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On first reading Sir Edwin Arnold’s THE LIGHT OF ASIA – II

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by Rohana R. Wasala

Edwin Arnold’s purpose in composing the epic The Light of Asia, then, was to give readers an unbiased idea about the exalted personality of prince Siddhartha and the general substance of his teaching. But he was not addressing this task in a religious cultural vacuum. He had to take care not to step too hard on the religious toes of his contemporary Christian compatriots. Undaunted by that challenge, Arnold opens his monumental epic with the line ‘The Scripture of the Saviour of the World’, which was startling in its being used to mean the Buddha and his doctrine. It must have sounded very distasteful to the Christian readers of the West, because it was not about Christ, but about the little known Indian sage the Buddha.

But then, it was a time of profound intellectual upheaval. The Age of Reason or the Enlightenment in Europe of well over one and a half centuries duration had preceded Charles Darwin’s revolutionary theory of biological evolution, that came to be known to the world through the publication of his epoch-making book ‘On the Origin of Species by Means of Natural Selection’ (1859). By that time the Buddha was not totally unknown in the West. Ideas of ancient Eastern philosophers like Confucius of China and the Buddha of Bharat (India) as well as thoughts of their Western counterparts like Plato had influenced European thinkers of the time such as David Hume, Emmanuel Kant, and John Locke who figured in the enlightenment movement in Europe that came to be called the Age of Reason (1685-1815). The growing scientific ethos among the people undermined traditional religion and the fast spreading general scepticism regarding long held beliefs dealt a severe blow on theistic religion. Edwin Arnoldl’s senior contemporary Matthew Arnold (1822-1888), in his dramatic monologue ‘Dover Beach’ (1867), could only hear the receding ‘Sea of Faith,’

Its melancholy, long, withdrawing roar Retreating to the breath Of the night-wind, down to the vast edges drear And the naked shingles of the world.

The bleak barren desolate scene (with the ‘naked shingles of the world’: picture the wet pebbles on the indifferent beach constantly washed by the weeping waves) is a very depressing image of the uncertainty, the despair and the sadness that descended on a world that was losing the emotionally stabilising power of traditional religious faith. But it was also a time of bold inquiry and burgeoning hope. Edwin Arnold must have been emboldened by the existing zeitgeist of his time to shock his potential readers thus, only to offer them another more rational source of refuge to explore.

 In terms of structure, The Light of Asia consists of eight cantos: Book the First, Book the Second, and so on up to Book the Eighth. The long epic poem employs the blank verse form, that is, lines of poetry without rhyme, that use a definite metre (a recurring pattern of rhythm) nevertheless. From the beginning to the end, the narrative is delivered in iambic pentameter lines (i.e., each line is made up of five metrical feet, each foot here being an iamb, that is, a foot consisting of a short syllable followed by a long syllable. Take any line from the poem, you can scan it into five iambic feet. But of course, occasionally, there are functional variations of the metre (as explained below). The opening line of Book the First (hence, of the whole poem) is ‘The Scripture of the Saviour of the World’, which can be scanned thus: The Scrip/ture of/the Sa/viour of/the World; the resulting stress pattern highlights the important words: Scripture, Saviour, World. The blank verse form more closely imitates the rhythm of natural speech than rhymed verse does, and, additionally, it makes for easy narrative continuity.

In Book the First, we are given the usual fictionalised narrative of how the Buddha-to-be descended from heaven to be born in the world of humans. Arnold recounts such details as Maya’s dream, its interpretation, and before all that, the ‘five sure signs of birth’ (which, though not specified in the poem, are equivalent to what we are familiar with as the Pas Maha Belum/the Great Fivefold Observation {kaalaya, deepaya, deshaya, kulaya, maata/time, land, state, caste, mother}) that preceded the Bodhisattva’s descent to the earth from ‘that sky’ (or the Tusita heaven according to Theravada Buddhist literature).

(Queen Maya)

Dreamed a strange dream; dreamed that a star from heaven –

Splendid, six-rayed, in colour rosy-pearl,

Whereof the token was an Elephant

Six-tusked, and white as milk of Kanadhuk –

Shot through the void; and shining into her,

Entered her womb upon the right…….

