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Why Neighbours (AsalWasiyo) should be considered an exemplary piece of Sri Lankan drama

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By Charith Gamage and Gem Taylor

With the doorbell ring echoing through the house, Mrs. Josephine, living in the suburbs with her three unmarried daughters, gets excited as she realises someone has come to inspect her vacant annexe house. In the next scene, the face of the sturdy woman (wearing an old patched dress) soon disappoints after seeing her potential rental tenant – a married couple! They have fulfilled all the typical qualifications, such as financials, and are okay with higher rent, but Mrs Josephine turns them down without much consideration. Although Mrs Josephine should only be concerned about receiving a smooth higher rent – all she needs as a landlord – it is not necessarily her expectation through renting out her annexure house.

The answer to the strange behaviour of Mrs Josephine lies in the thirteen dramatic episodes of AsalWasiyo First aired in 1989 in Rupavahini and directed by the veteran director Bandula Vithanage (with assistant direction by Wimalarathna Adikari), the format of the drama can be considered as something that single-handedly challenged the face of Sri Lankan teledrama in the 1980s. Many Sri Lankan viewers still love the drama, proving that it also stood the test of time to become a timeless art piece that can exemplify a quality drama. Although it talks about profound themes and socio-economic issues in that period of Sri Lanka – a mother’s sacrifices, the housing crisis, and even dowry – the director preserves the dramatic quality rather than giving an explicit socio-economic or socio-political tone. In addition, among other reasons, the drama’s unpredictable nature, high-quality comedic elements, realistic acting, and music also make it stand out and intriguing to watch.

As the drama unfolds, it shows Josephine’s circumventing strategy in searching for marriage partners for her daughters. She rents out her annexe house to people whom she thinks have affluent backgrounds so that her daughters build relationships with them. The middle-aged widower Paul, who is going through a housing issue, meets Josephine after seeing her newspaper advertisement. Paul’s family, with his two unmarried sons, seemingly matches Josephine’s dream tenant perfectly, except that he only boasts about himself and his sons without having the qualifications Josephine is looking for. Despite not having the desired qualifications, Paul who just worked for a lawyer for some time introduces himself to Mrs Josephine as a lawyer. Meantime, his younger son is introduced as an Engineer when he is a casual employee at a motor garage.

As Paul’s family lives in their false identity about their status, drama develops with subsequent clashes from Josephine’s family entertaining revenge when their true identities are revealed. Although one may classify it as a comedy, from a socio-economic standpoint, the drama also depicts a segmental view of the lower-middle-class and middle-class life of Sri Lanka at that time. It shows how hopes of solving one problem can lead to a bigger problem, bringing them back to square one.

What does the drama structure tell us?

AsalWasiyo has a simple but rich storyline, making it an excellent blueprint for those who want to study quintessential family dramas which depict wider Sri Lankan society. The show follows a climactic plot structure similar to as laid out in Fig 1, which offers plenty for viewers to analyse. In drama, a climactic plot structure is a term used for when we witness a rise in action throughout the storyline before we eventually witness a dramatic climax and subsequent fallout. The drama initially shows Paul searching for accommodation, while at the same time, Josephine is desperately searching for wealthy tenants to match her taste and needs. As their lives – and the lives of their various children – intertwine, the show’s writer (Somaweera Senanayake) and director bring multiple (character-wise) storylines together, which leads to a dramatic and humorous climax.

The climax in the drama comes when it is revealed that not only is Paul’s son not an Engineer – but he also loses his garage job for using clients’ vehicles to maintain his status. Similarly, as a father, Paul considers himself a master planner throughout the show – and he insists on the annexe house as a dowry to approve the marriage between his son and Josephine’s second daughter. However, his plans fail when he and his sons are exposed. Lastly, viewers watch as Josephine and her daughters go through the full circle of making friends with Paul and his family, building relationships with them initially, and trusting them in their lives and home – only to learn that they were being deceived the whole time. Overall, the climactic plot structure allows audiences to enjoy the tension of these two mismatched families coming together and trying to impress each other – as well as the drama of their secrets being exposed in the climactic finale.

How much Shakespearean influence have helped?

