Midweek Review
A Work of Mourning
The Copper Tumbler & Donkeys in Mannar:
‘it is not narrative that we should abandon but chronology’’ – Kumar Shahani
by Laleen Jayamanne
Sumathy Sivamohan’s The Single Tumbler (2020) recalls, in memory-images, a central traumatic historical and personal event during the civil war (not often discussed), in the early 90s. It recollects the expulsion of thousands of Muslims from their homes in Sri Lanka’s north by the separatist militant group, the Liberation Tigers of Tamil Elam (LTTE), and the simultaneous disappearance of a Tamil man who questioned the expulsion. The film is largely set long after the war has ended, within this disappeared man’s comfortable, old and airy, Tamil middle-class home in Mannar, during a family reunion. The elder sister, Lalitha (who had migrated to Canada with her family, joining the Tamil diaspora after July ’83 pogrom), returns home for a holiday to see her ailing, mentally disturbed mother (Daisy Teacher), who still mourns her son, when a traumatic memory from the past irrupts into the present, quite by chance.
The gathering consists of a younger brother, Anthony and his wife Festina, a younger sister, Jesse and her daughter Anu and Lalitha chatting, eating, drinking tea and reminiscing with each other, it feels like a ‘Chamber-Film’. “What’s that?”, I ask myself. I made up the term to try and figure out what Sumathy was doing in this film by staging most of it within the privacy of the home of a scattered and shattered family, which has survived the 26-year civil war between the LTTE and the State.
European Chamber Plays
Lankans are familiar with the early 20th Century Modernist chamber plays of Strindberg (Miss Julie), early Ibsen (A Doll’s House) and others, set in domestic spaces with a handful of intimately related people, often claustrophobic and tense with unspoken conflicts. Historically it’s definitely a European bourgeois genre in its focus on the private realm of the family and the interior marital and existential dramas of women and men. Set within the privacy of a home (hence chamber), exploring their individual subjectivity.
Chamber Music
In European music, a chamber orchestra is an intimate form with just four or five musical instruments. I am told that it came to be regarded as a pure form of musical expression, after the 18th Century, when orchestras began to get bigger and louder. Chamber music comes to mind not least because of the contemporary musical and sound score of The Single Tumbler. There is also a striking characteristic of Sumathy’s films where, when asked, people simply get up and sing with ease. Hymns and religious chants imbue Mannar’s multi-ethnic social history with sonic resonance and life.
Chamber Film?
So how then is The Single Tumbler a ‘chamber film’? Its story unfolds largely within the walls of a house with the remaining family members of three generations and a totally silent, sullen and efficient maid, Pushpa. While there are private secrets, with the disappearance of the elder son Jude during the civil war, the private realm has been blasted open by political violence. The architecture of the appealing but rather shabby house, with its verandas, open doors and windows and courtyard all surrounded with trees, with family photos on the wall, so reminiscent of another era of living (not unlike the house we lived in as children, in Shady Grove Avenue, Borella), offers no protection.
Thinking of it as a ‘chamber film’ captures its delicate tone and mood (shared with chamber music), two intangible aspects of Sumathy’s cinema, not easy to put into words because of the subtle ways in which they are composed and evoked with light, colour, silence, sounds of nature, smoke, music, gesture and posture. Certainly, a remarkable long sequence has an elegiac, mournful quality and other more banal everyday moments also create intangible sensations which I will return to later. The film feels like a belated (necessarily so), prolonged act of mourning in the absence of the traditional gestures of mourning the dead (disallowed by the state in many cases), which involved full-blooded keening in the past and other expressive collective rituals, to assuage unsupportable loss. Fresh news (received on the cell phone), of the discovery of a mass grave leads to an anxious discussion about the ethnicity of the bodies. And as a lapsed Roman Catholic, I recall stories of Baptism at gunpoint, by the Portuguese in 16th Century Ceylon and of the massacre of Catholics of Mannar by the Tamil king of Jaffna, Sankili 1, making martyrs of them.
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Sumathy approaches history from ‘below’ so to speak, from the point of view of a minority (or even a minority within a minority), but her films are not historical films but rather informed by history and its forgotten stories. They are enamoured of the intimate quotidian life of women especially, reminiscent somewhat of Chantal Akerman’s films. As for me, they have created the desire to begin to reread Lankan history, this time, laterally. Each of her films creates its own method of expression, sensitive to the historical, social and personal realities on the ground and it’s this aspect of her ethico-aesthetic project that makes her oeuvre fundamentally experimental. Each time she has to, of necessity, work out how to approach a new set of coordinates, in unfamiliar, ethnically circumscribed milieux. Working as a scholar, her films are extensively researched. She doesn’t cultivate a recognisable style, what one might call an authorial signature. Though I can now recognise some camera movements that she loves, I think she resists her own stylistic habits, which is one of the things I find admirable and challenging about her cinema.
