense three dimensionality. It is a question whether the director gave up directing and let the actress play the role of Manorani as she wished. At the beginning of the film, close-ups of Manorani appear with the titles but gradually become normal camera angles in the film. This avoids the use of close-ups of Manorani’s face to show emotion in the most shocking moments in the film. Below are some films that demonstrate this cinematic technique well.

‘Three Colours: Blue’ (1993) French, Directed by Kryzysztof Kies’lowski.

‘Memories in March’

(2010) Indian, Directed by Sanjoy Nag.

‘Manchester by the Sea’

(2016) English, Directed by Keneth Lonergan.

‘Collateral Beauty’

2016) English, Directed by David Frankel.

Certain characters appear in the film without any contribution to building Manorani’s role. Certain scenes such as the Television news, bomb explosions, dialogue scenes where certain characters interview Manorani are not integrated into the film’s narrative and feel forced. The scene with the group of hooligans in a jeep at the end of the film is like a strange tail to the film.

Richard’s sexual orientation, which is hinted at the end of the film by these thugs in the final scene, is an insult to him. It is a great disrespect to those characters to present facts without strong information analysis and to tell the inner life of those characters while presenting a real character through an artwork with real names. The director should not have done such humour and humiliation.

There is some thrill in seeing actors who resemble the main political personalities of that era playing those roles in the film. In this the film has more of a documentary than a fictional quality but it barely marks the socio-political history of this country during the period of terror in 88-89. The character of Manorani was created as a person floating in that history ungrounded, without a sense of gravity.

The film’s music and vocals are mesmerising. But unfortunately, the song ‘Puthune’ (Dearest Son), which has a very strong lyrical composition, melody and singing, is placed at the end of the film, so the audience does not know its strength. This is because the audience starts to leave the cinema as soon as the song starts, when the closing credits scrolled down. If the song had accompanied the scene on the beach where we see Manorani for the last time, the audience would have felt its strength.

Manorani’s true personality was a unique blend of charm, sensitivity, compassion, intelligence, warmth and fun, which enhanced her overall beauty, as evidenced by various written accounts of her. Art critics and historians H. W. Johnson and Anthony F. A Johnson state in their book ‘History of Art’ (2001), “Every work of art tells whether it is artistic or not. And the grammar and structure of the form will signal to us that.”



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Features

Trump’s tariffs, AKD’s gazette and Sri Lanka’s diplomatic slumber

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“We are rather respectable in Colombo. We go to bed fairly early, and we remain there till morning. “

According to Sri Lanka’s diplomatic folklore, the late S.W. R. D. Bandaranaike uttered these words while explaining the reasons for Sri Lanka’s abstention on the UN resolution condemning the Soviet invasion of Hungary. Apparently, SWRD’s foreign ministry officials were asleep at home when the diplomatic cable seeking instructions was received from New York. In those days, there were no cell phones, Internet, or even fax or telex machines. The diplomatic cables were sent through post offices. Decoding them was a slow and time-consuming process. Thus, the government could not provide appropriate instructions to our mission in New York in time, and the Sri Lankan delegation abstained on that sensitive UN vote.

Sri Lanka’s Absence from Section 301 Consultations

But then, how does one explain Sri Lanka’s absence from the crucial bilateral consultation held in Washington by the Office of the United States Trade Representative (USTR) during March-April on “Forced Labour” under the Section 301 of the US Trade Act of 1974? Didn’t our foreign and trade ministries send appropriate instructions to Washington in time? Even if the instructions from the foreign ministry were transmitted to our embassy in Washington by pigeon carriers, there was enough time for Sri Lanka to participate in those meetings.

In March, the USTR initiated these 301 investigations on 60 trading partners, and invited all of them for confidential consultations. Out of the 60, 46 participated in these consultations. Sri Lanka was not one of them. Other countries that didn’t participate in these consultations included China, Russia, and Venezuela! In addition to that, the Section 301 Committee conducted a public hearing with interested parties on April 28 and 29. Washington-based diplomats, representatives from few trade ministries as well as representatives from many foreign trade associations and chambers participated in these hearings. Sri Lanka was once again conspicuously absent.

