Life style
Amphibians going extinct in SL at a record pace
by Ifham Nizam
Sri Lanka holds the record for nearly 14 per cent of the amphibian extinctions in the world. In other words, of the 130 amphibian extinctions known to have occurred across the globe, 18 extinctions (14 per cent) have occurred in Sri Lanka, says Dr. Anslem de Silva, widely regarded as the father of Herpetology in the country. Speaking to The Sunday Island, the authors of a news book on amphibians, said that this is one of the highest number of amphibian extinctions known from a single country. Some consider this unusual extinction rate to be largely the result of the loss of nearly 70 per cent of the island’s forest cover. Dr. Anslem de Silva, Co-Chairman, Amphibian Specialist Group, International Union for the Conservation of Nature/Species Survival Commission (IUCN/SSC), together with two academics, Dr. Kanishka Ukuwela, Senior Lecture at Rajarata University, Mihintale who is 
also associated with IUCN/SSC and Dr. Dillan Chaturanga, Lecture at Ruhuna University, Matara had authored this most comprehensive book on amphibians running to nearly 250 pages released last week. The prevalent levels of application of agrochemicals up to few months back, especially in rice fields, and vegetable and tea plantations, have increased over the past three decades. Similarly, the release of untreated industrial wastewater to natural water bodies has intensified. As a consequence, many streams and canals have become highly polluted, they say. The use of pesticides directly decreases the insect population, an important source of food for amphibians. Furthermore, these pollutants can easily make the water in paddy fields and the insects on which the amphibians feed toxic or increase the nitrogen content of the water. The highly permeable skins of amphibians would certainly cause them to be directly affected by these, they add. Amphibian mortality due to road traffic is a widespread problem globally that has been known to be responsible for population reductions and even local extinction in certaininstances. In Sri Lanka, amphibian mortalities due to road traffic are highly prevalent on roads that serve paddy fields, wetlands and forests. Further, they are especially intensified on rainy days when amphibian activity is high, the book explains. Recent studies indicate that amphibian road kills are exacerbated in certain national parks in the country due to increased visitation. According to recent estimates, several thousand amphibians are killed annually due to road traffic.
Professor W. A. Priyanka, PhD (USA), Professor in Zoology, Faculty of Science, University of Peradeniya says the need for a guide to the amphibian fauna of Sri Lanka is obvious, given the currently critical conditions endangering them. Amphibians are an attractive group of animals whose diversity has always sparked interest among the scientific community, creating a vast body of unanswered questions.However, the identification of amphibians has been a challenge due to the lack of a complete and informative guide. The comprehensive pictorial guide provided by the new book should thus be of great benefit to a better understanding of the unique and intriguing nature of these fascinating living beings.The authors have done an outstanding job in compiling this book. An introduction to the guide briefly describes the history, current status, threats and conservation information, along with interesting folklore associated with amphibians. With the clear and informative images, distribution maps and updated status of each species, this guide can easily be comprehended by experts and beginners in the field alike.”I firmly believe that this book will be very useful to undergraduate and postgraduate students in the fields of zoology, biology and environmental science, as well as researchers, wildlife managers and visitors,” Professor Priyanka added.The authors said that like their previous guide to the reptiles of Sri Lanka, A Naturalist’s Guide to the Reptiles of Sri Lanka (de Silva & Ukuwela, 2017, 2020), this book is intended for both naturalists and visitors to Sri Lanka, providing an introduction to the amphibians found here. It features all the extant species of amphibian in this country with colour photographs and quick and easy tips for identification. At the time of writing, 120 species have been recorded within the country and ongoing taxonomic work is certain to add more to this impressive list in the next few years.This guide provides a general introduction to the amphibians of Sri Lanka, a profile of the physiographic, climatic, and vegetation features of the island, key characteristics that can be used in the identification of amphibians and descriptions of each extant amphibian species.Additionally, it presents information on amphibian conservation here and a brief introduction to folklore and traditional treatment methods for combating poisoning due to amphibians in this country. The species descriptions are arranged under their higher taxonomic groups(orders and families), and further grouped in their respective genera.The descriptions are organized in alphabetical order by their scientific names. Every species covered is accompanied by one or more colour photograph of the animal. Each account includes the vernacular name in English, the current scientific name, the vernacular name in Sinhala, a brief history of the species, a description with identification features, and details of habitat, habits and distribution (both here and outside the country).Key external identification features of the species, such as body form, skin texture and coloration, are provided, to help in the quick identification of an animal in the field.It must be noted that according to Sri Lanka’s wildlife laws, amphibians cannot be captured or removed from their natural habitats without official permits, which must be obtained in advance from the Department of Wildlife Conservation.Sri Lanka is home to an exceptional diversity of amphibians. Currently, the island nation boasts of 112 species of amphibians of which 98 are restricted to the country. However, nearly 60 per cent of this magnificent diversity is threatened with extinction. To make matters worse, very little attention is paid by the conservation authorities or the public. The last treatise on the subject was published 15 years ago. However, many changes have taken place since then and hence an updated compilation was a major necessity. This book by the three authors intends to popularize the study of amphibians by the general public by filling this large void. Historical aspects
Sri Lanka is one of the few countries in the world where conservation and protection of its fauna and flora has been practiced since pre-Christian times. There is much archaeological, historical and literary evidence to show that from ancient times amphibians have attracted the attention of the people of this island.
