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Talk of the local film business

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I found a long email from film producer/director/entrepreneur Chandran Rutnam. He had sent it to several other people, journos included. Being a cinema buff and an admirer of Rutnam as one of our premier film producer/directors I read carefully through and decided I need to convey most of what he wrote to a wider readership. Plus add my own comments. I rate his films The Road from Elephant Pass and According to Matthew two of the best of Sri Lankan films, the latter first released in English. They were excellent in filming, editing, and the carefully selected actors suited roles they played. Translated and dubbed to several languages, they were screened in many other countries.

If you remember, Road from Elephant Pass was an adaptation of Nihal de Silva’s novel of the same name. Ashan Dias depicted the army captain detailed to escort a Tamil girl who is supposed to want to convey a top secret to an Army high-up in Colombo. Her double crossing plan goes haywire when she falls in love with the originally nasty soldier. Ratnam’s wife told me interestingly how Suranga Ranawaka was selected to play the role of the LTTE-er disguising herself as traitor to the Tamil cause, but in the end becoming one for the sake of love. Ratnam had been long on the lookout for a girl he felt would play the role competently and also look it. On his return to office from a sojourn overseas he spotted a new employee. He immediately sensed she was the girl he had been looking for to play Kamala Velaithan.

According to Matthew –

the scandalous saga of midnight masses, priestly sexual indiscretion and an illicit love affair; murder of two innocents by Father Mathew Pieris of the Anglican Church of St Paul the Apostle on Kynsey Road had no easy passage to screening in cinemas. The Church objected strongly and would not allow filming in the Kynsey Road premises. Thus the construction of extensive sets with a replica of the domed church. However, it finally made it and was translated to several languages and won accolades. Alston Koch played the role of the well built, deep voiced hypocritical padre to perfection while a just-turning-popular Bollywood star, Jacqueline Fernandez, played the bewitched woman who was complicit in the murder of respective spouses.

The above is an introduction to a man who needs no introduction, and who has moved to have local films accepted as an industry with accruing benefits.

Local cinema now an industry

In the email received, the announcement is made that finally Sri Lankan cinema is an industry. “We were 40 years behind but that is a norm for Sri Lankan cinema. We were 10 years behind in our entry to digital projection. It has also been observed that the cinema industry in most of the countries in the world has been improved with the recognition of cinema as an industry.” The email noted that the motion picture industry is a multimillion dollar business throughout the world, India and the US leading. The reason why we have lagged so far behind is adduced to “personal agendas within agendas and of course, the Sri Lankan brand of Jealousy and Envy embedded in our genes.” True? I agree. Judging is by what pertains in most fields of human activity in this land.

The email says the making and marketing of films, like the manufacturing of any product is primarily an industry and must come under the purview of the Ministry of Industries. A selected film, if considered of cultural value, should be transferred to the Ministry of Cultural Affairs, where the business of films making, distribution and screening belonged to earlier.

Referring to the distribution of films, it must be at the discretion of the cinema owner. It is up to him to decide whether it’s marketable or not. “If the government wishes to accommodate loss making films often referred to erroneously as ‘Art films and Award Winners’ the Ministry of Culture must take the credit and bear the loss. They could, if they wish to, screen such in their special cinema circuit.”

Four all important factors in show business are identified: production, exhibition, profit and quality. Expanding on ‘show business’ the definitions are Show: business that produces a product that people are willing to pay to watch. Business is that the film covers costs and makes profit or loss.

“As an ‘Industry’ the cinema owners must be encouraged to give a better ambiance and a better service. They must be given the liberty to exhibit any film in any language which they feel will fill their cinemas for their survival. The survival of the cinemas is of paramount importance if the cinema industry is to prosper.

“Our local Sinhala and Tamil films must upgrade their quality and audience appeal to compete for exhibition in the cinemas. We have the talent…we have the technology and most of all, we now have a worldwide audience.”

Ratnam ends his email on film as an industry by intoning “Better late than never.”

History of Sinhala cinema

I deem it not out of place, rather pertinent, to go back in time to trace very briefly the birth of cinema in our land. I researched when I wrote about the incomparable Rukmani Devi some time ago.

The birth of the Sinhala film industry was on January 21, 1947; in India though. Thus our local film industry is three score and ten plus four years. As we all know, it was Kadawunu Poronduwa (Broken Promise) that holds the honour of being the first Sinhala film, produced by S M Nayagam, directed by Jyotish Singh and scripted by BAW Jayamanne. Stars were Rukmani Devi, the queen of emotion; Eddie Jayamanne – dubbed on billboards as The King of Comedy, Mabel Blythe his partner in kitchen antics, Stanley Mallawarachchi – Rukmani’s love interest and also starring Bertram Fernando and others.