Sumathy’s films are not tightly plotted. She thinks cinematically in the sense that music (rhythmic intervals) permeates her sense of structure. This is why her powers of fabulation are maturing slowly with each film. As the Indian modernist filmmaker Kumar Shahani once said, it is not narrative that we should abandon but chronology, which enchains time in a strict casual progression. One can sense that Sumathy is moving quietly towards an oblique poetic mode of address, as her skills mature over several fearless post-war feature films (Ingirunthu, 2013), (Sons & Fathers, 2017), including The Single Tumbler (2020), and the short films, Child Soldier, Piralayam (Upheaval, 2005), Oranges (2006), Sing Mother Sing (2015), exploring the multi-ethnic polity and culture of Lanka under duress. Sumathy most recent film is a feature-length documentary, Amid the Villus; Pallaikuli (2021), about the return of some of the expelled Muslim people back to Mannar and the ongoing difficulties they have encountered in the process.
In her analysis of how South Asian women’s films have been represented in the West the British scholar of Hindi cinema, Valentina Vitali, says that there are the star directors like Deepa Mehta and Mira Nair and a few others living in the West. In a lower tier are a number of Indian women directors with family ties within the Hindi film industry, whose work may be found on various streaming services. And then there are the rest working on modest budgets and making a wide range of films whose distribution is uncertain and public profile uneven. I find this analysis helpful in thinking about Lankan cinema history in general and the films made there by women and Sumathy’s work in particular, which, however, doesn’t quite fit within this schema. This is in part because Sumathy is Lanka’s sole woman filmmaker who has made its fraught, bloodied, multiracial history, her primary area of film research. And importantly she has regularly worked with a dedicated group of well-known professional technicians of the film industry, who are sympathetic to her project.
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Sumathy indicated that Dharmasena Pathiraja was a mentor to her in an unofficial apprenticeship as a filmmaker, and The Single Tumbler is dedicated to his memory. She also collaborated with him on several film projects, notably writing the script for In Search of a Road (2007), a dramatised documentary, made during the civil war, set largely on the iconic Jaffna Colombo railway line, Yal Devi, destroyed by the LTTE. I note here the absence of a skills training program in the country, despite being recommended by the 1965 Commission of Inquiry into the Film Industry in Ceylon, chaired by Regi Siriwardena. Pathiraja encouraged Sumathy to develop her confidence and thereby her skills by observing how others worked. He demystified the process, which has not been traditionally accessible to women. They educated themselves on film history, both Indian and other. They ‘argued like hell’, she says.
The Picturesque Image
Sumathy has crossed into cultural and ethnolinguistic territories that are outside her own familiar social experience and mother tongues. Her Sons and Fathers is in Sinhala. There is not a single shot in her films that can be termed ‘picturesque’. The idea of the picturesque was developed in 18th century Britain to describe a ‘picture perfect’ image of landscape for painting and was part of the Romantic aesthetic. It was a middle path or term between the much more complex aesthetics of the ‘Beautiful’ on the one hand, and on the other, the aesthetics of the ‘Sublime’, proposed by Edmund Burke. The picturesque petrifies actual space into a pleasing image. There is an easy slide from landscape prettified in this way to how women are presented as ‘picture perfect’, like the Kodak moment of the 20th-century celluloid past.
I bring up this critical point here because I have begun to register a pattern in Lankan films and visual culture, of representing images of Jaffna landscapes and also Tamil women, in a picturesque manner. In some post-war Sinhala films there are traumatised, silent young Tamil women doggedly following former Sinhala soldiers, even marrying one. In Asoka Handagama’s film Alborada (2021), the famous love poet Pablo Neruda, while working as the Chilean Consul in Ceylon, rapes a Dalit young woman who doesn’t utter one word.
Donkeys in Mannar
To understand an entirely different approach to an unfamiliar phenomenon or culture, consider how Sumathy films the donkeys foraging in the garbage on busy roadsides in The Single Tumbler. She has said how amazed she was (on her first trip to Mannar to scout for location), to see donkeys everywhere on busy streets and realised why it was called ‘Donkey Town.’ These donkeys were first brought to Lanka about one thousand years ago by Arab traders and grew feral when the Muslim people, who used them as domesticated work-animals, were expelled from Mannar in 1990. Subsequently, they became a problem causing traffic hazards, foraging for food in garbage and getting seriously injured. So, a donkey hospital has been created to tend to them, which has in turn become an eco-tourist attraction for animal lovers.
