Life style
The best looks from the coronation weekend
It’s been a weekend of celebrations and history in the making for the coronation of King Charles. Last week some of the most fashionable celebrities, heads of state and members of royal families across the globe attended the official coronation at Westminster Abbey, which saw over 2000 guests witness the historical ceremony.
Although guests came dressed to the nines, they were actually asked to dress down for the occasion, breaking royal tradition as part of the King’s attempt to add an element of modernisation to the coronation. So, tiaras were swapped for fascinators and, with the exception of the King, Queen and Prince and Princess of Wales in royal regalia – robes and grand ceremonial garments were eschewed for more relaxed look. The result? Some stunning fashion moments from everyone from Katy Perry to Princess Beatrice.
Then on Sunday 7 May, the new King and Queen were thrown a star-studded concert with thousands of cheering members of the public – some 20,000 of them – in the audience in the grounds of Windsor Castle. The evening was hosted by Downtown Abbey actor Hugh Bonneville and saw the likes of Katy Perry, Nicole Scherzinger and Tiwa Savage take to the stage. Meanwhile, Kate Middleton, Princess of Wales, gave us a lesson in summer suit dressing (in her go-to Alexander McQueen, of course).
The evening also saw Prince William pay a touching tribute to his father and late grandmother, saying: “Pa, we all so proud of you,” before continuing: “I know she’s up there, fondly keeping an eye on us.”
Kate Middleton
In keeping with the Alexander McQueen theme of the weekend, the Princess of Wales wore a red McQueen suit and her hair in soft waves to attend the coronation concert celebrations.
Katy Perry
Katy Perry stunned on stage in a metallic gold ball gown with matching opera-length gloves, and her hair slicked back into a sleek updo.
Sonam Kapoor
Making a spoken word performance at the coronation concert, actor Sonam Kapoor wore a floral gown co-designed by Anamika Khanna and Emilia Wickstead.
Kate Middleton
The Princess of Wales wore formal regal robes and a deep blue Royal Victorian Order mantle edged in
scarlet over an embroidered silk dress by Alexander McQueen for the coronation on Saturday 6 May. She didn’t opt for a tiara or flower crown, but a crystal and silver bullion leaf headpiece by Jess Collett for Alexander McQueen.
Rania Al Abdullah, Queen Consort of Jorda
Queen Rania wore a lemon yellow silk pencil dress by Tamara Ralph Couture.
Queen Letizia of Spain
Queen Letizia of Spain wore a fuchsia two-piece with a blush netted hat.
Pippa Middleton
We love the soft yellow shade of Pippa Middleton’s gown.
Emma Thompson
Emma Thompson arrived at Westminster Abbey in a red rose print coat from Emilia Wickstead over a black dress with black satin bejewelled pumps by Roger Vivier.
Princess Beatrice
Princess Beatrice wore a pink belted dress with a pearl clutch bag, statement headband and jewels by Garrard.
Jill and Finnegan Biden
Jill Biden wore a blue skirt with matching jacket, while granddaughter Finnegan Biden wore a custom Markarian sommer seamed corset dress with a matching cape in yellow silk crepe. The colours together appear to be a tribute to Ukraine, and the pair were seated next to Ukrainian First Lady Olena Zelenska.
Zara Tindall
Zara Tindall wore a cornflower blue belted dress with a brooch belonging to her mother, Princess Anne.
Queen Jetsun Pema of Bhutan
Queen Jetsun Pema of Bhutan wore a traditional kira in a beautiful purple shade as she arrived at Westminster Abbey with King Jigme Khesar.
Kate Middleton has arrived at Westminster Abbey ahead of the Coronation of King Charles and Queen Camilla, a hugely historic event, so it’s no wonder the Princess of Wales chose to pay touching tribute to the late Queen Elizabeth II and Princess Diana with her choice of jewellery.
To pay tribute to the two royal women who came before her, the Princess of Wales wore the late Queen’s George VI Festoon necklace, three tiers of stunning diamonds which was originally created in 1950 as a gift from King George VI to his daughter, then Princess Elizabeth before being crowned Queen Elizabeth II in 1953.
