Life style

Temple art, frescos, and murals

Published

5 years ago

2021/01/31

Sahan Weerasooriya

Book Review

L.T.P MANJUSRI – Artist and Scholar (1902-1982)

By Shamil Wanigaratne

Publisher: Bay Owl Press

Price: Rs.7500

by Jomo Uduman

Most of us art lovers have certainly known of Manjusri. Associating him with, temple art, frescos, and murals. While not really prepared to delve or dive any deeper. That’s why Shamil Wanigaratne’s gem of a book (or monograph) that covers a gigantic canvas simply exploded in front of me. A riot of colour, fine drawings, draftsman-like detail, soft tones, subtle textures and delicate tints that unfurled Manjusri to be a classic prodigy, a national hero, who contributed enormously to our culture, art and history. Shamil’s brilliantly laid out and packaged missile of 240 pages (that took 10 years to produce) has brought on and showcased Manjusri to easily be one of the most versatile artists the world has ever known.

Shamil, first meticulously traces, chronicles and narrates the life and times of Manjusri . A timeline and a biography. Early education in a Muslim school in Beruwela! Performing Nadagam and Kolam, Apprentice carpenter at 11, An interest in levitation. Joined a Pirivena at 13 and ordained a monk at 19.The same year left for “Shantiniketan” the school of learning set up by Rabindranth Tagore whom he met there and Nandalal Bose who introduced him to the appreciation of art. His journey to Tibet that ended at Gangok in Sikkim and a formal training in art from Abbot Uchima. The Japanese spy incident. A founder member of the 43 Group from which he quickly fled. Student of many languages, life as a Journalist, Artist, Craftsman, Friend, exhibiting in London, Vienna and New York, winner of the Ramon Magsaysay Award – Asia’s Nobel Prize, Commemoration Stamp in his honor..

Shamil then gives us a spectacular gem studded tour of the exceptionally wide spectrum of Manjusri’s art. From the temple paintings of the Kandyan era which he copied and preserved, to paintings with Buddhist themes and Tibetan influences. Surrealism to Cubism. Abstract Expressionism to Abstract Symbolic Works. Still Life, Animal Drawings and Paintings and Landscapes. One of my favorites is the enigmatic painting “Artist” (also on the book cover). “The artist is represented only by the hand poised with a paintbrush. Two women, one viewed frontally, the other in profile, occupy the foreground. They are set within a forest populated with a lion, an elephant, birds, a butterfly and a toad, set in a hybrid landscape which includes Persianate-style rock formations and clouds, as well as Japanese inspired cherry blossom, bamboo and other landscape elements. The rich complexity of design elements adds to the paintings engaging presence”. My other favorites include “Nun and Noble Female Devotee”, “Tibetan Deity”, “The Bathers”, “Mother and Child”, “The Nativity”, “Woman in Hat”, “Woman in Purdah”, “Breast”..

G.P Malalasekera’s description of Manjusri’s vast and diverse art is apt and may be a good starting point in trying to understand his oeuvre: “He is full of contrasts, even contradictions. His artistic fecundity and variety are amazing. He is dexterous in the conventionalized and detailed line-work of traditional Indian and Sinhala art as in producing work obviously inspired by the modern exponents of Abstractionism and Surrealism. Nobody can doubt his remarkable ability as a draftsman. He has shown great ability in adapting for his own purposes the lessons to be learnt from the most ‘advanced’ painters from the west without, happily, yielding to imitation as so many of his contemporaries have done… He is skilful in handling soft tones and delicate tints as in the daring juxtaposition of the most varied and most brilliant colours. He is an exponent of all styles without developing a style of his own”.

What captivated me most was that, Manjusri was really a simple, gentle, generous, honest, humble human being who could engage (and navigate) easily with anybody he came across during his multi faceted life. Born in Aluthgama and named L.T. Peiris, nobody knows how he mysteriously acquired the name Manjusri which means “Gentle Glory” in Sanskrit! Manjusri is one of the most important iconic figures in Mahayana Buddhism and is known as the Bodhisattva of Great Wisdom.

Shamil also generously lends some space to the art of Manjusri’s children Manjista, Mandalika and, Kushan who particularly helped him immensely in putting this book together. Copies of paper cuttings that document Manjusri’s articles with sketches and other significant contributions to our cultural history also adorn the book together with very interesting letters written by his many admirers.

