Features
BETWEEN ABSTRACTION & EMPATHY IN SARATH CHANDRAJEEWA’S VISUAL PARAPHRASES – PART III
by Dr. Santhushya Fernando, Dr. Laleen Jayamanne and Professor Sumathy Sivamohan
Unwritten I, II, III
In Sarath’s exhibition Visual Paraphrases there are three abstract paintings titled Unwritten I, II, III presenting an ‘open’ sequence with the Roman numerals. Why not the current Arabic numerals, we wonder. However, they were not hung together on the walls but arranged among the other more painterly abstract and semi-abstract expressionist work. Despite this, we will consider all three together as the artist himself has offered us a numerically abstract sequence rather than a spatially contiguous one and in so doing has stirred us conceptually to think their interrelationships even as we go deeper into the surface of these works. How shall we do this? Does a surface have depth? Might we slide laterally on it? As Sumathy might say, the ‘interstices’ or ‘gaps’ among the three paintings are significant in their quality of openness, a provocation for thought to take wing, one hopes.
The word ‘Unwritten’ is itself significant, different from the more familiar ‘Untitled’ as it makes one want to know the ‘what’ and ‘why’ of it? It seems significant that Unwritten I was painted on a ‘samara’ ground of the familiar and appealing orange colour and suggested by a wall at the Jaffna Railway Station that Sarath once saw. They appear to be graffiti like markings of fragments of letters, layers of them and also erasures, in black. The lines are ordered horizontally but the surface is disorderly, patches of scrubbings.
In this specific context any sign of erasure carries a hint of violence, memory of linguistic violence in Lankan political history and ethno-nationalism; the tarred Tamil Street signs of the 1950s. Sarath who was a child at the time, was told about the impact of the ethno-nationalist program of 1958 by his father who worked in Jaffna at that time as a multi-lingual policeman. He has visited Jaffna as a child while his father worked there, when he himself lived in Nuwara-Eliya with his grandparents.
Unwritten II evokes ancient history, rock and copper inscriptions and the ‘writing’ or motifs are highly ornamented, like calligraphy – ‘beautiful writing’ and suggests Shodo, ‘the way of the brush’ as in Japanese painting. The soft colours of the ornamental motifs, often curved, are pastel against a reddish hue and the edges of the painting are frayed like an ancient parchment. Whereas, Unwritten I’s hard-edged clearly delineated border makes it self-contained. One wonders if Sarath painted these three works also in chronological progression with one painting leading to the other or if all three were first conceived prior to painting. But then how do we as academics know how an artist’s mind works, its subtle unconscious processes. One feels that these paintings open a portal to ‘pre-subjective’ or pre-personal sensations, intensities and affects. There is no narcissistic Ego in this zone, much less a Super-Ego of the artist in search of his (sic) marketable signature.
“Eyeless in Gaza at the Mill with slaves” Samson Agonistes, Milton (1671)
And Unwritten III is the Ur image (also privileged as the cover image of the catalogue), a tribute to the primordial genesis of the human ‘will to write’… It feels as if making the two previous paintings has propelled Sarath into this embryonic zone of emergence of mark making by hand. The marks in this painting appear to be letters in an embryonic state, appearing to make meaningful shapes or letters. But the plethora of lines are in a virtual state, not yet actualised into letters, words, alphabets, writing. There are no hard or torn edges to this painting which appears without a framing frame as though the movements which animates it can go on without limit, like language itself.
This painting creates a sensation of movement because of the large centred circles. On closer observation they appear not to be concentric circles but a spiral of sorts, which is a dynamic line in nature as in the most ancient nautilus shell or a whirl pool. The horizontal lines in the top half of the painting are fairly tightly arranged, stable, made up of small pieces of charcoal pasted on to the surface of the painting, one by one, creating a slight thickness, a 3D effect, whereas the linear pencil lines are faint and light. But the marks swept up in the spiral are looser, almost playful as it sweeps it all up.