Meanwhile Kate also honoured Princess Diana by wearing her pearl and diamond earrings, which she’s worn many times before.
To pay tribute to the two royal women who came before her, the Princess of Wales wore the late Queen’s George VI Festoon necklace, three tiers of stunning diamonds which was originally created in 1950 as a gift from King George VI to his daughter, then Princess Elizabeth before being crowned Queen Elizabeth II in 1953.
Kate also honoured Princess Diana by wearing her pearl and diamond earrings, which she’s worn many times before.
The Princess of Wales wore formal regal robes and a deep blue Royal Victorian Order mantle edged in scarlet – at the request of the King and Queen – over an embroidered silk dress by Alexander McQueen. She didn’t opt for a tiara or flower crown, but a crystal and silver bullion leaf headpiece by Jess Collett x Alexander McQueen. The embroidery work of rose, thistle, daffodil and shamrock symbolised the four nations of the UK. Princess Charlotte dressed the same in an adorable mini-me moment, matching her mother in an ivory Alexander McQueen dress with the same floral embroidery and Jess Collett x Alexander McQueen headpiece.
Between the Royal Family, A-listers and the international elite, the Coronation of King Charles III was always going to be a fashion spectacle for the ages.
The pomp and pageantry of the ceremony lived up to expectation, and while spouts of protest accounted for moments of ruckus outside, guests making their way to the 2000-strong congregation did so in spectacular style.
Inevitably, it was the Firm’s chief of glamour, the Princess of Wales, who won hearts with the most fashionable look from the family – this time, with the added presence of her mini-me. Catherine enlisted the help of Alexander McQueen’s creative director Sarah Burton, her longtime trusted designer who was behind her 2011 lace wedding dress, to craft the ivory crepe gown, embroidered with roses, thistles, daffodils, and shamrocks she wore under her blue state robe.
Importantly, McQueen worked with London based milliner Jess Collett to make Greek-like, silver floral headbands in the place of a tiara squashing months of speculation over whether she would be borrowing from the Royal collection, and fears of a flower crown more suited to Glastonbury. Making headlines, however, was her daughter Princess Charlotte, who at 8 years old won hearts in her matching McQueen white cape, sparkling headpiece, and white ballet pumps, alongside her brother Prince Louis who, though restless in ceremony, looked smart in navy.
Ranking high in grandeur was Princess Anne, who wore her her Blues and Royals uniform and the green velvet Thisle cloak complete with a red feathered, bicorne hat. Her daughter, Zara Phillips, was less stoic but still elegant in a baby blue dress coat, matching Strathberry bag and diamond brooch last worn by Princess Anne in 2017.
Sisters Princess Eugenie and Beatrice took opposing routes, the former in subdued navy Fendi and the later a hot pink Beluah dress, a label whose tagline is “fighting slavery through fashion”. Sophie, Duchess of Edinburgh was respectful in her Suzannah London white gown which, designer Suzannah Crabb told The Standard, “features a beautiful hand embroidered train inspired by gowns and regalia from the Queen’s Coronation in 1953.” While not heaving with Hollywood superstars like a Royal Wedding, a number of famous faces did pull focus. Dame Emma Thomspon was an early arriver, doing so in a flamboyant red and black rose woven opera coat by Emilia Wickstead. She was joined by Lionel Richie, who was dapper in a top hat and Garrad diamond brooch, Ant and Dec, in three-piece morning suits and Nick Cave who was ever the vamp in a black suit with dark hair slicked back.
Also outside the Abbey was Dame Joanna Lumley, who is infamously fond of the royal family, and looked thrilled to be in attendance wearing her 60s style navy dress with a contrast white collar and white bowler hat. Stealing focus, though, was a sugar-pink Katy Perry who wore a bespoke suit from Vivienne Westwood, UK fashion’s late Queen of Punk, as she arrived with British Vogue’s editor in chief Edward Enninful. Left and right came together as streams of UK politicians made their way into the Abbey for the ceremony. It was Penny Mordaunt, the Tory MP who is the Leader of the House of Commons and Lord President of the Privy Council, who stole the spotlight as she demonstrated impeccable upper body strength holding up the mighty 17th-century Sword of State for the duration of the service.
