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Hansa Vilak Stylish and profound cinematic experience
Veteran dramatist and film-maker Dharmasiri Bandaranayake’s landmark creation, Hansa Vilak is back on the screen after its restoration in digital format. The film remains ‘timeless’ and ‘forever young’ even after 40 years since it was first released in 1980.
by Randima Attygalle
Dharmasiri Banadaranayake’s Hansa Vilak is a ‘dazzling debut’ which ‘displays a remarkable feel for the medium. Imaginative, experimental and very exciting,’ commented Dr. Lester James Peries when the film was first released. An attempt to explore the social hypothesis of a marriage from an atypical perspective drove Bandaranayake to write his first screen play for Hansa Vilak in 1978. By then he was experienced both as a stage and a film actor.
Along with greats like Lester James Peries, Satyajit Ray, Andrzej Munk and several other contemporary film-makers, Bandaranayake won the admiration of film-goers who preferred to watch good, artistic cinema, he reflects looking back.
The forbidden love between Nissanka (played by Bandaranayake himself) and Miranda (Swarna Mallawarachchi) – both married, is the theme of Hansa Vilak or Swan Lake. This projects a universal appeal in any society where matrimony has been made into a legal or social institution. The deep and abiding emotions in a traditional Asian society are poignantly projected in the film.
Critic H.A Seneviratne once remarked that, ‘Hansa Vilak, combining both fantasy and reality, utilizes the diverse techniques of photography, editing, and sound mixing in all their complexities so much so that there appears to be much outwards novelty in it. Not only the form, but also the subject matter of the film appears to be new and complex to the Sinhala filmgoer. It deals with the emotional problems of two married couples whose matrimonial bond had been suddenly disrupted.’
The extra marital sexual relationship between Miranda, wife of Douglas (Henry Jayasena) and Nissanka, husband of Samanthi (Vasanthi Chaturani) is suddenly revealed with the police raiding the hotel in which the couple had found temporary lodging. This results in Nissanka deserting his wife and two children and Miranda too leaving her husband and only daughter. Nissanka and Miranda are united in marriage but their past emotional attachments continue to taunt them.
Some aspects of these characters are based on reality and some on illusion and fantasy. The characters were developed “transcending the traditional beginning, middle and the end construct known to films at that time,” Bandaranayake says. The film was based on a structure that was yet unseen in Sri Lankan cinema – the element which he attributes to Hansa Vilak’s lasting appeal even after 40 years since release.
The response to the newly restored Hansa Vilak in digital format has been “overwhelming,” says Bandaranayake. “Today it has come among another generation including students of cinema whose response to it has been heart-warming,” he says; he humbly adds that his creation has not aged, but remains modern and relevant.
Bandaranayake’s Hansa Vilak and Thunweni Yamaya were sent to India for restoration by the Sri Lanka Film Corporation about three years ago. The six-month restoration process in the Prasad Film Lab in Chennai reputed for its digital post production services has paid dividends.
“The visual impact of the new copy is just astounding. Although the images remain in their original black and white, their sharpness and clarity in the new version appeals to the modern audience,” says the filmmaker.
The film, distributed by Sri Lanka Film Corporation, is now being screened in several cinemas in Colombo. It will soon show at several more cinemas in other major towns.
As an artiste who is very vocal about conserving Sinhala cinema’s landmarks for posterity, Bandaranayake laments that several Sri Lankan cinematic landmarks will perish unless urgent interventions are made. Following the successful restoration of his own films, (Thunveni Yamaya will be screened soon), Bandaranayake stresses the need to salvage

the masterpieces of celebrated film makers such as Lester James Peries, Dharmasena Pathiraja and Vasantha Obe
yesekera before they are forever lost to the country.
Commenting on Hansa Vilak (released in 1980), scholar and critic Regi Siriwardena remarked that, ‘Dharmasiri Bandaranayake has created in this film a form and style that go further than any Sinhala film before in taking us into the world of inner psychological experience. Throughout the film the camera is the means of projecting the sensations and feelings of Nissanka torn between love, suspicion, jealousy, duty and obligation. Many of the images on the screen belong not to the world of external, public reality but to the inner world of psychological reality.’
Psychology of character in the language of film-making becomes prominent in the creation of Hansa Vilak. The subject matter of the film is a fusion of fantasy and hallucinations of an emotional wreck. This fusion, Bandaranayake explains, enabled every viewer of the film a dialogue on what was real and what was illusion.