Before directing AsalWasiyo, Vthanage had significant exposure to Shakespearean theatre, particularly through Merchant of Venice in 1980. Shakespeare is undoubtedly a formative force in theatre for blending tragedy and comedy, presenting a powerful genre in his plays. In addition, Shakespearean comedies sometimes end with marriage or reuniting. In AsalWasiyo, Shakespeare’s trait of combining tragedy and comedy is visible, except that the drama does not insist on a marriage or reunion. The elements of Shakespearean comedy, such as mistaken identity, reason versus emotion, and idyllic settings, can still be seen in this drama. Paul’s impersonation of a higher-status professional depicts a mistaken identity. In addition, Josephine’s second daughter, led by emotion rather than reason, is similar to A Midsummer Night’s Dream’s Hermia, who disobeys her father, and chooses to pursue a romance with Paul’s second son. She insists on the romance even after he is exposed, regardless of Josephine’s approval. Finally, idyllic settings are common in Shakespearean dramas like the mysterious island of Illyria in Twelfth Night. Idyllic settings depict perfection, like having a house when there is a housing crisis for others and having a professional bachelor in the family when there is a demand from middle-class mothers as prospective husbands for their unmarried daughters.

How have characters been used, and how has their acting helped?

Characters and actors in a play as primary communicators help the director to interconnect and deliver the intended plot to the audience. It starts with Elan Silvester, who keeps the motion of the story going through her portrayal of the protagonist, Josephine. Although Josephine seems humorous, she is tough inside, suppressing all her agonies. Elan’s quick facial changes and ability to shift from amusing to serious emotions are remarkable on this front. On the other hand, Paul (portrayed by Hemasiri Liyanage) thinks about his image and likes to show off. The character’s use of mixed Sinhalese-English dialogues, which boosts his perceived identity by thinly veiling the true one, is a significant feature in the drama. The scenes, such as his English dialogues with an innocent lady who supplied them with dinner at the beginning and knowing she had no idea what he was talking about, are examples. This character (Paul) shows less emotion than Josephine and blends well with Josephine’s psychological expectations of a wealthy potential in-law, as he cannot meet their expectations in his real identity.

Besides the leading characters, other characters also show more realistic passion, improving the drama’s quality that could grab the audience’s attention. Priya Ranasinghe, Samantha Epasinghe and Thamali Peiris play Josephine’s first, second, and youngest daughters, depicting their distinct personalities in the drama. Samantha gives life to Josephine’s second daughter and realistically contributes to more funny and dynamic scenes. Her performance contributes considerably to the drama in filler scenes, from hiding under a bed to evade Josephine, getting attacked by a curry in a pot by the eldest sister in defending her boyfriend, and a series of beatings by her mother for passing Paul’s message of dowry requirement.

On the other hand, how the youngest daughter’s character is architected in the drama shows similarities to how such characters can be used in successful productions. Like Zazu from The Lion King and Ron from Harry Potter, she is knowledgeable, diplomatic, and usually a sidekick of the main character. In addition, she does not shy away from expressing brutally honest opinions with humour, even if the recipient is offended. Quotations such as “Now, do we put this rental ad in the rental section of the newspaper or the marriage proposals section?” in response to the mother’s draft, and “They won’t stay here for long if they have to eat what you [eldest sister] cook.” are examples. She also shows characteristics of “Ingénue characters”, the female characters with a virtuous and adorable appeal that make them immediately inspire great affection in the viewers. In addition, Suminda Sirisena and Sriyantha Mendis, who played Paul’s two sons, are also notable for building up the drama with their contrasting character traits under the influence of their father. Overall the drama has carefully selected those elements and coordinated them to get the audience to connect with the plot.

What does the overall evaluation tell us?

The play is a solid effort on the dramatic front, even with the paucity of technology breakthroughs and resources at the time. Times have changed with the formats of Sri Lankan dramas and technology, but the basics of this drama remain valid for present and future drama enthusiasts. These include careful use of direction and script writing to build up characters; employing natural vocal intonation that matches the acting; and good use of music in supporting character emotions and plotlines. In particular, the music by Premasiri Kemadasa helps build the director’s desired atmosphere while setting up the next scene. Efforts made by the camera relative to the 80s to preserve cinematography are also helpful on this front. Finally, William A. Ward once said (paraphrased) the well-developed sense of humour is the pole that adds balance to your steps as you walk the tightrope in achieving your goals. The drama depicts a tragedy, but its use of comedic overlay is very effective as a refresher, keeping the audience’s interest (possibly making the scenes memorable) and carrying them to the director’s desired destination effortlessly with the intended message passed. With everything explained, the drama shows the characteristics of a timeless creation, with elements that can still be used as a stencil for young Sri Lankan enthusiasts in drama.