Now famous among eco-friendly tourists, the donkeys in Sumathy’s film function in a special way. They appear suddenly halfway through the film when we leave the house for one of the few trips outside. Two donkeys suddenly appear out of nowhere on a busy road and only just avoid getting hit by vehicles. When the old, mentally disturbed mother goes shuffling out on the street looking for her long-lost friend Fatima Teacher (to return her copper tumbler), two donkeys appear at a cross-road, one coming on to the middle of the road catching the attention of the camera. Finally, they appear in a group, foraging at night in a mangrove by the sea, where the old Fatima Teacher, now dead, appears along with Lalitha and Jude. I will return to this strange elegiac scene below.
The donkeys are presented by Sumathy, not as simple local colour, as exotic animals, but rather, as an embedded neorealist ‘fact-image’ as theorised by Andre Bazin, the influential French film critic and theorist of Italian Neo-Realist Cinema, of the Post WWII era. The donkeys of Mannar carry a historical load, and are not used picturesquely to evoke pathos, which is so easy to do with a donkey, especially in cinema. Think of Robert Bresson’s moving film about a donkey named Balthazar. Or Jenny in Martin McDonagh’s The Banshees of Inisherin
Donkeys are evocative small animals who enable us to imagine the long history of Mannar, with its ancient Mantai port, as a regional hub, at the crossroads of the Indian Ocean silk road, hospitable to traders and new arrivals from many faraway places. Ancient coins, beads, copper and iron artefacts and ceramics unearthed by the famous Carswell and Deraniyagala archaeological dig in Mantai, in 1984, attest to robust cosmopolitan trade links in the ancient past. The most unusual multi-ethnic dig itself was suddenly terminated that year when the civil war broke out, and the report was only published nearly three decades later. There is much more down there, no doubt, that would reveal Lanka’s complex multi-ethnic history and trade, which might help dispel the dominant insular narrative of the island’s history. (To be continued)
Midweek Review
How massive Akuregoda defence complex was built with proceeds from sale of Galle Face land to Shangri-La
The Navy ceremonially occupied its new Headquarters (Block No. 3) at the Defence Headquarters Complex (DHQC) at Akuregoda, Battaramulla, on 09 December, 2025. On the invitation of the Commander of the Navy, Vice Admiral Kanchana Banagoda, the Deputy Minister of Defence, Major General Aruna Jayasekara (Retd) attended the event as the Chief Guest.
Among those present were Admiral of the Fleet Wasantha Karannagoda, the Defence Secretary, Air Vice Marshal Sampath Thuyacontha (Retd), Commander of the Army, Lieutenant General Lasantha Rodrigo, Commander of the Air Force, Air Marshal Bandu Edirisinghe, Inspector General of Police, Attorney-at-Law Priyantha Weerasooriya and former Navy Commanders.
With the relocation of the Navy at DHQC, the much-valued project to shift the Ministry of Defence (MoD) and Headquarters of the war-winning armed forces has been brought to a successful conclusion. The Army was the first to move in (November 2019), the MoD (May 2021), the Air Force (January 2024) and finally the Navy (in December 2025).
It would be pertinent to mention that the shifting of MoD to DHQC coincided with the 12th anniversary of bringing back the entire Northern and Eastern Provinces under the government, on 18 May, 2009. LTTE leader Velupillai Prabhakaran was killed on the following day.
The project that was launched in March 2011, two years after the eradication of the Liberation Tigers of Tamil Eelam (LTTE), suffered a severe setback, following the change of government in 2015. The utterly irresponsible and treacherous Yahapalana government halted the project. That administration transferred funds, allocated for it, to the Treasury, in the wake of massive Treasury bond scams perpetrated in February and March 2015, within weeks after the presidential election.
Maithripala Sirisena, in his capacity as the President, as well as the Minister of Defence, declared open the new Army Headquarters, at DHQC, a week before the 2019 presidential election. Built at a cost of Rs 53.3 bn, DHQC is widely believed to be the largest single construction project in the country. At the time of the relocation of the Army, the then Lt. Gen. Shavendra Silva, the former Commanding Officer of the celebrated Task Force I/58 Division, served as the Commander.
