Life style
The first ever social club in ceylon and the life of H.A Marshall-its builder

Whist bungalow
by Hugh Karunanayake
When the Portuguese and Dutch occupied the maritime provinces of Ceylon from the 16 th Century to the end of the 18th century, it was more or less a military occupation with the ever present danger of the coastal government being overrun by the monarch who ruled the Kandyan Kingdom. That imminent possibility was mitigated to some degree with the annexation of the maritime provinces by the British East India Co; which occurred during the wars of the French revolution. When the Netherlands came under French control the British made its move to oust the Dutch from Ceylon. The Dutch surrendered the island(or more precisely its maritime areas) to the British in 1796 after some half hearted resistance. In 1802 Ceylon was made a crown colony and it was clear that the British were here to stay. In 1815 the Kandyan Kingdom capitulated to the British through a combination of intrigue, and disaffection in the King’s court rather than military engagement. The doors of the country were now open for British settlement and to exploit the nation’s resources to the advantage of the Metropolitan power.
With Ceylon functioning as a British colony, the stage was set for its administration through a Governor appointed by the monarch in Britain. The administration was done through a Civil Service established by the government and by a legal system largely based on Roman Dutch Law supplemented by laws and customs of the local population. Governor Frederick North arrived in the island on 12 October 1798 accompanied by 9 officials who were to administer the island. Among them were three “officers” Sylvester Gordon, Robert Barry, and George Lusignan, each of them just thirteen years of age!! ( Gives some indication of the confidence of the Brits who thought that even teenagers could keep the”natives” in check) There was also in the group,Henry Augustus Marshall who was appointed First Clerk of the Civil Department which was the precursor to the Treasury. Marshall educated at Charterhouse and Oxford was reputed to be the best classics scholar in the island during his stay. He married the daughter of Colonel Robert Brooke Governor of the Island of St Helena. Mrs Marshall was apparently a wealthy woman as suggested by Governor North commenting on Marshall as “married comfortably”.Mr and Mrs Marshall are said to have been very popular socially and JP Lewis the colonial recorder and historian believed that she was the guardian of the tree referred to on the inscription on the stone tablet seen to this day next to the Wellawatte Bridge on Galle Road. Others have suugested that the Sophia referred to in the inscription is none other than Lady Brownrigg.
At the time of British rule of the maritime provinces of Ceylon during late 18 th Century, it was the Galle Harbour that was the main point of entry to the island. The Colombo harbour was a tranquil bay used by fishing craft. The areas overlooking the bay of Colombo in the Mutwal area soon became elite residential areas, replacing the Fort and Pettah areas populated by the Dutch. The early British administrators were quick to acquire choice sites for their homes, the best of them overlooking the bay of Colombo. Many stately homes were constructed in the Mutwal, Modera areas. They included the Whist Bungalow, Modera House, Uplands, Elie House, Rock House, all of them located on vantage points overlooking the bay of Colombo. Three of the stately homes, Rock House, Whist Bungalow, and Modera House were built by Henry Augustus Marshall, the Civil Servant, in his private capacity.
Rev James Cordiner was appointed Chaplain to the 51 st Foot Regiment in Ceylon at the request of Governor Norh. A man of learning and of perceptive observation Rev Cordiner did a tour round the Island in 1800, which led him to publishing in 1807 one of the earliest English descriptions of the island in a two volume publication titled “A description of Ceylon, with narratives of aTour round the Island in 1800, the expedition to Kandy in 1803, and a visit to Ramessaram in 1804”.
Cordiner observed that “The English society at Colombo is uncommonly pleasant; and an assemblage of so many excellent characters is, certainly rarely to be found. The men at the head of the civil and military departments are particularly amiable: and all ranks live together in a mutual exchange of the most friendly and familiar intercourse….” And “Two weekly clubs which have been established at Colombo for several years past, contribute eminently to the promotion of social pleasures in the settlement. The elder is the Cocoa-nut, or Whist Club, at which the principal amusement is cards. The bungaloe where it is held, is beautifully situated, about four miles north east of Colombo.at the mouth of the Calany-ganga, which there receives the name of Mootwal. The club consists of twelve members, chosen from among the most respectable inhabitants of the place. They give dinners in rotation, and generally invite twelve strangers. Some of the members whose characters are celebrated for extensive hospitality, assemble a still greater number of guests. The entertainment is always liberal, and the assembly never fails to be animated with the highest share of convivial delight.The company repair to the villa about one o’clock in the afternoon, and play cards, read or otherwise enjoy the country, until four when dinner is announced. At half past five, or six o’clock, they rise from the table, make a circuit in their carriages or on horseback, and reach their respective homes before dark.”