The swirling spiral is lightly brushed with a touch of gold and silver which makes one focus on the ‘ground’ or ‘surface’ of the painting which also has a few dabs of pure white paint. But neither art historical terms feel quite right because the markings seem to emerge from it rather than being simply on it. Are we seeing an embryogenesis of the ‘will to write’, one wonders; a kind of cellular drama of the momentous human struggle to create writing.
As the abstract shapes jostle and play around, writing begins to emerge as a letter here and there or a line about to turn into a familiar letter, say, in Brahmi, Sanskrit, Sinhala or … The overall Black & White with many shades of greys in between, modulates the space. Its regular rhythmic repetitions are like those of nature (not mechanistically uniform) therefore they stimulate the mind’s potential to differentiate this shape from that, this impulse of the hand from that, this material from that. The impulses of the hand and mind, a feel for texture, are perhaps more palpable to ‘the beholder’ of the painting face to face. This is the heady zone of intuitive perceptual awareness or consciousness.
This unusual painting feels like a tribute to the impulse and struggle of language creation as writing, in the movement of the hand, eye and brain in mark making. It’s a play of forms before they solidify into this or that language. A play impulse is perceptible in the many movements (scribbling, doodling, erasing … patterns of lines). We see the struggle of the mind, hand, eye moving towards that profound form of human abstraction, language as such (a symbolic form) which differentiate the human from other animal species but with whom we do share profound feelings.
They say that we started talking way before we began to write. Talking also is a form of abstraction, giving meaning to sounds coming out of the mouth and into the ears. The feel of the painting, its opacity is such that it just might be imagined as a paleo-anthropological object dug up by Siran Deraniyagala (and others), awaiting decipherment.
Sarath wanted a delicate grid of Gauze for his ground/surface/background (which is it?), pasted on a hard board to paint Unwritten III on. What are the implications of this faintly visible choice of a non-geometric grid? It is a hand-made, loosely woven light material with replete cultural and political weight, during this war in West Asia which Israel is waging against the Palestinians in Gaza.
There, where in ancient times, named after the prosperous cosmopolitan port city, Gauze was woven in cotton and silk. But now in Gaza, gauze has become a rarity to dress wounds with because hospitals have been bombed. In the subtle texture of gauze in Unwritten III the mind’s eye feels the presence of a body and of wounds it suffers because the eye itself has acquired the qualities of a touch that heals. Alois Riegel names this mode of up-close perception ‘Haptic’, which is related to a sense of touch. Many, perhaps touched by this painting, had asked Sarath from where they could by the ‘Gauze Boards’.
It is no accident that Unwritten III was purchased by Mr H. D. Premasiri, Sponsor and Chairman of the famed book shop happily named, Sarasawiya (University). It is worth remembering here and informing the Anglophile reader who may not know this history that Sarasawiya also published one of the most significant cultural magazines or newspapers and also sponsored the very first film festival of Sinhala films raising its cultural prestige among the intelligentsia of the country.
The journalists who wrote for the paper were among the most astute commentators on the arts and culture at large. Unwritten III now hangs in the Sarasawi collection at the recently opened branch in Panadura. It’s a pity though that all 3 abstract works were not bought by one collector or by a mandated Contemporary Art Institution and hung together. But we can imagine that an imaginary ‘Museum without Walls’ (ha! Malraux,) might float them in the air, where the winged painting, Flying Doors and Windows of Sundarampuram-Jaffna will no doubt welcome them!
Critical Reception
It appears to be the case that the Colombo centred art world elite and University academics in the Sinhala medium (those invited), have failed to attend this small, modest and quietly engrossing exhibition.
