Life style
A monument to all things Dutch
By RANDIMA ATTYGALLE
The Dutch Museum in Colombo, located at Prince Street, Pettah, was closed for several years for renovation. It was reopened to the public early this month. The conservation project which is nearing completion hopes to restore this archaeologically protected monument to its former glory.
More than a century since the Portuguese fortified Colombo, the city was lost to the Dutch in 1656 who remodeled the Portuguese fort. A new fortress or a citadel ringed by nine bastions, ramparts and deep moats replaced the original Portuguese-built Colombo Fort. The fort or kotuwa in the local language was known as the casteel or the castle by the Dutch. High-ranking Dutch officials lived in the casteel. Outside the Fort the surroundings are today known as Pitakotuwa or Pettah (an adaptation of the Tamil pettai meaning ‘a suburb outside a fort’). It was known as Oude Stad in the Dutch days. The Dutch, planned the town on a grid pattern with five principal streets- now known as Bankshall Street, Main Street, Keyzer Street, Prince Street and Maliban Street.
Tribute to a prince
Running parallel to Pettah’s Main Street is Prince Street – what the Dutch called the ‘Prins Straat’, named in honour of the new-born son of Kandyan King Rajasinha II. Far from its royal splendour of the past, marked by villas with lush gardens and streets shaded with green trees, Prince Street is consumed by a commercial tide today. Cutting across Malwatta Rd. – Pettah’s flea-market – lies Prince Street. (The smartest way to reach it is either on foot or in a tuk-tuk.) The street is dominated by opticians, sidewalks overrun by vendors peddling from achcharu to counterfeit branded clothing and naatamis (porters) whose calls ring in the air. It is impossible for a visitor to visualize a colonial yesteryear here. You will suddenly come upon an imposing mansion with eight colonnades of striking height looking completely out of place in these surroundings.
- Dutch Museum building in olden days
- Dutch Museum in Colombo
Monument to Dutch architecture
The only vestige of the Dutch legacy in these otherwise changed surroundings, is the Dutch Museum (as it is today). It was said to be the largest building in Pettah, as documented in ‘Streets and Buildings in the Pettah,’ published in the Ceylon Literary Register of September 2, 1887.
The villa which is also believed to have been the residence of Governor Thomas van Rhee who held office from 1692 to 1697 is a living monument to Dutch colonial architecture. Some historical sources also document the place to have been the one-time residence of Count Carl van Ranzow of Colombo.
Administered by the Department of National Museums, the Dutch Museum with its seven galleries, offers the visitor a window to Sri Lanka’s Dutch heritage. From the arrival and establishment of the Dutch to their final place of resting, the museum exhibits their way of life. The galleries are dedicated to Dutch furniture and utensils, the network of forts erected across the island, artillery and jewellery, VOC coins and tombstones portray the political and socio-economic status of the maritime provinces of Sri Lanka under the Dutch and mirror diverse aspects of life and culture of the day. With its high roofs and a gallery of columns, typical of Dutch architecture, the building had been used for different purposes over the centuries before it was finally declared a museum in 1982. It was inaugurated by President J.R. Jayewardene on July 10, 1982.
A governor’s residence, seminary and more
From Governor’s residence, it became a seminary, an orphanage or weeskamer, hospital, army barrack, police training school and finally a post office in 1932. The Latin inscription above its entrance which is still visible quotes Psalm 127: ‘Except the Lord build the house, they labour in vain that build it.’ Below this inscription is the date ‘1780’ which is believed to be the year in which the seminary was established. Dr. Jurrien van Goor in his article ‘The Rectors of the Dutch Seminary at Prince Street Colombo’ (published in the Netherlands Alumni Association of Sri Lanka (NAAL) Journal Special Edition of 1982) writes:
‘Not many buildings can be found in Sri Lanka or elsewhere in the former Dutch colonies to equal its very fine and imposing row of front columns of such height. During its long history the building was used for many purposes: but the reason for which it was built makes it all the more exceptional. Nowhere else in the Dutch colonies were founded during the eighteenth century seminaries or schools in which local youth received a secondary training. The few endeavours made at Batavia did not last long. Only Sri Lanka can boast of an uninterrupted educational record of such long duration under the Dutch’. The writer goes onto say that even the curricular of the early English schools followed the pattern of the Dutch seminary.