Hollywood produced the world’s first sync-sound musical – The Jazz Singer – starring Al Johnson on October 6, 1927. In Britain the first sound feature film was Blackmail directed by Alfred Hitchcock and released on July 28, 1929. India, now the world’s largest producer of films and having sections within the industry – Bollywood (Mumbai), Tollywood (Bengali), South Indian and in several languages – first released its sound talkie Aram Ara on March 14, 1931.

Looking at dates, we were 20 years behind Hollywood; 18 behind the UK; and 16 behind India. However the first Sinhala film produced in-house in Ceylon was in 1952, directed yet again by South Indian Nayagam and titled Banda Nagarayata Pamine, followed by Prema Tharangaya (1953) and Ahankara Sthree (1954).

Whatever said and done, our cinema has progressed with stalwarts like Lester James Peiris, Sumithra Peiris, Chandran Ratnam to name but three with very many younger persons of skill and sensitivity to direct and produce quality films. We are also glad that after untoward delay, digitalization of old films was introduced and is done now. The landmark making Rekawa was almost lost to posterity.

Thus congratulations to the movers and doers who have succeeded in getting due recognition for local films so it is henceforth a recognized industry.



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Features

‘Lord Edgware Dies’

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It has been some time since I read an Agatha Christie, the plot of which I cannot remember. So, I was delighted to find on the shelves of a friend Lord Edgware Dies, which I had a vague memory of, but no certainty about who had done it.

When I read it, I found that my memory of who was probably the killer was correct, but I could not be certain and the red herrings Christie threw in were so diverting that until almost the very end I wondered if I had been wrong.

The plot is very simple. Jane Wilkinson, who is married to Lord Edgware, tells him that she is desperate for a divorce since she is in love with a very proper Anglo-Catholic peer, Lord Melton, but Edgware refuses to divorce her. She asks Poirot to talk to him, which he does, and is surprised to find that Edgware has told Jane he is prepared to give her a divorce. This was, after he had categorically refused, through a letter, which Jane said she had not received.

That night Edgware is murdered, after Jane had been to see him, or so the butler said, and also Edgware’s secretary. But Jane had been that evening at a grand dinner many miles away, where a dozen fellow guests could swear to her presence.

There was a solution however to the mystery of two Jane Wilkinsons, namely a skilful impersonator called Carlotta Adams who, in the opening chapter had impersonated Jane Wilkinson, who had also been at the performance. But when Poirot goes to see her, he finds that she had been found dead on the morning after Edgware had been killed, of an overdose. And in her bag was a gold case, with a strange inscription, that contained the drug, along with a pair of pince-nez.

Her maid said she had written a letter to her sister in America and posted it the previous night. Poirot asks Inspector Japp to get the letter, and a transcript is received from America, and in it the name of Edgware’s nephew Ronald Marsh is mentioned; he had taken Carlotta to dinner after her performance, with which the book opens, and had then set her a challenge. Japp arrests Marsh, but Poirot is not happy and asks for the original of the letter, which the sister sends him. That shows that a page is missing, and the tear is obvious, though that raises the question as to why it had not simply been cut.

Matters are further complicated by the fact that Marsh had gone in a taxi to the Edgware house, along with Edgware’s daughter Geraldine, in the interval of an opera which had previously seemed to provide them with cast iron alibis. Geraldine had gone in to fetch her pearls so that Marsh could raise money he needed, and thus had an opportunity to kill Edgware, as did Marsh, for the driver said he had got out of the taxi while waiting and gone into the house.

Agatha Christie

Marsh explained why he had gone to the house on the night of the murder as having followed Bryan Martin, an American actor, who had been in love with Jane, whom he saw go into the house with a key. But there was no one visible when he entered, and Geraldine almost immediately came down and they left together. And Martin too has become an object of suspicion to Poirot, for he had been to see him before the murders were discovered with a story of being followed by a man with a gold tooth – a story Poirot immediately realized was false when he was asked how old the man was, and was told he was young, for young people did not have gold teeth.

A heap of French money Edgware had got for a trip to Paris was missing, but since Marsh had no need for it after his cousin’s offer of help, Poirot deduces that it must have been taken by the butler, who has disappeared. Christie has stressed that he is astonishingly handsome, unusual in a butler, and Poirot notes a resemblance to Martin, so he thinks the mysterious man going into the house must have been him.

Incidentally, later Poirot assumes that Edgware’s change of mind was because he was involved in some scandal, and I believe Christie intends us to see the cause of this in his handsome butler, though this is not specified.

Meanwhile, Poirot has asked Japp to find out the provenance of the case found in Carlotta’s handbag, and it turns out to have been made in Paris, specially commissioned, and collected by a woman with pince-nez.

But then another murder occurs—that of another guest at the grand dinner, which provided Jane with her alibi. The victim is an actor who had been bemused when Jane, at a lunch, thought the Judgment of Paris referred to the city. He told Hastings he wanted to see Poirot, but was killed before he could get to the appointment. Poirot had rushed there when told about his request, but it was too late.

