Features
Beyond the fiction of Alborada
By Sarath Chandrajeewa
“No matter how much a work of art is sweet, if it hides the truth and disregards humanity it can only be equalled to a beautiful but empty shell that attracts us.” (L.E. Kerbel – Russian Sculptor)
‘Alborada’ is the Spanish word for ‘the dawn’. In 1984, a music group was born in Peru, South America by the same name and they gained immense popularity. Their music mainly spread among people in North and South America. Their music’s foundation was the traditional music of Native Americans who lived in the Andes mountain range (https://www.youtube.com/watch?v=YTD2VDcxvNc). Likewise, in 2005 a soap opera by the same name was broadcast in Mexico, North America, which became very popular. This story was based on a series of events that took place during the historical period when Panama and Mexico were on the verge of gaining freedom from Spain (https://www.youtube.com/watch?v=8iM5s_d1vls).
In 2021 Asoka Handagama made a film in Sri Lanka by the same name, Alborada. The protagonist of this film is Pablo Neruda (1904 – 1973), the Chilean Consul in Ceylon for two years, from 1929 to 1931. He was very young, only 25, when he was appointed to this post. Ceylon was a colony at the time and he was lodged at No. 56, 42nd street, Wellawatte, Colombo 6, a place close to the sea. He had written down his reminiscences, in his own language, in book form. Later it was translated into English and published under the title ‘Memoirs’. According to this book, he had referred to his house as ‘My solitary bungalow’. It is said that the name Alborada was proposed by Pablo Neruda for the house of his friend, Lionel Wendt (1900 – 1944), who had lived at Guildford Crescent, Colombo 7.
Wendt too was fluent in several languages including English, Spanish and some other European languages. It is apparent, from documents and events that took place at that time, that his house, Alborada, had not been a lonely or tranquil place. It is clear that house Alborada was always full of people, such as painters, dancers, actors, photographers as well as pianists and those who enjoyed music. It was more like a cultural centre where discussions, art critiques and debates took place. (L.C. Van Geyzel, et al. [2000]. ‘Lionel Wendt: A Centennial tribute’. Lionel Wendt memorial fund; Sampath Bandara. [2017]. Lionel Wendt Kalava Saha Jeevithaya, Sarasavi Publication. [Sinhala]).
Though Handagama’s film was titled Alborada, the actual location, where incidents mentioned took place, was the Solitary Bungalow, the Chilean Consul’s official residence (Jamie James. [2019]. ‘Pablo Neruda’s life as a struggling Poet in Sri Lanka: A young poet’s Adventures in the Foreign Service’. Retrieved from https://lithub.com/pablo-nerudas-life-as-a-struggling-poet-in-sri-lanka/). In the 20th Century Sri Lankan context, Alborada was a distinguished active cultural centre. As a Sri Lankan cultural symbol, it directly connects with the character of Lionel Wendt. The creator of a work of art has the total freedom to create his work as he pleases and also to choose whatever name for the particular work. Handagama’s Alborada is similar to a poem, set to inspiring music. It includes a series of artistic figure compositions and features a number of skilled performing artistes. The trailer of Handagama’s film gave me some ideas.
When creating a work of art based on historical events, rather than myth and imaginary incidents, its trustworthiness depends on the people who faced the incident, the actual incidents, exact places, time period and the political and cultural background. Consequently, thorough research is necessary to identify accurate works based on historical incidents. It is difficult to rectify myths or false assumptions ingrained in society by unreliable books, documents, magazines or films. People will always embrace falsity, deception and myth, over the truth. Our culture as well as other cultures are replete with many such examples.
Alborada
‘Alborada’ is the name of Lionel Wendt’s house. It is important as it is the house of a great Sri Lankan cultural icon of the last century. It is also important as Alborada was the name given to the renowned cultural centre of modern history, in Sri Lanka. It is from this place that art activities in our country were taken to the international arena. Alborada was situated at No. 18 old Guildford Crescent. Today this street is called Premasiri Kemadasa Mawatha. Six years after his demise, in 1950 his friend Harold Peiris (1905-1981) demolished his old house, Alborada, and built a gallery and a performing arts centre (Lionel Wendt Art Gallery and Theatre) to commemorate him. It was designed by painter Geoffrey Beling (1907 – 1992), Principal Art Inspector, Department of Education, and Bernard G. Thornley (Manel Fonseka. [1994]. ‘Rediscovering Lionel Wendt, Lionel Wendt Photographs’. Deutsche Bank Colombo and Lionel Wendt Memorial Fund).
