Features
Did Rani miss manorani ?
(A film that avoids the ‘Mannerism’ of a Biopic: Rani)
by Bhagya Rajapakshe
bhagya8282@gmail.com
This is only how Manorani sees Richard. It doesn’t have a lot of what Richard did. Although Manorani is not someone who pays attention to the happenings in the country. It was only after her son was kidnapped that she began to feel that this was happening in the country.She had human emotions. But she was a person who smoked cigarettes and drank whiskey and lived a merry life.”
(Interview with “Rani” film director Ashoka Handagama by Upali Amarasinghe – 02.02.2025 ‘Anidda’ weekend newspaper, pages 15 and 19)
The above statement shows the key attitude of the director of the movie, “Rani” towards the central character of the film, Dr. Manorani Sarawanamuttu. This statement is highly controversial. Similarly, the statement given by the director to Groundviews on 30.01.2025 about capturing the depth of Rani’s character shows that he has done so superficially, frivolously?
A biopic is a specific genre of cinema. This genre presents true events in the life of a person (a biography), or a group of people who are currently alive or who belong to history with recognisable names. The biopic genre often artistically and cinematically explores keenly the main character along with a few secondary characters connected to the central figure. World cinema is proof that even if the characters are centuries old, they are carefully researched and skilled directors take care to weave the biographies into their films without causing any harm or injustice to the original character.
According to the available authentic reports, Manorani Saravanamuthu was a professionally responsible medical doctor. Chandri Peiris, a close friend of her family, in his feature article on Manorani in the ‘Daily Mirror’ newspaper on 06th November 2021, says this about her:
“She was a doctor who had her surgeries in the poorest areas around Colombo which made her popular with communities who preferred their women to be seen by female doctors. She had a wonderful manner with her patients which my mother described by saying, ‘looking at her is enough to make you well …. When it came to our outlandish group of friends, she was always there to steer many of us through some very personal issues such as: unplanned pregnancies, teenage pregnancies, mental breakdowns, STD’s, young lovers who ran away and married, depression, circumcisions, break-ups, fractures, dance injuries, laryngitis (especially among the actors and singers) fevers, pimples, and even the odd boil on the bum.”
But the image of Rani depicted by Handagama in his film is completely different from this. According to the film, a major feature of her life consisted of drinking whiskey and smoking cigarettes. Her true role is unspoken, hidden in the film. A grave question arises as to whether the director spent adequate time doing the research? to find out who Manorani really was. In his article Chandri Peiris further says the following about Manorani:
“Soon after the race riots in 1983, Manorani (along with Richard) helped a great many Sri Lankan Tamils to find refuge in countries all over the world. Nobody knew about this. But all of us who used to hang around their house kept seeing unfamiliar people come over to stay a few days and then leave. Among them were the three sons of the Master-in-Charge of Drama at S. Thomas’ College, who were swiftly sent abroad by the tireless efforts of this mother and son. It was then that we worked out that their home was a safehouse. … Manorani was vehemently opposed to the terror wreaked by the LTTE and always wanted Sri Lanka to be one country that was home to the many diverse cultures within it. When the ethnic strife developed into a full-on war with those who wanted to create a separate state for Tamil Eelam, she remained completely against it.”
According to the director of the film, if Rani had no awareness of what was happening in the country and the world, how could she have helped the victims survive and leave the country during that life-threatening period? It is clear from all this that the director has failed to fully study the character of Manorani and what she did. There is a scene where Manorani watches a Sinhala stage play with much annoyance and on her way back home with Richard, she is shown insensitively avoiding Richard’s friend Gayan being assaulted by a mob. This demeanour does not match the actual reports and information published about Manorani. How did the director miss these records? It shows his indifference to researching background information for a film such as this. He clearly does not think that research is essential for a sharp-witted artist in creating his artwork. In his own words, he told the Anidda newspaper:
“But the information related to this is in the public domain and the challenge I had was to interpret that information in the way I wanted. I am not an investigative journalist; My job is to create a work of art. That difference should be understood and made.”