Charith is an Assistant Lecturer attached to Monash University, Australia. Gem is a UK-born theatrical artist (actress) from Atlanta, USA, with a Bachelor of Arts (B.A.) focused on theatre. Authors would like to thank Wimalarathna Adikari for helping for the article. The views and opinions expressed in this article are those of the authors. Email: charith.gamage@monash.edu



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Features

New mediation law for smarter dispute resolution of civil and commercial disputes – I

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The Mediation (Civil and Commercial Disputes) Bill  was passed by the Parliament on Thursday, June 11, 2026.  Harshana  Nanayakkara, Minister of Justice and National Integration, introduced the Bill, and explained its provisions and value for Sri Lanka and global developments in the use of mediation. Encouragingly, it was passed unanimously.

Sri Lanka’s commitment to provide legislative support for the use of mediation is timely and most welcome. Given that the backlog of cases pending before courts is over a staggering 1.1 million, it is clear that Sri Lanka is yet another country that remains challenged to find responses to make  dispute resolution more efficient. The impact of laws delays is serious and damaging not only to the disputants personally, but also for businesses and the economic development of the country. The delays in concluding cases impacts the economy adversely, both directly and indirectly,  but are often seen only as an access to Justice concern. This is unfortunate. In many jurisdictions across the globe, alternative dispute resolution processes (ADR), such as mediation, have been introduced to alleviate laws delays. While Sri Lanka enacted legislation (1988) to provide for mediation in respect of minor community disputes of a low monetary threshold, the enactment of the new law heralds a commitment to provide for the recognition of a disciplined regime for its use for higher value civil and commercial disputes.

The new law provides for the recognition of mediation as a dispute resolution option that can be voluntarily selected by parties, and for a governance regime to ensure that mediations are conducted in compliance with certain standards which are globally accepted. It provides statutory recognition to the principle that a mediated settlement agreement that has been signed by the disputants, is valid in law. It does not provide for any management control by government or establish entities. In addition to the voluntary reference by parties, a  court can also refer a dispute in an action before it, to mediation, at its discretion, after considering all  circumstances and if considered appropriate.  The voluntary nature of the process is not affected because, while the court can refer the dispute to mediation and the parties must then engage in the mediation, there is no compulsion for the parties to settle against their will.

The law sets out the obligations of Mediators, disputants and the Service Provider. Certain categories of disputes cannot be referred  to mediation.  These are disputes the settlement of which requires the inclusion of terms that can be given effect to, only on a decree of court, such as the termination of a marriage or a declaration of nullity of marriage or the adoption of a child or the partition of land to obtain rights in rem.  A schedule sets out eleven (11) categories of actions that cannot be settled by mediation. However,  matters relevant to such disputes may be mediated for the purpose of submitting terms of settlement to court for consideration of incorporation in a judgement, decree or order in compliance with applicable law.

The new law also provides that in a mediation, certain  key principles of the process must be complied with. These include the  confidentiality and the without prejudice rule in respect of matters discussed at the mediation; the  rule that Mediators must be neutral and impartial; the party centric nature of the process that provides primacy to the wishes of the disputants including that it is they that determine the outcome and that a settlement is reached only if all disputants agree to the terms; the noncoercive role of the mediator whose duty is to facilitate and manage the process using mediation specific skills and techniques, but is debarred from imposing a decision. Although a settlement agreement is valid in law, provision is included to obtain a decree of court, based on the terms of the settlement. A mediated settlement agreement can be set aside on an application made to court, on specific limited grounds which are provided for, including that it is offensive to the public policy of the country. If the parties are unable to agree on a settlement, a certificate of non-settlement is issued. The provisions of the law are based on international best practices and principles articulated in the 1988 UN Mediation Convention  (the Singapore Convention) and the UNCITRAL model law.