This is evident by the discovery of an ancient bronze cast of a frog (see photo) discovered during excavations conducted by the Department of Archaeology and the Central Cultural Fund. Strati-graphic evidence from the excavation sites indicate that these objects belong to the sixth to eighth centuries AD (Anuradhapura and Jetavanārāma museum records). Beliefs that feature the ‘good’ qualities of frogs and association with nature. These beliefs have some positive effects on the conservation of amphibians, perhaps one reason that Sri Lanka harbours a diverse assemblage of frogs. Absence of frogs and toads in agricultural fields indicates impending crop failure, it is believed.
The authors have specially thanked Managing Director John Beaufoy of John Beaufoy Publishing Ltd, for publishing many books promoting Sri Lanka diversity.
Eric Suriyasena
Eric Suriyasena has spent decades transforming a centuries old craft into a contemporary art form. His creations, where intricate patterns meet modern silhouettes, reflect a deep respect for tradition while embracing global aesthetics.
An unforgettable evening of Eric Suriyasena’s 60 years in the batik industry. He is a renowned Sri Lankan artist and entrepreneur known for his pioneering work in batik art. He is also the founder of Suriya Batik, and the Goldi Sands Hotel in Negombo.
Recently he was honoured with a Tourism Legends award at the Sri Lanka Tourism Awards 2024 for his significant contributions to the Sector. He has come up with a new art gallery at 57, Lauris Road, Colombo 04.
In the World of Batiks, a few names evoke both heritage and innovation like Eric Suriyasena.
Revered as Sri Lanka’s batik dozen, he has spent decades transforming the traditional craft into contemporary art that graces galleries, runaways alike. Every piece tells a story – of culture, colour and meticulous craftsmanship reflecting a deep respect for local curtains and an eye for modern elegance. For Eric Batik, it is more than for fabric. It is a lifestyle, an aesthetic and a bridge between tradition and today’s design sensibilities.
Eric’s fascination with textiles began early, immersed in Sri Lanka’s vibrant colours and rich artisan culture – Drawn to the delicate art of batiks he hoped his craft under master artisans, mastering the delicate dance between wax, dye and fabric. Over the years, Eriq developed his own signature style – one that balances intricate patterns with modern silhouettes, creating pieces that are timeless yet contemporary. Eric has a great respect for local artisans. Every piece in his collections reflects countless hours of meticulous handwork, from the initial wax patterns to the final dyeing process Eric says “Batik is a conversation between the artisan and the fabric”.
While the family is rooted in Sri Lankan heritage, Eric design speaks a global language. His batik pieces have adorned fashion weeks here and abroad, luxury interiors and bespoke collections around the world.
For Eric Batik is not just about creating clothing, it’s all about cultivating a lifestyle.
As he continues to innovate, Eric remains a beacon of light for young designers and artists alike. His commitment to preserving batik while pushing creative boundaries.
He has solidified his place as a luminary in Sri Lanka’s cultural and fashion landscape. Through his work, he ensures that the art of batik is not only remembered but re-imagined a living tradition that adapts, inspires and endures.
Eric Suriyasena and Wife
Pix by Thushara Attapathu
Hayleys Leisure continues to elevate Sri Lanka’s presence in the regional hospitality scene, clinching three coveted accolades at the South Asian Travel Awards (SATA) 2025, South Asia’s premier recognition platform for excellence in tourism and hospitality.