Her outfit, a teal caped dress with golden fern embroidery from Hand and Lock, was more controversial, giving way to a string of less favourable memes. UK Prime Minster Rishi Sunak arrived with wife Akshata Murty, who opted for a soft blue, jacquard dress by London based designer Claire Mischevani. “It was an absolute pleasure to dress Mrs Murty, for such a momentous, British occasion,” the designer told The Standard. “As an independent British brand, it means so much to see our pieces worn to such occasions.”
Former Prime Ministers included David Cameron and his wife Samantha, who wore a floral red frock with scarlet hat, Boris Johnson and his wife Carrie, who opted for a blue dress and navy tweed jacket, as well as Liz Truss and Thersea May who both braved shots of orange in their looks.
And with no fear of controversy, it was Suella Braverman who won prize for most outlandish head piece as she demanded attention wearing an huge, cream organza fascinator and grey suit.
The Coronation would not have been complete without a helping of international razz-matazz – and there was no shortage of that. Led by the woman dubbed Spain’s answer to Kate Middleton, Queen Letizia did not disappoint in a hot pink peplum skirt suit by Carolina Herrera, complemented by a wide brimmed hat as she made her way into the Abbey with husband, King Felipe. Marie-Chantal, Crown Princess of Greece was another adopter of the popular powder blue in her custom look by Mary Katrantzou, which she finished with an unconventional clutch – a model of Marcel Proust’s novel In Search of Lost Time. Rounding off the best dressed European royals was Princess Charlene of Monaco, who was ever-striking but understated in a pale beige, button-up skirt and blazer complete with sash-style drape.
Jill Biden, First Lady of the United States, opted for a periwinkle power suit, with matching gloves and ribbonned headpiece nestled in blonde hair. It comes after her shocking hot pink statement as she met with Akshata Murty at No.10 Downing Street yesterday. First Lady of Ukraine Olena Zelenska, wife of President Volodymyr Zelenskyy, also made an inspiring appearance alongside Ukrainian Prime Minister Denys Shmyhal in a monochromatic, pale-teal look.
Her smart overcoat featured side pleats, worn over a coordinating slip dress and finished with drop pearl earrings and white heels. French president Emmanuel Macron wore an all black suit and tie as he was joined by his wife Brigitte, who channelled quiet luxury in an uber-chic pastel pink dress and matching coat designed by Nicolas Ghesquière for Louis Vuitton. Elsewhere, looking resplendent in their respective national dress, were King Jigme Khesar Namgyel Wangchuck and Queen Jetsun Pema of Bhutan, Queen Nanasipauʻu Tukuʻaho of Tonga, and Crown Princess Kiko of Japan.
Life style
River of Life in Peril: Shantha Jayaweera’s Four-Decade Vigil in Boralugoda
In the quiet, rain-washed village of Boralugoda, where narrow streams slip silently through thick green undergrowth and the air carries the scent of wet earth, a remarkable story of science, persistence, and quiet resistance has been unfolding for decades.
At its centre is Research Scientist and artist Shantha Jayaweera—a man who has spent nearly 40 years studying, documenting, and defending one of the richest freshwater ecosystems in the island. His life’s work is not just about fish, but about a fragile world that exists beneath the surface of flowing water—often unseen, frequently misunderstood, and increasingly under threat.
“Sri Lanka holds a very special place in global freshwater biodiversity,” Jayaweera says, reflecting on decades of fieldwork. “But even within the island, there are pockets that are extraordinarily rich. Boralugoda is one of them.”
A Global Context, A Local Wonder
Sri Lanka is part of the Oriental region—one of the most biologically diverse freshwater zones in the world. Within the island, the lowland wet zone stands out as the most species-rich area, nurtured by year-round rainfall and dense vegetation.