The camera in the hands of the cinematographer, Andrew Jayamanne is shifted towards the characters making it appear that the characters themselves walk towards it. The melodies of Maestro Premasiri Khemadasa – Hemin Sere Piya Vida (theme song sung by Sunila Abeysekera and T. M. Jayarathna) Senehasa Pupura sihinaya miya yayi and Sandun sihina mandapaye emerge strong motifs in the film.
Bandaranayake’s own portrayal of Nissanaka was not by choice. The non-availability of most actors he approached pushed him into taking the role himself. Inspiration to play the dual roles of actor and director came from the celebrated Gamini Fonseka, says Bandaranayake, adding that Gamini’s shoes were however too big for him.
A special pre-premiere of Hansa Vilak in 1979 won it an opportunity to be featured at the Mannheim International Film Festival in West Germany. “Rev. Fr. Ernest Portuthota who happened to be in the audience at the special show was so impressed by the film and took it upon himself to send it to Germany,” recollects Bandaranayake. This enabled him to join a group of novice film makers from different parts of the world.
Hansa Vilak
was awarded a Diploma Certificate at the festival. After its release locally, the film won the Sarasaviya award for the best script. For Bandaranayake the best jury however, is the people of this country. “Whenever the film is featured at any film festival or show on TV, the response I receive from numerous people is immense. This is my greatest award,” he reflects.
“To have found the means of reflecting through the form and techniques of the film, the pressures of society and the family in the mind of a bewildered and tormented individual is Dharmasiri Bandaranayake’s great achievement in the film,” wrote Regi Siriwardena who went on to note that this ‘achievement is sufficient to make Hansa Vilak a permanent landmark in the Sinhala Cinema, just as Rekawa or Ahas Gauwa were in their own time’.
Photo credit: Dharmasiri Bandaranayake
Life style
Tourism gets a World Bank powered boost
By Zanita Careem
With Sri Lanka tourism entering a new phase of growth, the Deputy Minister of Foreign Affairs, Foreign Employment and Tourism, Professor Ruwan Ranasinghe outlined the Government’s forward looking approach, stressing that Sri Lanka must move forward, and must move beyond short term promotional efforts and build a tourism industry backed by clear strategy, stronger planning and measurable results. At the recent Press Conference, held at the SLTPB, Sri Lanka Tourism launched two World Bank supported consultancy assignments to develop a national tourism strategy and global promotional campaign road map, as the country seeks to attract high spending visitors and generate greater economic reforms. The National Tourism strategy planning consultancy for 2026-2031 will prepare a five-year framework, covering a forward looking approach, centred on transforming tourism into a more competitive sustainable and high value sector. For Sri Lanka, this initiative marks an important shift towards strategic, sustainable and inclusive tourism development with the aim of giving greater economic opportunities to the people. The Deputy Minister said the country does possess the natural beauty, cultural heritage and hospitality needed to compete globally. What is required now, he emphasised, is a coordinated approach that brings together government, industry stakeholders and international expertise.
For Professor Ranasinghe the way forward is not simply about bringing more tourists to Sri Lanka but about creating greater value from every visitor, diversifying markets, encouraging investment, strengthening the tourism institutions and developing a destination that can complete confidentially on the world stage. His speech reflected a clear message, Sri Lanka has the attraction, diversity and potential to compete with the world’s best destinations, but must be driven by stronger strategy, sharper global marketing and co-ordinated action.
He emphasised that Sri Lanka has not lacked tourism plans in the past. Previous governments and tourism authorities had undertaken considerable work and developed important plans but the challenges was that these efforts had not given the strength, continuity and implementation mechanisms needed to produce the desired results. The new approach, he stressed, is about giving tourism greater teeth through stronger planning, better governance, targeted investment, sustainable development and a much aggressive presence in the international markets.
(Q) Why is the launch of the National Strategies Planning Consultancy a major milestone for Sri Lanka’s tourism industry?
(A) The launch marks a turning point because it introduces a structured, evidence-based framework for tourism development. For years, Sri Lanka focused primarily on increasing visitor numbers, but despite strong arrivals, revenue growth lagged. This consultancy, supported by the World Bank, ensures that future strategies emphasise value creation, sustainability, and inclusivity. It is the first time Sri Lanka’s tourism industry is being aligned with global best practices, institutional reforms, and a clear roadmap for implementation, making it a landmark initiative.