As a result, when the USTR published the proposed forced labour tariffs on June 2nd, Sri Lanka ended up with a 12.5% duty. Pakistani and Indonesian diplomats participated in these consultations and took appropriate follow-up measures, and managed to enter the 10% duty category. As even a threat of a modest tariff hike could disrupt supply chains and reduce competitiveness, particularly in an industry such as garments, I discussed this issue on 15 June and underscored the importance of Sri Lanka’s participation at the next hearing, which was scheduled to be held from July 7th .

Awakening from Diplomatic Slumber and AKD’s Gazette

Fortunately, Sri Lanka finally awoke from weeks of diplomatic slumber, and Ambassador Mahinda Samarasinghe participated in the public hearing on 9 July, and promised, “…. · We have agreed to the text in our negotiations with the USTR on forced labour, …. The gazette as we speak is being printed and I’m getting the gazette tomorrow morning, and the gazette will be shared with USTR as I get it“.

As promised, President Anura Kumara Dissanayake issued a gazette on 10 July banning the imports of goods produced by forced labour. These new regulations are very similar to what Pakistan and Indonesia enacted in April, after their consultations with USTR in March. Why couldn’t we do it in April? Why did we wait till the very last minute?

Challenges ahead

“War is too important to be left to generals alone,” is a famous saying attributed to former French Premier Georges Clemenceau. Similarly, monitoring our main markets is too important to be left to diplomats alone. The United States is the largest single-country market for Sri Lanka. Therefore, Sri Lankan trade chambers and associations should become more proactive in these markets and participate in these events. For example, the chairman of the Pakistani apparel exporters association participated in the April hearings. Similarly, representatives from the Indian Agricultural and Processed Food Products Export Development Authority, the Federation of Indian Chambers of Commerce and Industry, the Confederation of Indian Industry, and Reliance Industries also participated in July hearings. At an event where each speaker is given only five minutes (strictly enforced), having a number of speakers from a country is an advantage. The presence of industry representatives in these kinds of events also help them understand the market dynamics and the future challenges. This is important, particularly because there will be many more challenges with Trump’s tariffs.

With the gazette issued on 10 July, Sri Lanka has imposed a prohibition on the importation of goods produced with forced labour. Now, the challenge will be to effectively enforce the prohibition. And what are the goods produced with forced labour? The USTR list only focuses on aluminum, cotton, electronics, lithium-ion batteries, rice, and tobacco. However, according to the U.S. Department of Labour, the list is much longer. Hence, this list may change continuously during the next two years and tariffs may fluctuate once again.

So, this is definitely not the time to slumber.

(The writer, a retired public servant, can be reached at senadhiragomi@gmail.com)

by Gomi Senadhira ✍️

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Tales of Mystery and Suspense 10 Casino for Sale

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After the overwhelming grotesquerie of J K Rowling’s latest Cormoran Strike novel (written, I should have noted, as the others were, under the pseudonym Robert Galbraith), I thought I should return to the world of fun, and also a much shorter description since this thriller moves quickly without the layers of detail that Rowling engages in.

I then move to the second comic thriller by Caryl Brahms and S J Simon. This, their second story to feature Vladimir Stroganoff and Adam Quill, was Casino for Sale, as lunatic a romp as the first, though without the emphasis on the ballet that characterized A Bullet in the Ballet.

This one begins with the impresario Stroganoff buying a casino cheap from Baron Sam de Rabinovich, only to find that it was a rundown place, not the grand casino of La Bazouche, a resort on the Frenc+h Riviera, as he had initially thought. The grand one belonged to Lord Buttonhooke, and Stroganoff could  not compete, until he thought of bringing the Ballet Stroganoff to the casino – which of course leads to Buttonhooke deciding to have ballet performances in his Casino too.

Stroganoff invites Quill to visit him, which Quill decides to do since he has left Scotland Yard, having come into a legacy. No one believes this, and he has to face questions as to what he did to have been sacked, with sympathy for having been found out.