As for the distinguished embassy folk with an interest in Lanka’s cultural life, Sarath’s title is probably too foreign. But unusually, Sarath was trained in Britain, Russia, Japan, with work experience in Florence due to generous scholarships from the governments of these nations. Sarath’s statement of intention (sans rhetoric), is brief and craftsman like in its pragmatism, as is the title, dry even. In the catalogue essay Rev Fr Theodore Fernando Warnakulasuriya S.J. (former professor of the Open University), cautions the viewer not to expect a common authorial signature in a repeatable style to be neatly subsumed under this or that avant-garde ‘ism’.
In an interview with Sarath in English by Naveed Rozais (The Sunday Morning, Brunch), the focus was refreshingly not on ‘the angst of the artist-persona’, but rather on Fine Arts pedagogy and the need for a change in the school curriculum to include training in clay modelling (mati-vada) so as to study the third dimension of depth, to get a feel for it in childhood. It’s Sarath’s 6th solo exhibition and it’s been 18 years since his Path of Visual Arts, in 2005, which was a retrospective of his work (from its beginning in 1990), also at Barefoot Gallery, organised by his past pupils. There has been a flurry of enthusiastic pieces on the current exhibition in Sinhala, both in the press and in blogs, but no long review as yet.
We wonder how robust the theoretical literature on Lankan abstract art is in the three languages and what sort of history abstract art has had in the recent past, since, say, the pioneering work of H. A. Karunarathne in the late 50s. We hope our critical essay (backed up with research), with a principled theoretical-methodological framework will contribute to the existing discourse of Lankan abstract art and be translated into Tamil and Sinhala. Within this context it was heartening to learn that some of Sarath’s former students, now Art Teachers from Jaffna, did come all the way and stayed in a hotel overnight, spending the following day at the exhibition. And some folk had gone to see it several times.
Dominic Sansoni’s Barefoot Art Gallery
In this force field Dominic Sansoni continues to play a significant independent role (oblivious to the cut and thrust of polemics and the deep seated, decades long ferocious, unrelenting hostility to Sarath), at his Barefoot Gallery. As a photographer and the inheritor of Barbara Sansoni’s immense arts and crafts legacy, he has acted with principle, imagination and flare, in widening the public sphere for the arts. In this, he (as a gifted photographer himself), is in that brilliant lineage of Christian Burgher artists of Lanka such as Lionel Wendt, Geoffrey Beling, Aubrey Collette, David Paynter, Chris Greet (his nephew and stage and film actor), Arthur Van Langenburgh (gifted theatre director and known to Laleen as Uncle Arthur at St Bridget’s where he directed Gilbert and Sullivan Operas in the 60s), and Dominic’s mother Dr. Barbara Sansoni (Uncle Arthur’s niece), come immediately to mind.
As VC of the UVPA, Sarath nominated Barbara for an Honorary Ph.D., for her great contributions to Lankan culture, arts and crafts and the economy. It’s worth trying to trace this Christian cultural lineage (for Laleen, as a lapsed Roman Catholic), because she heard recently that a doctoral thesis on Christian Art in Sri Lanka was deemed, by at least one Sinhala examiner, to be not a category of Lankan art! She knows that there is much more of it (including Modernist Chapels in which she has once prayed, designed by Valentine Gunasekera, her brother-in-law), than Sinhala-Buddhist Nationalists would care to know. How can such academics continue to teach in our Universities? Sarath himself has made some significant Christian art in Bronze for the Basilica at Thewatte, though he himself is not a Christian he values the cultural contribution of all the religions of Lanka.
It is also Dominic who made the unusual suggestion, on his visit to Sarath’s Atelier, to include his six year-old granddaughter Ananya Ranmuthugala’s three paintings in his exhibition. Sarath writes his ‘Letter to my Grand-daughter with love’ in paint. It’s a series of neat little hearts in shades of pink and yellow, including flowers and a butterfly, very carefully painted-in without the spilling out.