What a glorious life the British pioneers would have lived. Little wonder that the aspiring”natives” modelled themselves on the social features of the life of the Brits. The creation of the Whist Club underscored the need for expatriate personnel to engage in social interaction. There were many other venerable institutions to follow in later years like the Colombo Club, Kandy Club, Hill Club all of which offered residential facilities. They were however not open to the local population, who not to be outdone formed their own Orient Club (a natives only residential club). Ethno specific sports clubs followed, and are there to this day eschewing some of the rigid ethno specific admission rules insisted upon at the beginning. Clubs were the order of the day during the nineteenth and twentieth centuries, and the more exclusive the membership the higher the social status that exclusivity conferred! The rise of the new breed of hostelry “the Five Star Hotel” seems to have put paid to all those status symbols and hallmarks of privilege.!
While it is on record that Marshall constructed Whist Bungalow, Modera House, and Rock House there is no evidence to suggest that he ever lived in any of them. The history of occupancy of Whist Bungalow is on the public record. On the closure of the Coca- nut Club, Whist Bungalow was acquired by Sir Richard Morgan, Supreme Court Judge. It was inherited by his son who died suddenly and it was then under the ownership of Mr Louis Peiris and his wife Selina who lived there for many years. The house was featured in the encylopaedic “Twentieth Century Impressions of Ceylon” published in 1907, when it was occupied by the Pieris family. The Famed German Naturalist Ernet Haeckel who visited Ceylon in the 1880s resided in Whist Bungalow and wrote wistfully about his life there in his book “A visit to Ceylon”. The ownership of the house appeared to have changed several times, once even used as a tea store!. The house is presently managed by the National Housing Development authority as a community hall.
The first ever socia…
Members of CSA would be interested to know that the forbears of two senior membesr of the Society once owned Whist Bungalow. Maureen Henricus nee Morgan is a direct descendant of Sir Richard Morgan, while Chandra Senaratne’s maternal grandmother was Mrs Selina Peiris!
Modera House the other creation of Marshall was occupied by the Armitage family, the leading coffee exporters from Ceylon in the nineteenth century. The coffee crash seriously affected the fortunes of the Armitages who sold Modera House to the De La Salle Brothers in the 1880s and moved to Alexandra House, Alexandra Place. The house was later the premises of Alexandra College. Modera House was the location of the film “Elephant Walk” a classic movie of the 1950s. It is now a school run by the De La Salle brothers. “Rock House” built by Marshall was acquired by the government and is Army property for the past over fifty years.
Mr and Mrs Marshall were a popular couple socially. Lieut -Col Campbell in his two volume book “Excursions, adventures, and Field sports in Ceylon” published in 1843 had this to say of the Marshalls ” A gentleman and his lady upon whose hospitality and friendship I had little or no claim, most kindly received me into their charming abode, situated on the sea shore about three miles from Colombo, and it is to the care and attention of Mr and Mrs Marshall that I attribute my temporary recovery.” Famed colonial recorder and writer J Penry Lewis believed that the Marshalls lived near the old toll gate which was in existence at Wellawatte near the bridge over the canal. There was a large banian tree under which a stone tablet was installed praising the virtues of a lady named Sophia. While Mrs Marshall carried her first name as Sophia, it has been suggested that there was another Sophia- viz Lady Sophia Brownrigg the Governor’s wife.
While that riddle remains to be solved, we have to this day the stone tablet with the inscription. It was lying near the entrance to the bicycle shed of the Savoy Cinema, but since has been erected upright near the bridge. Our former President of the Colombo Chapter Somasiri Devendra published a well researched article in his usual scholarly style, which appeared under the title “Wellawatte Inscriptions” in The Ceylankan #9 of Feb 2000. The “younger” club that existed during Marshall’s time, the “Quoit Club” was according to Cordiner situated in an opposite direction to Whist Bungalow, about two miles south of Colombo on the road leading to Point De Galle. Is it possible that Marshall built the Quoit Club as well and also resided there? Could Cordiner have misjudged the distance from Colombo of the Quoit Club ? If such is the case there is more certainty to the speculation that the Wellawatte tablet refers to none other than Sophia Marshall. We are still however lingering in the realm of conjecture !
Henry Augustus Marshall died on 23 January 1841 in his 64 th year and was buried in the old Galle Face Cemetery. A tablet was erected in St Peter’s Church,Fort by his widow and two son “in memory of an elegant classical scholar and a sincere Christian.
Colombo of the eighteenth century was a tranquil place, rich in vegetation, and serene in outlook. It was James Cordiner who observed that: “Nothing about Colombo is more apt to excite admiration than the flourishing state of the vegetable world. So much beauty and variety are in few countries equalled, and nowhere excelled”. Is it a forlorn wish to hope for a revival of Colombo’s lost beauty ? Only time will tell !!