And according to the director, “I was invited to do the film in 2023. The script was written within two to three months and the shooting was planned quickly.” Thus, it is clear that there has been no time to study the inner details related to Manorani, the main character of the film, or the character’s Mannerism. Professor Sarath Chandrajeewa, who published a book with two critical reviews on Handagama’s previous film ‘Alborada’, emphasises in both, that ‘Alborada’ also became weak due to the lack of proper research work’ (Lamentation of the Dawn (2022), pages 46-57).
Directors working in the biopic genre with a degree of seriousness consider it their responsibility to study deeply and construct the ‘mannerism’ of such central characters to create a superior biographical film. For example, in Kabir Khan’s 2021 film ’83’ the actor Tahir Raj Bhasin, who played the role of Sunil Gavaskar, said that it took him six months to study Sunil Gavaskar’s unique style characteristics or Mannerism.
Also, Austin Butler, the actor who played the role of Elvis Presley in the movie ‘Elvis’ directed by Buz Luhrmann and released in 2022, said in a news conference: After he started studying the character of Elvis, he became obsessed with the character, without meeting or talking to his family for nearly one year, while making the film in Australia before, during Covid and after.
‘Oppenheimer’ (2023) was written and directed by Christopher Nolan, in which Cillian Murphy plays the role of Oppenheimer. Nolan read and studied the 700-page story about Oppenheimer called ‘American Prometheus’ . It is said that it took three months to write the script and 57 days for shooting, and finally a two-hour film was created. The rejection of such intense studies by our filmmakers will determine the future of cinema in this country.
Acting is the prime aspect of a movie. The character of Manorani is performed very skillfully in the movie. But certain of her characteristics and mannerism become repetitive and in their very repetitiveness become tiresome to watch. For example, right across the film Manorani is shown smoking, drinking alcohol, sitting and thinking, going towards a window and thinking and smoking again. It would have been better if it had been edited. The audience is thereby given the impression that Manorani lives on cigarettes and whiskey. Although smoking and drinking alcohol is a common practice among some women of Manorani’s social class, it is depicted in the film so repetitively that it creates a sense of revulsion in the viewer. In the absence of close-ups and a play of light and dark, Manorani’s mental states cannot be seen in their intense three dimensionality. It is a question whether the director gave up directing and let the actress play the role of Manorani as she wished. At the beginning of the film, close-ups of Manorani appear with the titles but gradually become normal camera angles in the film. This avoids the use of close-ups of Manorani’s face to show emotion in the most shocking moments in the film. Below are some films that demonstrate this cinematic technique well.
‘Three Colours: Blue’ (1993) French, Directed by Kryzysztof Kies’lowski.
‘Memories in March’
(2010) Indian, Directed by Sanjoy Nag.
‘Manchester by the Sea’
(2016) English, Directed by Keneth Lonergan.
‘Collateral Beauty’
2016) English, Directed by David Frankel.
Certain characters appear in the film without any contribution to building Manorani’s role. Certain scenes such as the Television news, bomb explosions, dialogue scenes where certain characters interview Manorani are not integrated into the film’s narrative and feel forced. The scene with the group of hooligans in a jeep at the end of the film is like a strange tail to the film.
Richard’s sexual orientation, which is hinted at the end of the film by these thugs in the final scene, is an insult to him. It is a great disrespect to those characters to present facts without strong information analysis and to tell the inner life of those characters while presenting a real character through an artwork with real names. The director should not have done such humour and humiliation.
There is some thrill in seeing actors who resemble the main political personalities of that era playing those roles in the film. In this the film has more of a documentary than a fictional quality but it barely marks the socio-political history of this country during the period of terror in 88-89. The character of Manorani was created as a person floating in that history ungrounded, without a sense of gravity.
The film’s music and vocals are mesmerising. But unfortunately, the song ‘Puthune’ (Dearest Son), which has a very strong lyrical composition, melody and singing, is placed at the end of the film, so the audience does not know its strength. This is because the audience starts to leave the cinema as soon as the song starts, when the closing credits scrolled down. If the song had accompanied the scene on the beach where we see Manorani for the last time, the audience would have felt its strength.