A bit like the kind of ‘colouring in’ that children who start drawing are instructed to do in Kindy, and so get obsessed about neatness, staying within the contours. Sarath places the hearts within a few rectangles and Ananya responds with her own letters to her grand pa but with spirited expressionist type painterly gestures and bright colours, no doubt inspired by her grandfather’s bold strokes. There is no trace of ‘the art class’ here, though Ananya does take classes with Sarath, along with other children from 5-15. But she also has the rare gift of painting alongside her old grand-father. In writing this piece we also worked alongside each other because it appears to us as a respectful way to collaborate, to make tracks in unfamiliar zones. (Concluded)
Features
The State of the Union and the Spectacle of Trump
President Donald J. Trump, as the American President often calls himself, is a global spectacle. And so are his tariffs. On Friday, February 20, the US Supreme Court led by Chief Justice John Roberts and a 6-3 majority, struck down the most ballyhooed tariff scheme of all times. Upholding the earlier decisions of the lower federal courts, the Supreme Court held that Trump’s use of ‘emergency powers’ to impose the so called Liberation Day tariffs on 2 April 2025, is not legal. The Liberation Day tariffs, which were comically announced on a poster board at the White House Rose Garden, is a system of reciprocal tariffs applied to every country that exported goods and services to America. The court ruling has pulled off the legal fig leaf with which Trump had justified his universal tariff scheme.
Trump was livid after the ruling on Friday and invectively insulted the six judges who ruled against Trump’s tariffs. There was nothing personal about it, but for Trump, the ever petulant man-boy, there isn’t anything that is not personal. On Tuesday night in Washington, Trump delivered his first State of the Union address of his second presidency. The Chief Justice, who once called the State of the Union, “a political pep rally,” attended the pomp and exchanged a grim handshake with the President.
Tuesday’s State of the Union was the longest speech ever in what is a long standing American tradition that is also a constitutional requirement. The Trump showmanship was in full display for the millions of Americans who watched him and millions of others in the rest of world, especially mandarins of foreign governments, who were waiting to parse his words to detect any sign for his next move on tariffs or his next move in Iran. There was nothing much to parse, however, only theatre for Trump’s Republican followers and taunts for opposing Democrats. He was in his usual elements as the Divider in Chief. There was truly little on offer for overseas viewers.
On tariffs, he is bulldozing ahead, he boasted, notwithstanding the Supreme Court ruling last Friday. But the short lived days of unchecked executive tariff powers are over even though Trump wouldn’t let go of his obsessive illusions. On the Middle East, Trump praised himself for getting the release of Israeli hostages, dead or alive, out of Gaza, but had no word for the Palestinians who are still being battered on that wretched strip of land. On Ukraine, he bemoaned the continuing killings in their thousands every month but had no concept or plan for ending the war while insisting that it would not have started if he were president four years ago.
He gave no indication of what he might do in Iran. He prefers diplomacy, he said, but it would be the most costly diplomatic solution given the scale of deployment of America’s fighting assets in the region under his orders. In Trump’s mind, this could be one way of paying for a Nobel Prize for peace. More seriously, Trump is also caught in the horns of a dilemma of his own making. He wanted an external diversion from his growing domestic distractions. If he were thinking using Iran as a diversion, he also cannot not ignore the warnings from his own military professionals that going into Iran would not be a walk in the park like taking over Venezuela. His state of mind may explain his reticence on Iran in the State of the Union speech.
Even on the domestic front, there was hardly anything of substance or any new idea. One lone new idea Trump touted is about asking AI businesses to develop their own energy sources for their data centres without tapping into existing grids, raising demand and causing high prices and supply shortages. That was a political announcement to quell the rising consumer alarms, especially in states such as Michigan where energy guzzling data centres are becoming hot button issue for the midterm Congress and Senate elections in November. Trump can see the writing on the wall and used much of his speech to enthuse his base and use patriotism to persuade the others.

Political Pep Rally: Chief Justice John G. Roberts sits stoically with Justices Elena Kagan, Bret Kavanaugh, and Amy Coney Barrett, as Republicans are on their feet applauding.