Thus was Siddhartha (the Bodhisattva/Buddha-to-be) conceived in his earthly mother’s womb. The birth takes place under a Palsa in the Palace-grounds in Kapilavastu (instead of under the shade between two Shala/Sal or cannonball trees on the way to Maya’s maternal home in Rajagriha/Rajgir, according to the story we know):

The conscious tree bent down its bows to make

A bower about Queen Maya’s Majesty;

And Earth put forth a thousand sudden flowers

To spread a couch……………

The narration of these miraculous occurrences which were claimed to have accompanied the birth of Siddhartha (‘All-Prospering’) did not spoil my enjoyment of the story, which was already known to me with similarly fantastic details, despite my then growing scepticism towards religion. People of different faiths usually adopt a healthy ‘suspension of disbelief’ when confronted with such fanciful accounts of events connected with the lives of religious figures that they adore, mostly because they are rational enough to read them as literature (a fact that Arnold himself was aware of and wanted his readers to understand as well).

 The Queen mother dies seven days after the prince’s birth because she was ‘grown too sacred for more woe – And life is woe…………’

When old enough to learn all that a prince should learn, Siddhartha is entrusted to the wisest teacher available: Vishvamitra. But struck by the extraordinary precocity of his ‘softly-mannered, modest, deferent, tender-hearted…..’ royal charge, the old teacher

Prostrated before the boy; “For thou”, he cried,

Art Teacher of thy teachers – thou, not I,

“Art Guru. Oh I worship thee, sweet Prince!

The young prince also excelled in physical feats that formed a part of his training. He was a bold horseman and a skillful chariot driver. But he was so kindhearted that

Yet in mid-play the boy would oft-times pause,

Letting the deer pass free; would oft-times yield

His half-won race because his labouring steeds

Fetched painful breath; ……………………

One day while in play, Siddhartha’s cousin Devadatta shot a swan with an arrow and the injured bird fell to the ground. Siddhartha picked it up, removed the dart, and applied a poultice of soothing herbs on the wound. Though Devadatta wanted to have the bird that he had shot down, Siddhartha refused to give it back. An unknown priest suddenly appeared to mediate between the two cousins, and handed the bird to Siddhartha, saying that ‘the cherisher of life deserved the living bird, and not its slayer’. When the father king looked for the mysterious priest to reward him, he was gone:

And someone saw a hooded snake glide forth, –

The gods come oft-times thus! So our Lord Buddh

Began his works of mercy………………

 It is in Book the Second that Arnold is seen giving full play to whatever he imbibed from his literary-aesthetic interaction with the Gita Govinda of Jayadeva, which Arnold seems to have used as a model for his own poetic masterpiece. The absolute devotion to the Buddha that Arnold expresses as an imaginary Buddhist votary in the capitalised last lines of the poem quoted in the epigraph to this essay indicates that his discovery of Buddhism was indeed a life changing experience.

While continuing my own narrative here, I consider this point an appropriate place to say something again about the form of the epic poem we are having a glance at. Now, too rigid an adherence to a set metrical foot is boringly mechanical at times (See the second paragraph above). Poets avoid this by varying it according to the context (as Shakespeare did in his plays). For example, from Book the Second we have

 ‘But they/ who watched/ the Prince/ at prize/-giving

Saw and/ heard all/ and told/ the care/ful King’

Here, the first line is a perfect iambic pentameter line. In the second line, however, the first two feet are trochees, not iambs; in a trochee, in contrast to an iamb, the stress or accent falls on the first syllable: Saw and/heard all/…. The context in the poem is where some courtiers, who have been attending on prince Siddhartha during a festival of royal beauties arranged by his father the ‘careful’ (full of care, i.e., worried, anxious) king Suddhodana on the advice of his wisemen to distract his eighteen year old young son from a premature otherworldliness that they had observed in his demeanour, are reporting to the king a sudden brightening of the prince’s mood on seeing the beautiful princess Yashodhara. What the watchful guards saw and heard passing between the two (Siddhartha and Yashodhara) gladdened them: they had instantly fallen in love with each other.

