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An Exhibition of Bonsai by the Sri Lanka Bonsai Association

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By M.A. Pemasiri

Bonsai is the art of creating a miniature replica of a mature tree (or group of trees) found in the nature, by changing the appearance of a normal plant material to that of a mature tree.

We are surrounded by various forms of beautiful trees, and most of us simply enjoy their beauty, without thinking much about the features which make them beautiful. For a Bonsai enthusiast, these beautiful trees form the basis for inspiration. If you are to succeed in Bonsai, you should keep gazing at the trees, studying them, analyzing their structure, so that you will be able to reproduce realistic images of the trees in miniature.

A careful analyzing of a tree leads one to understand its life story and the conditions under which it grew over the years. As an example, mountain trees grow in thin poor soil, and are exposed to strong winds. Their life is a constant battle for survival under harsh realities of the nature. However, such battle will give them, their unique character, with very special attractive features.

A bonsai artist will also have to learn the process of a young plant turning to an old tree, shedding many branches, leaving the essential stronger ones, strong surface roots becoming a part of the picture, giving stability and a mature look.

When the artistic forms of Bonsai trees are displayed at the Exhibitions, many enthusiastic viewers get a desire to try out creating a Bonsai. A beginner, could be little nervous of some of the techniques used, but in no time, one can gain confidence as one sees how the trees respond, to the training. With growing confidence, new ideas can be experimented, some will succeed, and some may fail. But, with each failure, you will learn, how to go ahead with the task of creating a “sculpture” out of a “living specimen”.

Bonsai can be a horticultural challenge to a plant lover, but for someone with an artistic touch, Bonsai can be an excellent medium to keep on exploring where there will be no limit to creative achievements.

What matters in a Bonsai, is the true quality of the specimen. How beautiful it is, how natural it looks? It is the beauty of form, colour and texture, which matters. It is a fact that the beauty of the tree will improve with the length of time it had been trained as a Bonsai. But unless the basic form is of quality, aging itself will not make it a good Bonsai. As it is an artwork which is never finished, you can keep on working with it over the years, where you can get immense satisfaction.

Size of a Bonsai is not an important factor. Many believe that the larger the Bonsai, better it is, which is not true. It is also assumed that bigger Bonsai are more difficult to create, which also not true. It can be argued that, a mini or “Mame” Bonsai will require more patience and skills to create and maintain, because same aesthetic standards have to be achieved with fewer and smaller elements.

Having one or two quality Bonsai plants in your balcony can be as rewarding as having a large collection of Bonsai trees in a well spread garden. Creating a Bonsai and maintaining it, watching it going through the changes with time is an experience which you cannot just explain. It is worth trying.

Bonsai Artists all over the world exhibit their artistic creations in special exhibitions, organized by their respective Clubs or Associations in order to assess their plants and for public viewing.

The annual exhibition of The Sri Lanka Bonsai Association, “Reflections 2024 – Living Images” will be held at J D A Perera Gallery, University of Visual & Performing Arts, No.46, Horton Place, Colombo 07, on November 9-10 from 10 AM to 6 PM. A large collection of high-quality Bonsai Plants will be on display this year too.



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Life style

Beware ill-fitting menstrual cups, warn doctors

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Menstrual cups are a reusable means of collecting blood during periods [BBC]

Doctors are advising women to take care using menstrual cups, after one user developed temporary kidney problems because the cup was misaligned.

The patient, in her 30s, had been experiencing intermittent pelvic pain and blood in her urine for months, but had not linked the symptoms to the menstrual cup, which is used to catch monthly blood flow.

Although exceedingly rare, a poorly positioned cup inside the vaginal passage can press on other nearby structures, such as ureters – tubes carrying urine to the bladder, according to Danish doctors quoted in the British Medical Journal.

Selecting the appropriate size cup is important, as well as inserting it properly, doctors have stressed.

The patient made a complete recovery, but doctors have warned: “Correct positioning, along with choosing the correct cup shape and size, is important to prevent negative effects on the upper urinary tract.

“Menstrual cups can be bought and used without clinical advice from a health professional, which emphasises the importance of detailed and clear patient information material.”

How to use a menstrual cup

Reusable and sustainable, menstrual cups are an alternative to sanitary pads and tampons.

They are made from soft, flexible silicone or rubber and, once correctly in place, can hold 20 to 30ml – around two tablespoons – of blood.

They can be removed, emptied, washed and reinserted every four to eight hours, depending on flow.

Different cup models may offer a better fit according to the individual.