Life style
Unravelling artistic thread with Dr Ayesha Wickramasinghe

By Zanita Careem
Dr. Ayesha Wickramasinghe, who is the champion of the National Crafts Council plays a pivotal role in promoting and developing the local handicrafts. She has served as a Senior Lecturer at the University of Moratuwa specialising in Design and Production development since 2006. With her wealth of experience, she brings extensive professional expertise in Brand Promotion and Design from Sri Lanka, the United Kingdom and the United States. An old girl from Southlands College Galle, she graduated with first class honors in fashion design and production development from the University of Moratuwa. She also , holds a postgraduate degree from London and a doctorate from the University of the Visual and Performing Arts, Sri Lanka.
Stepping away from the techdriven expectations often tied to her generation, she believed craft wasnt just art, it was life and identity. In a world of hush and rush, deadlines and competition, her journey reminds of the beauty of persistence,creativity and the simple joy of doing what we love!In this interview, Ayesha explains the trajectory of her career, her work, inspiration and her empowering story.
Your journey?
My journey is rooted in a deep appreciation for tradition, artistry, and cultural identity. Growing up in Weragoda, a village in the Galle District, I was immersed in a lifestyle shaped by community, nature, and craft. These early experiences inspired my academic and professional path—first as a designer and educator, and now as Chairperson of the National Crafts Council of Sri Lanka.
Where did your interest in craft and making come from?
My interest stems from home and heritage. My mother, a primary school teacher, introduced me to flat pattern cutting and early creative expression. Surrounded by traditional crafts and nature, I grew up observing weaving, embroidery, and natural colors—realizing that craft wasn’t just art, it was life and identity.
Can you tell us about your academic and creative background?
I began my education at St. Theresa’s Primary School, later moving to Southlands College, Galle. After excelling in Bio-Science for A/Ls, I pursued a Bachelor of Design in Fashion Design and Product Development degree at the University of Moratuwa, graduating with First Class Honours and receiving a Gold Medal. I completed Master of Arts in Fashion Technology at the London College of Fashion, University of the Arts, London and completed my doctorate (PhD) focused on the evolution of women’s clothing in Sri Lanka. As a Senior Lecturer, my work blends fashion, textile, crafts, heritage, culture, and sustainability.
Your career as an artist?
Though I identify more as a researcher and creative practitioner, art has always shaped my work. Childhood memories of weaving tools from my grandmother’s old handloom center, along with a fascination for color in nature, designing, sculpting and paintings, fueled my artistic exploration. My projects bridge design and heritage, often reviving traditional techniques through a contemporary lens.
Your work with the Crafts Council of Sri Lanka?
As Chairperson of the National Crafts Council (NCC), I help lead efforts to preserve and promote Sri Lanka’s craft heritage while supporting over 20,000 artisans. From craft village development to initiatives like Shilpa Abhimani, the craftsmen training programmes, market access, and connecting crafts with tourism and younger generations.
What are your thoughts on the significance of crafts, heritage, and culture?
Craft is the soul of a nation—it links hands, minds, and hearts. It teaches patience, creativity, and cultural identity. Our heritage is rich with around over 30 craft traditions, and integrating craft education can instill pride and resilience in today’s fast-paced world.
Are we doing enough as a country to preserve our culture and heritage?
While commendable efforts are underway, there’s more to be done. Preservation must be embedded in education, policy, and public mindset. True change comes when people value their own culture and products—embracing what the world now calls “hyper-localism.”
Can traditional crafts find their niche in modern interiors?
Absolutely. Traditional crafts bring warmth, character, and authenticity to contemporary spaces. If artisans understand current market trends and adapt their presentation, these crafts can thrive in modern design contexts undoubtedly.
How can we create deeper awareness and appreciation of crafts?
Storytelling and education are key. People need to understand the time, skill, and meaning behind handmade work. Platforms like exhibitions, documentaries, media and school programs can help build this appreciation and pride in our own heritage.
Thoughts on national funding for art?
National funding is essential and should be seen as an investment in cultural and economic sustainability. Strategic public-private partnerships can support artisans, drive innovation, and promote cultural tourism to boost the national economy.
What are the key challenges facing artisans today?
Artisans face raw material shortages, policies, limited market access, undervaluation of their work, and weak generational continuity. Economic instability often discourages youth from joining the sector and lack of research and development initiatives for craft sector is crucial. These challenges need integrated solutions.
Where do you see the Sri Lankan craft industry heading?
With the right support, Sri Lankan crafts are poised for a revival. As global demand grows for sustainability and authenticity, our heritage can shine—offering rich stories and concepts, sustainable raw material and packaging, skilled and high-quality artistry, and cultural depth to the world.