Whereas every one of the other maidens who came to receive gifts from the prince that day, even the fairest one among them,

….stood like a sacred antelope to touch

The gracious hand, then fled to join her mates

Trembling at favour, so divine he seemed,

So high and saint-like and above her world,

Yashodhara alone ‘Of heavenly mould’

Gazed full – folding her palms across her breasts –

On the boy’s gaze, her stately neck unbent.

“Is there a gift for me?” she asked, and smiled.

“The gifts are gone”, the Prince replied “yes take

This for amends, dear sister, of whose grace

Our happy city boasts”, therewith he loosed

The emerald necklet from his throat, and clasped

Its green beads round her dark and silk-soft waist;

And their eyes mixed, and from the look sprang love.

Those who stood nearest (the guards, no doubt) saw ‘the princely boy – Start, as the radiant girl approached….’ and they heard the sweet exchanges between the two instant lovers.The brief break in the metre in the verse line that records this highlights their (the guards’) joy and excitement at being finally able to bear the long awaited news of their happy finding to the fond father, the king they serve with so much love and loyalty.

This is a climactic moment of the whole scene (where the prince, set to choose his bride/his future queen consort, has just been rescued from his accustomed otherworldly melancholia). The king’s stratagem seems to be working. He wants his son to be a Chakravartin (lit. Turner of the Disc, a universal monarch) who will rule the world, not a holy man of wondrous wisdom. (As described in Book the First, these were the two alternative destinies that the dream-readers predicted for the baby conceived that night by Queen Maya. Ultimately, though,as we know, the king’s ambition for his son was not fulfilled. Siddhartha became Buddha instead of a Chackravartin.)

Long after Siddhartha attained Buddhahood, he is asked “why thus his heart – Took fire at first glance of the Sakya girl”, and he recalls an earlier life long gone by as

A hunter’s son, playing with forest girls

By Yamun’s springs, where Nandadevi stands,

Sate umpire while they raced beneath the firs

……………………………………………..

One with fir-apples; but who ran the last

Came first for him, and unto her the boy

Gave a tame fawn and his heart’s love beside.

This is just like a scene from Jayadeva’s Gita Govinda. Krishna/Govinda plays with Radha in a forest glade on the banks of the very same Yamuna. It is one of the swooning love scenes between the resplendent Blue God Krishna (in the form of Govinda) and the radiantly fair human cowherdess Radha during their heavenly trysts that Jayadeva enacts for us in his poem. While giving his account of the Siddhartha Yashodhara romance, Arnold is trying to infuse his poem with a touch of the divine magic of Jayadeva’s poetry.

Father Suddhodana creates for his son ‘….. a pleasant prison-house – Where love was gaoler and delights its bars’. The poet beautifully paints how the prince gradually grows tired of those delights. Around the end of Book the Fourth, Siddhartha has decided to renounce everything and embark on his lonely search for the Truth as a mendicant recluse. Channa, his charioteer, asks him:

Wilt thou ride hence and let the rich world slip

Out of thy grasp, to hold a beggar’s bowl?

Wilt thou go forth into the friendless waste

That has this Paradise of pleasures here?

The Prince made answer, “Unto this I came,

And not for thrones: the kingdom that I crave

Is more than many realms – and all things pass

To change and death………

The rest of the poem actualizes the ascetic Gautama’s painful exploration and his blissful ultimate discovery. Book the Seventh and Book the Eighth outline the doctrines of the Buddha as Edwin Arnold conceived of them in his essentially limited understanding of the Dhamma, which consisted of ‘the fruits of considerable study’ though. (Concluded)



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Opinion

The eternal pilgrimage of Hajj: A journey through faith, sacrifice and humanity

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Hajj pilgrims

Every year, the spiritual compass of the Muslim world turns towards the holy city of Makkah, where millions of pilgrims gather for Hajj — one of humanity’s oldest and most profound journeys of faith.

This year, too, the sacred valleys of Saudi Arabia are filled with the echoes of “Labbaik Allahumma Labbaik” — “Here I am, O Allah, here I am” — as Muslims from every continent respond to a divine call that dates back thousands of years to Prophet Ibrahim (Abraham).