Caryl and Simon

The day he arrives in La Bazouche there is a murder, of a vitriolic critic called Citrolo, in Stroganoff’s office. He had been going to write a damning review of the opening night of the ballet and Stroganoff, when he realizes Citrolo cannot be swayed, drugs him and dictates the review himself to the papers. He leaves Citrolo sleeping and finds him shot the next morning, whereupon he decides to muddy the waters and leave a suicide note and lots of other murder weapons. So much overkill, as it were, of course ensures that he is arrested.

But the excitable French detective who makes the arrest follows up his suggestion that Buttonhooke was also involved, and so the two casino owners find themselves in cells next door to each other, with the detective Gustave quite happy to provide creature comforts for a fee.

Quill decides he must investigate, and finds Gustave most cooperative, since he has a laid back attitude to work. So it is Quill that finds a notebook which makes it clear Citrolo is an accomplished blackmailer, and that there are lots of possible murderers, including Stroganoff’s croupier, who was crooked, Rabinovich, who was now working for Buttonhooke, a confidence trickster called Kurt Kukumber, whose prospectus for a dud gold mine was found in the office and Prince Alexis Artishok who was engaged in a deal to buy diamonds from the ballerina Dyra Dyrakova.

Stroganoff had been trying to get Dyrakova to dance for him, but having done so previously she had refused. But then to Stroganoff’s chagrin she agreed to dance for Buttonhooke. The clearly crooked Artishok had told Buttonhooke’s mistress Sadie Souse, who was not very bright, that Dyrakova possessed diamonds she was willing to sell cheap, and Sadie was determined to have them.

Quill meanwhile finds out that there was a secret passage to Stroganoff’s office, the obvious solution to what had begun as a locked room mystery, and that this was known by almost everyone apart from Stroganoff himself. And then Rabinovich is murdered, just after Gustave had released his two original suspects, leading him to blame Quill for having insisted on that and thus allowing them to kill again.

Soon afterwards Dyrakova arrives, and the town is full of posters announcing that she will appear in the casinos, elaborate posters for either one, since Stroganoff is determined that she will dance for him, and if she does not come willingly, he has devised a scheme to make her do so unwillingly. So, though Buttonhooke has her taken off to his yacht immediately she arrives at the station, Quill along with Arenskaya gets her into a launch and to Stroganoff’s casino, where she performs to tumultuous applause, not knowing for whom she is dancing.

When Quill asked her about the diamonds, she said she had sold them long ago, and that gave Quill the solution to the mystery. Rabinovich had known about this, and Artishok had killed him to prevent Sadie learning it from him, he had killed Citrolo who had recognized him for an accomplished card sharper, not a Russian prince at all. But before he is arrested, he gets away in a boat, and the police launch that pursues him is on the point of catching him up when it runs out of petrol.

Again, lots of excitement, and entertaining references  – Gustave grows marrows – and if not quite as brilliant as its predecessor, Casino was certainly a delightful read.

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The challenge of being positive about SAARC

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The RCSS forum addressed by SAARC Secretary General Ambassador Md. Golam Sarwar in progress. (Pic courtesy RCSS)

It was a few years back that a former President of Sri Lanka took it on himself to pronounce SAARC ‘dead’. Since then there have been other sections of Sri Lankan opinion that have joined the critics of SAARC and taken the solemn stance that SAARC has indeed died what may be called a natural death.

Their fatalism is understandable. SAARC has failed to meet at heads of government or state level for the past several years to take the SAARC process notably forward. Regional cooperation has more or less been only an appealing idea. No substantive concrete projects have taken off to make the idea a hard reality. ‘Inner paralysis’ seems to be SAARC’s lot. Hence the fatalism in these circles.

However, being one of the worst cash-strapped regions of the world and a teemingly populated one with people virtually left to their devices, what choices do the ‘SAARC Eight’ have other than to try their best to band together and continue with their cooperation efforts, however small they may be?

There is no escaping the mounting debt trap for many of these countries and bankrupt Sri Lanka is a glaring example, but ‘throwing in the towel’ and abandoning themselves entirely to the diktats of the strongest economies and their agencies will prove a ‘living death’ for many countries in the SAARC fold.

