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She danced her way to stardom

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One of our finest women dancers, Upeka Chitrasena, has enthralled audiences at home and those across our shores with her brilliance. The queen of dance who turned 70 on May 21 has now taken the mantle of a guru but is still remembered and loved for her inimitable vitality on stage.

by Randima Attygalle

The flower and the deer she played in the children’s ballet, Vanaja. 63- years ago, created by her mother Vajira Chitrasena, signaled where Upeka Chitrasena would eventually go. When this prima ballerina who needs no introduction announced her ‘retirement’ a few months after she turned 60, her fans grieved. Her final performance, Dancing for the Gods in 2011 evoked mixed emotions. While some demanded an ‘encore’ as a last hurrah, others didn’t hide their disappointment that this much-loved danseuse was calling it a day. “Although it was a spur of the moment decision, it was the right thing to do at the right time. I had had it all; I traveled the world and danced in some of the world’s finest theaters before great audiences. I have absolutely no regrets,” reflects Upeka who turned 70-years a few days ago.

The first born child of Chitrasena- revered as Sri Lanka’s finest male dancer and Vajira, the uncontested queen of Kandyan dance and the country’s first professional woman dancer, Upeka was brought up to prove herself; nothing was offered on a platter. The precise ‘line’ and ‘form’ which made the Chitrasena-Vajira idiom were drilled into Upeka the hard way. Be it Rankikili, Nala Damayanthi, Karadiya or Kinkini Kolama, each a milestone in its own way, as Upeka puts it, she was put on trial by her parents to rise to her true potential.

“My mother who continues to inspire me and the next generation as one of the most brilliant choreographers we ever had, enabled me to reach for the stars. Yet no preferential treatment was ever given to me as her daughter; in fact, I had to do much more than the other students,” smiles Upeka.

“In 1984 after my performance in Dance of Shiva at Navarangahala, my father came backstage looking for me and said, ‘you have arrived’. This was the only time he openly complimented me,” she chuckles.

Upeka calls herself a ‘spectator’ today, being a teacher who “sits, watches and corrects” her students. Yet she is celebrated for her virtuosity on stage. With her twirls and leaps coupled with infinitely delicate movements, Upeka evolved a style of her own, combining her parents’ seemingly contrasting styles. “My formative years were spent dancing along with my parents, hence there was a strong influence from them both,” she says. Nevertheless she went on to discover her own genius by mastering low country dance as well.

While constant style correction by her hard taskmaster gurus had made her a demanding teacher today, she gives nothing but her best to her students. Having been on the same stage with her father made her “perfect her trade”, she says. Playing the lead female role in Karadiya beside her father in 1975 marked her coming-of-age as a dancer. Apprehensive about filling the shoes of her mother who had been playing that role for many years, and nervous to perform next to her larger-than-life father, Upeka was virtually tossed into the deep end by her mother. “It was her idea that I should get experience in Karadiya playing her role.”

Kinkini Kolama

, a ballet choreographed for her by her parents, not only launched Upeka as a solo artiste but also found her her life’s partner. On an invitation from Chitrasena, Cedric de Silva, a young professional who had just returned after a long stay in the US was in the audience mesmerized by the young dancer on stage. Cedric came looking for her backstage and the rest is history! “He didn’t know what he was getting into!” laughs Upeka.

They have been married for 42 years now and Upeka feels blessed to have Cedric beside her. “Our lives as artistes have always been very demanding with every family member getting involved. My husband supported me in every possible way to indulge me in my passion and continues to do so,” she beams.

It was the famous ‘Colpetty House’ of her parents – an artistic hub of dance, theatre and more yesteryear which fanned the flames of dance in Upeka. “We virtually lived and breathed dance there. From a very young age my siblings (Anjalika and Anudatta) and I were exposed to the best local and touring foreign artistes visiting my parents there.” As a soloist, her sister could “fill the stage with her style,” remarks Anjalika Melvani. Of all the performances the two sisters did together, the ballet Nala Damayanthi is the most cherished, remembers Anjalika. “My sister and I took the two lead roles. She was Princess Damayanthi and I was the Chief Swan. These particular roles were danced by two sisters even in my mother’s time – it was her younger sister Vipuli who was Damayanthi and my mother, the Chief Swan. I think it was the most challenging and emotional experience for me.”