(Q) What are key priorities that the new national tourism strategy will focus on?
(A) The new strategy prioritises enhancing visitor spending and length of stay, reducing revenue leakage by strengthening local supply chains, modernising institutions and regulations, and embedding sustainability across all tourism activities. It also emphasises skills development through curriculum modernisation at SLOTH, digital transformation of tourism data systems, and diversification of tourism products to attract high-value segments such as wellness, eco-tourism, and cultural tourism.
(Q) What major gaps in Sri Lanka’s existing tourism strategy do you hope to address?
(A) Previous strategies were heavily arrival-driven, with limited focus on yield per visitor. There was weak differentiation among destinations, limited integration with local communities, and insufficient institutional coordination. The new plan addresses these gaps by embedding sustainability, strengthening provincial tourism bureaus, diversifying products, and ensuring that tourism revenue benefits local communities more directly.
(Q) What is the vision behind Sri Lanka’s new global promotional campaign road map?
(A) The vision is to reposition Sri Lanka as a premier global destination by highlighting its unique blend of culture, nature, and wellness. The campaign, developed with international expertise, will use data-driven marketing, influencer collaborations, and destination storytelling to reach high-value markets. It aims to move beyond generic promotion and instead create a strong, differentiated brand identity for Sri Lanka.
(Q) How will this campaign change the way Sri Lanka is positioned and marketed internationally?
(A) Sri Lanka will be marketed not just as a tropical island but as a destination offering diverse, high-value experiences. The campaign will highlight wellness retreats, heritage tourism, eco-adventures, and community-based experiences. This repositioning will attract discerning travellers who seek authenticity and are willing to spend more, thereby increasing tourism’s contribution to the economy.
(Q) How will the Ministry ensure that the strategy does not remain another document, but is actually implemented?
(A) The consultancy includes costed action plans, institutional reforms, and monitoring mechanisms to ensure accountability. Stakeholder workshops and validation sessions will embed ownership across government, private sector, and communities. The Ministry is committed to ensuring that this strategy translates into tangible outcomes through structured implementation and regular progress reviews.
(Q) Are we ready to market Sri Lanka to the world at a much bigger level or do you first need to fix the gaps in the visitor experience before spending heavily on promotion?
(A) Both aspects must go hand in hand. While global promotion is essential to reposition Sri Lanka, the visitor experience must be strengthened to ensure repeat visitation and positive word-of-mouth. The strategy priorities service standards, infrastructure, and product diversification so that promotional spending translates into genuine value for visitors and communities alike.
(Q) What does the World Bank’s involvement bring to Sri Lanka’s tourism strategy that was missing from previous initiatives?
(A) The World Bank brings international expertise, credibility, and funding support. Its involvement ensures that Sri Lanka’s strategy is benchmarked against global best practices, with stronger institutional frameworks and better data systems. Unlike past initiatives, this partnership emphasizes sustainability, inclusivity, and value-driven growth, ensuring long-term resilience for the industry.
(Q) Will the World Bank’s expertise help Sri Lanka move from simply increasing tourist arrivals to attracting high-value tourists?
(A) Yes, the World Bank’s guidance is focused on shifting from volume-driven growth to yield-driven growth. By strengthening product development, diversifying markets, and embedding sustainability, Sri Lanka will attract high-value tourists who spend more, stay longer, and contribute positively to local communities and conservation efforts.
(Q) Will the new strategy place greater emphasis on sustainable and responsible tourism?
(A) Absolutely. Sustainability is at the heart of the new strategy. ECT-tourism, community-based tourism, and conservation initiatives will be scaled up to protect Sri Lanka’s fragile ecosystems and heritage. Responsible tourism practices will be embedded across the industry to ensure that growth does not come at the expense of the environment or local communities.
(Q) With the World Bank bringing international expertise to Sri Lanka’s tourism strategy, what is the one major transformation for the world to see in Sri Lanka as a tourism destination?
(A) The major transformation will be Sri Lanka’s repositioning as a high-value, sustainable destination. The world will see Sri Lanka move beyond being a volume-driven market to becoming a model of responsible tourism, where visitors enjoy authentic experiences while contributing to local prosperity and environmental conservation. This shift will redefine Sri Lanka’s global image and ensure long-term competitiveness.