Who made the DHQC a reality? Although most government departments, ministries and armed forces headquarters, were located in Colombo, under the Colombo Master Plan of 1979, all were required to be moved to Sri Jayewardenepura, Kotte. However successive administrations couldn’t go ahead with the massive task primarily due to the conflict. DHQC would never have been a reality if not for wartime Defence Secretary Gotabaya Rajapaksa who determinedly pursued the high-profile project.
The absence of any reference to the origins of the project, as well as the significant role played by Gotabaya Rajapaksa at the just relocated Navy headquarters, prompted the writer to examine the developments related to the DHQC. The shifting of MoD, along with the Armed Forces Headquarters, was a monumental decision taken by Mahinda Rajapaksas’s government. But, all along it had been Gotabaya Rajapaksa’s determination to achieve that monumental task that displeased some within the administration, but the then Defence Secretary, a former frontline combat officer of the battle proved Gajaba Regiment, was not the type to back down or alter his strategy.
GR’s maiden official visit to DHQC
Gotabaya Rajapaksa, who made DHQC a reality, visited the sprawling building in his capacity as the President, Defence Minister and the Commander-in-Chief of the Armed Forces on the morning of 03 August, 2021. It was Gotabaya Rajapaksa’s maiden official visit to the Army Headquarters, located within the then partially completed DHQC, eight months before the eruption of the externally backed ‘Aragalaya.’ The US-Indian joint project has been exposed and post-Aragalaya developments cannot be examined without taking into consideration the role played by political parties, the Bar Association of Sri Lanka, media, as well as the weak response of the political leadership and the armed forces. Let me stress that a comprehensive probe should cover the period beginning with the Swiss project to humiliate President Gotabaya Rajapaka in November, 2019, by staging a fake abduction, and the storming of the President’s House in July 2022. How could Sri Lanka forget the despicable Swiss allegation of sexual harassment of a female local employee by government personnel, a claim proved to be a blatant lie meant to cause embarrassment to the newly elected administration..
Let me get back to the DHQC project. The war-winning Mahinda Rajapaksa government laid the foundation for the building project on 11 May, 2011, two years after Sri Lanka’s triumph over the separatist Tamil terrorist movement. The high-profile project, on a 77-acre land, at Akuregoda, Pelawatta, was meant to bring the Army, Navy, and the Air Force headquarters, and the Defence Ministry, to one location.
President Gotabaya Rajapaksa’s visit to Akuregoda would have definitely taken place much earlier, under a very different environment, if not for the eruption of the Covid-19 pandemic, just a few months after his victory at the November 2019 election. The worst post-World War II crisis that had caused devastating losses to national economies, the world over, and delivered a staggering blow to Sri Lanka, heavily dependent on tourism, garment exports and remittances by its expatriate workers.
On his arrival at the new Army headquarters, President Gotabaya Rajapaksa was welcomed by General Shavendra Silva, who also served as the Chief of Defence Staff. Thanks to the President’s predecessor, Maithripala Sirisena, the then Maj. Gen Shavendra Silva was promoted to the rank of Lt. Gen and appointed the Commander of the Army on 18 August, 2019, just three months before the presidential poll. The appointment was made in spite of strong opposition from the UNP leadership and US criticism.
President Gotabaya Rajapaksa hadn’t minced his words when he publicly acknowledged the catastrophe caused by the plunging of the national income and the daunting challenge in debt repayment, amounting to as much as USD 4 bn annually.
The decision to shift the tri-forces headquarters and the Defence Ministry (The Defence Ministry situated within the Army Headquarters premises) caused a media furor with the then Opposition UNP alleging a massive rip-off. Defence Secretary Gotabaya Rajapaksa reiterated his commitment to the project. If not for the change of government in 2015, the DHQC would have been completed during Mahinda Rajapaksa’s third term if he was allowed to contest for a third term successfully. Had that happened, Gotabaya Rajapaksa wouldn’t have emerged as the then Opposition presidential candidate at the 2019 poll. The disastrous Yahapalana administration and the overall deterioration of all political parties, represented in Parliament, and the 19th A that barred Mahinda Rajapaksa from contesting the presidential election, beyond his two terms, created an environment conducive for Gotabaya Rajapaksa’s emergence as the newly registered SLPP’s candidate.
Shangri-La move
During the 2019 presidential election campaign, SLPP candidate Gotabaya Rajapaksa strongly defended his decision to vacate the Army Headquarters, during Mahinda Rajapaksa presidency, to pave the way for the Shangri-La Hotel in Colombo. Shangri-La was among the hotels targeted by the Easter Sunday bombers – the only location targeted by two of them, including mastermind Zahran Hashim.