Among them are thousands of Sri Lankan pilgrims, dressed in simple white garments, leaving behind worldly status, wealth and identity in pursuit of spiritual purification and closeness to God.

According to Muslim Affairs authorities, the Kingdom of Saudi Arabia has allocated a Hajj quota of 3,500 pilgrims for Sri Lanka for Hajj 2026, enabling devotees from across the island to undertake the sacred pilgrimage. The annual allocation is determined through agreements between Saudi Arabia and Muslim-majority and minority nations worldwide.

Since early this month at the Bandaranaike International Airport in Katunayake, emotional scenes unfolded as families bade farewell to departing pilgrims with tears, embraces and prayers.

Elderly parents clutched prayer beads, children waved anxiously, while relatives sought blessings from loved ones embarking on the once-in-a-lifetime spiritual journey.

For many Sri Lankan Muslims, performing Hajj is not simply travel — it is the fulfilment of a lifelong dream nurtured through years of prayer, sacrifice and savings.

In villages, towns and cities across Sri Lanka, preparations for Hajj often begin months or even years in advance. Some families save gradually over decades, while elderly pilgrims regard the journey as the culmination of a lifetime of devotion.

Hajj is the fifth pillar of Islam and is obligatory for every financially and physically able Muslim at least once in a lifetime.

Yet the pilgrimage is far more than a religious obligation.

It is a journey deeply rooted in the story of Prophet Ibrahim, known as Abraham in Christianity and Judaism, and revered across the Abrahamic faiths as a towering symbol of faith, obedience and sacrifice.

Islamic tradition recounts how Prophet Ibrahim was commanded by Allah to leave his wife Hajjar and infant son Ismail in the barren desert valley of Makkah. With unwavering faith in God’s wisdom, Ibrahim obeyed.

Left in the scorching desert with little water or food, Hajjar desperately searched for water for her thirsty child, running seven times between the hills of Safa and Marwa.

Her determination, courage and trust in God are immortalised in the rituals of Hajj today.

Pilgrims reenact Hajjar’s desperate search by walking between Safa and Marwa, symbolising perseverance, faith and hope even in moments of despair.

According to Islamic belief, Allah answered Hajjar’s prayers by causing the miraculous Zamzam well to spring forth beneath baby Ismail’s feet — a well that continues to provide water to millions of pilgrims centuries later.

Another defining moment in Ibrahim’s story is commemorated during Hajj and Eid-ul-Adha — the willingness of the Prophet to sacrifice his beloved son in obedience to God’s command.

As Ibrahim prepared to carry out the sacrifice, Allah replaced Ismail with a ram, signifying that faith, sincerity and submission were greater than the act itself.

The symbolic stoning of the devil during Hajj recalls Ibrahim’s rejection of Satan’s temptations that sought to discourage him from obeying God.

Thus, every ritual of Hajj carries profound historical and spiritual meaning.

The pilgrimage is not simply movement through sacred spaces; it is a reenactment of timeless lessons in obedience, sacrifice, patience and devotion.

One of the most remarkable aspects of Hajj is the extraordinary equality it represents.

Pilgrims, regardless of nationality, race, language or social class, wear the same simple white attire, known as Ihram.

Presidents, businessmen, labourers and farmers stand side by side in prayer, under the blazing Arabian sun, erasing worldly distinctions and affirming the Islamic belief that all human beings are equal before God.

Religious scholars often describe Hajj as the world’s greatest annual demonstration of unity and humility.

The spiritual climax of the pilgrimage occurs at the plains of Arafat, where pilgrims spend hours in prayer and repentance seeking divine forgiveness.

Many Muslims believe that a sincerely accepted Hajj cleanses a believer of past sins and marks the beginning of a spiritually renewed life.

Upon returning home, pilgrims are honoured with the title “Hadji” or “Hajji,” a distinction that carries immense respect within Muslim communities, including in Sri Lanka.

Traditionally, a Hadji is viewed as someone who has fulfilled one of Islam’s most sacred obligations and returned with heightened spiritual responsibility.

However, Islamic scholars emphasise that the title is not merely ceremonial.

“The true significance of becoming a Hadji lies in personal transformation,” a Colombo-based Islamic scholar said.