Manorani’s true personality was a unique blend of charm, sensitivity, compassion, intelligence, warmth and fun, which enhanced her overall beauty, as evidenced by various written accounts of her. Art critics and historians H. W. Johnson and Anthony F. A Johnson state in their book ‘History of Art’ (2001), “Every work of art tells whether it is artistic or not. And the grammar and structure of the form will signal to us that.”
Features
Illegal solar push ravages Hambantota elephant habitat: Environmentalist warns of deepening crisis
A large-scale move to establish solar power plants in Hambantota has triggered a major environmental and social crisis, with more than 1,000 acres of forest—identified as critical elephant habitat—cleared in violation of the law, environmental activist Sajeewa Chamikara said.
Chamikara, speaking on behalf of the Movement for Land and Agricultural Reform, said that 17 companies have already begun clearing forest land along the boundaries of the Hambantota Elephant Management Reserve. The affected areas include Sanakku Gala, Orukemgala and Kapapu Wewa, which are known to be key elephant habitats and long-used movement corridors.
He said that what is taking place cannot be described as development, but rather as a large-scale destruction of natural ecosystems carried out under the cover of renewable energy expansion.
According to Chamikara, the clearing of forests has been carried out using heavy machinery, while large sections have also been deliberately set on fire to prepare the land for solar installations. He said that electric fences have been erected across wide stretches of land, effectively blocking elephant movement and fragmenting their natural habitat.

“These forests are not empty lands. They are part of a living system that supports wildlife and nearby communities. Once destroyed, they cannot be easily restored,” he said.
The projects in question include a 50 megawatt solar development undertaken by five companies and a larger 150 megawatt project implemented by 12 companies. The larger project is reported to be valued at around 150 million US dollars.
Chamikara stressed that these projects are being carried out in a coordinated manner and involve extensive land clearing on a scale that raises serious environmental concerns.
He further alleged that certain companies had paid about Rs. 14 million to secure support and move ahead with the projects. He said this points to a troubling failure of oversight by state institutions that are expected to protect forests and wildlife habitats.
“This is not only an environmental issue. It is also a serious governance issue. The institutions responsible for protecting these lands have failed in their duty,” he said.
Chamikara pointed out that under the National Environmental Act, any project of this scale must receive prior approval through a proper Environmental Impact Assessment process.
He said that clearing forest land before obtaining such approval is a direct violation of the law.
He added that legal requirements relating to archaeological assessments had also been ignored. Under existing regulations, large-scale land clearing requires prior evaluation to ensure that sites of historical or cultural value are not damaged.

“The law is very clear. You cannot go ahead with projects of this nature without proper approval. What we are seeing is a complete disregard for legal procedure,” Chamikara said.
The environmental impact of these activities is already becoming visible. With their natural habitats destroyed, elephants are increasingly moving into nearby villages in search of food and shelter. This has led to a sharp rise in human-elephant conflict in several areas.
Areas such as Mayurapura, Gonnooruwa, Meegahajandura and Thanamalvila have reported increasing encounters between humans and elephants. According to Chamikara, more than 5,000 farming families in these areas are now facing growing threats to their safety and livelihoods.
He warned that farmers are being forced to abandon their lands due to repeated elephant intrusions, while incidents involving damage to crops and property are rising. There have also been increasing reports of injuries and deaths among both humans and elephants.
“This is turning into a serious social and economic problem. When farmers cannot cultivate their lands, it affects food production, income and rural stability,” he said.
Chamikara also raised concerns about the broader environmental consequences of clearing forests for solar power projects. While renewable energy is promoted as a solution to reduce carbon emissions, he said that destroying forests undermines that goal.
“Forests play a key role in absorbing carbon dioxide. When you clear and burn them, you are increasing emissions, not reducing them. That defeats the purpose of promoting solar energy,” he explained.
He added that large-scale deforestation in dry zone areas such as Hambantota could also affect local weather patterns and reduce rainfall, which would have further negative impacts on agriculture and water resources.

Chamikara called for a shift in policy, urging authorities to focus on more sustainable approaches to solar power development. He said that rooftop solar systems on homes, public buildings and commercial establishments should be given priority, as they do not require clearing large areas of land.