Dr. Shamil Wanigaratne is a much sought after Clinical Psychologist and a specialist in the field of addiction and mental health capacity building who lives in the UAE while doing a lot of bro bono work in Sri Lanka. In the year 2000 he published another excellent book to commemorate and introduce the works of George Claessen – a founder member (together with Manjusri) of the 43 Group who many believe heralded the dawn of Modern Art in Sri Lanka. Shamil’s interest, knowledge and love for art is indeed extraordinary. I am sure there will be much better reviews of this wonderful book on the Life, Voyage and Works of Manjusri that will be written and published soon. But I do hope mine will quickly inspire and gently nudge art lovers to take the first step in owning and relishing its valuable contents so lovingly put together by Shamil.

All News Advertisement

Life style

Beauty of Sri Lanka in focus: Global showcase blends art, diplomacy and conservation

Published

2 hours ago

2026/04/12

Thilina Walpola

Ambassador Jovita Neliupsiene, Head of the EU Delegation to the US, and Mahinda Samarasinghe, Ambassador of Sri Lanka to the US, joined a special viewing of the exhibition

By Ifham Nizam

The sixth edition of the “Beauty of Sri Lanka” Photography Exhibition is set to unfold across North America this April, transforming the power of visual storytelling into a compelling platform for cultural diplomacy, environmental advocacy and nation branding.

Organised by the America Sri Lanka Photographic Art Society in collaboration with key diplomatic and institutional partners, including the Embassy of Sri Lanka in Washington, D.C., the Permanent Mission of Sri Lanka to the United Nations, the Consulate General of Sri Lanka in Los Angeles and Toronto, and the Sri Lanka Tourism Promotion Bureau, the exhibition will run from April 22 to May 4 across Los Angeles, Toronto, New York and Washington, D.C.

Held in conjunction with Earth Day, the exhibition continues to evolve as a globally recognised initiative that brings together art, conservation and international engagement. What began as a photography showcase has now matured into a dynamic soft-power platform that tells Sri Lanka’s story to the world—through its landscapes, biodiversity, and deeply rooted cultural heritage.

Photographers from Sri Lanka at Nigara State Park

The 2026 tour will feature prestigious venues that reflect its growing international stature. These include the iconic Church of Scientology Celebrity Centre International, Metro Hall in Toronto—marking the exhibition’s debut in Canada—the Permanent Mission in New York, and the Sri Lankan Embassy in Washington, D.C., as part of the widely celebrated Passport D.C. event. Each venue represents not only a geographic expansion but also a widening of the exhibition’s global audience and influence.

Exhibition

At its heart, “Beauty of Sri Lanka” is a vivid narrative of a nation’s natural and cultural wealth. From the mist-covered central highlands and pristine coastal belts to dense rainforests teeming with endemic wildlife, the exhibition captures Sri Lanka’s ecological richness through the lenses of talented photographers. These images serve as both an invitation to explore and a reminder of the urgent need to protect fragile ecosystems.

This year’s programme takes a significant step further by integrating real-world environmental action. The “ReTree Los Angeles” initiative, launched in line with Earth Day, focuses on tree planting, urban restoration and community engagement. It also includes a children’s painting competition aimed at fostering environmental awareness among the younger generation. Organisers believe that nurturing creativity at an early age can instil a lifelong commitment to conservation.

Adding a scientific dimension to the event, Dr. Sarath Gunapala will deliver the keynote address on “The Journey of Infrared Photography,” exploring how advanced imaging techniques can reveal unseen dimensions of the natural world. His participation highlights the exhibition’s interdisciplinary approach, where art meets science to deepen understanding and appreciation.

The exhibition will also feature a vibrant cultural segment designed to immerse international audiences in Sri Lanka’s living traditions. A carefully curated lineup of performances—including the sacred Wes Pooja, the dramatic Naga Raksha mask dance, the rhythmic Thelme ritual dance and the light-hearted Salu Paliya—will bring to life the island’s folklore, rituals and performing arts heritage. These performances are expected to add colour, rhythm and emotional depth to the visual experience offered by the photographic displays.

ASPAS President Suria Perera emphasised that the exhibition is more than a display of images. “It is a celebration of Sri Lanka’s identity—its natural beauty, its cultural vibrancy, and its responsibility to future generations,” she said. “Through photography and community engagement, we aim to inspire a deeper connection between people and the environment.”

Over the years, the exhibition has drawn a diverse audience, including diplomats, policymakers, conservationists, art collectors and members of the Sri Lankan diaspora. Its ability to connect these varied groups underscores its role as a bridge between cultures, fostering dialogue and mutual understanding while strengthening Sri Lanka’s global presence.

The continued support of diplomatic missions, cultural institutions and tourism authorities has been instrumental in elevating the exhibition’s profile. Their collaboration reinforces the role of art as a powerful tool in shaping perceptions, building partnerships and promoting sustainable tourism.