Since Upeka gave up dancing and took on the mantle of teacher, it has been Nrityagram- India’s first modern Gurukul for Indian classical dances founded by Protima Gauri Bedi which has “kept her going.” The Artistic Director and choreographer of Nrityagram, Surupa Sen offers her and the Chitrasena Dance Company constant inspiration today, she says. Samhara where the Chitrasena’s collaborated with the Odissi dancers of Nritryagram Dance Ensemble from Bangalore was a critical turning point for the ‘younger dance company’ led by its principal dancer, her niece Thaji (Thajithangani Dias – younger daughter of her brother Anudatta). The ‘communal experience’ of the Colpetty days fuelled by Nrityagram, had driven the Chitrasena Kalayathanaya to set up a guru gedera where all gurus in the Chitrasena family, especially Vajira and Upeka can once more live and breathe dance with their pupils. “The pandemic situation botched our life-long dream, which I fervently hope we will be able to realize soon,” says Upeka wistfully.

The next generation of custodians- Heshma (daughter of Anjalika), Umi (Umadanthi- eldest daughter of Anudatta) and Thaji do justice to their visionary grandfather’s words, “the new is the extension of the old.” Upeka beams with pride and adds, “my father always said that dance is sacred and we have been struggling to keep it alive. Now the baton is being passed on to the next generation.”

Although it’s not an easy path, ‘the new generation of Chitrasena women’ can continue the trailblazing tradition together, says Upeka who takes immense pride in her gifted nieces for their unconditional commitment to the Dance Company. “They are all conscious of our heritage and strive to add to the achievements of their ancestors. I’m so very proud of them.” She humbly admits that the new generation offers her constant wonderment and inspiration. An artiste can never cease to learn, she says.

It was Heshma Wignaraja, the Art Director of the Chitrasena Dance Company, who had the good fortune of seeing and dancing with her grandparents, and also becoming part of the Dance Company during the time her aunt Upeka led it. “My aunt didn’t simply carry the torch. She elevated the level of work produced even in the toughest of times. She became the muse for both my grandparents.”

“While achchi cast her in more traditional solo items, seeya found the most perfect character roles for her that displayed the range of her abilities. I couldn’t have learned any better, through my childhood and youth.”

Upeka’s commitment to this legacy is what has allowed the new generation to continue the Chitrasena tradition today, says Heshma noting that most can’t remain committed to the seriousness of Chitrasena’s art. ” She wouldn’t tolerate anything less. “

The kind of love and dedication her aunt and guru has for dance is like “surrendering one’s self,” says Thaji Dias, the Principal Dancer of the Company today. “Even through all the troubled times of losing their home and the country going through a 30-year civil war, she kept everything together and kept the company going. I am thankful I have a living example like her within my family as my guru,” says the youngest niece with pride. A woman who makes no compromises, her aunt is the epitome of a strong woman says Thaji.

Her aunt who is a second mother to all of them gives “without limits and loves them unconditionally,” notes Umi Dias who administers the Chitrasena Kalayathanaya. “Her discipline and commitment to whatever she does is a great inspiration. I was lucky enough to travel with her on tours and I have learned so much by just being with her and watching her lead the Chitrasena Dance Company.”

If the big bright red pottu is this prima ballerina’s trade mark, or rather her ‘third eye’ as she dubs it, the resonance of the traditional Sri Lankan drum is her very own heartbeat. She cannot do without either. During these testing times, Upeka misses her much loved beats. “Nothing can compensate for them,” she adds. As a teenager Upeka followed the life and career of Protima Gauri Bedi- the Indian model turned Odissi exponent. Upeka’s signature pottu was inspired by her.

Reading about artistes, particularly dancers is one of Upeka’s joys. The autobiography of the American dancer Isadora Duncan, My Life, offers her new perspectives ever since she was introduced to the book by her father. . The nature lover in Upeka surfaced as a result of her husband’s interest and she enjoys bird-watching, nature trails and safaris with him.

How would she describe herself in just three words, I ask this ‘queen of dance’ in conclusion. “I need just one word – dancer!”, she responds.

 

(Photo credit: Luxshman Nadaraja, Studio Times, Chitrasena-Vajira Dance Foundation Archives and family archives)



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Features

US’ drastic aid cut to UN poses moral challenge to world

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An UN humanitarian mission in the Gaza. [File: Ashraf Amra/Anadolu Agency]

‘Adapt, shrink or die’ – thus runs the warning issued by the Trump administration to UN humanitarian agencies with brute insensitivity in the wake of its recent decision to drastically reduce to $2bn its humanitarian aid to the UN system. This is a substantial climb down from the $17bn the US usually provided to the UN for its humanitarian operations.