President Gotabaya Rajapaksa is on record as having said that vacation of the site had been in accordance with first executive President J.R. Jayewardene’s decision to move key government buildings away from Colombo to the new Capital of the country at Sri Jaywardenepura. Gotabaya Rajapaksa said so in response to the writer’s queries years ago.
Gotabaya Rajapaksa said that a despicable attempt was being made to blame him for the Army Headquarters land transaction. “I have been accused of selling the Army Headquarters land to the Chinese.”
Rajapaksa explained that Taj Samudra, too, had been built on a section of the former Army Headquarters land, previously used to accommodate officers’ quarters and the Army rugger grounds. Although President Jayewardene had wanted the Army Headquarters shifted, successive governments couldn’t do that due to the war and lack of funds, he said.
President Maithripala Sirisena and Prime Minister Ranil Wickremesinghe declared open Shangri-La Colombo on 16 November, 2017. The Hong Kong-based Shangri-La Asia invited Gotabaya Rajapaksa for dinner, the following day, after the opening of its Colombo hotel. Shangri-La Chairperson, Kuok Hui Kwong, the daughter of Robert Kuok Khoon Ean, was there to welcome Gotabaya Rajapaksa, who had cleared the way for the post-war mega tourism investment project. Among those who had been invited were former President Mahinda Rajapaksa, former External Affairs Minister Prof. G.L. Peiris, former Presidential Secretary Lalith Weeratunga, and President’s Counsel Gamini Marapana, PC.
The Cabinet granted approval for the high-profile Shangri-La project in October 2010 and the ground-breaking ceremony was held in late February 2012.
Rajapaksa said that the Shangri-La proprietor, a Chinese, ran a big operation, based in Hong Kong, Malaysia and Singapore. Another parcel of land was given to the mega ITC hotel project, also during the previous Rajapaksa administration. ITC Ratnadipa, a super-luxury hotel by India’s ITC Hotels, officially opened in Colombo on April 25, 2024
Following the change of government in January 2015, the remaining section of the Army headquarters land, too, was handed over to Shangri-La.
Gotabaya Rajapaksa emphasised that the relocation of the headquarters of the Army, Navy, and Air Force, as well as the Defence Ministry, had been part of JRJ’s overall plan. The change of government, in January 2015, had caused a serious delay in completing the project and it was proceeding at a snail’s pace, Rajapaksa said. Even Parliament was shifted to Kotte in accordance with JRJ’s overall plan, Gotabaya Rajapaksa said, explaining his move to relocate all security forces’ headquarters and Defence Ministry into one complex at Akuregoda.
Acknowledging that the Army Headquarters had been there at Galle Face for six decades, Rajapaksa asserted that the Colombo headquarters wasn’t tactically positioned.
Rajapaksa blamed the inordinate delay in the completion of the Akuregoda complex on the Treasury taking hold of specific funds allocated for the project.
Over 5,000 military workforce

Gotabaya Rajapaksa’s maiden visit to DHQC on 3 August, 2021. General
Shavendra Silva is beside him
Major General Udaya Nanayakkara had been the first Director, Project Management Unit, with overall command of approximately 5,000 tri-forces personnel assigned to carry it out. The Shangri-La transaction provided the wherewithal to implement the DHQC project though the change of government caused a major setback. Nanayakkara, who had served as the Military Spokesman, during Eelam War IV, oversaw the military deployment, whereas private contractors handled specialised work such as piling, AC, fire protection and fire detection et al. The then MLO (Military Liaison Officer) at the Defence Ministry, Maj. Gen Palitha Fernando, had laid the foundation for the project and the work was going on smoothly when the Yahapalana administration withheld funds. Political intervention delayed the project and by September 2015, Nanayakkara was replaced by Maj Gen Mahinda Ambanpola, of the Engineer Service.
In spite of President Sirisena holding the Defence portfolio, he couldn’t prevent the top UNP leadership from interfering in the DHQC project. However, the Shangri-La project had the backing of A.J.M. Muzammil, the then UNP Mayor and one of the close confidants of UNP leader Ranil Wickremesinghe. Muzammil was among those present at the ground breaking ceremony for Shangri-La held on 24th February, 2012 ,with the participation of Minister Basil Rajapaksa.
Having identified the invaluable land, where the Army Headquarters and Defence Ministry were situated, for its project, Shangri-La made its move. Those who had been aware of Shangri-La’s plans were hesitant and certainly not confident of their success. They felt fearful of Defence Secretary Rajapaksa’s reaction.