But Boralugoda, located within this wet zone, is exceptional even by those standards.
“Out of about 94 true freshwater fish species recorded in the country, around 84 are found in the lowland wet zone,” Jayaweera explains. “What is remarkable is that Boralugoda alone supports 53 species. That is the highest number recorded in any inland location.”
He pauses before adding a sobering detail.
“Of those 53 species, 26 are endemic. And 23 are threatened—ranging from vulnerable to critically endangered. That’s a very serious signal.”
- Boralugoda Ella
The Secret of the Maguru
Flowing through this biodiversity hotspot is the Maguru River—a relatively small river with an outsized ecological role. Originating in the rainforest-covered Morapitiya area, it carries with it the ecological signature of its pristine beginnings.
“What makes the Maguru unique is its clarity,” Jayaweera says. “Most rivers turn brown as they carry sediment downstream. But this river remains clear, which allows sunlight to penetrate and sustain aquatic life.”
The river’s structure adds another layer of ecological complexity.
“It starts with fast-flowing, rocky sections and then gradually shifts to sandy, slow-moving areas,” he explains. “Different species are adapted to each of these habitats. Some are highly specialised and cannot survive outside the rocky zones.”
This diversity of microhabitats is one of the key reasons for the area’s richness.
“Fish like certain gobies and barbs are restricted to fast-flowing rocky areas,” he notes. “If those habitats are disturbed, the species simply disappear.”
Streams That Sustain Life
Beyond the main river, Boralugoda is crisscrossed by an intricate network of streams—fed by rainfall, forest cover, and underground springs.
“This area has one of the highest stream densities in the Western Province,” Jayaweera says. “These streams act as nurseries, refuges, and migration pathways for many species.”
The surrounding landscape further enhances this ecological mosaic.
“You have a mix of rainforest patches, home gardens, tea estates, and cultivated lands,” he explains. “Each of these contributes in some way to the overall habitat diversity.”
However, this delicate balance is increasingly being pushed to its limits.
Sand Mining: A River Reshaped
One of the most destructive forces to hit the Maguru River has been large-scale sand mining, particularly since the early 2000s.
“The riverbed has been completely altered,” Jayaweera says, his tone turning grave. “We’ve lost aquatic plants, native riverbank trees, and entire habitats.”
The ecological consequences have been severe.
“The endangered Red Neck Goby has become locally extinct,” he reveals. “And the Ocellated Pipefish has not been recorded for years, largely due to the loss of specific aquatic plants it depends on.”
The physical damage to the river is equally alarming.
“Sand mining has deepened the river unnaturally,” he explains. “This leads to bank erosion, collapse, and long-term instability. It changes the entire character of the river.”
Although recent policy changes have halted new permits, the damage done over decades cannot be easily reversed.
- Marbled spiny eel
- Red tailed goby – endangered
Tea Expansion and Vanishing Buffers
Another major pressure comes from agricultural expansion—particularly the spread of lowland tea cultivation.
“Since the 1990s, we’ve seen a steady conversion of home gardens and even forest patches into tea plantations,” Jayaweera says. “In some cases, even rubber lands have been cleared.”
This transformation has not only reduced biodiversity on land but has also affected water systems.
“Riverbank vegetation is often cleared to make way for cultivation,” he explains. “But these trees are critical—they stabilise banks, filter runoff, and provide shade.”
What is particularly troubling is the disregard for existing environmental regulations.
“There are clear laws requiring buffer zones along rivers and streams,” he says. “But many local authorities are either unaware or do not enforce them. As a result, these protective areas are disappearing.”
A Life Dedicated to Observation and Action
For Jayaweera, these changes are not abstract trends—they are deeply personal.
“I’ve been observing this ecosystem for nearly four decades,” he says. “I’ve seen species decline, habitats shrink, and patterns change.”
But his work has never been limited to observation alone.