Life style
When food becomes the language of connection for Chef Sajesh Nair
By Zanita Careem
Behind every memorable dining experience is a chef whose passion transforms ingredients into something extraordinary. At Taj Samudra Colombo, the hotel’s Executive Chef, Sajesh Nair brings culinary artistry, precision and a deep understanding of flavours, curating dishes that are as refined as they are memorable.
With his passion for quality ingredients, attention to details and commitment to culinary excellence, Chef Nair continues to create flavours, turning the finest ingredients into culinary masterpieces, and transforming the dining table into a stage of indulgence.
Behind every memorable dining experience is a Chef who understands that food is more than what appears on a plate. For Chef Sajesh Nair cooking has been a lifelong journey, shaped by tradition, discipline, curiosity and a passion for authentic flavours.
With an impressive 30 years in the culinary tradition, including 17 years with Taj Hotels, Chef Sajesh Nair has built a career round creating a distinctive dining experience, while remaining deeply connected to the heritage of the cuisines he represented.
His journey with Taj has taken him through some of the group’s most prestigious properties. He was the Executive Chef at the celebrated Taj Falakruma, in Hyderabad, where he became particularly recognised for his expertise in Hyderabad and Nizami cuisine. “My philosophy was rooted in preserving traditional techniques while presenting them with refinement and creativity.” My passion for cooking began at an early age, “My journey was shaped by an early and lasting influence of my father.’’ It was through him that Sajesh developed an appreciation for food, discipline and dedication behind creating something truly special.
His culinary credentials also came into spotlight when he led the team preparing an elaborate royal inspired menu for a high profile dinner at Taj Falakuma Palace, attended by Prime Minister Narendra Modi and Ivanka Trump.
At Taj Samudra Colombo, Chef Sajesh brought his wealth of experience to Sri Lanka’s hospitality scene. His culinary leadership extended to many restaurents, including the revamped Indian Restaurant Navaratne where he has created an experience, centred around cuisines from all parts of India. Adding depth to this culinary journey, Chef Sajesh philosophy fits naturally into the restaurant’s identity, offering guests an introduction to India’s culinary traditions while maintaining the standard of Taj hospitality. Navaratne has become more than an Indian restaurant, it’s a culinary passage to India with Sajesh Nair’s experience in helping bringing its flavours, traditions and stories to the table. Chef Sajesh Nair has a long Taj Hotel career and in Sri Lanka, as the Executive Chef of Golden Dragon – one of the hotel’s specialist restaurant, where he has brought his expertise and creativity to the kitchen, creating flavours that have delighted diners from all walks of life. His association with Golden Dragon, the Chinese restaurant, began in India where he worked at the restaurant as part of his early Taj Samudra hotel’s career. That experience gave him the exposure to the Chinese wider culinary techniques at the Golden Dragon Colombo.
At Taj Samudra Colombo, the Yumi Japanese restaurant is one of the hotel’s speciality dining outlets, His strength lies in creating dishes that balance authentic flavours with contemporary presentation, while his attention to detail and understanding of ingredients gave each creation its distinctive character. He embraced a wider gastronomic repertoire, mastering flavours and techniques from across the world. Chef Sajesh Nair’s culinary canvas extended beyond Indian cuisine. Nair’s role was not simply about mastering one cuisine but about creating different dining experience to suit different tastes. He curated extensive festive menus at Ports of Call and worked across the hotel’s speciality restaurants .
Chef Sajesh Nair’s journey extends beyond the restaurant kitchen with his career giving him opportunities to prepare food for celebrations, distinguished personalities and high profile guests in Sri Lanka and abroad. His work at the Golden Dragon and at the Yumi restaurent further reflect his versatility as a executive. Chef Nair led the culinary team at Taj Falaknuma Palace when a dinner was hosted for Narendra Modi.
Chef Nair and his team prepared the elaborate five-course royal Hyderabad/Nizami menu for Ivanka Trump during her Hyderabad visit. Mukesh Ambani and Ratan Tata both were among the prominent. Indian business leaders who attended the gala dinner. Among the distinguished personalities to experience Chef’s culinary artistry was Cherie Blair, who was among the guests at the glittering banquet at Taj Falaknuma Palace in Hyderbad during the 2017 Global Entrepreneurship Summit. He also curated menus for Mohamed Azharuddin’s wedding reception at Taj Mahal Palace. At this wedding he worked as a young Chef de Partie at the hotel where he won rave reviews. Later he steadily worked his way through the demanding hierachy of professional kitchens.