The popularity of mediation has grown for its value in being time efficient, cost effective and party centric. Parties have control over the outcome and have the space to discuss their concerns, fears and interests and need never agree to settle unless fully satisfied that settlement terms address their interests. Disputants are free to walk out of a mediation process at any time, if dissatisfied with the progress. The discussions are confidential and a valuable feature is that the process offers an opportunity to reduce acrimony which is prevalent in most disputes, and to restore fractured relationships which is very important in family  and  business related disputes. This benefit and the prospects for governments to reduce the cost of the administration of justice, by using mediation,  is articulated in the preamble to the 2018 UN Convention on International Settlement Agreements Resulting from Mediation (2018) which states that the use of mediation results in significant benefits.

 Pursuant to the interest generated within the country regarding the value of using Mediation for commercial dispute resolution, and heralding what we like to see as the initial steps of a Mediation boom in the country, several positive advancements have taken place –

*    Parties have opted to include mediation in the dispute resolution clause in contracts;

*    Given that mediating disputes requires  very specialised techniques and skills, many professionals, including predominantly Lawyers, have engaged in training programmes offered by international training bodies that offer accreditation;

*    Trained Mediators are engaged in an effort to form themselves as a professional Organisation;

*    Mediation  Advocacy training programmes have been held to train Lawyers on their niche role in the mediation process. That role is distinctly different to that of a court Lawyer who’s obligations are centred on an adversarial approach where the dispute is adjudicated in terms of the law alone.  Hence lawyers need training to be useful within a non-adversarial process which is party centric and has a focus on reaching a settlement, based on the interests of disputants.

*    Sri Lanka enacted the Recognition and Enforcement of International Mediated Settlement Agreements Act No. 5 of 2024 (the UN Mediation Convention Act) and ratified the Convention becoming the 14th country to do so. Sri Lanka will be seen as an investor friendly country in respect of dispute resolution where mediation is used, since it offers an enforcement regime which is recognised universally.

*    The landmark determination of the Supreme Court (SC SD 22 of 2025) in the challenge by the Bar Association to the constitutionality of the Mediation (Civil and Commercial Disputes) Bill, found that none of the provisions of the Bill were unconstitutional and gave a judicial sign off to statutory provisions that seek to ensure that mediation services are provided in this country, in a disciplined manner in compliance with universally accepted standards.

*    Perhaps, inspired by the statutory obligation imposed on judges to attempt pretrial settlement of disputes, in terms of the Small Claims Court Act and the Small Claims Court Procedure Act (both of 2022) and the Civil Procedure Code provisions on Pretrial Conference and Pretrial Orders, 125 District Judges were recently trained (with support from the ADB) in Mediation. The training provided a dual benefit – it provided training in  skills that are required to settle disputes and equally importantly, provided a comprehensive understanding of how mediation will function when judges themselves refer disputes for settlement by private mediators.

*    Trained Mediators are already conducting mediations with success.

*    A not-for-profit guarantee company, the International ADR Centre – www.iadrc.lk ) was established in 2018  as a joint venture of the Ceylon Chamber of Commerce and the Institute for the Development of Commercial Law & Practice (ICLP) to promote ADR and is actively engaged in promoting mediation through training, disseminating information and creating awareness among stakeholders, including the business sector.   In addition to the International ADR Centre, “Udecide”  is a project that promotes training of mediators and other activities that enrich the mediation culture.

*    Commercial Mediation has been included in the Masters level programme at the Colombo University;

*    The Sri Lanka Law College offers a component on Mediation in the Post Attorney Diploma programme, which commenced recently.

The private sector was actively engaged in the drafting of the  Mediation Bill under the leadership of the International ADR Centre, which held many stakeholder consultations to obtain feedback from those that were conversant with the subject. The Centre had previously assisted the government to draft the UN Mediation Convention Act (Act No. 5 of 2024).

Several international Organisations that previously provided for resolution of disputes by arbitration, have provided for institutional rules to provide mediation services. These include WIPO and the ICC. Specifically, in relation to Investor State dispute resolution (ISDR), the  International Bar Association (IBA) adopted its  Mediation  Rules in 2012 and ICSID (of the World Bank group) adopted its Mediation Rules in 2022.  UNCITRAL, which is currently working on reforming  ISDR, promotes mediation, observing that the use of mediation could reduce the costs of ISDS and also preserve relationships between the investor and the State. UNCITRAL has formulated provisions on and Guidelines for, Mediation for investor state dispute resolution.