“A pilgrim is expected to return with greater humility, compassion, honesty and social responsibility. Hajj is not about status; it is about becoming a better human being.”

Across Sri Lanka, mosques have been conducting special prayers for pilgrims, while families gather to seek blessings before departure.

The pilgrimage season also creates a unique emotional atmosphere within Muslim communities, where neighbours visit departing pilgrims and homes become centres of prayer and reflection.

Saudi Arabia has introduced extensive arrangements this year to facilitate the pilgrimage, including digital crowd management systems, improved transport networks, upgraded accommodation and enhanced healthcare services.

Sri Lankan diplomats and officials, stationed in Saudi Arabia, have been coordinating closely with Saudi authorities to ensure the welfare and smooth movement of Sri Lankan pilgrims throughout the pilgrimage period.

Sri Lanka’s Ambassador to Saudi Arabia, Ameer Ajwad, recently inspected facilities in Mina, prepared for Sri Lankan pilgrims, and reaffirmed efforts to provide a safe and spiritually fulfilling Hajj experience.

As millions circle the Holy Kaaba in prayer, Hajj continues to stand as one of the most extraordinary gatherings on Earth — a timeless spiritual movement connecting humanity across borders, cultures and generations.

For Sri Lanka’s pilgrims, the sacred journey is not merely a passage to Makkah.

It is a journey into the soul — a return to the eternal lessons of Prophet Ibrahim, Hajjar and Ismail — lessons of sacrifice, endurance, obedience and unwavering faith that continue to inspire humanity centuries later.

By Ifham Nizam

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Remembrance Day, 19 May 26: Was it traduced?

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War Heroes Memorial

‘Ferocious in battle, Magnanimous in victory (Col Tim Collins- Brit Army)

Sri Lanka commemorated the 17th anniversary of the end of the 30-year Eelam conflict with a moving War Heroes Remembrance Day ceremony on 19 May 26 at the monument on the Parliament grounds. It was a solemn occasion when the Nation paid tribute to over 29,000 Defence and Police people (women and men) who died in the conflict. Sadly, politics, aberrations and theatrics were also on display.

The gravity of the sacrifices made and consequences of the Eelam war and two Southern terrorist insurgencies (1971 and 1988-9), are felt mostly by those who lost their loved ones in the conflicts as the nation mourns with them. Any hesitation to pay tribute belittle the fallen.

It was regrettable to see that the ceremony was also political. Why were the general public excluded from honouring the fallen? It defies understanding that such actions could take place at an event held sacred by the nation. Is there any other country where citizens are prevented from laying wreaths at a National Remembrance monument?

In the UK, from where this ceremony originates, 10,000 veterans (of an army of 109,000 -just half of Sri Lanka’s) take part in the march past every November. They are selected by their regimental associations from thousands of applications on a first come first served basis. Public access is unrestricted with numbers attending being the only barrier to viewing.

It is shocking that in Sri Lanka while public access is denied (selectively?), ‘invitations’ are given to attend a national Remembrance Day. They were restricted to just three government nominees! Who made this unwise decision and why?

Did the other government cohorts object to being invited? Would they have been embarrassed to come? Is the purpose of this to prevent prominent actors in the victory from receiving overwhelming accolades if they attended? Was there a fear of gate crashing? Perish the thought.

What is the need to make political speeches at an event to honour the nation’s dead? Couldn’t the speeches be made in Parliament or broadcast the day before? Seeing VIPs enjoying a joke at this ceremony hurts.

When laying wreaths at the monument, national customs should be followed by all, as in the past. A traditional low bow with hands clasped humbly, as at funerals, should be the form. In the West the head is bowed. It is unnecessary to imitate Americans by placing one hand over the heart when bowing, as on CNN. Bringing the other hand over the midriff elaborates but is an awkward addition.

The dress for all civilians attending should be similar, respectful and appropriate as for formal events and uniform, matching that of the retired military.

This is the time for the nation to remember and reflect for a moment on the dead in conflict, not only of the Military and Police who sacrificed their lives in thousands doing their duty but also of the innocent civilians who died in tens of thousands. Or, is it that some, other than the NOK, who survived in the North and South, have become hardened to death and do not wish to recall how appalling the losses were? Has death lost its meaning if also not its sting?

