Life style
The world”s Surprising fried chicken capital
Why is the small town of Nakatsu – with its nearly 50 “karaage” shops – considered to have the best fried chicken in Japan, and quite possibly the world?e little karaage, one of the most popular snacks in Japan, is a delicate and intricate version of fried chicken that is a staple across the country.
This delightfully crunchy treat is so beloved that every year, hundreds of thousands of people vote in a country-wide competition to determine which karaage shop serves the best ones. While shops from massive metropolises like Tokyo, Kyoto and Osaka’s The Karaage Grand Prix is the annual competition in Japan whose winner gets to boast that they have the crispiest, juiciest, most flavourful fried chicken, and nearly 1,000 shops enter to compete. Up until 2022, this contest was based entirely on popularity, with common denizens getting to vote on their favourite places. But in 2023, the rules are changed Why does any of this matter? And why is this small town of Nakatsu considered to have the best fried chicken in Japan, and quite possibly the world?
With the added scrutiny and official tasters coming into play, Nakatsu City karaage shops have more to lose and more to prove than your average shop across the country. The city’s entire reputation as the karaage capital of Japan is now on the line and hundreds of years of cultural culinary history is at stake.

First, a definition of karaage (pronounced like “karate”, except you substitute a hard “g” for the “t”): it’s a type of fried chicken that’s famous in Japan for both its simplicity of execution and complexity of flavours. It’s a lightly battered bird, mainly using potato starch as a coating, that crisply covers nugget-sized pieces of chicken thighs, breasts, necks and wings that have been marinated in mixtures of soy sauce, ginger, salt, garlic, fruits and other highly secretive ingredients that gives off a taste explosion that dribbles down your chin with every bite.First, a definition of karaage (pronounced like “karate”, except you substitute a hard “g” for the “t”): it’s a type of fried chicken that’s famous in Japan for both its simplicity of execution and complexity of flavours. It’s a lightly battered bird, mainly using potato starch as a coating, that crisply covers nugget-sized pieces of chicken thighs, breasts, necks and wings that have been marinated in mixtures of soy sauce, ginger, salt, garlic, fruits and other highly secretive ingredients that gives off a taste explosion that dribbles down your chin with every bite.The Karaage Grand Prix is an annual competition for the best fried chicken in Japan (Credit: Karaage festival ExCo)
People line up around the block for their favourites and even the late Anthony Bourdain obsessed over them: “I’m addicted to these deep-fried chicken cutlets… It’s a guilty pleasure. I know exactly where to find a Lawson in Narita International Airport, and I never get on the plane without loading up on these bad boys.” There’s even a karaage movie produced by the Japan Karaage Association dubbing the savoury snack as the “ultimate national food”.

But fundamentally, karaage is the final result of a multi-generational history that spans continents, the age of exploration, cross-cultural pollination, famine and world wars. It’s a fried chicken unlike any other and it’s considered the soul food of Nakatsu.
The origins of karaage can be traced to the 16th Century when Portuguese missionaries arrived on Japanese shores of Kyushu Island through the port at Nagasaki and brought their fried cooking methods with them. Slowly, Japanese denizens began to adopt some of these Western ways into what today would be considered tempura. At the time, however, the Japanese diet was mainly pescatarian, which could be attributed to their Buddhist beliefs.
Eating chicken didn’t come into the picture until tragedy struck the island nation. During the Ky?h? era (1716-1736), a widespread famine practically wiped out the rice crop on the island of Kyushu and killed tens of thousands of people. According to Livestock Production in Kyushu (in Japanese), in order to restore finances, farmers were encouraged to do more poultry farming to sell more eggs and eventually people began to eat chicken once their egg-laying birds had passed their prime.
The next major Japanese dietary jump began in 1868, when the new Emperor of Japan embarked on a drastic reformation of society, adopting a cavalcade of Western ideas when it came to industrialisation, military technology and even people’s diets. Emperor Meiji opened the country’s borders and allowed more culinary influences from China and the West to permeate the culture – and that meant eating more meat.enkatori is run by Yasuhiro Fukuda, the son of the original owner of the first karaage shop in Kyushu
But it wasn’t until after World War two that fried chicken, and in particular karaage, became the touchstone that it is today. After the war, Japan was decimated, food shortages were rampant, and with a lack of rice, the Japanese diet dramatically changed. The United States was responsible for importing food and brought in wheat which led to more noodle-based dishes (like ramen), as well as broiler chickens, which are chickens raised for their meat and were easier and faster to raise than cows or pigs. The island of Kyushu had already become known as a poultry centre (today more than half of all broiler chickens come from Kyushu) and new methods of cooking meat quickly took off and helped nourish a starving country.
Karaage itself can trace its roots to a Chinese restaurant named Rairaiken in Nakatsu City’s next-door neighbour, Usa City. It was here in the late 1950s that the establishment began serving deep-fried chicken karaage as part of a set menu. From there, it jumped across the street to a small izakaya (tavern) named Shosuke, which learned the frying methods from Rairaiken. The owner of Shosuke was originally buying chickens from local farmers and selling them to butchers while his wife served karaage and sake to eager customers. But he had a problem: his karaage customers were primarily rice farmers who could only pay for his food and drinks when the rice harvest came in, so he was constantly scrambling for money and barely surviving as a business. At the same time, bigger farms started industrialising broiler chickens and his chicken-peddling business was becoming less profitable.
“Shosuke quit the izakaya and started the first take-out restaurant serving only karaage. He also switched his target to housewives who paid cash up front, instead of husbands who paid late and drank [too much] sake,” said Usa Karaage’s US president, Yuko Yoshitake.

