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Meta and YouTube found liable in landmark social media addiction trial
A Los Angeles jury has handed down an unprecedented win for a young woman who sued Meta and YouTube over her childhood addiction to social media.
Jurors found that Meta, which owns Instagram, Facebook and WhatsApp, and Google, owner of YouTube, intentionally built addictive social media platforms that harmed the 20-year old’s mental health.
The woman, known as Kaley, was awarded $6m (£4.5m) in damages, a result likely to have implications for hundreds of similar cases now winding their way through US courts.
Meta and Google said separately that they disagreed with the verdict and would both appeal. Meta said: “Teen mental health is profoundly complex and cannot be linked to a single app.
“We will continue to defend ourselves vigorously as every case is different, and we remain confident in our record of protecting teens online.”
A spokesperson for Google said: “This case misunderstands YouTube, which is a responsibly built streaming platform, not a social media site.”
Jurors found that Kaley should receive $3m in compensatory damages and an additional $3m punitive damages, because they determined Meta and Google “acted with malice, oppression, or fraud” in the way the companies operated their platforms.
Meta will be expected to shoulder 70% of Kaley’s damages award, with Google the remaining 30%.
Parents of other children, who are not part of Kaley’s lawsuit but claim they also were harmed by social media, were outside the courthouse on Wednesday, as they had been many days throughout the five-week trial.
When the verdict came through, parents like Amy Neville were seen celebrating, and hugging other parents and supporters who had been waiting for a decision.
The LA verdict came a day after a jury in New Mexico found Meta liable for the way in which its platforms endangered children and exposed them to sexually explicit material and contact with sexual predators.
Mike Proulx, a research director for Forrester, said the back-to-back verdicts underline a “breaking point” between social media companies and the public.
In recent months, countries such as Australia have imposed restrictions for children to stop or limit their use of social media. The UK is currently running a pilot program to see how a ban of social media for people aged under 16 may work.
“Negative sentiment toward social media has been building for years, and now it’s finally boiled over,” Proulx said.
During his appearance before the jury in February, Mark Zuckerberg, Meta’s chairman and chief executive, relied on his company’s longstanding policy of not allowing users under the age of 13 on any of its platforms.
When presented with internal research and documents showing that Meta knew young children were, in fact, using its platforms, Zuckerberg said he “always wished” for faster progress to identify users under 13. He insisted the company had reached the “right place over time”.
While Google, as the owner of video-sharing site YouTube, was also a defendant in the case, most of the trial proceedings focused on Instagram and Meta.
Snap and TikTok were also initially defendants, but both companies reached undisclosed settlements with Kaley prior to trial.
As for Kaley’s lawyers, they argued that Meta and YouTube had built “addiction machines” and failed in their responsibility to prevent children from accessing their platforms.
Kaley said she started using Instagram aged nine and YouTube aged six, and encountered no attempts to block her because of her age.
“I stopped engaging with family because I was spending all my time on social media,” Kaley said during her testimony.
Kaley said she was 10-years-old when she started having feelings of anxiety and depression, disorders for which she would be diagnosed years later by a therapist.
She also started to obsess about her physical appearance and began using Instagram filters that would change the way she looked – making her nose smaller and her eyes bigger – almost as soon as she started using the platform as a child.
Kaley has since been diagnosed with body dysmorphia, a condition which causes people to worry excessively about their physical appearance and prevents them from seeing themselves as others do.
Her lawyers argued that features of Instagram, like infinite scroll, were designed to be addictive.
Meta’s growth goals were aimed at getting young people to use its platforms, Kaley’s lawyers said.
Using testimony from experts and former Meta executives, they argued the company wanted young users because they were more likely to stick with its platforms for longer stretches of time.
When lawyers for Kaley told Adam Mosseri, the head of Instagram, that her longest single day of use of the platform stretched to 16 hours, he denied that it was evidence of an addiction.
Instead, he called a teenager spending most hours of the day on Instagram “problematic”.
Lawyers for Kaley said Wednesday that the jury’s verdict “sends an unmistakable message that no company is above accountability when it comes to our children.”
Another case against Meta and other social media platforms over their alleged harms to children is poised to begin in June in California federal court.
[BBC]
Latest News
PSL 2026: Teams allowed to submit two XIs and pick one after toss
Shaheen Shah Afridi and Marnus Labuschagne, captains of Lahore Qalandars and Hyderabad Kingsmen, walked out with two team sheets each for the toss ahead of the opening matchof PSL 2026 and selected their final XIs based on which way the coin fell.
This was in accordance with a new regulation in the PSL playing conditions, which permits the captains to submit two team sheets to the match referee before the toss and finalise one of the submitted line-ups after the toss.
The clause 1.2.1 in the “Nomination and Replacement of Players” section reads: “Before the toss, each captain may submit two (2) different XI lineups in writing to the PSL Match Referee. Each lineup must include 11 players and a maximum of 4 substitute fielders (subject to Clause 1.2.5). After the toss, each captain must finalise one of the two submitted lineups by signing the selected team sheet. Once the final lineup has been nominated, no player listed in the selected playing eleven may be changed before the start of the match without the consent of the opposing captain.”
Tosses can play a significant role in this part of the world in night matches as a result of dew. The ball often gets wet and difficult to grip for the spinners, making them ineffective in the second innings. This change in the playing conditions is expected to provide a level playing field – a team batting first can add a fast bowler instead of a spinner while a team batting second can look to add depth to their batting.
There were no signs of dew in the first match of the season however because of the wind throughout the day and cloud cover.
[Cricinfo]
Latest News
Japan Premier League [JPL], building cricket from the ground up
The Japan Premier League (JPL) T20 competition is cricket’s unlikely outpost – a self-sustaining though struggling-to-survive tournament far away from cricket’s traditional centres. It’s on a growth path just over a decade into its existence, starting to connect local players to those outside, and looking to create a cricketing community in the country.
It was founded in 2015 with four regions – North, South, East and West Kanto (Tokyo region) – in the fray, with games held at the home venues of each of the teams. That model was scrapped owing to low turnouts, and the tournament has since been played at one or the other venue, while Kansai (Osaka region) has come in as the fifth team.
In 2026, the JPL will be a three-day competition – May 2 to 4 – with 12 games at the Sano International Cricket Ground. All the buzz in the lead-up is about the participation of former Sri Lanka captain Dimuth Karunaratne, BBL winner Josh Brown, and Nepal allrounder Karan KC.
“A major goal,” Alan Curr, the Japan Cricket Association (JCA) chief operations officer, says, “is to showcase a good standard of cricket for Japanese fans so that they can really see and understand what the sport looks like.”
The challenge there is that despite being played in Japan since 1863, cricket hasn’t found a niche. There has been some systemic progress, with the formation of the JCA in the 1980s, five-year plans running up to 2032, and the presence of men and women’s leagues for juniors and seniors – including the JPL, which struggled to find traction early on.
One of the reasons for excitement recently was that a significant majority of the 15 players in Japan’s squad at the 2020 Under-19 World Cup came through the Cricket Blast, the junior participation programme. However, that’s not translated to mass acceptance or participation.