During 1988-9, when 60,000 died in 13 months (over 100 a day), a tea planter in Bandarawella was shot dead by Southern terrorists for hoisting the national flag on Independence day.

In the Eelam conflict just one regiment, (regiments are the core and heart of the Army), Gemunu Watch, lost 3,424 KIA and 4,272 WIA. The Imperial British Army after WWII lost 2551 (just over half of the Gemunu Watch number) in war in Korea (1949-51), Falklands (1982), Iraq, Afghanistan (20 years) and 40 years of insurgency in Northern Ireland. (SL Army infantry regiments (SL Light Infantry, Sinha, Gemunu, Gajaba and Vijayba) had about 19,000 of 21,000 of the Army KIA. That is the enormity of the sacrifices made by our indomitable military. Who then struggled to find heroes in the military?

Fisher Weerasuriya from Matara and farmer Vernugopal from Jaffna who never knew each other were brought to a place hundreds of miles from their villages, to blow each other’s brains out. ‘Had they a quarrel? Busy as the devil is, not the smallest. Their political leaders had fallen out; and instead of shooting one another had the cunning to get these blockheads to shoot each other’ (transcribed from ‘Sartor Resartus’ – Carlyle). Do Sri Lankan politicians who stirred the pot not know this when they fervently say they hope to prevent conflict in the future?

Is it correct then to exult that 6,000 troops died in the last phase of the war? Is that an achievement? As FM Montgomery said of the WW1 British Army “Good fighting Generals of the war appeared to have complete disregard for life’.

Reparations are claimed by the winners in wars between nations. After civil conflicts there should be reconciliation. There should be no humiliation. When will commemoration of the dead be national in Sri Lanka? How many from communal minorities attend this ceremony? Every citizen from North to South should be welcomed to attend Remembrance ceremonies in the future. That will hopefully help to sow unity.

The military died without a murmur for their companions so that the nation would survive. Let next year’s commemoration be a truly national event where the focus is on those who died while veterans in large numbers and the next of kin together with the general public, are warmly welcomed.

“If it be life that awaits, I shall live forever unconquered: If Death I shall die at last strong in my pride and free”. – Scottish National Memorial

 

by Old Soldier

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Opinion

Undermining the democratic political framework

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Aragalaya betrayed? ‘The treason of the intellectuals’ in the age of populism – Part II

The JVP/NPP conceptualisation of the ‘Jathika punarudaya’ (national renaissance) interpreted the Sri Lankan Renaissance as the aspiration to regain the moment we lost in the global modernisation project, which is believed to have emerged in the twentieth century as a result of the Western European Renaissance and Enlightenment imagination. Jathika punarudaya values modernity as the era of citizens based on a representative democratic model founded on a common social contract. It values human rights, civil rights, and political rights as the core of modernity. It values social interventions based on the values of social justice and collectivism. But is the current government acting on the basis of those renaissance beliefs that they claim to believe in?

This government came to power within the framework of bourgeois parliamentary democracy. However, the opposition alleges that the government is working to limit the right of the opposition to question the government’s actions within that framework, and within Parliament itself. The continued postponement of provincial council elections by the government has been criticized as a delay in the implementation of decentralised political power, especially in provinces inhabited by Tamils and Muslims.

The promise to abolish the executive presidency and restore a parliamentary-based political power structure continues to be postponed. This has drawn attention as a possible way to suppress trade union activities and intimidate political activists through repressive laws such as the Public Security Act and the Emergency Law, which are continuously implemented through the authoritarian use of the power of the executive presidency.

‘Honest party leadership,’ not the institutional system

The JVP, the core political party of the current government, which insists that its members are honest, claims that even if they violate certain rules and regulations in the course of governing, there is nothing wrong with it because it is not done for personal interest but for the common good. This implies that this government does not rely on rules, regulations, and a system of institutions built to last, but rather on the leaders of its own party, the JVP, whose leaders believe themselves to be honest. The system of institutions established on rules and regulations is for the rest of the people.