Meanwhile, Poirot has tried out the pince-nez on Edgware’s secretary, but she could not see through these. It was only a chance remark heard outside the theatre that led him to try them out on Wilkinson’s maid Ellis, a spare pair that had been appropriated for the night of the murders.

Poirot then lays things out, having summoned Martin and told him that he probably suppressed Edgware’s letter, as he had been dropped by then and he did not want Jane to marry another. But after teasing Martin, Poirot says that Jane was in fact the murderer, and she got Carlotta to impersonate her at the dinner while she went to the house and killed her husband. After meeting Carlotta later and checking with her through a call that she had not been rumbled, Jane had gone ahead with the murder – she put veronal into her drink and the case with veronal into the handbag. She forgot to take out the pince-nez she had used earlier to imitate an American. Carlotta had registered as the American in a hotel and Jane had gone to see her, and there they exchanged identities. After seen the letter, she made use of it by tearing off the page that referred to her, and the S of She, so that the person who had challenged Carlotta to impersonate her seemed to be a man.

There is a coda in which Jane, condemned to death, writes to Hastings, still full of pride at her ingenuity hoping she will be remembered.

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Desilt reservoirs, learn from our ancient irrigation systems

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Polgolla

by Prof. O. A. Ileperuma

Silting of reservoirs is a major problem today affecting our hydropower production and irrigation systems. The main Mahaweli reservoirs are silted to a considerable extent reducing the water holding capacity of them. Due to poor soil management practices, floodwaters deposit large amounts of silt in these reservoirs. When the Polgolla reservoir was fully drained about two years back, one could see mountains of silt in the lower reaches of the reservoir. A rough estimate is that 50% of the total capacity of these reservoirs has been lost to siltation. This is a serious issue which affects not only power and agriculture but also flood control.

Our ancient irrigation systems ensured that desilting of reservoirs took place under royal decree where all users of the reservoirs were ordered to carry out desilting of reservoirs during the dry season. The clay thus collected was used in making bricks for the construction of great stupas which dot the landscape of our ancient kingdoms. This ensured that the reservoirs had their full capacity filled with water for the next cultivating season. Our ancient kings were clever enough not to construct reservoirs by blocking main rivers such as the Mahaweli. A classic example is the Minipe left canal where they tapped only the surface water of Mahaweli. Even the bigger tanks such as Nuwara Wewa and Parakrama Samudraya were fed with minor rivulets. There were also other ingenious features in the cascade irrigation systems built by the ancient kings, such as mud sluice canals and forest reservations between the reservoirs in the cascade system. These reservations helped trap silt and remove excess nutrients, which could otherwise contribute to increasing salinity as water flowed from one reservoir to another.

Victoria

Moragahakanda

A classic engineering marvel is the former Yoda Ela, which carries water from Kalawewa to Nuwara Wewa and Tissa Wewa. It is 87 km long although the straight distance between these points is only about 40 km. The gradient of this canal is about 10 cm per km or 6 inches per mile. Yodha Ela functions as a moving reservoir and feeds about 4,600 hectares of paddy lands. It is a winding canal with about 120 smaller reservoirs on its way. It was constructed during the reign of King Dhatusena around 459 AD and later expanded by King Parakramabahu by connecting more reservoirs to the network. Unfortunately, during the Mahaweli project our modern-day engineers constructed a concrete canal replacing the winding path of this Yoda Ela also called Jaya Ganga. This effectively removed the ability of the old Yoda Ela to remove silt and nutrients. The bank of this Ela has wet zone trees such as jak and areca nut growing well. They take up the nutrients from the flowing stream making the water suitable for irrigation later.

Ancient Mesopotamian civilisations depended on dams constructed along the two main rivers, Euphrates and Tigris. After continuous irrigation of their fields over several thousand years, salinity of the irrigated lands increased making them unsuitable for agriculture. People died due to famine and this clearly illustrates the danger of blocking main rivers for agriculture. There is scientific evidence that the salinity of paddy soils in the Mahaweli C area is increasing.

We saw the devastation caused by Cyclone Ditwah. The sluice gates of the Kotmale Reservoir were opened, and Kandy and Peradeniya were flooded. If the reservoir had had greater storage capacity, couldn’t the opening of the gates have been delayed? This may not be an argument that modern-day engineers would readily accept, and I am not an irrigation expert. These ideas may well be naïve. But most of us tend to think of reservoirs mainly in terms of hydropower generation and irrigation, while their role in flood control receives much less attention. The question therefore deserves serious consideration. Could restoring lost reservoir capacity through desilting help improve our ability to manage extreme rainfall and reduce flood risks?

Desilting our reservoirs should be considered a national priority.