When Lionel Wendt was alive, renowned upcountry master dancers, Amunugama Suramba and Nittawela Ukkuwa used to lodge at Alborada with their troupes, when they visited Colombo (Dancer Dr. Vaidyavathi Rajapakse, daughter of Master Dancer Suramba, Personal communication, 2017).
A documentary movie ‘Song of Ceylon’, directed by Basil Wright in 1934, was placed first at the Brussels International film festival in 1935. The creative segments of the movie were organized at Alborada. Manel Fonseka reported in an article, ‘Rediscovering Lionel Wendt’ in 1994, that in an interview with Julia Margaret Cameron, Basil Wright had said this about Lionel Wendt; “I think he was one of the greatest still photographers that ever lived. I should place him among the six best I’ve come across”.
As a result of discussions held at Alborada, master dancers Nittawela Ukkuwa and Amunugama Suramba were taken to England for a recording of drum beats, for the movie ‘Song of Ceylon’. This trip was sponsored by painter Harry Peiris (1904-1988). A dance school was established to develop up-country dance, in Gunnepana, Sirimalwatte, Kandy in the 1920s for Master Suramba, as a result of discussions held among a group led by Wendt and George Keyt (1901-1993). This troupe, which included the group of up-country dancers, Ukkuwa, Nittawela Gunaya, Punchi Gura and Sri Jayana Rajapakse, was later upgraded as the ‘Dance Ensemble of Central Lanka’. Jayana’s coming of age ceremony, inclusive of his ‘Ves ceremony’, held at the Degaldoruwa Rajamaha Viharaya, Kandy, in 1939, and Jayana’s dance training in India later, were all sponsored by Wendt (Dr. Vaidyavathi Rajapakse, Personal communication, 2017).
The first art inspector appointed to Sri Lanka, during the colonial era, was Charles Freegrove Winzer (1886-1940), an Englishman. He became close friends with Wendt, during his tenure in Sri Lanka. In the early years, Winzer and Wendt both wrote reviews on exhibitions of George Keyt, Justin Peiris Deraniyagala (1903-1967) and Geoffrey Beling. Wendt also translated Neruda’s art reviews from Spanish to English and published them (Manel Fonseka.
[1994]. ‘Rediscovering Lionel Wendt, Lionel Wendt Photographs’. Deutsche Bank Colombo and Lionel Wendt Memorial Fund).
The first avant-garde art movement in Sri Lanka, the ’43 Group’, was born under the leadership of Winzer and Wendt. The 43 Group consisted of Wendt (Chief Organizer), painters Harry Peiris (Chief Secretary), George Keyt, J.W.G Beling, Richard Gabriel (1924-2016), Ivan Peiris (1921-1988), Justin Pieris Deraniyagala, George Claessen (1909-1999), Aubrey Collette (1920-1992) and L.T.P Manjusri (1902-1982). The meetings of the 43 group were held at Alborada until Wendt’s death.
Afterwards the meetings were held at the house of Harry Peiris, Sapumal Foundation, Barnes Place (Sarath Chandrajeewa. [2010]. ‘Modern Art in Sri Lanka and its socio-political environment’, Artful resistance: contemporary Art from Sri Lanka, ZKF publishers. Germany).
As mentioned above, Pablo Neruda was only 25 when he was in Sri Lanka as the Chilean Ambassador (1929-1931). At 29, Wendt was four years older. In his book ‘Memoirs’, translated from Spanish into English by Hardie St. Martin, published by Penguin, Neruda had written thus about Wendt, on page 93.
“Little by little the impenetrable crust began to crack open and I struck up a few good friendships. At the same time, I discovered the younger generation, steeped in colonialist culture, who talked only about books just out in England. I found out that the pianist, photographer, critic and cinematographer Lionel Wendt was the central figure of a cultural life torn between the death rattles of the Empire and a human appraisal of the untapped values of Ceylon.
Lionel Wendt, who owned an extensive library and received all the latest books from England, got into the extravagant and generous habit of every week sending to my house, which was a good distance from the city, a cyclist loaded down with a sack of books. Thus, for some time, I read kilometers of English novels, among them the first edition of Lady Chatterley’s Lover, published privately in Florence” (Memoirs by Pablo Neruda, translated from Spanish by Hardie St. Martin [1997]. Penguin Books).
To be continued
Features
Human welfare and the UN’s continuing relevance
It shouldn’t come as a surprise that there is a growing number of ‘UN Sceptics’ in our midst. One of the prime causes for this trend seems to be the UN’s apparent helplessness in the face of escalating bloodshed and war.