He also recommended that solar projects be located on degraded or abandoned lands, such as areas affected by past mining or other low-value lands, rather than forests or productive agricultural areas.
“Renewable energy development must be done in a way that does not destroy the environment. There are better options available if there is proper planning,” he said.
Chamikara urged the Central Environmental Authority and the Department of Wildlife Conservation to take immediate action to stop ongoing land clearing and investigate the projects. He stressed that all activities carried out without proper approval should be halted until legal requirements are met.
He warned that failure to act now would lead to long-term environmental damage that could not be reversed.
“If this continues, we will lose not only forests and wildlife, but also the balance between people and nature that supports rural life. The consequences will be felt for generations,” he said.
The situation in Hambantota is fast emerging as a critical test of whether development goals can be balanced with environmental protection. As pressure grows, the response of authorities in the coming weeks is likely to determine whether the damage can still be contained or whether it will continue to spread unchecked.

By Ifham Nizam
Features
Why Mahatma Gandhi’s teachings need to be at the heart of conflict resolution
All credit to the Tamil Nadu government for taking concrete measures to perpetuate the memory of the renowned Mahatma Gandhi of India, who on account of his moral teachings stands on par with the likes of Socrates, Plato, Aristotle, Confucius and Jalaluddin Rumi, to name a few such all-time greats. The time is indeed ripe to draw the world’s attention to the Mahatma’s humanistic legacy which has resonated in the hearts of peace-oriented sections the world over down the decades.
Under its mega developmental blueprint titled ‘ Tamil Nadu 2030’, the Tamil Nadu government, among other things, intends transforming villages into centres of economic growth in conformity with the Mahatma’s vision of making the village the fundamental unit of material and spiritual advancement. Thus will come into being the ‘Uttamar Gandhi Model Villages Project’, which will be initially covering 10 village Panchayats. (Please see page 3 of The Island of March 11, 2026).
The timeliness of remembering and appreciating anew the teachings of Mahatma Gandhi resides in the utter lawlessness that has been allowed to overtake the world over the last few decades by none other than those global powers which took it upon themselves to usher in a world political and economic order based on the UN Charter and the Universal Declaration of Human Rights. Mainly in ‘the dock’ in this regard are the permanent members of the UN Security Council.
As is plain to see, the international law and order situation has veered out of control. Principal priorities for the international community or what’s left of it is to prevent the current mainly regional war in the Middle East from degenerating dangerously into another world war, coupled with the task of eliminating the possibility of another nuclear holocaust.
The most scorching of ironies is that the world’s ‘number one power’, the US, has virtually lost its way in the ‘Global Disorder’ it has been party to letting lose. For instance, instead of making good its boast of militarily neutralizing Iran and paving the way for the constant flow of fuel and gas from the Strait of Hormus by itself and Israel, it is now appealing to the rest of the West to come to its assistance. Not surprisingly, US allies are indicating their unwillingness to help pull the US’ ‘chestnuts out of the fire’.
Oil and gas are the veritable life blood of countries and going ahead it should not come as a surprise if impatience gets the better of the major powers and the nuclear option is resorted to by some of them under the dangerous illusion that it would be a quick-fix to their growing economic ills and frustrations.
All the above and more are within the realms of the possible and the need is pressing for humanistic voices to take centre stage in the present runaway crisis. As pointed out in this column last week, Realpolitik has overtaken the world and unless the latter is convinced of the self-destructive nature of the major powers’ policy of ‘meeting fire with fire’ to resolve their disputes, annihilation could be the lot of a good part of the world.
For far too long the voice of humanity has been muted and silenced in the affairs of the world by the incendiary threats and counter-threats of the big powers and their allies. No quarter has been bold enough in these blood pressure-hiking slanging matches to speak of the need for brotherly love and compassion among nations and countries. But it’s the language of love and understanding that is the most pressing need currently and the Mahatma in his time did just that against mighty odds.
At present the US and Iran are trading threats and accusations over military-related developments in the Gulf and it’s anybody’s guess as to what turn these events will take. However, calming voices of humanity and moderation would help in deescalating tensions and such voices need to go to the assistance of the UN chief and his team.