Considering that the US has hitherto been the UN’s biggest aid provider, it need hardly be said that the US decision would pose a daunting challenge to the UN’s humanitarian operations around the world. This would indeed mean that, among other things, people living in poverty and stifling material hardships, in particularly the Southern hemisphere, could dramatically increase. Coming on top of the US decision to bring to an end USAID operations, the poor of the world could be said to have been left to their devices as a consequence of these morally insensitive policy rethinks of the Trump administration.

Earlier, the UN had warned that it would be compelled to reduce its aid programs in the face of ‘the deepest funding cuts ever.’ In fact the UN is on record as requesting the world for $23bn for its 2026 aid operations.

If this UN appeal happens to go unheeded, the possibilities are that the UN would not be in a position to uphold the status it has hitherto held as the world’s foremost humanitarian aid provider. It would not be incorrect to state that a substantial part of the rationale for the UN’s existence could come in for questioning if its humanitarian identity is thus eroded.

Inherent in these developments is a challenge for those sections of the international community that wish to stand up and be counted as humanists and the ‘Conscience of the World.’ A responsibility is cast on them to not only keep the UN system going but to also ensure its increased efficiency as a humanitarian aid provider to particularly the poorest of the poor.

It is unfortunate that the US is increasingly opting for a position of international isolation. Such a policy position was adopted by it in the decades leading to World War Two and the consequences for the world as a result for this policy posture were most disquieting. For instance, it opened the door to the flourishing of dictatorial regimes in the West, such as that led by Adolph Hitler in Germany, which nearly paved the way for the subjugation of a good part of Europe by the Nazis.

If the US had not intervened militarily in the war on the side of the Allies, the West would have faced the distressing prospect of coming under the sway of the Nazis and as a result earned indefinite political and military repression. By entering World War Two the US helped to ward off these bleak outcomes and indeed helped the major democracies of Western Europe to hold their own and thrive against fascism and dictatorial rule.

Republican administrations in the US in particular have not proved the greatest defenders of democratic rule the world over, but by helping to keep the international power balance in favour of democracy and fundamental human rights they could keep under a tight leash fascism and linked anti-democratic forces even in contemporary times. Russia’s invasion and continued occupation of parts of Ukraine reminds us starkly that the democracy versus fascism battle is far from over.

Right now, the US needs to remain on the side of the rest of the West very firmly, lest fascism enjoys another unfettered lease of life through the absence of countervailing and substantial military and political power.

However, by reducing its financial support for the UN and backing away from sustaining its humanitarian programs the world over the US could be laying the ground work for an aggravation of poverty in the South in particular and its accompaniments, such as, political repression, runaway social discontent and anarchy.

What should not go unnoticed by the US is the fact that peace and social stability in the South and the flourishing of the same conditions in the global North are symbiotically linked, although not so apparent at first blush. For instance, if illegal migration from the South to the US is a major problem for the US today, it is because poor countries are not receiving development assistance from the UN system to the required degree. Such deprivation on the part of the South leads to aggravating social discontent in the latter and consequences such as illegal migratory movements from South to North.

Accordingly, it will be in the North’s best interests to ensure that the South is not deprived of sustained development assistance since the latter is an essential condition for social contentment and stable governance, which factors in turn would guard against the emergence of phenomena such as illegal migration.

Meanwhile, democratic sections of the rest of the world in particular need to consider it a matter of conscience to ensure the sustenance and flourishing of the UN system. To be sure, the UN system is considerably flawed but at present it could be called the most equitable and fair among international development organizations and the most far-flung one. Without it world poverty would have proved unmanageable along with the ills that come along with it.

Dehumanizing poverty is an indictment on humanity. It stands to reason that the world community should rally round the UN and ensure its survival lest the abomination which is poverty flourishes. In this undertaking the world needs to stand united. Ambiguities on this score could be self-defeating for the world community.

For example, all groupings of countries that could demonstrate economic muscle need to figure prominently in this initiative. One such grouping is BRICS. Inasmuch as the US and the West should shrug aside Realpolitik considerations in this enterprise, the same goes for organizations such as BRICS.

The arrival at the above international consensus would be greatly facilitated by stepped up dialogue among states on the continued importance of the UN system. Fresh efforts to speed-up UN reform would prove major catalysts in bringing about these positive changes as well. Also requiring to be shunned is the blind pursuit of narrow national interests.

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Egg white scene …

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Hi! Great to be back after my Christmas break.

Thought of starting this week with egg white.