Taking centre stage, The Kingsbury, Colombo was crowned Gold Winner – Leading F&B Hotel, a remarkable achievement that cements its reputation as South Asia’s culinary powerhouse. With an impressive portfolio of nine restaurants and bars, the hotel has continuously set benchmarks in fine dining, innovation, and service excellence – redefining Colombo’s luxury dining landscape.
Further adding to the accolades, Amaya Lake, Dambulla was honoured with the Gold Award for Leading Family Resort, a recognition that highlights its growing popularity as a premier family destination in Sri Lanka’s cultural triangle. With its tranquil lakeside setting, heritage-inspired experiences, and warm hospitality, the resort continues to deliver unforgettable getaways for families seeking authenticity and connection.
Adding to this success, Amaya Resorts & Spas received the Silver Award for Leading Resort Brand in South Asia, affirming its strength in offering culturally immersive, wellness-driven stays across its boutique collection. Together, these accolades reflect Amaya’s emergence as one of South Asia’s most preferred family hospitality brands.
Mr. Rohan Karr, Managing Director of Hayleys Leisure, remarked: “These recognitions are a celebration of the exceptional work by our teams across all properties. From leading South Asia’s F&B innovation at The Kingsbury, to delivering memorable family experiences at Amaya Lake, and offering distinctive resort stays through Amaya Resorts & Spas – we remain focused on setting new industry benchmarks while showcasing the best of Sri Lankan hospitality.”
Since its inception in 2016, SATA has grown into the region’s most influential platform for recognising travel and hospitality excellence. Against such a competitive backdrop, Hayleys Leisure’s victories underscore its leadership, service excellence and unwavering commitment to innovation and guest satisfaction.
Every stitch is a livelihood, a story, a cultural memory – Amalie Seneviratne
Yevāana sets its sights on global expansion, with plans to enter the USA, Europe, and Asia through exclusive concept stores, curated pop-up showcases, and strategic collaborations that align with the brand’s ethos of conscious luxury.
Amalie Seneviratne, is a Sri Lankan young designer domiciled in Nairobi who is the co-founder of the brand Yevaanaa, a young label dedicated to ethical, hand crafted clothing and the women who make it.
“We wanted to create something that honours our roots. Yet feels modern and international “Amalie says Yevaana is about slowing down fashion and elevating the artisan’s hand. Yevaana’s journey began with this young designer Amalie’s fascination for Sri Lanka’s heritage.
She has built a brand that sources natural fabrics and employs women artisans in rural communities. As she explains, ‘Every stitch is a livelihood, a story, a cultural memory’.
Nairobi is Yevaana’s second home because of its vibrant, youthful style scene. In return, the label absorbed Nairobi’s energy and colour.
Kenya has a dynamic craft culture of its own “Amalie notes. Bringing our Sri Lankan techniques into Nairboi’s artisans and customers felt organic – like two traditions finding common ground. Most of her designer pieces resonate both Sri Lanka and Kenya.
More than a clothing line, Yevaana positions itself as a social impact project. The brand partners with women’s groups to offer training, four wages and flexible working hours. Fashions can be a vehicle for economic independence Amalie says. Our hope is that Yevaana will be a template for how small, heritage-based brands can thrive ethically across borders.’she reflects
As Yevaana,’s brand grows Amali envisions a full circular supply chain and even more cross pollination between Sri Lanka and Africa. ‘Today people want clothes with meaning’, she says . They want to know who made them and how Yevaana is our answer to that call.
More than a clothing line, Yevaana positioned itself as a social impact project. Her workshop offers training, four wages and flexible working hours.
Yevāana is a sustainable womenswear label born from a creative collaboration between Sri Lanka and Kenya, representing the craftsmanship of the Global South. We focus on eco-conscious fabrics, artisanal heritage, and minimalist yet distinctive design. Every collection is produced in small, exclusive batches, highlighting both the uniqueness of each piece and the brand’s commitment to slow, responsible fashion.
Yevāana grew out of the desire to celebrate cultural fusion, ethical fashion, and artisanal craftsmanship. Their vision
is to position the brand as a Global South leader in sustainable luxury, where craftsmanship, cultural narratives, and responsible fabrics come together to create exclusive, collectible statements for the conscious woman.
Yevāana’s mission is to craft limited-edition garments that showcase Global South artisanship within the global luxury space. Every design reflects cultural pride, responsible production, and the rarity that makes each piece a modern heirloom.