The gains may be meagre but giving-up on SAARC cooperation in full would prove self-defeating for the organization and South Asia. Right now, the collective intention ought to be to salvage what the region could from the tenuous cooperative efforts. Moreover, such initiatives could go some distance to generate a degree of goodwill among the Eight and help in sustaining a dialogue process.

Given this backdrop it proved ‘a stich in time’ for the Regional Centre for Strategic Studies (RCSS), Colombo, to recently host the SAARC Secretary General Ambassador Md. Golam Sarwar to a round table discussion on the unifying potential of SAARC and its future possibilities, besides other related issue areas.

Held on June 24th and moderated by RCSS Executive Director and former ambassador Ravinatha Aryasinha, the forum brought together a vibrant, wide ranging audience comprising academicians, diplomats, senior public servants, civil society activists and many others. Following the presentation by Ambassador Golam Sarwar titled, ‘Reigniting SAARC: Achievements, Challenges and the Way Ahead’, a lively Q&A followed.

The above forum could be described as an act of lighting the proverbial ‘candle’ rather than ‘cursing the darkness.’ It surely is a ‘darkness’ that could be seen as daunting considering that the region’s pivotal powers, India and Pakistan, are failing to act in a spirit of accord but are engaged in bitter finger-pointing on a number of questions of vital importance to SAARC.

On the other hand, what is the rest of the region doing to bring the above sides together? It is disappointing that to date the rest of SAARC has failed to launch a major diplomatic drive to bring peace between the feuding regional heavyweights. It needs to act without delay and establish its earnestness and this effort would need to prove SAARC’s staying power in the unfolding months and even years.

In assessing SAARC’s seeming failure local opinion in particular has failed to factor in what could be described as weak leadership. Since Sheikh Mujibur Rahman of Bangladesh, the founding father of SAARC, the region has failed to produce a visionary leader who could advance the SAARC cause with charisma and drive.

Among other reasons, weak leadership accounts considerably for the faltering and stuttering status, as it were, of SAARC. Badly needed are leaders who could go the extra mile, think less of narrow national interests and work diligently towards the collective well being of the region but SAARC’s millions of ordinary people have been made to wait in vain for leaders of such stature. Instead, they have been burdened with politicians who seem to be relishing the apparently moribund state of SAARC.

Looking back, it could be said that it was the dynamic leadership factor that led to the launching of the Non-Aligned Movement and for its sustenance for a few decades. True, it could be seen in some quarters that NAM is no more, but as in the case of SAARC, the former too has been unfortunate to be burdened over the years with politicians who lack the vision and drive to unflaggingly advance the fortunes of the South. NAM and SAARC lack the dynamism and vision of leaders of the stature of Jawaharlal Nehru, for example, to give them the required guidance and intellectual depth.

The reasons are complex for there not being among us currently political leaders with the vision and the steadfast commitment to advance the legitimate interests of the South. However, it could be stated with conviction that the majority of Southern leaders have too easily caved in to the demands of the global North and its financial agencies.

These leaders have failed to see, for instance, that the largely market economy oriented Northern governments would not view with favour a centrist economic model that attaches priority to the interests of the dis-empowered publics of the South. This realization ought to have dawned on the current government in Sri Lanka, for instance, some while ago but it has no choice but to abide by IMF dictates since economic survival at present is unthinkable without the latter’s succour.

Accordingly for SAARC this should be the time for some soul-searching. Priority needs to be attached to ending the feuding between India and Pakistan since at present the material fortunes of the region hinge largely on these regional giants giving peaceful relations among them a try. This is no easy challenge to meet but some daring, visionary diplomacy needs to take hold among the rest of SAARC.

There is some sense in SAARC bringing the peoples of the region together through programs that address their best collective interests. A meeting of minds among SAARC nations could enable SAARC and its agencies to build a region-wide people’s movement for progressive political and economic change that could in turn lead to the region’s political leaders sensitizing themselves more to the neglected needs of their publics.

However, the time is ‘now’ for the initiation of these progressive changes and the voice of SAARC well wishers would need to drown out those of their critics.

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