Life style
Ramani Salon at Mount celebrates New Year

As the joyous rhythms of Sinhala and Tamil rang though the island, Ramani Fernando Salon at Mount Lavinia celebrated this day with a season of warmth, togetherness and gaety.
The staff at Ramani Fernando Salon representing the true spirit of Sri Lankan traditons followed by religious observances came together to celebrate this auspicious occasion.Today the Avurudu at the salon is remarkable and exciting day for all of us” remaked Niroshan, supervisor of Ramani Salon, Mount Lavinia.
“We followed the ritual of boiling milk in a new clay pot symbolising new beginnings. All our members celebrated avurudu in traditional attire in vibrant colours adding to the festive atmosphere ’’ he said. Kiribath and sweets were followed made by staff themselves.
Life style
Jetwing Hotels portfolio align with modern travel expectations

Jetwing Hotels has unveiled a readjustment of its branding strategy, signalling a bold step forward in aligning its offerings with the evolving trends of modern travel. This initiative reflects the company’s commitment to addressing the diverse needs and preferences of today’s travellers while reinforcing its position as a leader in Sri Lanka’s hospitality sector.
Recognising the shifting dynamics of the travel industry, Jetwing Hotels is transitioning from its previous categorization of “Hotels” and “Villas” to a refreshed and more defined portfolio structure. The properties will now be grouped into four distinct segments: Jetwing Luxury Reserves, Jetwing Premium Hotels, Select Hotels, and Essentials. This strategic move aims to provide guests with a clearer, more intuitive understanding of the brand’s offerings, catering to a wide spectrum of travellers—from the budget-conscious to those seeking truly extraordinary escapes.
The first of the newly defined segments, Jetwing Luxury Reserves, represents the epitome of indulgence, crafted for discerning travellers seeking unparalleled exclusivity and personalised experiences. This segment features 5-star, flagship properties, each offering a harmonious blend of distinct architecture in stunning locations, gourmet dining experiences, and bespoke service that anticipates every need. Designed to provide not just stays but unforgettable journeys, Jetwing Luxury Reserves promises intimate sanctuaries where luxury meets authenticity.
The second category, Jetwing Premium hotels, is a collection of elegant spaces where contemporary comfort meets Sri Lanka’s rich heritage. This category includes a selection of 4-star and 5-star properties, each offering full-service accommodation and modern amenities. For those in search of a peaceful retreat or a place to reconnect, each stay is designed with refinement, warmth, and a touch of timeless charm. Rooted in the legacy of Jetwing, these hotels go beyond a place to stay—they deliver immersive experiences shaped by regionally inspired architecture and the hallmark of legendary Sri Lankan hospitality along with a variety of activities and excursions.
The third category, Select Hotels, bridges the gap between value and comfort, designed for modern travellers seeking authentic experiences at an accessible price point. Though these properties do not carry the Jetwing brand name, they embody its renowned warmth and hospitality. This collection of unique 3-star hotels, including destinations such as Hotel Sigiriyaaya, the award-winning Mermaid Hotel and Club in Kalutara, and Meena Amma’s Tea Experience in Ambewela, offers a delightful variety of experiences—whether it’s the tranquility of a charming cottage, the lively energy of a beachside retreat, or an engaging immersion into Sri Lankan traditions.
The final category, Essentials, is designed for adventurers and explorers; offering budget-friendly accommodations that meet essential travel needs, focusing on simplicity, practicality, and comfort. Included in this category are 3-star and 2-star brands, Hotel J and City Beds, respectively, that provide comfortable rooms at the convenience of a central location. Whether it’s a quick overnight stop or a base for exploring the region, guests can enjoy reliable, no-frills hospitality.
Hashan Cooray, Director of Marketing and Development, stated, “Today, after the turmoil we all faced for over four years, we are more optimistic than ever about the growth potential of our industry and its role in transforming Sri Lanka’s economy. With this in mind, we felt it was time to bring more clarity to our branding as we now operate over 35 properties around our paradise island.”
Jetwing Hotels remains steadfast in its commitment to sustainability and delivering exceptional hospitality across all segments, ensuring every traveller experiences the warmth, service excellence, and legendary Sri Lankan hospitality that define the brand. From the quiet indulgence of Jetwing Luxury Reserves to the refined sophistication of Jetwing Premium Hotels, the cosy comforts of Select Hotels, and the practical simplicity of Essentials, Jetwing Hotels offers thoughtfully tailored experiences that resonate with the needs of every guest. Each category reflects the brand’s dedication to providing not just accommodation but meaningful journeys that celebrate Sri Lanka’s beauty, culture, and heritage. With a focus on innovation, sustainability, and personalised service, Jetwing Hotels continues to set new benchmarks in the global hospitality landscape, ensuring that every guest feels truly at home.
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