The core values are sustainability, – prioritizing natural and eco-friendly fabrics. We use eco-conscious fabrics and slow processes, not as activism, but as deliberate choices that make our pieces more valuable and enduring said
Amalie
Artisanship and women empowerment – preserving traditional skills, especially hand embroidery and smocking. We honor artisans not as “workers” but as creators of couture, elevating their skill to the highest form of luxury.
Exclusivity – producing limited runs to reduce waste and ensure uniqueness. We believe true luxury lies in rarity-small batches, numbered pieces, and garments made to be treasured.
Modern elegance – This brand stands for design that is minimal yet bold, refined yet daring, embodying the spirit of confident, global women. says this young designer Fabrics and sustainability The brand Yevāana works with low-impact and responsible textiles that embody conscious luxury.
We work exclusively with natural, eco-conscious fabric chosen not only for their luxurious feel and breathability, but also for their minimal environmental impact. These materials are biodegradable, kind to skin, and produced without the use of harmful chemicals or synthetic fertilizers.
Each fabric is sourced with intention, in partnership with trusted suppliers, who share our commitment to sustainability and transparency. From the farm to the loom, we trace the origins of most of our textiles to ensure ethical practices at every stage of the journey.
She also points out they favour handwoven or small-batch fabrics wherever possible, celebrating the irregularities and textures that come with craftsmanship. These fabrics hold a quiet beauty that mass production simply can’t replicate. By choosing quality over quantity, we reduce waste, celebrate tradition, and honor the skill and time behind every weave.
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- Every detail handmade with pride
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- Where style meets story
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- Effortless elegance in motion
Every look, a chapter; every show a journey
Our fabrics are dyed either using natural resources or AZO-free dyes, which are free from harmful, chemicals commonly found in conventional dyeing or dyed using natural ingredients. This ensures our pieces are not only safer for your skin, but also kinder to the This brand
Yevāana presents “The Ancient Promise” — a collection inspired by Africa’s guardianship of land, the resilience of the Maasai, and the urgent realities of climate change. While its narrative draws on East Africa’s spirit of protection and Afrofuturist visions of renewal, the garments are brought to life through South Asian craftsmanship. This cross-continental dialogue reflects Yevāana’s identity as a Global South brand — one that transforms cultural narratives and responsible craftsmanship into exclusive, collectible statements for the conscious woman.
Key Features: Hand-embroidery and artisanal detailing
that showcase Sri Lankan craftsmanship and Global South narratives.
Fluid silhouettes with bold accents , balancing elegance with striking design statements.
Eco-conscious luxury fabrics selected for their responsibility and refinement.
Limited-edition exclusivity , with each piece produced in small batches, reinforcing Yevāana’s slow fashion ethos.
This debut marks Yevāana’s first major fashion week appearance, a milestone in its journey from a regional label to an emerging voice in global sustainable luxury.
Artisans and Impact At the heart of Yevāana is a team of
11 women artisans, the custodians of the brand’s craftsmanship and vision. Their collective skill, patience, and artistry transform fabrics into garments that embody both cultural heritage and contemporary design.
Team Composition: Every member of the team is a woman, specializing in hand-embroidery, smocking, and fine tailoring. These techniques are not only design elements but also living traditions, carried forward with each stitch and silhouette.
Impact: Future Goal: Yevāana’s vision is to expand artisanal employment for women while preserving the exclusivity and craftsmanship that define the brand. Growth will be guided by a commitment to heritage preservation, sustainability, and creating garments that carry both cultural value and personal meaning.
Key Milestones January 2025: Yevāana founded and first collection launched.
May 2025: Participated in the brand’s first invite-only pop-up in Nairobi, Kenya.
September 2025: Began stocking at The Artisanal Gallery
a luxury boutique in Nairobi.
Nairobi Fashion Week will be held in January , marking the brand’s debut on the international stage.
By Zanita Careem
Nobel Prize in Physics awarded to trio for quantum mechanics discoveries
Earthquake of magnitude 6.6 shakes Lae city in Papua New Guinea
Parliament will convene for the first time in October at 9:30 a.m. today
Gaza peace plan talks to continue as Trump says chance of a deal is ‘really good’
Showers or thundershowers may occur in the Western province and in Galle, Matara, Puttalam, Jaffna and Trincomalee districts in the morning and most other places in the island in the after 1.00p.m.
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