A museum takes shape
The building functioned as the Pettah Post Office from 1932 until 1971 when one of the sidewalls collapsed during the monsoon rains and made it uninhabitable. The question then arose on what to do with the premises. The suggestion to demolish it was opposed by the Royal Asiatic Society and the Dutch Burgher Union- the latter then led by Dr. R.L. Brohier. In his book Changing Face of Colombo, Brohier notes that ‘there is today no better example of the more imposing and typical building the Dutch erected in the Oude Stad than this monument with its high solid and substantial pillars of brick and plaster supporting the façade.’
The writer (The first Ceylonese to become Deputy Surveyor General and a noted authority on the country’s ancient irrigation works) makes an interesting observation that his great grandfather, Peter Brohier, had lived in a villa on the Prince Street (which he had purchased in 1834) opposite the Orphan Chamber. It was here too that his son (writer’s grandfather) was born two years later. The villa which Brohier refers to opposite the present Dutch Museum is replaced by a row of opticians’ premises teeming with crowds.
In 1973, a committee was established with representatives drawn from multiple state and international agencies to restore the building and establish a museum covering the Dutch colonial period. The restoration was funded by the Netherlands-Sri Lanka Foundation, founded by the late Dr. Evert Jongens. The restoration of the building commenced in 1977 and was completed in 1981 under the supervision of architect Ashley de Vos. The plan for the museum galleries was drafted and executed with the help of the Amsterdam Historical Museum.
Only green patch in Pettah
Prof K.D. Paranavitana, eminent historian and an authority on the Dutch rule in Sri Lanka who served the restoration project as a consultant, recollects procuring several pieces of Dutch furniture for the museum with the assistance of NAAL (Netherlands Alumni Association of Lanka). Among them is a cot which is one of the highlights among the collection in the ‘Bedroom Gallery’. Prof. Paranavitana who was then an archivist at the President’s Office was also responsible for the preparation of narratives for the exhibits.
“The Dutch Museum in Colombo was then a popular venue for the functions of the Dutch Embassy in Colombo and NAAL. I even had a book launch of mine in the beautiful court yard or the meda midula. This is probably the only green patch remaining in Pettah today which was once a fashionable quarter of Colombo shaded by lots of trees.”
The court yard with the unmistakable ‘Dutch-well’ which was once adorned with numerous flowering plants and foliage is being landscaped right now. The well too is under conservation. The massive cinnamon tree and the nutmeg tree found in the garden are symbolic of the spice trade which first brought the Dutch here. The side verandahs which open to the courtyard consist of several rooms that had originally served as servants’ quarters and storerooms. Today they are converted into administrative spaces. One of the rooms called ‘Hall of Death’ houses nearly 50 tombstones which were retrieved from a side alley of Prince Street when the Dutch cemetery of Pettah gave way to expanding trade centres.
Laborious conservation
The museum is home to nearly 300 exhibits today. A sizable number has already been conserved and others are still being done says the Dutch Museum keeper Thanuka Kumarasiri. The garden which is the highlight of the place too is to be restored to its former glory soon he assures. “We reopened the museum only in early July this year but we have a considerable number of visitors including foreigners. Once the place is fully done, we hope to attract more crowds,” he says adding that an admission ticket is still issued at a very nominal rate.
The conservation of the Dutch Museum in Colombo was among one of the most challenging tasks before her as the Director General of the Department of Museums says Sanuja Kasthuriarachchi. “The location of the museum in one of the most congested parts of Colombo, the COVID threat and the political and economic unrest in the country in the past few years, made the project an uphill task. Despite all challenges, this archaeologically protected monument which is more than three centuries old, that struggled to survive amidst unplanned structures surrounding it is once again open to the public.”
The conservation project is supported by the State Engineering Corporation and the Department of Archaeology. “We have now reached the final stages of the project and we hope to restore this iconic building into a traditional Dutch home where visitors can step into a tranquil space in the busy commercial hub of Colombo and relive a bygone era,” says Kasthuriarachchi. She invites the public to donate any memorabilia from the Dutch era to the museum which stands as an enduring monument to the Dutch legacy.
Dutch Museum at Prince Street Pettah is open from Tuesday to Sunday. Closed on Mondays and public holidays.