In this connection today’s Gaza, Lebanon and invasion-shattered Ukraine come easily to mind. With regard to the phenomenal amount of civilian blood being spilled in these war zones in particular, the UN has been largely helpless and has proved incapable of being an effective promoter of peace and conflict resolution. The perception of the UN’s impotence should, therefore, only be expected.
But such scepticism has its origins in a superficial reading of current developments in international politics. It fails to take account of all the dimensions of thinking that matter in an assessment of the UN’s apparent failings.
The UN chief and his team have no choice but to act within the confines of the organizational structures they have inherited. They cannot do much to change existing mandates, rules and regulations, for example, provided the envisaged changes receive the sanction of the powers that matter in the prevailing political order. In other words, UN reform must await the consent and facilitation of the foremost powers or the Permanent Members of the UN Security Council.
Modern world history continually demonstrates the almost impossibility of the major powers thinking and acting consensually on law and order matters of the first importance. Just two cases in point are the Gaza and Ukraine. Whereas in both these instances ending human suffering ought, under normal circumstances, be the priority of the foremost powers, they have been motivated more by Realpolitik or power politics calculations rather than by humanity.
One set of ground realities that proves the above premise is the reluctance by the Trump administration to rein-in Israel completely to allow a measure of respite to be relished by the traumatized Gaza civilians who have been subjected to untold suffering over the months. The administration is also proving tolerant of the Netanyahu regime in its current no-holds-barred military onslaughts on Southern Lebanon. In the latter situation too Lebanese civilians are being subjected to hardships of a nightmarish kind.
In the latter instances, the Trump administration’s need to back the Netanyahu regime steadfastly takes precedence over humanitarian considerations. That is, the US’ policy of maintaining the West Asian power balance in its favour emerges as a preeminent requirement.
The latter observation raises the fundamental question of whether the ruling strata of the world’s foremost powers are heirs to civilizational values of any kind. If humanity is not an overriding consideration for these power elites, the continuous bloodletting in contemporary theatres of war should not come as a surprise.
Moreover, one should not be surprised if UN reform happens to be more or less stillborn. After all, the big powers would not want a restructured UN system in which their power would be diluted or badly compromised since having a stranglehold over the present world political order is among their foremost priorities.
Even in the case of the ongoing US-Iran hostilities, Realpolitik is most evident. For both sides to the conflict, it is not humanity that most counts but the consideration that the power they possess should not be compromised. Hence the on-and-off hostilities that have rendered peace negotiations most difficult to sustain.
However, it would be most misleading to contend, based on the above developments, that the UN system is suffering prolonged impotence. The present suffering of Venezuela substantiates this most graphically. In the latter instance, the UN is playing an inestimably vital role in providing succour to the earthquake devastated country.
In fact the UN is proving the live wire in the co-ordination of all rescue and rehabilitation efforts. Minus the guidance and encouraging assistance of the UN, Venezuela would be in far worse shape than it is in at present.
Reports indicate that the UN Office for the Coordination of Humanitarian Affairs, for instance, is overseeing the operations of over 70 international urban search and rescue teams, including more than 2,300 personnel, who are working alongside the local authorities to trace and provide relief to the quake-affected. Besides, the rescuers come from multiple countries, including Brazil, Canada, Chile, Ecuador, Germany, Spain, the US, France, Syria and Turkiye.
The above is convincing proof of what the UN and its agencies could achieve effectively in humanitarian crises of the most devastating kind. Here is also proof of what could be achieved if the often feuding big powers of the UN Security Council think it wise to sit together in accord and consider as to how their weighty presence in the UN system could be placed at the service of humanity.
The present Permanent Members of the UNSC are mainly representative of the international political and economic order which came into being in the immediate aftermath of World War Two. They by no means represent fully the contemporary world politico-economic order and, therefore, cannot be expected to work equitably towards fulfilling the legitimate needs of present day publics.
Accordingly, while there is no denying that the UN system, as it stands, leaves much to be desired, the world community would do much better to address very earnestly as to how the UN could be reformed and energized to serve humanity better. It is a ‘systemic issue’ and unrelated to any personalities helming the UN at present.
Democratization of the UN needs to be part of the reform process. Countries, such as, India, Indonesia and Brazil, for example, could be considered as knowing much more than the present Permanent Members of the UNSC, the ‘pulse’ of the contemporary world, particularly that of its Southern half. If these major Southern countries are inducted into the UNSC there is bound to be a more balanced representation of the world’s legitimate interests.