But, following swift negotiations, they finalised the agreement on 28 December, 2010. Lt. Gen. Jagath Jayasuriya was the then Commander of the Army, with his predecessor General Fonseka in government custody after having been arrested within two weeks after the conclusion of the 2010 26 January Presidential poll.
Addressing the annual Viyathmaga Convention at Golden Rose Hotel, Boralesgamuwa, on 04 March, 2017, Gotabaya Rajapaksa, perhaps for the first time publicly discussed his role in the Shangri-La project. Declaring that Sri Lanka suffered for want of, what he called, a workable formula to achieve post-war development objectives, the war veteran stressed the pivotal importance of swift and bold decision-making.
Gotabaya Rajapaksa explained how the government had acted swiftly, and decisively, to attract foreign investments though some such efforts were not successful. There couldn’t be a better example than the government finalising an agreement with Shangri-La Hotels, he declared.
Declaring that the bureaucratic red tape shouldn’t in any way be allowed to undermine investments, Rajapaksa recalled the Chairman/CEO of Shangri-La Hotels and Resorts, Robert Kuok Khoon Ean, wanting the Army Headquarters land for his Colombo project. In fact, the hotels chain, at the time, had proposed to build hotels in Colombo, Hambantota and Batticaloa, and was one of the key investors wanting to exploit Sri Lanka’s success in defeating terrorism.
“Khoon-Ean’s request for the Army Headquarters land caused a serious problem for me. It was a serious challenge. How could I shift the headquarters of the war-winning Army? The Army had been there for six decades. It had been the nerve centre of the war effort for 30 years,” said Rajapaksa, who once commanded the First Battalion of the Gajaba Regiment (1GR)
Rajapaksa went on to explain how he exploited a decision taken by the first executive president J.R. Jayewardene to shift the Army Headquarters to Battaramulla, many years back. “Within two weeks, in consultation with the Secretary to the Finance Ministry, Dr. P.B. Jayasundera, and the Board of Investment, measures were taken to finalise the transaction. The project was launched to shift the Army, Navy and Air Force headquarters to Akuregoda, Pelawatte, in accordance with JRJ’s plan.”
The Hong Kong-based group announced the purchase of 10 acres of state land, in January 2011. Shangri-La Asia Limited announced plans to invest over USD 400 mn on the 30-storeyed star class hotel with 661 rooms.
The hotel is the second property in Sri Lanka for the leading Asian hospitality group, joining Shangri-La’s Hambantota Resort & Spa, which opened in June 2016.
Rajapaksa said that the top Shangri-La executive had referred to the finalisation of their Colombo agreement to highlight the friendly way the then administration handled the investment. Shangri-La had no qualms about recommending Sri Lanka as a place for investment, Rajapaksa said.
The writer explained the move to shift the Army Headquarters and the Defence Ministry from Colombo in a lead story headlined ‘Shangri-La to push MoD, Army Hq. out of Colombo city: Army Hospital expected to be converted into a museum’ (The Island, 04 January, 2011).
Yahapalana chaos
In the wake of the January 2015 change of government, the new leadership caused chaos with the suspension of the China-funded Port City Project, a little distance away from the Shangri-La venture. Many an eyebrow was raised when the then Finance Minister Ravi Karunanayake declared, in March, 2015, that funds wouldn’t be made available to the DHQC project until the exact cost estimation of the project could be clarified.
Media quoted Karunanayake as having said “Presently, this project seems like a bottomless pit and we need to know the depth of what we are getting into. From the current state of finances, allocated for this project, it seems as if they are building a complex that’s even bigger than the Pentagon!”
The insinuating declaration was made despite them having committed the blatant first Treasury bond scam in February 2015 that shook the Sirisena-Wickremesinghe administration to its core.
In June 2016, Cabinet spokesperson, Dr. Rajitha Senaratne, announced the suspension of the Akuregoda project. Citing financial irregularities and mismanagement of funds, Dr. Senaratne alleged that all Cabinet papers on the project had been prepared according to the whims and fancies of Gotabaya Rajapaksa.
The then Minister Karunanayake spearheaded the campaign against the DHQC project alleging, in the third week of January, 2015, that Rs 13.2 billion, in an account maintained at the Taprobane branch of the Bank of Ceylon had been transferred to the Consolidated Fund of the Treasury. The matter was being investigated as the account belonged to the Ministry of Defence, he added. The Finance Minister stressed that the MoD had no right to maintain such an account in violation of regulations and, therefore, the opening of the account was being investigated. The Minister alleged that several illegal transactions, including one involving Samurdhi, had come to light. He estimated the Samurdhi transaction (now under investigation) at Rs. 4 billion.