Although a new idea, asking AI forces to produce their own energy comes against a background of a year-long assault on established programs for expanding renewable energy sources. Fortunately, the courts have nullified Trump’s executive orders stopping renewable energy programs. But there is no indication if the AI sector will be asked to use renewable energy sources or revert to the polluting sources of coal or oil. Nor is it clear if AI will be asked to generate surplus energy to add to the community supply or limit itself to feeding its own needs. As with all of Trump’s initiatives the devil is in the details and is left to be figured out later.
The Supreme Court Ruling
The backdrop to Tuesday’s State of the Union had been rendered by Friday’s Supreme Court ruling. Chief Justice Roberts who wrote the majority ruling was both unassuming and assertive in his conclusion: “We claim no special competence in matters of economics or foreign affairs. We claim only, as we must, the limited role assigned to us by Article III of the Constitution. Fulfilling that role, we hold that IEEPA (International Emergency Economic Powers Act) does not authorize the President to impose tariffs.”
IEEPA is a 1977 federal legislation that was enacted during the Carter presidency, to both clarify and restrict presidential powers to act during national emergency situations. The immediate context for the restrictive element was the experience of the Nixon presidency. One of the implied restrictions in IEEPA is in regard to tariffs which are not specifically mentioned in the legislation. On the other hand, Article 1, Section 8 of the US Constitution establishes taxes and tariffs as an exclusively legislative function whether they are imposed within the country or implemented to regulate trade and commerce with other countries. In his first term, Trump tried to impose tariffs on imports through the Congress but was rebuffed even by Republicans. In the second term, he took the IEEA route, bypassing Congress and expecting the conservative majority in the Supreme Court to bail him out of legal challenges. The Court said, No. Thus far, but no farther.
The main thrust of the ruling is that it marks a victory for the separation of powers against a president’s executive overreach. Three of the Court’s conservative judges (CJ Roberts, Neil Gorsuch, and Amy Coney Barrett) joined the three liberal judges (all women – Sonia Sotomayor, Elana Kagan and Ketanji Brown Jackson) to chart a majority ruling against the president’s tariffs. The three dissenters were Brett Kavanugh, who wrote the dissenting opinion, Clarence Thomas and Samuel Alito. Justices Gorsuch, Kavanaugh and Barrett were appointed by Trump. Trump took out Gorsuch and Barrett for special treatment after their majority ruling, while heaping praise on Kavanaugh who ruled in favour of the tariffs. Barrett and Kavanaugh attended the State of the Union along with Roberts and Kagan, while the other five stayed away from the pep rally (see picture).
The Economics of the Ruling
In what was a splintered ruling, different judges split legal hairs between themselves while claiming no special competence in economics and ruling on a matter that was all about trade and economics. Yale university’s Stephen Roach has provided an insightful commentary on the economics of the court ruling, while “claiming no special competence in legal matters.” Roach takes out every one of Trump’s pseudo-arguments supporting tariffs and provides an economist’s take on the matter.
First, he debunks Trump’s claim that trade deficits are an American emergency. The real emergency, Roach notes, is the low level of American savings, falling to 0.2% of the national income in 2025, even as trade deficit in goods reached a new record $1.2 trillion. America’s need for foreign capital to compensate for its low savings, and its thirst for cheap imported goods keep the balance of payments and trade deficits at high levels.
Second, by imposing tariffs Trump is not helping but burdening US consumers. The Americans are the ones who are paying tariffs contrary to Trump’s own false beliefs and claims that foreign countries are paying them. 90% of the tariffs have been paid by American consumers, according to the Federal Reserve Bank of New York. Small businesses have paid the rest. Foreign countries pay nothing but they have been making deals with Trump to keep their exports flowing.