Attempts to subjugate institutions and public opinion to the government’s opinion

It is apparent that the government wants to implement its pre-designed agenda without any hindrance. To that end, the government is trying to subjugate all institutions and public opinion to its sole opinion. The most striking example of this approach is the government’s attempt to implement, without any genuine public discussion, neoliberal reforms formulated by previous governments regarding national education, which will have a decisive impact on the future of the country. The leadership brags that the proposed education reforms will be implemented as originally designed, regardless of any criticism or objections.

The government sets up committees at the local level claiming to represent the public, but people complain that they exclude anyone who does not conform to their way of thinking.

Freedom of expression

Civil rights activists say the current government’s continued use of the Online Safety Act, which was passed by the previous government despite public opposition, poses a serious threat to freedom of expression. Freedom of expression has been suppressed under the guise of legality. The government has made it a policy to summon and question individuals who criticise the government—even national-level politicians—at the CID. This amounts to intimidating its critics.

The government has not only broken its promises by failing to repeal the existing PTA but is also attempting to pass a new anti-terrorism law that local and international civil rights organizations have unanimously condemned as even more repressive. It has been stated that there is scope for the proposed new law to intensify the current use of anti-terrorism law as a weapon to suppress freedom of expression.

The Arts Council has become an arts police!”

The latest instance of the government’s attempt to curb freedom of expression that has come under serious public criticism is the detention of four books by a Sri Lankan writer, Theebachelvan, who writes in Tamil, by Sri Lankan Customs when they were brought into the country from India. Later, a statement issued by the Director of Customs said that two of the novels would be released based on recommendations issued by the National Arts Council and the Literary Council, while the other two would not be released based on the recommendations of those boards and the Ministry of Defense.

The statement that The Arts Council has become an arts police!” sums up the public protest that arose questioning the legal and moral rights of the members of the Arts Council and the Literary Council who have received political appointments” to measure and mark the boundaries of freedom of speech and expression at their own discretion” by giving such recommendations and assuming a power that they do not have.

Going beyond this general situation, the serious question that has been raised is: on what basis did Customs consider the views expressed in the two books by Theebachelvan that have been censored to be equivalent to the crime of ‘sedition’ under Section 120 of the Penal Code, which was cited as the reason for the detention? A related question is whether there is a connection between the allegation of sedition and the fact that the writer is a Tamil from Kilinochchi.

The irony here is the intervention of the current government’s Minister of Culture, the heads of the Arts Council under the Ministry of Culture, and its own literary sub-council in deciding this matter, along with the follow-up statements defending the government’s decision made by the same authorities, as well as by writers, artists, intellectuals, and academics who have been holding positions under the current government and those who have not.

There was strong public criticism that these individuals—who were believed to have held radical, liberal views on freedom of expression and ethnic rights before the current government came to power—have been appointed to various positions under the current government and now approve its repressive decisions in the name of ethnic reconciliation.

The following sentiments extracted from the comments made by Sumathy Sivamohan on her FB page, expressing her shock at a statement made by one of the leading Sinhala writers involved in making such statements, encapsulate the essence of the public criticism of the issue:

I am shocked at [name of the person]’s words on the detainment of Theebachelvan’s works by Customs. … The radicalness, the liberalness, are just thin veneers of their Sinhala-only stances. …. Now, they talk of Reconciliation. Reconciliation via Repression. …. Reconciliation, my foot! …. reconciliation is in your head, I think …. [I am] outraged. But now, [I] am certain of one thing. This is the bluff and bluster of liberals. …. That [name of the person] and others think, when Sinhala people think there’s reconciliation, there’s reconciliation, smacks of very deep-rooted racism

I don’t understand the argument, ‘we have to protect this government’ sentiment, touted by many liberals, who in intimate circles voice criticism. And these are the same people who supported the LTTE too, when it suited them—their liberal Sinhala agendas. … Now, they are blubbering …. it is shocking, for it whisks the mask off the faces of these liberal faces. There is a side of Sinhala liberalism that slavishly supports sentiments pertaining to the LTTE. They are the same, they are all the same. Those radicals, those liberals, those everybody, who think because they are Sinhala they have superior knowledge of matters. Sickening.” (reproduced with permission). (To be continued)

by Kumudu Kusum Kumara

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