Having undermined Shangri-La and the DHQC projects, the UNP facilitated the expansion of the hotel project by releasing additional three and half acres on a 99-year lease. During the Yahapalana administration, Dayasiri Jayasekera disclosed at a post-Cabinet press briefing how the government leased three and a half acres of land at a rate of Rs. 13.1 mn per perch whereas the previous administration agreed to Rs 6.5 mn per perch. According to Jayasekera the previous government had leased 10 acres at a rate of Rs 9.5 mn (with taxes) per perch.
The bottom line is that DHQC was built with Shangri-La funds and the initiative was Gotabaya Rajapaksa’s whose role as rock solid wartime Secretary of Defence to keep security forces supplied with whatever their requirements could never be compared with any other official during the conflict.
By Shamindra Ferdinando
Midweek Review
The Hour of the Invisible
Picking-up the pieces in the bashed Isle,
Is going to take quite a long while,
And all hands need to be united as one,
To give it even a semblance of its former self,
But the more calloused and hardy the hands,
The more suitable are they for the task,
And the hour is upon us you could say,
When those vast legions of invisible folk,
Those wasting away in humble silent toil,
Could stand up and be saluted by all,
As being the most needed persons of the land
By Lynn Ockersz
Features
Handunnetti and Colonial Shackles of English in Sri Lanka
“My tongue in English chains.
I return, after a generation, to you.
I am at the end
of my Dravidic tether
hunger for you unassuaged
I falter, stumble.”
– Indian poet R. Parthasarathy
When Minister Sunil Handunnetti addressed the World Economic Forum’s ‘Is Asia’s Century at Risk?’ discussion as part of the Annual Meeting of the New Champions 2025 in June 2025, I listened carefully both to him and the questions that were posed to him by the moderator. The subsequent trolling and extremely negative reactions to his use of English were so distasteful that I opted not to comment on it at the time. The noise that followed also meant that a meaningful conversation based on that event on the utility of learning a powerful global language and how our politics on the global stage might be carried out more successfully in that language was lost on our people and pundits, barring a few commentaries.
Now Handunnetti has reopened the conversation, this time in Sri Lanka’s parliament in November 2025, on the utility of mastering English particularly for young entrepreneurs. In his intervention, he also makes a plea not to mock his struggle at learning English given that he comes from a background which lacked the privilege to master the language in his youth. His clear intervention makes much sense.
The same ilk that ridiculed him when he spoke at WEF is laughing at him yet again on his pronunciation, incomplete sentences, claiming that he is bringing shame to the country and so on and so forth. As usual, such loud, politically motivated and retrograde critics miss the larger picture. Many of these people are also among those who cannot hold a conversation in any of the globally accepted versions of English. Moreover, their conceit about the so-called ‘correct’ use of English seems to suggest the existence of an ideal English type when it comes to pronunciation and basic articulation. I thought of writing this commentary now in a situation when the minister himself is asking for help ‘in finding a solution’ in his parliamentary speech even though his government is not known to be amenable to critical reflection from anyone who is not a party member.
The remarks at the WEF and in Sri Lanka’s parliament are very different at a fundamental level, although both are worthy of consideration – within the realm of rationality, not in the depths of vulgar emotion and political mudslinging.
The problem with Handunnetti’s remarks at WEF was not his accent or pronunciation. After all, whatever he said could be clearly understood if listened to carefully. In that sense, his use of English fulfilled one of the most fundamental roles of language – that of communication. Its lack of finesse, as a result of the speaker being someone who does not use the language professionally or personally on a regular basis, is only natural and cannot be held against him. This said, there are many issues that his remarks flagged that were mostly drowned out by the noise of his critics.
Given that Handunnetti’s communication was clear, it also showed much that was not meant to be exposed. He simply did not respond to the questions that were posed to him. More bluntly, a Sinhala speaker can describe the intervention as yanne koheda, malle pol , which literally means, when asked ‘Where are you going?’, the answer is ‘There are coconuts in the bag’.
He spoke from a prepared text which his staff must have put together for him. However, it was far off the mark from the questions that were being directly posed to him. The issue here is that his staff appears to have not had any coordination with the forum organisers to ascertain and decide on the nature of questions that would be posed to the Minister for which answers could have been provided based on both global conditions, local situations and government policy. After all, this is a senior minister of an independent country and he has the right to know and control, when possible, what he is dealing with in an international forum.
