Life style
Timeless elegance with Darshi
Darshi Keerthisena never fails to bring the latest yet classic styles in her batik creations, intertwining the use of traditional batiks prints with modern concepts. Darshi sure knows to make her creations timeless. Let’s get up close and personal with this talented lady to get her insights on her label Buddhi Batiks. Darshi Keerthisena of Buddhi batik fame has taken one of the oldest Sri Lankan artisan crafts and stamped her own individuality and style. Keeping abreast with modern technologies and innovations, she adds more value and texture to the fabric. Every piece that you see in her gallery is a hand crafted, individual work of art. No two pieces are the same. Even if you were to request a bespoke design similar to one on the site, what she designs though similar in colour and motif, will be unique, giving the wearer a total new look. She has revolutionized the traditional batik industry in Sri Lanka. Dharshi Keerthisena, now the managing director and creative designer at Buddhi Batiks, a company her parents founded in 1970. ” . Her challenge was to update the art that she had learned in her family’s factory, she says. “I needed to give newness to batik and preserve this age-old craft,” she says. She also departed from the strong colour that characterize traditional batik. “I used subtle colours and natural dyes such as tea and turmeric,” and batik became a cool trendsetter.” Under Ketterings direction, the company produces exclusive contemporary batik fashions, including swimwear, dresses, shirts, saris and even traditional bridal wear. Using the smallest scraps of leftover batik fabric, she also has created shoes and sandals, laptop and ipso covers, and a range of novelty items.
Buddhi Batiks is an ethical fashion business, where the batik craft is practiced by women, some of whom have been with the workshop since the company’s inception in 1970 my Buddhi Keerthisena and Ransacker Keerthisena (Darshi Ketterings parents), and are considered the life blood of the business. The batik workshop, located in the village of Kowhai on the north-western coast of Sri Lanka, in turn plays an integral role in the economy of the village.
How does Buddhi Batiks differentiates itself within the batik industry?
Buddhi Batiks has been a leader in the batik industry for over 50 years, thanks in large part to its commitment to innovation and quality. From the start, the company has prided itself on creating designs that push the boundaries of what is possible with batik fabrics. To achieve this, Buddhi Batiks invests time and resources in research and product development, constantly seeking new and improved ways to produce and refine its products.
This dedication to innovation has helped Buddhi Batiks stand out in a crowded market and has earned the company a loyal customer base. Whether it’s the latest trends in fashion or the advanced techniques in fabric design, Buddhi Batiks is always looking for ways to take its products to the next level.
But innovation is just one part of the equation. At Buddhi Batiks, quality is also of the utmost importance. From the raw materials used to the final product, every step of the production process is closely monitored to ensure that the company’s high standards are met. This commitment to quality, combined with the company’s innovative designs, has made Buddhi Batiks a trusted and respected name in the batik industry for over half a century..
Expanding Buddhi batiks network internationally which markets have you identified as key targets for your exports?
We have been exporting saris to India. We also do business with Philipines and Greece currently.
In your industry what makes you unique?
There are several factors that make our company unique within the batik industry. First and foremost, we are committed to exploring and experimenting with different fabric weaves and types in order to create innovative and one-of-a-kind products. We also enjoy pushing the boundaries of traditional colour palettes and motifs, and we are constantly seeking new inspiration from various sources, including history and traditional practices not just what’s current.
In 2007, we were able to create a “new look” with new to Sri Lankan batik – fabrics, motifs and colour combos We are always looking for new ways to improve and evolve, learning from our past to move forward.
What has been your greatest entrepreneurial success?
Being able to sell sari to India felt like selling coal to New castle, india being the biggest market of sari producers. This was a highlight in my career as well as being invited to represent Sri Lanka to exhibit sustainable fashion at the Buckingham palace.
What are your challenges?
Biggest challenge in the batik industry in Sri Lanka is to get standardised raw materials in quality and price.
Is there any colour palette that you are partial too?
I work with colours that inspire me for the season and the collection.
We do look at current and future global trends but ultimately we work with what works for us. So there is no particular set colour palette
Batik is an exceedingly competition industry in Sri Lanka: How do you think you will stand out form the rest?
We concentrate on providing our customers best quality fabrics we could produce with unique and new designs
This keeps us moving forward, however slow but steadily
Describe your designs from Buddhi in three simple word?
UniqueInnovative Experimental
How is your company positioned towards co-operation with international partners and foreign investors?
As a final message what would you like our readers to member about Buddhi batik.A local brand thats a trend setter who brought back the Batik sari and made saris a staple in younger women’swardrobe
In your opinion what is most important in maintaining your success?
Unique and high quality products and right approach to marketing
How do you envision Buddhi batiks grow in the next decade?
We hope to to take our uniquely Sri Lankan batik products to new forgiven markets and to make it into a global brand that’s truly Sri Lankan with a contemporary outlook What can you tell us about your inspiration and designs for the international Thai Silk fashion show Our outfits and the accessories was inspired by the lotus flower and it’s strength.
Quote “Because lotuses rise from the mud without stains, they are often viewed as a symbol of purity. Since they return to the murky water each evening and open their blooms at the break of day, lotus flowers are also symbols of strength, resilience, and rebirth” unquote.For us it represents us and the world post pandemic. It also represents the delicate yet strong Thai silk fabric.
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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