(To be continued)

by Dhara Wijayatilake
Attorney-at-Law; Former Secretary to the Ministry of Justice; Director and Secretary General of the International ADR Centre.

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A Testament to the Sri Lankan family

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The passing of Dr. Devanesan Nesiah a few days ago brought back memories that spanned more than four decades. Devanesan signed the witness register at my marriage in 2002. It was a year of hope. The Ceasefire Agreement between the government and the LTTE had brought a respite from a war that had devastated the country for nearly two decades. The possibility of peace seemed real. It was fitting that Devanesan should be present on that occasion because his entire life was dedicated to building bridges across divides and seeking rational and humane solutions to conflict. He was a friend, mentor, and guide whose life embodied values that Sri Lanka, indeed the world, needs today.

In reflecting on Dr. Nesiah’s life, we need to be reminded that the forces that unite us as a people in Sri Lanka are stronger than those that divide us, and that the bonds of human affection can transcend even the deepest divisions of ethnicity, history and politics. I first met him in 1984. I had just had my very first newspaper article published in the Jaffna-based Saturday Review. The editor was Gamini Navaratne, a Sinhalese. This was a reminder that even during the darkest period of ethnic conflict, the bonds between communities remained strong. The article I had written was based on my encounters with the anti-Tamil violence of July 1983.

At that time, Dr Nesiah was the Government Agent of Jaffna. Tens of thousands of Tamil people who had fled violence in the south had been transported to the north by a government that had failed to protect them. He came up to me at an event, introduced himself, and told me that he liked what I had written. He also said that he would soon be leaving for Harvard University’s Kennedy School of Government and that we could meet there. Over the next three years, Devanesan and his wife Anita adopted me into their family.  I used to visit them two or three times a week, not only to be given meals by Anita but to discuss matters with Devanesan.  These included the academic papers and newspaper articles that were written. Later, Anita earned her PhD in religion and served on the boards of many civic organisations, including the National Peace Council.

Practical Solution

In 1992, we had both returned to work in Sri Lanka when Devanesan invited me to accompany him to Jaffna to celebrate the eightieth birthday of his father, K Nesiah, the distinguished educationist affectionately known as Professor Nesiah. The older Nesiah had been a leading member of the Jaffna Youth Congress. This remarkable movement championed complete independence from British rule, national unity, and the eradication of social inequalities based on caste and communal identity.

At a time when many feared that independence would lead to majoritarian domination, the leaders of the Youth Congress chose instead to place their faith in a shared Sri Lankan future. They believed that people from different communities could build a common nation while preserving their distinctive identities. So did Devanesan.  This vision remains relevant today. It needs to be actualized.

The tragedy of Sri Lanka’s post-independence history is not that diversity exists. Diversity exists in every society. The tragedy is that we often allow diversity to become a source of fear, though we share many of the same values of family, hospitality, respect for elders and compassion towards others. During our visit to Jaffna in 1992, we met representatives of the LTTE administration, including Raheem. The discussion turned to the controversial issue of merging the Northern and Eastern Provinces. Dr Nesiah argued that if the merger could not be achieved due to political opposition, it might be more rational to seek greater powers for provincial councils instead. Raheem disagreed.  Devanesan was interested in finding practical ways to achieve justice and coexistence. That was characteristic of him.

Devanesan Nesiah was a student of conflict and strategy. He became a doctoral student of Professor Thomas Schelling, who would later receive the Nobel Prize for his pioneering work on conflict and cooperation. Schelling’s insight was that even in the midst of conflict, there are usually common interests that adversaries share. Even adversaries locked in a struggle usually depend on each other for the outcome they each want. The challenge is to identify those common interests and build upon them. Conflict is not simply a contest between enemies. It is also a search for ways to coexist. Together as students and peace practitioners, we applied those theories to the Sri Lankan context to understand what was going on and to share that understanding with the Sri Lankan people.