Through the Organisation for Aquatic Resources Management (OARM), he has led numerous conservation and restoration efforts.
“We’ve worked on replanting rainforest species in degraded areas, restoring stream banks, and raising awareness among local communities,” he explains. “In some places, we’ve seen encouraging signs of recovery.”
His approach combines science with grassroots engagement.
“Conservation cannot happen in isolation,” he says. “You need the community to be involved.”
Where Science Meets Art
What sets Jayaweera apart is his ability to translate science into art.
As an accomplished artist, he uses illustrations and visual storytelling to bring freshwater ecosystems to life.
“Art can reach people in ways that science sometimes cannot,” he says. “It creates an emotional connection.”
His paintings often depict the intricate beauty of fish species, aquatic plants, and flowing streams—capturing not just their form, but their essence.
“When people see what is at stake, they are more likely to care,” he adds.
A Community at a Crossroads
Despite decades of work, challenges remain at the community level.
“Some people still treat rivers as dumping grounds,” Jayaweera says with frustration. “Plastic and waste continue to find their way into these waters.”
Yet, there are also signs of hope.
“A group of committed individuals regularly organise clean-up campaigns,” he notes. “They collect waste and display it publicly to raise awareness. It’s a simple but powerful act.”
These grassroots efforts, he believes, are crucial.
“Real change begins at the local level,” he says.
A Fragile Future
For Jayaweera, Boralugoda is more than just a field site—it is a symbol of what is at stake.
“If we lose ecosystems like this, we lose something irreplaceable,” he warns. “These species are found nowhere else in the world.”
His message is both urgent and measured.
“We need stronger enforcement of environmental laws, better awareness, and a genuine commitment to conservation,” he says.
“Otherwise, the damage will become irreversible.”
As the clear waters of the Maguru River continue to flow through Boralugoda—past rocks, roots, and remnants of a once-pristine landscape—they carry with them a quiet story of resilience.
And alongside that flow stands Shantha Jayaweera—scientist, artist, and guardian of a hidden world—still watching, still working, and still hoping that it is not too late.
By Ifham Nizam
Pictures by Shantha Jayaweera
Life style
Cheers to one year! Cinnamon Myst still casting its spell
Perched in the heart of Sri Lanka’s hill capital, Kandy Myst by Cinnamon recently marked its first anniversary, celebrating a year of redefining modern hospitality in the historic City of Kandy. Since opening its doors on February 12, 2025, the hotel has quickly established itself as a vibrant lifestyle destination that blend contemporary comfort with the cultural charm of the region.
This property was designed to bring a fresh energy to the city’s hospitality scene with 215 modern rooms, the largest room inventory in Kandy. The hotel caters to both leisure and business travellers seeking comfort, convenience and stylish surrounding close to the city’s key attraction.
Within the first year, the hotel has achieved notable milestones, including become the first hotel in Kandy to receive Leed Gold Certificate reflecting its commitment to sustainable and responsible development. Beyond accommodation and dining, the property has also emerged as a hub for cultural events.
As Kandy Myst by Cinnamon enters its second year, the hotel continues to position itself as more than a place to stay. With its lively dining venues, social spaces and commitment to sustainability and community engagement, it is steadily shaping a new chapter in Kandy’s evolving hospitality landscape – one where tradition meets contemporary style.
Over the months the restaurant has hosted themed culinary events, special promotions and vibrant social evenings, further strengthening its place as a lively hub in Kandy’s hospitality scene. Guests have been drawn not only by the flavours on the plate but also by the inviting atmosphere that captures the essence of city’s elegance.
Kandy Myst by Cinnamon celebrates its first anniversary, marking a year as Kandy’s contemporary hospitality destination that brings energy, culture, and lifestyle experiences to the city. Opened through a partnership between Cinnamon Hotels & Resorts and Indra Traders (Pvt) Ltd, the hotel blends hospitality expertise with local insight to deliver a modern, energetic and lifestyle driven offering.