“Often, for us, cricket in itself isn’t enough to attract people to the ground,” Curr says. “We have to be creative and come up with other things – dance, music, food, drinks and Japanese commentary. But the hope is that if they see the game, it’s of a high standard because when fans see players doing special things, it’s easier to be impressed.”
When it comes to the players, not everyone is too ambitious. Those that are have rewards to aim for as the JPL can have a significant effect on selection for the national side. Having said that, those in the national side are not professionals – they are students or are employed – and use their annual leaves for international assignments. Making time can be a challenge.
“A lot of the players here play recreationally,” Curr says. “Cricket is a recreational hobby to them rather than a high-performance pursuit. For us, concentrating the talent, getting players together at once to give local players the opportunity to play at a higher standard, and going overseas and playing cricket isn’t a feasible option. [So] to be able to bring high-level cricket here is really important.”
The last bit is why Brown, especially, coming to JPL in 2024 was critical. Brown is a “pro player” – each team gets one – and will be returning for his third year in a row.
“He signed up quite a long time in advance – that year he had a breakthrough year in the Big Bash,” Curr says. “He scored 140 off 57 balls against Adelaide Strikers. We had him locked in when he did that, but we hadn’t announced it. Then his profile went up, and he started playing leagues around the world. Fair play to him, he still came.
“That year, people were pretty excited when we made that announcement, and people did come and the live-streaming certainly got up. It was the first time we had someone of genuine stature coming over and being involved.”
Other than pro players, the 14-player squads have four retained from the previous year’s teams. All of them find their teams in a draft – this year’s draft took place on March 24.

Where do these players come from, and how do they make their way? “Inside Japan is through domestic performances and trials at the start of the year for any new players,” Curr says. “The overseas talent right now comes from our own contacts as we want to make sure we get players who really understand what the tournament is about. It’s a development league; there’s no salary for these players. We just cover their costs.”
As for the future, there are different avenues for expansion. One is getting more pro players into teams, which, according to Curr, could squeeze out local players, making it a less-than-ideal option. Having more teams is more appealing, as is the prospect of having a nine-day tournament than one only over a long weekend.
“All of those things require funding. At the moment, we are relying heavily on the goodwill of people, who are happy to come out and play for no payment and out of the kindness of their heart,” Curr says. “We know that’s not sustainable. If we can get financial backing, getting a sponsor on board will really make a big difference.”
So far, cricket in Japan made news when the national team did anything of note, like qualifying for the 2020 and 2026 men’s Under 19 World Cups. If the JPL can take the next steps towards becoming bigger and better, maybe it will start attracting interest from other parts of the world in a more significant way. And that in turn could mean the next step for cricket in Japan as a whole.
[Cricinfo]
Latest News
Heat Index likely to increase up to ‘Caution level’ at some places in the Western, Sabaragamuwa, Southern, North-western, Northern and North- central provinces and in Monaragala district
Warm Weather Advisory
Issued by the Natural Hazards Early Warning Centre of the Department of Meteorology
Issued at 3.30 p.m. on 26 March 2026, valid for 27 March 2026.
Thw Heat index, the temperature felt on human body is likely to increase up to ‘Caution level’ at some places in the Western, Sabaragamuwa, Southern, North-western, Northern and North-
central provinces and in Monaragala district.
The Heat Index Forecast is calculated by using relative humidity and maximum temperature and this is the condition that is felt on your body. This is not the forecast of maximum
temperature. It is generated by the Department of Meteorology for the next day period and prepared by using global numerical weather prediction model data.

Effect of the heat index on human body is mentioned in the above table and it is prepared on the advice of the Ministry of Health and Indigenous Medical Services.
ACTION REQUIRED
Job sites: Stay hydrated and takes breaks in the shade as often as possible.
Indoors: Check up on the elderly and the sick.
Vehicles: Never leave children unattended.
Outdoors: Limit strenuous outdoor activities, find shade and stay hydrated.
Dress: Wear lightweight and white or light-colored clothing.
Note:
In addition, please refer to advisories issued by the Disaster Preparedness & Response Division, Ministry of Health in this regard as well. For further clarifications please contact 011-7446491
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