Yes, eggs are brimming with nutrients beneficial for your overall health and wellness, but did you know that eggs, especially the whites, are excellent for your complexion?

OK, if you have no idea about how to use egg whites for your face, read on.

Egg White, Lemon, Honey:

Separate the yolk from the egg white and add about a teaspoon of freshly squeezed lemon juice and about one and a half teaspoons of organic honey. Whisk all the ingredients together until they are mixed well.

Apply this mixture to your face and allow it to rest for about 15 minutes before cleansing your face with a gentle face wash.

Don’t forget to apply your favourite moisturiser, after using this face mask, to help seal in all the goodness.

Egg White, Avocado:

In a clean mixing bowl, start by mashing the avocado, until it turns into a soft, lump-free paste, and then add the whites of one egg, a teaspoon of yoghurt and mix everything together until it looks like a creamy paste.

Apply this mixture all over your face and neck area, and leave it on for about 20 to 30 minutes before washing it off with cold water and a gentle face wash.

Egg White, Cucumber, Yoghurt:

In a bowl, add one egg white, one teaspoon each of yoghurt, fresh cucumber juice and organic honey. Mix all the ingredients together until it forms a thick paste.

Apply this paste all over your face and neck area and leave it on for at least 20 minutes and then gently rinse off this face mask with lukewarm water and immediately follow it up with a gentle and nourishing moisturiser.

Egg White, Aloe Vera, Castor Oil:

To the egg white, add about a teaspoon each of aloe vera gel and castor oil and then mix all the ingredients together and apply it all over your face and neck area in a thin, even layer.

Leave it on for about 20 minutes and wash it off with a gentle face wash and some cold water. Follow it up with your favourite moisturiser.

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Confusion cropping up with Ne-Yo in the spotlight

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Ne-Yo: His management should clarify the last-minute cancellation

Superlatives galore were used, especially on social media, to highlight R&B singer Ne-Yo’s trip to Sri Lanka: Global superstar Ne-Yo to perform live in Colombo this December; Ne-Yo concert puts Sri Lanka back on the global entertainment map; A global music sensation is coming to Sri Lanka … and there were lots more!

At an official press conference, held at a five-star venue, in Colombo, it was indicated that the gathering marked a defining moment for Sri Lanka’s entertainment industry as international R&B powerhouse and three-time Grammy Award winner Ne-Yo prepares to take the stage in Colombo this December.

What’s more, the occasion was graced by the presence of Sunil Kumara Gamage, Minister of Sports & Youth Affairs of Sri Lanka, and Professor Ruwan Ranasinghe, Deputy Minister of Tourism, alongside distinguished dignitaries, sponsors, and members of the media.

Shah Rukh Khan: Disappointed his fans in Sri Lanka

According to reports, the concert had received the official endorsement of the Sri Lanka Tourism Promotion Bureau, recognising it as a flagship initiative in developing the country’s concert economy by attracting fans, and media, from all over South Asia.

Nick Carter: His concert, too, was cancelled due to “Unforeseen circumstances

However, I had that strange feeling that this concert would not become a reality, keeping in mind what happened to Nick Carter’s Colombo concert – cancelled at the very last moment.

Carter issued a video message announcing he had to return to the USA due to “unforeseen circumstances” and a “family emergency”.

Though “unforeseen circumstances” was the official reason provided by Carter and the local organisers, there was speculation that low ticket sales may also have been a factor in the cancellation.

Well, “Unforeseen Circumstances” has cropped up again!

In a brief statement, via social media, the organisers of the Ne-Yo concert said the decision was taken due to “unforeseen circumstances and factors beyond their control.”

Ne-Yo, too, subsequently made an announcement, citing “Unforeseen circumstances.”

The public has a right to know what these “unforeseen circumstances” are, and who is to be blamed – the organisers or Ne-Yo!

Ne-Yo’s management certainly need to come out with the truth.

However, those who are aware of some of the happenings in the setup here put it down to poor ticket sales, mentioning that the tickets for the concert, and a meet-and-greet event, were exorbitantly high, considering that Ne-Yo is not a current mega star.

We also had a cancellation coming our way from Shah Rukh Khan, who was scheduled to visit Sri Lanka for the City of Dreams resort launch, and then this was received: “Unfortunately due to unforeseen personal reasons beyond his control, Mr. Khan is no longer able to attend.”

Referring to this kind of mess up, a leading showbiz personality said that it will only make people reluctant to buy their tickets, online.

“Tickets will go mostly at the gate and it will be very bad for the industry,” he added.

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