With the highest room inventory in Kandy, comprising 215 contemporary rooms, Kandy Myst by Cinnamon caters to both leisure and business travellers, offering modern comfort in close proximity to the city’s key attractions and transport routes. Its dynamic dining and social spaces; Grains Dining, Terra Lounge, and the rooftop Kosmos Sky Bar with heated infinity pool, invite guests and locals to engage, with panoramic city views, curated entertainment, and vibrant social experiences. Grains Dining, the buffet restaurant, serves an extensive selection of local and international cuisine, while Terra Lounge provides a welcoming café-style hub for casual meetups and social gatherings.
In its inaugural year, the hotel achieved significant milestones, becoming the first hotel in Kandy to receive LEED Gold certification, demonstrating a commitment to responsible, future-ready development. Reinforcing its culturally connected and globally relevant positioning, Kandy Myst by Cinnamon hosted globally celebrated icons such as Alpha Blondy and a series of high-profile local and international events, including the official trophy unveiling of the inaugural New Zealand U85kg Rugby Tour of Sri Lanka in May 2025.
Throughout the year, the hotel brought guests and the community together through seasonal activations, curated experiences, and loyalty-driven offers, contributing to strong engagement while supporting Kandy’s tourism economy through local partnerships and community initiatives.
As it enters its second year, Kandy Myst by Cinnamon continues to invite international and local guests alike to experience its vibrant dining, social, and lifestyle spaces, while reinforcing its role in shaping Kandy’s modern hospitality and cultural landscape. (Zanita )
Life style
Montblanc launches Explorer Extreme in Sri Lanka
Internationally renowned luxury Maison Montblanc has introduced its latest fragrance, Montblanc Explorer Extreme, to the Sri Lankan market through Exclusive Lines, the sole authorised agent for the brand in the country.
The launch event was hosted at Virticle by Jetwing, where guests were invited to experience the newest addition to the bestselling Explorer line in a setting that reflected the Maison’s enduring themes of adventure, refinement and craftsmanship.
Montblanc Explorer Extreme represents a significant evolution of the Explorer franchise and is the first Parfum concentration within the collection. Conceived as an ode to vast landscapes and the world’s most remote desert terrains, the fragrance delivers a deeper, more intense interpretation of the original Explorer Eau de Parfum. Its woody, ambery and leathery composition is crafted to embody courage, ambition and the drive to push beyond limits.
Hiru Surtani, Managing Director and CEO of Exclusive Lines, said the launch reinforces the company’s commitment to bringing globally celebrated luxury brands to Sri Lanka. “Montblanc Explorer Extreme Parfum stands for courage, ambition and the determination to surpass boundaries, values that strongly resonate with us at Exclusive Lines. We are proud to present this remarkable fragrance to Sri Lanka’s discerning consumers, offering a scent that captures the essence of adventurous living,” he stated.
- Treshan and Senuri
- Thiyasha
- Roshan Ranawana
Inspired by dramatic desert landscapes such as Saudi Arabia’s AlUla, the fragrance reflects the bold spirit of modern exploration. It opens with fresh green notes of bergamot blended with clary sage, creating an immediate sense of vitality. The heart reveals patchouli layered with Ambrofix™, delivering warmth and depth, while the base combines rich amber, leather accords and refined vetiver to leave a powerful and lasting impression.
The bottle design draws inspiration from the Montblanc Extreme 3.0 Collection, echoing its distinctive textured motif associated with modern travel and dynamism. Crafted from fully black lacquered glass and topped with a polished black cap, the design underscores the intensity of the parfum. Production and assembly take place at Montblanc’s dedicated Pelleteria workshop in Florence, Italy, with elements crafted across Germany and France, a testament to the Maison’s European craftsmanship.
The global campaign features American actor, model and musician Justice Joslin as the contemporary Explorer, set against striking desert landscapes that symbolise ambition and achievement.
Montblanc Explorer Extreme joins Montblanc Explorer and Montblanc Explorer Platinum in the line-up and is now available exclusively in Sri Lanka through Exclusive Lines outlets and authorised retail partners nationwide.
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