Consequently, there could be less international friction and war. Meanwhile, the UN agencies need to be consistently strengthened and sustained to implement their humanitarian programmes without interruption. These projects are the only hope as it were of the less fortunate peoples of the world.
The needs of the world’s hungry and destitute ought to be managed systematically and the UN is best at this at present but the latter is also efficient at bringing all progressive, pro-people organizations along with it in such efforts and this is being proved in Venezuela. Critics of the UN need to take notice of these exemplary collective projects.
Features
Coconut Oil magic …
Yes, coconut oil is in every Sri Lankan kitchen for cooking, frying, etc., and our grandmas have been using it for beauty, long before it became “trendy”.
OK, from me, it’s a simple, no-fuss coconut oil week for you:
For Hair:
Warm 02 tablespoon virgin coconut oil until it’s just lukewarm. Massage into scalp with fingertips, for 05 minutes, then through the lengths. Wrap with a warm towel, or shower cap, for 30 minutes, or overnight if you can. Wash with your usual shampoo.
How often: 01-02 times a week is plenty. Grandma wasn’t wrong.
For Skin:
After a shower, while skin is still slightly damp, rub a tiny bit of oil on rough spots. A little goes a long way — it’s thick!
Tip:
Don’t use it on acne-prone face skin. For some people it can clog pores. Use it more on body, hands, feet.
For Lips:
Dab the tiniest bit of coconut oil on lips before bed. Wakes up softer.
For Under-Eyes or Cuticles:
Use your ring finger to pat a rice-grain amount around dry cuticles or under eyes. Be super gentle. If it stings, or you get bumps, stop.
Pre-Wash Scalp Soother:
If your scalp feels tight/itchy from weather changes, massage a little warm oil, for 15 minutes, before shampooing. Rinse well.
A few important notes for my readers:
Patch test first: Dab a bit of coconut oil on your inner arm and wait 24 hours. Even natural things can irritate.
Quality matters: Go for virgin/cold-pressed coconut oil from the kitchen shelf. No fragrance, no additives.
The smell alone will take you back to grandma’s kitchens, won’t it? Warm, nutty, familiar.
Features
Sri Lankans … big scene in Scotland
It’s not only our entertainers who are in the spotlight, overseas, but Sri Lankans, in general, as well.
The Sri Lankan Sports Club Scotland (SLSC) is a very good example. The club, with Hashan Hettiarachchi, as the President, continues to make a significant impact across Glasgow, and beyond, serving as a vibrant hub for sports, culture, and community engagement, within the Sri Lankan diaspora.
As a registered Scottish charity, SLSC was established with a clear purpose: to provide a formal foundation that supports and unites the Sri Lankan community, while fostering integration, wellbeing, and cultural pride.
Through its growing programmee of activities, the organisation creates opportunities for people of all ages, and backgrounds, to connect, participate, and thrive.
The club’s efforts have been recognised through funding support from the UK’s National Lottery, enabling SLSC to deliver a range of initiatives, focused on sports development, cultural enrichment, and community engagement.
- Sinhala and Tamil New Year
- Traditional wear at Cricket Festival
This support has helped transform ambitious ideas into successful community-driven events that have attracted widespread participation and support.
Over the past year, SLSC has proudly delivered a highly successful Sri Lankan Independence Day celebration, bringing together families and community members to commemorate the nation’s heritage and achievements.
The club also organised a memorable community concert, featuring renowned Sri Lankan artiste Krishantha Erandake, providing an opportunity for people to celebrate their cultural roots, through music and entertainment.
Sport remains at the heart of the organisation’s mission. SLSC has successfully hosted large-scale badminton and cricket tournaments, welcoming participants from across Scotland and beyond.
These events not only promote healthy lifestyles and sporting excellence but also strengthen friendships and community bonds through shared experiences.
Alongside its sporting and cultural programmes, SLSC is committed to preserving Sri Lankan heritage for future generations.
Through traditional dance classes and cultural education programmes, young people are given the opportunity to learn, appreciate, and celebrate the rich traditions of their ancestral homeland.
These initiatives ensure that cultural knowledge and practices continue to flourish within Scotland’s diverse multicultural landscape.
As the organisation continues to grow, SLSC remains dedicated to creating inclusive opportunities that bring communities together, celebrate diversity, and inspire the next generation. With strong community support, dedicated volunteers, and ongoing partnerships, the future looks bright for one of Scotland’s most active and impactful Sri Lankan community organisations.
For SLSC, success is measured not only by the events it delivers, but by the lasting connections it creates and the positive difference it makes within the community every day.
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