As the 2026 edition prepares to open its doors, “Beauty of Sri Lanka” stands as a testament to the island nation’s enduring appeal and its commitment to conservation. It is not merely an exhibition, but a movement—one that celebrates beauty, inspires responsibility and connects Sri Lanka to the world through the universal language of art.

Life style

Vibrant celebration of tradition and togetherness

Published

3 hours ago

2026/04/12

Thilina Walpola

This holiday season, City of Dreams Sri Lanka invites guests to step into the heart of a truly Sri Lankan celebration with Signature Avurudu—a four-day cultural experience taking place.

Blending time-honoured traditions with contemporary flair, the festivities promise to capture the spirit of the Aluth Avurudda (Sinhala and Tamil New Year) in all its colour, rhythm, and warmth. From the moment guests arrive, they will be welcomed into a space transformed with festive décor, echoing the charm of a village celebrations brought to life in the city.

At the centre of the celebration is the Pahan Pujava, a symbolic lamp lighting ceremony led by the management, setting a tone of unity, prosperity, and new beginnings. This meaningful ritual reflects the essence of the New Year—a time to pause, reflect, and step into the new year with hope and positivity.

Throughout the four days, guests can experience the rich cultural heritage of Sri Lanka through a series of traditional performances. The rhythmic beats of raban and drums, alongside vibrant dance acts, will fill the air, creating an atmosphere that is both nostalgic and celebratory. Adding to the experience are elegantly dressed Sri Lankan hostesses, offering a warm, authentic welcome that embodies the island’s renowned hospitality.

No Avurudu celebration is complete without its flavours, and City of Dreams Sri Lanka delivers a feast to remember. Guests can indulge in an array of traditional sweets and savouries, alongside curated Avurudu-themed buffets and creative beverages inspired by local ingredients. Passing canapés and festive treats ensure there is something to enjoy at every turn—whether you’re reminiscing over childhood favourites or discovering new twists on beloved classics.

Designed as a celebration for all, Signature Avurudu brings together families, friends, and visitors from around the world to share in the joy of the season. It is a reminder that Avurudu is more than a festival—it is a feeling of togetherness, renewal, and shared happiness.

This April, celebrate the sights, sounds, and tastes of Avurudu at City of Dreams Sri Lanka—where tradition meets modern celebration, and every moment feels like home.

Life style

Thomian sailors secure many medals in India

Published

3 hours ago

2026/04/12

Thilina Walpola

Thomian sailors witj official

Students of S. Thomas’ College recently demonstrated commendable performance at two international sailing events held in India: the inaugural Indian Sailing Regatta and the 4th North-East Regatta. Both events featured participation from foreign teams, including Sri Lanka, Taiwan, Malaysia, Russia, Great Britain, South Korea, Singapore, and India.

The inaugural Indian Sailing League (ISL), held at Umiam Lake, Shillong, India, marked a significant milestone in the sport and was prominently featured in The Times of India. The ISL is a first-of-its-kind franchise-based sailing league, bringing together 14 teams, 182 sailors, and 58 international participants from eight countries.

The ISL follows a concept similar to the Cricket Indian Premier League, where top sailors are “bid” and selected into franchise teams representing different regions. The competition introduced an innovative team-based format in which the best sailor from each team in each category competed, combining multiple race formats such as fleet racing, team racing, marathon races, and rig-and-race challenges. This pioneering structure, widely regarded as a first in global sailing history, has significantly enhanced the spectator appeal and competitive depth of the sport, while promoting youth, women, and high-performance sailing on a single platform.

At the first Indian Sailing Regatta, in the Boys’ Optimist category, Haren Wickramatillake secured 3rd place and was also awarded a special medal for his courage during the rig and race event. Dhiren Perera achieved 3rd place in the rig and race event alongside his team member.

At the 4th North-East Regatta, performances continued to be noteworthy. In the Main Optimist Boys category, Haren Wickramatillake was placed 6th, while Shem Fernando secured 19th place out of 32 participants. In the Junior Green Fleet Optimist Boys category, Anuruth Tennakoon achieved 2nd place and Dhiren Perera was placed 4th out of 10 participants. In the ILCA 4 Boys category, Akaine Ubayasiri was placed 11th out of 22 participants.

These achievements highlight the high level of skill, determination, and sportsmanship demonstrated by the young sailors, while also reflecting Sri Lanka’s strong presence in an emerging and globally significant sailing platform.

Upcoming international sailing events, featuring students of S. Thomas’ College, include the Asian Beach Games 2026, to be held in China ,in April 2026, and the International Optimist Dinghy Association (IODA) competition, scheduled to take place at Port City, in Sri Lanka, in December 2026. These events will provide valuable international exposure and further opportunities for the young college sailors to compete at a high level.