Rational Empathy

Dr Nesiah spoke his mind, truth to power. He was a man of logic, rationality, and principle. His integrity came at a cost. His public service career experienced many ups and downs because he refused to accommodate irrational or corrupt demands. There were periods when he was sidelined into that administrative limbo known as the “pool” and assigned no substantive responsibilities for refusing to give in to political demands. Like the rest of his larger family, most notably the Hoole family of Jaffna, he would not abandon his principles. In 2018, to protest the action of President Maithripala Sirisena in sacking the then government he returned his Deshamanya Award (Pride of the Nation) national civil honourn which was soon thereafter overturned by the Supreme Court as being unconstitutional. His commitment was not to personal advancement, but to what he believed was right.

My wife Sumadhu recalls a story he told her. One day, while travelling on official duty, he told her how he had seen a thalagoya, a monitor lizard, trussed up and being taken away for slaughter. The sight of the creature’s suffering affected him deeply. He said he saw tears in its eyes and described the moment of awakening. From that day onwards, he gave up eating meat.

The story brings to mind the biblical story of the conversion of St Paul on the road to Damascus and the Buddhist exhortation, “May all living beings be well and happy.” But the deeper significance lies not in religious comparison. It lies in the awakening of empathy.

That was the essence of Dr Devanesan Nesiah’s worldview. The prejudices that society often imposes through ethnicity, religion, caste, or gender had little hold on him. He saw them as human constructs that often served to privilege some while excluding others. Such were his values that made him an extraordinary human being. Dr. Nesiah lived according to that understanding. He showed that integrity can survive amidst conflict. He reminded us that reason and compassion are not opposites but partners, that what unites us as Sri Lankans inhabiting our common island home has always been greater than what divides us, and we need to build our institutions accordingly.

I am proud that he was my friend. I am grateful that he was my mentor.

by Jehan Perera

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City of Dreams …Heartbeat of Colombo

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Enroute

If Colombo’s nightlife had a pulse, you’d find it 23 floors up, at Gatz, City of Dreams, Cinnamon Life.

The entertainment lounge has shed its old skin and stepped out supper-club style — think dim lights, clinking glasses, and live music that doesn’t ask you to choose between dinner and a show. You get both.

What’s more, at the new look Gatz the music never stops and it’s all happening seven nights a week … with live entertainment, and this is the scene, beat by beat:

Monday and Tuesday: Top Hats with Daniella/Naomi, from 7.00 pm onwards.

Sohan, Kamal Munasinghe (GM, Cinnamon Life) and Imran of
Funtime Entertainments

One of Colombo’s most sought-after bands is now a Monday-Tuesday ritual.

With a super repertoire, Top Hats can swing from lounge jazz to dancefloor fire. Big venues love them. Now Gatz gets to claim them.

Wednesday: Enroute with Gananath & Debbie – from 7.00 pm onwards.

Want New York at sunset? This is it. Gananath & Debbie transport you straight to the heady days of Frank Sinatra, Dean Martin, and Ray Charles …old-school cool, live and unfiltered.

Thursday to Sunday: Terry & the Big Spenders – from 8.00 pm onwards.

Terry & The Big Spenders

The crowd favourite. A super big band sound that owns the 70s, 80s and 90s.

If you’ve been waiting for horns, harmonies, and nostalgia with volume, Terry & the Big Spenders deliver it nightly. No wonder they’re a huge hit.

Gatz is now an entertainment lounge, in Supper Club style, with Happy Hour very day, from 6.00 pm to 8.00 pm because the night, they say, should start with a toast.

And, from July, weekends at the Gatz go global. Local and foreign guest stars will be around to entertain you. Gatz is certainly booking big.

Wow! That would be another exciting experience for those patronising the most talked about venue in town.

In charge of the new setup is our legendary entertainer/singer Sohan Weerasinghe, along with Imran of Funtime Entertainment.

The twosome, with invaluable assistance from the General Manager, Kamal Munasinghe, and the entire team at Cinnamon Life, have built Gatz into more than a venue. They have turned it into the “Heartbeat of the City.”

So come for happy hour. Stay for Terry’s horns, Sing-along with Enroute and Dance with Top Hats, all on the 23rd floor, and while Colombo sparkles below the bands will take you higher.

Remember, the heartbeat is loudest at Gatz.

Top Hats

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