This pivot to only serving karaage became a major hit as residents of Usa immediately embraced this cheap, fast and delicious source of protein. Today, Usa boasts more than 40 karaage shops and is one of the hubs of this perfectly crisped fried delight. But its move to neighbouring Nakatsu is what gave this fried chicken its national and subsequent international reputation.
Two chefs, Arata Hosokawa and Shoji Moriyama were both obsessed with karaage, and both felt they could bring out more flavour from the fried food. According to Yoshitake, in 1970, each man opened his own karaage shop in Nakatsu where they refined the marinating process, adding pieces of apple, and brining the bird for a longer period to bring out more flavour in the chicken itself. The shops were instant hits and inspired a bevy of copycats that helped define Nakatsu as the heart and soul of karaage.Moriyama was the first ever champion of the Karaage Grand Prix
Today, chefs in Nakatsu have taken their karaage to the next level. A healthy competition between the nearly 50 shops has inspired chefs to tinker with everything from cooking times and batters to a variety of soy- and salt-based marinades. Nearly every shop in Nakatsu has a secret ingredient that they’re not willing to share and which separates their karaage from the rest.
Take Torishin, a shop run by Nakatsu’s resident karaage shokunin (master) Shinichi Sumi, a five-time Grand Gold Award winner at the Karaage Grand Prix. Sumi spent 15 years perfecting his karaage recipe. Today, he cooks every part of the chicken at separate temperatures and his karaage is consistently rated the best in Nakatsu.
Karaage Crawl
For the perfect Kyushu Karaage Crawl, start out in Usa at Tenkatori run by Yasuhiro Fukuda who is the son of the original owner of Rairaiken – the first karaage shop in Kyushu. From there, check out Chiemi, a woman-run shop helmed by Yoshimi Kanbara who has been making it out of her home for 43 years and only uses fresh oil. From there, head to Nakatsu and eat at Torishin for a foodie’s version, then check out Genkiya who specializes in chicken breasts, and finally make your way to Kokko-ya for a uniquely marinated bird that might just be the best of all.
Then there’s Takae Tateishi, one of the rare female karaage shop owners whose spot, Kokko-ya, is arguably the most unique in the city with her salt-rice-malt marinade and desire to do everything from scratch. “What I can say with confidence is that I carefully remove the extra fat from the chicken. I’m absolutely confident in how I prepare the meat,” said Tateishi, whose chicken has a softer texture and spicier flavour that fires up your mouth.
And then there’s Kouji Moriyama, whose shop Moriyama was the first ever champion of the Karaage Grand Prix and is the nephew of Nakatsu karaage’s founding father, Shoji Moriyama. He makes a salt-based crispy karaage that erupts with juices from every bite and has a mix of undisclosed fruits that infuses his chicken with exceptional flavours.
But karaage isn’t just something to eat in Nakatsu, it’s an entire identity. Every autumn, there’s Karafes, a karaage festival which attracts upwards of 50,000 people from around Japan and the world, and nearly every shop participates to drum up popularity for the city. The town also holds a Guinness World Record for the largest serving of fried chicken topping out at 1,667.301kg (3,675lb, 12oz) that was set in 2019.
Of those 40-plus shops in Nakatsu, everyone in the city has their personal favourite. It reminds them of their childhood. It’s a food that rose out of poverty, fed a starving island and became a savoury symbol that can now be found at weddings, birthdays and major celebrations including Christmas when millions of Japanese eat fried chicken. And the Karaage Grand Prix is their way to prove that this lineage makes their city the beating heart of fried chicken in Japan.
The Karaage Grand Prix started in Tokyo in 2010 as a national competition to rank karaage and promote the tasty treat around the country. Up until 2022, voting was entirely online and the most popular karaage shops typically won all the awards. According to Kouichiro Yagi of the Japan Karaage Association, “[in 2023] a taste test by the judges will be included to further improve the value of the awards.”
The judges will base their decisions on the frying colour, the batter, the harmony between the meat and the batter, the juiciness, the flavour, the cost effectiveness (how much you get for the price), and the temperature level (too much heat can cause burns).When you talk to the shop owners in Nakatsu, they’re borderline dismissive of the past competitions. But you could tell they all felt that this year was different. Shinichi Sumi of Torishin said, “The next one is real. I want the challenge and I’m going to try to win.”
The CEO of the Nakatsu Karaage Association, Masahiko Inoue, looks at the 2023 Grand Prix along with Nakatsu’s place in the karaage world in an existential way. “The next competition is important because people will know which shop is really number one. But ultimately, I want everyone to know that Nakatsu karaage is special. And that it is branded. The same way certain wagyu beef is branded. It’s like a seal of approval that it comes from Nakatsu.”
Karaage represents perseverance, it shows ingenuity, and it’s a reminder of how Japan overcame adversity. And for the residents of Nakatsu, it’s the soul food that simply feels like home. Karaage is fried chicken that has been lightly battered and marinated, judges are being brought in to taste test, and the true crown for the best karaage will ultimately be rewarded.
Why does any of this matter? And why is this small town of Nakatsu considered to have the best fried chicken in Japan, and quite possibly the world?
– BBC
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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