There are smaller size options, for girls and younger women who have not given birth to a baby, for example. If you are a virgin, you can still use one.

Menstrual cups can be tricky for first-time users though, particularly when it comes to removal.

A recent survy of 530 young people reported many found it difficult to remove the menstrual cup on their first attempt, with some saying they had to ask for help.

Once inserted into the vagina, menstrual cups create a suction seal to stop any seepage of blood.

When removing, users are warned not to simply pull on the stem. Instead, squeeze the bottom of the cup to break the seal and wiggle it off, says physiotherapist Dr Kate Lough, an expert in pelvic health.

She says it may take women a few menstrual cycles to become accustomed to using one, and stresses wearing a cup should not hurt.

She told BBC News: “Generally, they are a very safe product.  “When it’s in correctly, you shouldn’t feel it.”

Menstrual cups vary in shape, size and firmness, so Dr Lough advises shopping around to find one that matches your requirements.

If you have recently had a contraceptive coil put into your womb, there is a very small chance it could become dislodged or even removed by suction.

If the threads cannot be located, or a woman thinks her coil has moved, manufacturers recommend using additional contraception and seeing a healthcare professional for advice.

Menstrual discs are similar to cups but are worn higher in the vaginal canal, just below the cervix.

[BBC]

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Life style

Polished to Perfection

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Iconic Ghaffoor Building in Colombo Fort

Girdling the globe with his exquisite jewellery dating back to the turn of the last century was N.D.H Abdul Caffoor. Making his country proud at several international exhibitions, Abdul Caffoor’s gems and jewellery have even decorated the crowned heads of England, Belgium, Spain and Rumania. His establishment has braved many business challenges for over 130 years. We travelled back in time to delve into the character of this trendsetting Lankan whose 150th birth anniversary falls this year.

BY RANDIMA ATTYGALLE

‘Except on Friday- when he goes to the mosque and locks his business, Abdul Caffoor, wearing his fez, stands at the door to welcome customers himself. He invites you in, offers you a seat and spreads out before you not one at a time nor by the meager twos or threes, but by the handful, such jewels as you have read of in the Arabian Nights Entertainments…’ writes Frances Kayes in her article Coral Strands published in Good Housekeeping (1926) giving a tourist’s eye-view of a visit to the establishment of Abdul Caffoor as cited by Asiff Hussein in the book- The Great Days of Colombo (pg 255).

Endorsing his late grandfather Abdul Caffoor’s principles which he never compromised, his grandson Hussein Caffoor, Director- N.D.H Abdul Caffoor (Pvt) Ltd. shares with us today an anecdote: “One day a customer had walked into grandfather’s store to purchase some goods of immense value. However, it had been very close to the mosque time on Friday and he urged one of my uncles who was assisting him in the store to quickly close the doors despite the customer hinting that he was to do a huge transaction. As my uncle would recollect, grandfather had said that if he wished to do so, he had to wait until his return from the mosque and to my uncle’s surprise he found the customer waiting for them for nearly two hours!”

One of the custodians of the N.D.H Abdul Caffoor (Pvt) Ltd today, Hussein Caffoor describes his late grandfather as a “head strong man of integrity and character.” Although not privileged to have ever met his grandfather at the time of his death on November 1, 1948, Hussein relives his ancestor through the stories of his father Rafi (the youngest son of Abdul Caffoor), his uncles and the enduring legacy he had left behind. Having joined the business in 1979, Hussein is joined by his two cousins Iqbal and Zubair Caffoor in keeping their legendary grandfather’s legacy alive.

Hussein Caffoor

Building a business empire

On April 8, 1875, Noordeen Hajiar Abdul Ghaffoor (later known as Caffoor) was born to a well reputed Moor family in Grandpass, Colombo. He was affectionately called ‘NDH’. As grandson Hussein tells us today, NDH whose father was a shroff at the Colombo Municipality, often interacted with British officers including leading businessmen. “This exposed his sons to the world of business and particularly my grandfather who had a strong sense of business from a very young age. With a silver coin given by his maternal uncle, he had bought a couple of ivory fans and sold them for a profit. He would also board large passenger ships that docked at the Colombo harbour with his uncle who was a successful gem merchant at that time.” NDH first learnt the ropes of the gem business, having apprenticed under his uncle. At 19-years of age, he went on to set up his own jewellery shop at the Bristol Hotel Building on York Street.