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Losing out to Ethiopia

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From Trailblazer to Tailender

Export diversification – Missing the wood for the trees – Part III

by Gomi Senadhira

In Sri Lanka, the word “Ethiopia” is often used as disparaging slang to describe individuals or areas experiencing extreme poverty, starvation, or severe economic hardship. This linguistic habit originated in the 1980s with the Western media coverage of the devastating Ethiopian famine of 1983-85. That media coverage shocked the world but also left an outdated and offensive global stereotype that the country is permanently starving. Much has changed since then. By now, with an annual growth rate of around 9%, it is the fastest-growing economy in sub-Saharan Africa. Ethiopia has also emerged as a highly competitive exporter and is challenging not only its competitors in the region but also countries like Sri Lanka. This article is on how Sri Lanka has lost ground to Ethiopia (and a few other countries) in the GCC markets for agricultural and floricultural products.

Sri Lanka – A Pioneer in the Agriculture and Floricultural Market in the GCC

As discussed in Part II of this article, by the mid-1980s Sri Lanka had established a strong foothold in the GCC’s fruit, vegetable, and floricultural market. Geographical proximity and well-established shipping and air links gave Sri Lanka a strong comparative advantage over Southeast Asian and African nations. Thailand, Vietnam, and Kenya were not even in the market. At that time, Ethiopia was experiencing (as BBC news reports described) “a biblical famine”.

The market was not very large, but it was lucrative and growing. Trade Minister Lalith Athulathmudali as well as the Chairman of the Export Development Board, Victor Santiapillai, who visited Kuwait (and the GCC countries), recognised the market potential for these products and encouraged us to continue with our work. The minister was particularly keen to further develop links between the market for these products, exporters, and his Export Production Villages (EPVs). So, it was becoming a successful case not only for export diversification but also for transferring gains from exports directly to rural households.

From Trailblazer to Tailender

As a result, even by the beginning of this century Sri Lanka had a larger market share than most of its competitors from Asia or Africa. But since then, our competitiveness has weakened significantly. The tables below provide a comparative snapshot of Sri Lanka’s performance vis-à-vis Thailand, Vietnam, Kenya and Ethiopia in the GCC market for vegetables, fruits and floricultural products. As illustrated therein, in 2001 Sri Lanka was ahead of Thailand, Kenya and Ethiopia in this small but rapidly growing market. Since then, we have fallen behind Thailand, Kenya and many other countries in that lucrative market. If this trend continues, Sri Lanka will fall behind Ethiopia within the next few years. (See Table 1)

In the GCC market for vegetables (covered in HS chapter 07), Sri Lanka was ahead of most other competitors in 2001. As illustrated in Table 1 , Sri Lanka had failed to develop this market, while Thailand, Kenya, and even Ethiopia had very efficiently increased their market shares. The GCC is a market to which Sri Lanka can supply some vegetables, like cabbages, by sea. It appears Sri Lanka had also failed to exploit this mode of supply.

We can see a similar trend in the market for fruits. Vietnam, Kenya, and Thailand have emerged as major players, while exports from Sri Lanka have staggered on slowly. In this segment, Vietnam has emerged as a leading player during the last twenty years and the GCC imports from Viet Nam have shot up from US$44 thousand in 2001 to US$346 million by 2024. In part one of these articles, I discussed the remarkable increase of jackfruit exports from Vietnam “…just $3 million in 2015 to an impressive $236.8 million in 2023” while most of our jackfruit production rots under the trees. This explains how countries develop their markets, geographically and product-wise. (See Table 2)

Sri Lanka’s performance has been weakest in the market for floricultural products (HS Chapter 06), which groups live trees, cut flowers, and ornamental foliage. When we first entered the market in the 1980s, the market was dominated by the Netherlands, and Kenya and Ethiopia were not even in the market. At that time, we identified the Gulf states as a market where Sri Lanka could have a dominant presence due to geographical proximity. Even in 2001, Sri Lanka was ahead of Kenya, Ethiopia, and Thailand. But by now, Kenya has emerged as the dominant supplier. Ethiopia is also expanding its market share and is the third-largest exporter. (See Table 3)

Missing the Wood for the Trees

In the mid-1980s, Sri Lanka first established its foothold in the GCC market. Since then, Thailand, Vietnam, Kenya, and even Ethiopia have moved well ahead of us and have become leading players. Why did we lag behind in our export diversification efforts in general and, more particularly, in the GCC market?

The reasons are very clear. After the initial attempts in the 1980s and early 1990s, Sri Lanka has not been proactively involved in identifying, developing, and promoting new products and markets, or protecting and further developing new markets already established. The focus has simply been on traditional exports: tea, coconut, cinnamon, and garments, while other products were almost ignored. In essence, we have been and continue to focus intensely on a narrow group of products and markets, and we have lost sight of the bigger picture.

(The writer can be reached at senadhiragomi@gmail.com)

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