The Mahatma used the technique of ‘Satyagraha’ or the policy of non-violent resistance to oppose and dis-empower to a degree the British empire in his time and the current major powers would do well to take a leaf from Gandhi. The latter also integrated into the strategy of non-violent resistance the policy of ‘Ahimsa’ or love and understanding which helped greatly in uniting rather than alienating adversaries. The language of love, it has been proved, speaks to the hearts and minds of people and has a profoundly healing impact.
Mahatma Gandhi defined the ideal of ‘Ahimsa’ thus: ‘In its positive form, “Ahimsa” means the largest love, the greatest charity. If I am a follower of “Ahimsa”, I must love my enemy or a stranger to me as I would my wrong-doing father or son. This active “Ahimsa” necessarily includes truth and fearlessness.’ (See; ‘Modern Indian Political Thought; Text and Context’ by Bidyut Chakrabarty and Rajendra Kumar Pandey, Sage Publications India, Pvt. Ltd., www.sagepub.in).
In the latter publication, the authors also defined the essence of ‘satyagraha’ as ‘protest without rancour’ and this is seen as ‘holding the key to his entire campaign’ of non-violent resistance. From these perspectives, the teaching, ‘hatred begets hatred’ acquires more salience and meaning.
Accordingly, the voice of reason and love needs to come centre stage and take charge of current international political discourse. The UN and allied organizations which advocate conflict resolution by peaceful means need to get together and ensure that their voices are clearly heard and understood. The global South could help in this process by seeing to the vibrant rejuvenation of organizations such as the Non-aligned Movement.
An immediate task for the peace-oriented and well meaning is to make the above projects happen fast. In the process they should underscore afresh the profound importance of the teachings of Mahatma Gandhi, who is acclaimed the world over as a uniting and healing political personality and prophet of peace.
If the Mahatma is universally acclaimed, the reason is plain to see. Put simply, he spoke to the hearts and minds of people everywhere, regardless of man-made barriers. The language of peace and brotherhood, that is, is understood by everyone. The world needs more prophets of peace and reconciliation of the likes of the Mahatma to drown out the voices of discord and war-mongering and ensure that the language of humanity prevails.
Features
Exciting scene awaits them …
The Future Model Hunt extravaganza, organised by Rukmal Senanayake, and advocacy trainer Tharaka Gurukanda, held in late January 2026, has brought into the limelight four outstanding contestants who will participate, at the international level, this year – Sandeepa Sewmini, Demitha Jayawardhana, Diwyanjana Senevirathna, and Nimesha Premachandra.
Nimesha took the honours as Mrs. Tourism Sri Lanka 2026 and was featured in The Island of 05th March,
Sandeepa Sewmini was crowned Miss Supranational 2026 and will represent Sri Lanka at the big event to be held in Poland later in the year.
A Business Management and Human Resources student, she will be competing under the guidance of Rukmal Senanayake from the Model With Ruki – Model Academy & Agency.
The Mister Supranational Sri Lanka crown went to Demitha Jayawardhana, a 20-year-old professional model and motocross rider.
Apart from modelling he is engaged in his family business.

Demitha Jayawardhana: Mister Supranational Sri Lanka 2026
Demitha is also a badminton player with a strong passion for sports, fitness and personal growth.
In fact, he is recognised for his strength, discipline, and passion for fitness.
A past student of Wycherley International School and St Peter’s College, Colombo, Demitha is currently in his second year of Economics Management at the Royal Institute of Colombo.
He will represent Sri Lanka at the 10th edition of the Mister Supranational pageant, in Poland, in August, 2026.
Mister and Miss Supranational are annual international beauty pageants, held in Poland, and are designed to discover new talent for the modelling and television industries and produce instant celebrities.
The competition focuses on elegance, intelligence, and social advocacy, with contestants, representing their countries.
The newly appointed Miss Teen International Sri Lanka 2026 is Diwyanjana Senevirathna.
She was crowned at the Future Model Hunt and will represent Sri Lanka at the Miss Teen International 2026 pageant in India.
Diwyanjana is noted for her grace and dedication to representing the country at this prestigious event that aims to celebrate talent, intelligence, charm, and individuality, and provide a platform for young girls to showcase their skills.
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