(Pic credit: Randima Attygalle, Department of National Museums & Prof. K.D. Paranavitana)
Life style
Taste of the Swiss Alps comes to Colombo
High in the Swiss Alps, where mountain landscapes shape both life and cuisine, Chef Heinz Rufibach spent more than four decades mastering the art of Alpine cooking. From the grand hotels of St. Moritz and Gstaad to the peaks of Zermatt, his career has been defined by a deep respect for tradition, local flavours and the quiet precision of Swiss craftsmanship.
Now, the chef. affectionately known as Le Cuisinier de Zermatt. brings that remarkable culinary heritage to Colombo for an exclusive Swiss dining experience at Bistro des Marées, Cinnamon Life at City of Dreams Sri Lanka.
From 23 to 26 July, guests will have the opportunity to experience a specially curated menu by Chef Rufibach, celebrating the authentic flavours of Switzerland’s Alpine regions and the dishes that have shaped his lifelong connection with the mountains.
A former Executive Chef of the Grand Hotel Zermatterhof, Chef Rufibach has built a reputation as one of Switzerland’s celebrated culinary figures. Named Swiss Chef of the Year and a holder of a Michelin star for six consecutive years, his cooking reflects the balance between fine dining precision and the warmth of the traditional Alpine table.
For Chef Rufibach, Swiss cuisine is more than a collection of recipes. It is a reflection of place, people and generations of culinary heritage.
“Swiss cuisine is built on tradition, seasonality and a deep connection to the land. Through this menu, I hope to share the flavours and stories of the Alps with guests in Colombo and offer them a true taste of Switzerland,” he said.
The menu at Bistro des Marées takes guests on a journey through Switzerland’s diverse culinary regions, beginning with elegant starters, such as dried meat tartare with green asparagus and Parmesan, marinated salmon with mustard sauce and herbs, and the traditional Gommer Cholera, a Valais speciality of apple, leek and cheese baked in puff pastry.
The experience continues with comforting Swiss classics, including Valais white wine soup with dried apricots and Bündner barley soup, before moving into signature dishes, such as Swiss cheese fondue with bread cubes and potatoes, raclette with traditional accompaniments, and Zürcher Geschnetzeltes with rösti. Other highlights include Basel-style salmon with papet vaudois and fried onions, saffron-infused lamb ragout with mashed potato, and Ghackets mit Hörnli, a beloved Swiss comfort dish of braised beef mince, pasta and apple sauce.
Life style
Goodbye dearest Maria!
My dearest Maria. I never thought I would have to write this, this soon but then I realised, I owe it to you.
Remember the very first day I met you ? It was way back in 1981. I was 19, working at Lake House and writing to the Sunday Observer’s “Sat Mag” magazine. You were 23.
I made a prior appointment with you on the old rotary dial phone and arrived at Ekanayake Mawatha, Nugegoda, sharp on time. I waited and waited. There were (either) dogs or cats playing around me, with their fur flying all around me. That irritated me. I waited and waited. I wanted to, but could not walk out because the Editor was waiting for the article.
You sailed in one wretched hour late. I was furious. You never apologised either. That’s how we began our friendship. Rather a rocky start wasn’t it ?
What struck me most was NOT the fact that you were the highly celebrated Kandy Lamissi at that time, but rather the sparkle in your eyes and the warmth of your smile. It came from the depths of your heart and radiated outwards to everyone you came into contact with – both those who liked you and those who did not like you.
You radiated that sparkle and smile during the best of times and even the most difficult of times. You had your fair share of both in your 68 years. That smile was your trademark. It stayed on until the end.
We were neighbours, too, in Nugegoda. You were on that side of the junction and I was on this side of the junction. Remember in the mid-1990s when fitness fever hit us and we ambitiously started those 6.00 am early morning walks. They were alas short lived when children in passing school vans began shouting “Aunty Aunty” or “Kandy Lamissiiiiii”. That put an end to our walks and we reverted back to being unfit.
You also had a very, very wicked sense of humour which I loved to bits. Remember that evening when, with dead pan faces, you and I walked into the Metro Cinema Nugegoda and bought two balcony tickets for the 6.30 pm show. The man at the ticket counter couldn’t not believe his eyes. And how we, again with dead pan faces, slowly crept upstairs and sat in the (last row) middle seats much to the shock of all those lovers around us.
You were the Star. I was much lesser known to them than you. They were shocked and looked at you in great disbelief. I remember at one intense moment of the film, we asked the couple next to us, “Meh, excuse me. Aney welaawa keeyada?”. They only didn’t slap us.