The Colombo harbour was the nucleus of all NDH’s business dealings. He was one of the few merchants who received exclusive permission to board ships in to sell gems and jewellery. He set up his own offices right across the harbour adjoining the St. Peter’s Church, (bordering the Grand Oriental Hotel) and moving there from the Bristol Building. “My grandfather had a cordial relationship with the church, so much so the church authorities agreed to sell their properties adjoining the church to him. He couldn’t have got a better place for business than No 40 Church Street where those disembarking could directly see his gems and jewels,” says Hussein.

NDH didn’t stop at that point. He went onto expand his business empire by building the iconic Ghaffoor Building which was completed by 1915. The four-storey wedged-shaped building with a striking dome, located on the corner of the present Sir Baron Jayathilaka Mawatha and Leyden Bastian Street in Colombo Fort not only changed the skyline of Colombo but also became a game-changer in business in the island’s commercial capital.

N.D.H Abdul Caffoor

Ghaffoor Building

Hussein, sharing the tale behind the uphill task of erecting the edifice by his grandfather says: “the entire block where the Ghaffoor Building stands today had been part of the Beira Lake then. Under the Lake Development Scheme reclamation work was done (Reclamation Rd nearby holds testimony to this) and as part of development, buildings were put up. I’m told by my father and uncles that due to water seeping in, no contractor came forward to erect the Ghaffoor Building until Walker Sons and Company took up the challenge.”

Describing it as ‘one of the largest and finest structures in Colombo’, Allister Macmillan in his Seaports of India and Ceylon (1928) goes onto note that NDHs’ ‘splendid jewellery emporium is located there.’ Macmillan further documents that, ‘Ceylon is famous for its precious stones and these are displayed in Mr. Gaffoor’s premises in great variety ranging from raw uncut jewels as they are found in the earth to polished gems worth a king’s ransom.’ Gazetted as a protected monument in 2000, the historical Ghaffoor Building which housed many eminent local and international business establishments from time to time is now a property of the Urban Development Authority.

International reputation

By the age of 26, NDH’s growing romance with gems and jewellery had reached dizzying heights locally and in other continents. In 1901 he was was invited to display his finest pearls, rubies, sapphires and other jewellery art to the Prince and Princess of Wales at the Kandy Pavilion during their Royal visit. Just two years later in 1903, he exhibited at the St Louis Exhibition, USA. Then again, he had a stall at the All Ceylon Exhibition in 1912, and the British Empire Exhibition in 1924. In 1925 he was present at the Wembley Exhibition where Her Majesty Queen Mary visited his stall and took a keen personal interest in the exquisite gems and jewellery he displayed. His final exhibition was at the Philadelphia Sesquicentennial Exposition in 1926, where he was awarded the Grand Prize for the biggest collection of gems ever displayed in the USA. His precious articles were sought by some of world’s richest men who specialized in antiquity including Harry Winston who was dubbed as ‘King of Diamonds’.

Interestingly, Abdul Ghaffoor or NDH eventually came to be known as Abdul Caffoor as the British found ‘Ghaffoor’ hard to articulate. “Subsequently, all his businesses were registered under the name Abdul Caffoor and today the business goes as N.D.H Abdul Caffoor (Pvt) Ltd,” explains grandson Hussein. A great enthusiast of the British architectural tradition, NDH got down British engineers and architects to design not only his offices but also his private bungalows. The Gem Museum he established at his Church Steet offices in 1929 was designed by the well known British architectural firm Edwards Reid and Begg. Several of his personal properties which are now occupied by his descendants around Green Path (present Anagarika Dharmapala Mw) and Ananda Coomaraswamy Mw mirror the British tradition. What he chose as his Kollupitiya residence- ‘Icicle Hall’ was no exception. Originally believed to have been a residence of Chief Justice Sir Alfred George Lascelles before NDH occupied it, this grand property was subsequently sold and became Siri Kotha or the headquarters of the UNP during Prime Minister Sir John Kotelawala’s time.

The York Building on Chatham Street which houses N.D.H Abdul Caffoor Jewellers today is another impressive building built by its founder. The present offices of the jewellery store had originally been a textile shop known as Ghaffoor’s says Hussein.

An ardent horse rider, Abdul Caffoor taught all his sons to ride. “I’m told that he had his stables on present Dharmapala Mawatha. His eldest son Falil was a great polo player and he used to ride on Galle Face green with Prime Minister D.S Senanayake. Apparently on the fateful day the Premier fell off his horse, it had been Uncle Falil who had been the first informant of the tragedy,” recollects Hussein.