This manner of working is fairly routine in such international fora. On the one hand, it is extremely unfortunate that his staff did not do the required homework and obviously the minister himself did not follow up, demonstrating negligence, a want for common sense, preparedness and experience among all concerned. On the other hand, the government needs to have a policy on who it sends to such events. For instance, should a minister attend a certain event, or should the government be represented by an official or consultant who can speak not only fluently, but also with authority on the subject matter. That is, such speakers need to be very familiar with the global issues concerned and not mere political rhetoric aimed at local audiences.
Other than Handunnetti, I have seen, heard and also heard of how poorly our politicians, political appointees and even officials perform at international meetings (some of which are closed door) bringing ridicule and disastrous consequences to the country. None of them are, however, held responsible.
Such reflective considerations are simple yet essential and pragmatic policy matters on how the government should work in these conditions. If this had been undertaken, the WEF event might have been better handled with better global press for the government. Nevertheless, this was not only a matter of English. For one thing, Handunnetti and his staff could have requested for the availability of simultaneous translation from Sinhala to English for which pre-knowledge of questions would have been useful. This is all too common too. At the UN General Assembly in September, President Dissanayake spoke in Sinhala and made a decent presentation.
The pertinent question is this; had Handunetti had the option of talking in Sinhala, would the interaction have been any better? That is extremely doubtful, barring the fluency of language use. This is because Handunnetti, like most other politicians past and present, are good at rhetoric but not convincing where substance is concerned, particularly when it comes to global issues. It is for this reason that such leaders need competent staff and consultants, and not mere party loyalists and yes men, which is an unfortunate situation that has engulfed the whole government.
What about the speech in parliament? Again, as in the WEF event, his presentation was crystal clear and, in this instance, contextually sensible. But he did not have to make that speech in English at all when decent simultaneous translation services were available. In so far as content was concerned, he made a sound argument considering local conditions which he knows well. The minister’s argument is about the need to ensure that young entrepreneurs be taught English so that they can deal with the world and bring investments into the country, among other things. This should actually be the norm, not only for young entrepreneurs, but for all who are interested in widening their employment and investment opportunities beyond this country and in accessing knowledge for which Sinhala and Tamil alone do not suffice.
As far as I am concerned, Handunetti’s argument is important because in parliament, it can be construed as a policy prerogative. Significantly, he asked the Minister of Education to make this possible in the educational reforms that the government is contemplating.
He went further, appealing to his detractors not to mock his struggle in learning English, and instead to become part of the solution. However, in my opinion, there is no need for the Minister to carry this chip on his shoulder. Why should the minister concern himself with being mocked for poor use of English? But there is a gap that his plea should have also addressed. What prevented him from mastering English in his youth goes far deeper than the lack of a privileged upbringing.
The fact of the matter is, the facilities that were available in schools and universities to learn English were not taken seriously and were often looked down upon as kaduwa by the political spectrum he represents and nationalist elements for whom the utilitarian value of English was not self-evident. I say this with responsibility because this was a considerable part of the reality in my time as an undergraduate and also throughout the time I taught in Sri Lanka.
Much earlier in my youth, swayed by the rhetoric of Sinhala language nationalism, my own mastery of English was also delayed even though my background is vastly different from the minister. I too was mocked, when two important schools in Kandy – Trinity College and St. Anthony’s College – refused to accept me to Grade 1 as my English was wanting. This was nearly 20 years after independence. I, however, opted to move on from the blatant discrimination, and mastered the language, although I probably had better opportunities and saw the world through a vastly different lens than the minister. If the minister’s commitment was also based on these social and political realities and the role people like him had played in negating our English language training particularly in universities, his plea would have sounded far more genuine.
If both these remarks and the contexts in which they were made say something about the way we can use English in our country, it is this: On one hand, the government needs to make sure it has a pragmatic policy in place when it sends representatives to international events which takes into account both a person’s language skills and his breadth of knowledge of the subject matter. On the other hand, it needs to find a way to ensure that English is taught to everyone successfully from kindergarten to university as a tool for inclusion, knowledge and communication and not a weapon of exclusion as is often the case.
This can only bear fruit if the failures, lapses and strengths of the country’s English language teaching efforts are taken into cognizance. Lamentably, division and discrimination are still the main emotional considerations on which English is being popularly used as the trolls of the minister’s English usage have shown. It is indeed regrettable that their small-mindedness prevents them from realizing that the Brits have long lost their long undisputed ownership over the English language along with the Empire itself. It is no longer in the hands of the colonial masters. So why allow it to be wielded by a privileged few mired in misplaced notions of elitism?
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