In Sri Lanka he has created menus for cricketers, both Sri Lankans and Indians. He was also the part of the team when he created various menus during PM Narendra Modi’s visit to Sri Lanka when he stayed at the Taj Samudra. He has also curated menus for all the higher profile personalities, like corporate clients and political figureheads, including the PM of Sri Lanka, Harini Amarasuriya.
From royal banquests in India to distinguished tables in Sri Lanka, Chef Sajesh Nair’s culinary journey is one marked by experience, versatility and an enduring passion for creating memorable dining experiences. His career reflects a Chef who has continually evolved with the times, while remaining rooted in the craft.
He quipped “For me food is more than what is served on a plate it is a way of connecting people.”
Life style
CCWE National Workshop calls for collective action
The Ceylon Chamber of Women Entrepreneurs (CCWE), in collaboration with the University of Kelaniya, brought together policymakers, development partners, private-sector leaders, academics, civil society organisations and women entrepreneurs at the National Workshop “Advocating for Change: Women’s Economic Empowerment through Collective Action.”
The workshop formed part of the FAME – Feminism: Action and Mobilisation for an Inclusive Economy Project, supported by the Agence Française de Développement (AFD), and focused on identifying practical pathways to create a more inclusive and enabling entrepreneurial ecosystem for women in Sri Lanka.
The national dialogue provided a platform to bring together policy-level perspectives with the experiences of women entrepreneurs and grassroots organisations, while presenting research evidence on the barriers, opportunities and institutional changes required to strengthen women’s participation in entrepreneurship and economic development.
Welcoming participants, Dr. Ayanthi Gurusinghe, President of the Ceylon Chamber of Women Entrepreneurs, emphasised that women’s economic empowerment cannot be achieved through isolated interventions or training programmes alone. She highlighted the importance of connecting women entrepreneurs with finance, technology, markets, knowledge, networks and policy-making institutions, while ensuring that the voices of women, at community level, are represented in national discussions. She noted that the purpose of “Advocating for Change” is to bring these different voices together and move from identifying challenges towards practical and sustainable solutions.
Dr. Gurusinghe further stressed the importance of collective action among government institutions, development partners, academia, the private sector, women’s chambers and community organisations to create meaningful economic opportunities for women across Sri Lanka.
Partnerships for Progress:
France’s Continued Support for Women’s Economic Empowerment, Matthieu John, Deputy Ambassador of the Embassy of France, highlighted the importance of partnerships in advancing inclusive economic development and reflected on the contribution of the FAME partnership in Sri Lanka.
He emphasised the value of strengthening women’s participation in economic decision-making and creating opportunities that enable women not only to establish enterprises but also to build sustainable businesses capable of contributing to employment, innovation and economic growth.The participation of France and AFD in the programme reinforced the importance of international development partnerships that support locally led initiatives, research, advocacy and collective action for women’s economic empowerment.
Creating an Enabling Ecosystem for Women Entrepreneurs:
Delivering the keynote address, Yasas Hewage, Chairman of the Industrial Development Board (IDB), focused on the importance of creating an enabling ecosystem in which women entrepreneurs can move beyond micro and livelihood-based enterprises towards sustainable, growth-oriented businesses. He highlighted the role of enterprise-development institutions in providing entrepreneurs with access to technical knowledge, technology, productivity improvement, business-development services, finance and markets.
Hewage also emphasised that strengthening women-owned enterprises should be viewed not merely as a gender or social-development intervention, but as an important component of Sri Lanka’s wider industrial and economic development
The National Workshop concluded with a call for stronger coordination and continued collective action among government, development partners, financial institutions, academia, the private sector, women’s organisations and entrepreneurs.
Among the broader priorities emerging from the dialogue were the need to strengthen access to finance and markets; improve technology, digital and business-development support; create stronger pathways from micro-enterprise to sustainable business growth; strengthen institutional coordination; improve access to opportunities for women outside Colombo; and ensure that women entrepreneurs have a stronger voice in policy and economic decision-making.
CCWE emphasised that the dialogue is intended to contribute to a wider process of evidence-based advocacy for women’s economic empowerment, ensuring that recommendations are informed not only by research and institutional perspectives but also by the lived experiences of women entrepreneurs themselves.
The workshop reaffirmed a central message: Women’s economic empowerment is not solely a women’s issue—it is fundamental to Sri Lanka’s inclusive economic growth, industrial development and long-term prosperity.
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