A great philanthropist

Abdul Caffoor married Ummu Nafeesa and together they had five sons and three daughters. As much as he was known for his achievements in the business world, he was also known for his piety and philanthropy. He was a great benefactor of numerous religious and educational institutions including the Deaf and Blind School (then known as the Deaf and Dumb School) in Ratmalana, Zahira College Colombo, Child Protection Society and many notable mosques. “His commitment to religious and other institutions transcending religious and ethnic divisions was remarkable. My grandfather was such a visionary who believed in the Sri Lankan identity. This was reflected in all his international dealings including coveted exhibitions at which he kept the Lankan flag flying high. He was also an unassuming man who did not want his left hand to know what his right did,” says his grandson.

Visionary Lankan

Ceylon Daily News

of November 2, 1948 reported on his death: ‘Mr. N.D.H Abdul Caffoor, the well-known gem merchant of Ceylon died at his residence ‘Icicle Hall’ Kollupitiya yesterday. The funeral will take place at the Maradana Mosque this morning. Mr. Caffoor started his business in 1894 and it was sheer merit that brought him success. At his own expense he took part in a series of world exhibitions which, while increasing his own reputation, brought publicity to the island.’

In 1993, the government honoured this trendsetting Lankan with a stamp belonging to the National Heroes series, having previously named a street in Kollupitiya ‘Abdul Ghaffoor Mawatha’.

Sir Henry Moore, Governor General in his tribute to this visionary published in the Ceylon Muslim League Senate, November 1, 1953 wrote: ‘Wherever he travelled, he maintained the highest traditions of business and promoted the best interests of Ceylon; but despite his great business acumen and the wealth he acquired by its exercise, he personally eschewed the luxuries of life and lived simply according the devout Muslim tradition.’

(Pic credit: Sujatha Jayaratne, Abdul Caffoor family archives)

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Yoland’s identity in fashion

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Spring 2025 Yoland collection is modelled by Ushani Wijeratne.

By Zanita Careem

Yoland Aluvihare is a legend and an icon in local batik landscape. Her unique rise to fame is indeed a truly amazing journey.! An astute and determined businesswoman, she designs to empower women,making them enchance the features of the wearer but never outshine them.

A household name in Sri Lanka, Yoland’s reputation has always crossed the seas and was invited by fashion fairs all over the globe to showcase her unique form of art and design. The business spirit in her saw the opening of her own retail outlet called the Yoland Collection which became the number one boutique store in Sri Lanka. “I always believe to be truly unique and create something special , I follow my own instincts and create something I love and are proud of”says Yoland. Her label Yoland collection covers the full spectrum of fashion from silk sarees, kaftans, scarves, dresses and neckties which never fails to attract customers. Yoland’s designs reflect those values in a contemporary style, something that we could wear always,appreciate,and stands the test of time.

Her signature style is immediately recognisable and sets her apart from others.

I am also committed to |Made in Sri Lanka” adage and her mission is to re -invigorate domestic manufacturing and create an offering of distinguished silhouettes for the women who values quality and local craftsmanship.Her clientele is impressive and boasts of socialites and the glitterati not only from Sri Lanka but also from abroad. Her collections have graced fashion runways in Italy, Germany, Pakistan, Australia, France, Switzerland, Singapore and Japan amongst many more.

For her efforts she was been rewarded with several accolades both locally and internationally. At the Fashion Asia Awards in China a few years she won ‘Asia’s Top Fashionable Selling Brand of the Year’ and more recently won the Commonwealth Women Entrepreneur of the Year Her journey is a testament to her ambition, creativity and a relentless pursuit of excellence. Her elegance and persona I guess pushed her own cloth line.

She was always blessed with the intuition to know what women wanted to wear at a particular moment in their lives but also what women wanted to wear to make an impact. From colourful tradional pieces to contemporary fashion , her silhouettes reflect vibrant colours, and rich cultural heritage.

Yoland’s daughter Nisa Aluwihara has taken her over the mantle of her mother’s business.. Nisa,versatile and innovative has taken “The brand ‘Yoland Collection’ to the international design world. Nisa has been inspired by her mother’s creativity. “The entrepreneurial spirit in me was inherited from my mother ” says Nisa. Embracing the multi faceted exposure during her childhood, Nisa lends her intrinsic love for batiks and fashion into thier homegrown business with passion. Ushani Wijeratne Rambukwella, an expert in IT business science and environmental studies has now joined Yoland to pursue her passion in designing. Poised, confident and with a strong of sense of style, beautiful Ushani said, I’m really excited to be part of Yoland Collection. She is ready to step inside the fabulous world of Yoland’s batik world .

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