And then, during the movie we crunched on and made a helluva din with the prawn crackers, much to the irritation of those around us.
We hadn’t come to watch the film. We just wanted to shock and annoy those lovers. Mission accomplished, we sailed out in the Interval, our sides splitting with laughter. We could not remember the movie either.
Remember those incessantly chats we used to have on a variety of topics? You could hold forth on practically any topic. Those chats sometimes went on till well past midnight and we hadn’t finished talking either.
Teshan your son was the apple of your eye, to use a cliché. How proud you were of him and how very much you used to talk about him. You took pride in his academic success and the fine young man he has turned out to be.
In our 46-year friendship, you and I have had our misgivings, too. Remember Mariazelle how we didn’t speak to each other for about three years?
And then in December 2015 you were a guest artiste and I the emcee at the Break-Away New Year’s Eve Ball organised by (your cousin) Sohan Weerasinghe and Corrine Almeida. We were still not talking to each other, but then, just after the countdown to midnight, you came up to me, hugged me and wished me with tears in your eyes. My respect for you hit the ceiling that night. Our friendship became rock solid from that day onwards.
We last met over dinner at Harpos Commons in Kotte, just before illness dragged you down. You had medical problems but you never complained. Remember the stories we traded and how much we laughed and laughed, at times much to the displeasure of the other diners. Harpo might have got the complaints but he never told me either.
And now you’re gone. Gone just like that. Before I close, I’d like to quote a few lines from your dear friend Aruna Siriwardhana’s tribute :
“I take a moment to mention two special beings in Mariazelle’s life. One is surgeon Prof. Srinath Chandrasekera (a musician himself) who for the past six months or so, together with his team at the Kalubowila Hospital, took indescribably attentive care of her. The other is singer Dinu, who virtually placed her life and work on hold, to care for Mariazelle”.
It was heart-breaking to see you lie in that coffin at Barney Raymonds last Monday (13 July). You were dressed in ivory and gold. You looked peaceful. You were free from suffering and free from pain.
“Kandy Lamissi” will ALWAYS be sung at parties and weddings and home comings and dinner dances and batch get-togethers. “Kandy Lamissi” and You have an unlimited life span. You will both go on forever!
And I will always remember that sparkle in your eyes and the warmth of your smile. That to me was You.
Goodbye my dearest Maria. May your journey in Samsara be speedy.
by Kumar de Silva ✍️
Life style
20-year-old filmmaker Joshua Alailima breaks into Hollywood
Production has officially begun on Missing Threads, marking it the first time a Sri Lankan production has been aimed first and foremost at an American audience. On Tuesday the 7th of July, a dinner was held bringing together the cast, crew, funders, and friends and family to mark the occasion.
The evening opened with guests arriving to chatter and press photography. Talavou Alailima opened proceedings, and a selection of Director Joshua Alailima’s previous films were screened, between speeches from key figures behind the production. The night closed with a large buffet and the signing of contracts.
Missing Threads
is an investigative crime thriller compared to films such as Zodiac and Se7en. The film follows journalist Maya Perera as she unravels a string of lies, all tying back to the mega corporation Verdeon, leading to a far more sinister truth about the internal affairs of the country at large.
This marks a significant milestone for Sri Lanka. It is the first time a Sri Lankan film has targeted primarily the USA Hollywood audience. This will further foreign relations, opening the door to industry expansion and significant economic potential.
Missing Threads
brings together a standout cast of actors, including Kaushalya Fernando (The Forsaken Land), Buddika Jayaratne (Sunny’s Mansion), Dharmapriya Dias (Machan), and Shyam Fernando (Paradise). It is led by international Sri Lankan actress Rebecca Munasinghe and leading social media influencer “Neesh.” Missing Threads is produced by Talavou Alailima, founder of Power World Gyms and Edge Nutrition.
Director Joshua Alailima is currently studying at one of the top film universities in America, Biola University, whose alumni network includes Doctor Strange director Scott Derrickson and world famous influencer Zach King.
Joshua has been directing since he was a young teenager. He is now 20 and directing his feature debut, a rare feat by Hollywood industry standards.
Missing Threads
brings in an international crew, with people from the USA, Sri Lanka, and Australia flying in to work on the project. Post production will take place in Sri Lanka, India, and the USA. The film is shot on the Arri Alexa LF, the same camera used for the movie Dune. It is the only one currently in Sri Lanka.
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