According to published statistics, the average U.S. applied tariff rate increased from 1.6% before Trump’s tariff’s to 17%, the highest level since World War II. The removal of reciprocal tariffs after the ruling would have lowered it to 9.1%, but it will rise to 13% after Trump’s 15% tariffs. The registered tariff revenue is about $175 billion, 0.6% of U.S. gross domestic product. The tariff monies collected are legally refundable. The Supreme Court did not get into the modalities for repayment and there would be multiple lawsuits before the lower courts if the Administration does not set up a refunding mechanism.
Lastly, in railing against globalization and the loss of American industries, Trump is cutting off America’s traditional allies and trading partners in Europe, Canada and Mexico who account for 54% of all US trade flows in manufactured goods. Cutting them off has only led these countries to look for other alternatives, especially China and India. All of this is not helping the US or its trade deficit. The American manufacturers (except for sectoral beneficiaries in steel, aluminum and auto industries), workers and consumers are paying the price for Trump’s economic idiosyncrasies. As Roach notes, the Court stayed away from the economic considerations, but by declaring Trump’s IEEPA tariffs unconstitutional, the Court has sent an important message to the American people and the rest of the world that “US policies may not be personalized by the whims of a vindictive and uninformed wannabe autocrat.”
by Rajan Philips
Features
The Victor Melder odyssey: from engine driver CGR to Melbourne library founder
He celebrated his 90th birthday recently, never returned to his homeland because he’s a bad traveler
(Continued from last week)
THE GARRAT LOCOS, were monstrous machines that were able to haul trains on the incline, that normally two locos did. Whilst a normal loco hauled five carriages on its own, a Garrat loco could haul nine. When passenger traffic warranted it and trains had over nine carriages or had a large number of freight wagons, then a Garret loco hauled the train assisted by a loco from behind.
When a train was worked by two normal locos (one pulling, the other pushing) and they reached the summit level at Pattipola (in either direction), the loco pushing (piloting) would travel around to the front the train and be coupled in front of the loco already in front and the two locos took the train down the incline. With a Garraat loco this could not be done as the bridges could not take the combined weight. The pilot loco therefore ran down single, following THE TRAIN.
My father was stationed at Nawalapitiya as a senior driver at the time, and it wasn’t a picnic working with him. He believed in the practical side of things and always had the apprentices carrying out some extra duties or the other to acquaint themselves with the loco. I had more than my fair share.
After the four months upcountry, we were back at Dematagoda on the K. V. steam locos. From the sublime to the ridiculous, I would say after the Garret locos upcountry. Here the work was much easier and at a slower pace, as the trains did not run at speed like their mainline counterparts. The last two months of the third year saw us on the two types of diesel locos on the K.V. line, the Hunslett and Krupp diesels, which worked the passenger trains. For once this was a ‘cushy, sit-down’ job, doing nothing exciting, but keeping a sharp lookout and exchanging tablets on the run. The third year had come to an end and ‘the light at the end of tunnel was getting closer’.
The fourth year saw us all at the Diesel loco shed at Maradana, which was cheek by jowl with the Maradana railway station. The first three months we worked with the diesel mechanical fitters and the following three months with the electrical fitters. Heavy emphasis was placed on a working knowledge of the electrical circuits of the different diesel locos in service, to ensure the drivers were able to attend to electrical faults en-route and bring the train home. This was again a period of lectures and demonstrations
We also spent three months at the Ratmalana workshops, where the diesels were stripped down to the core and refitted after major repairs, to ensure we had a look at what went on inside the many closed and sealed working parts. This was again a 7.00am to 4.00pm day job. Back again at the Diesel shed, Maradana, saw us riding as assistants for the next three months on all the diesel locos in service – The Brush Bragnal (M1), General Electrical (M2), Hunslett locos (G2) and Diesel Rail Cars.
After the final written test on Diesel locos, we began our fifth and final year, which was that of shunting engine driver. The first six months were spent at Maligawatte Yard on steam shunting locos and the next three months shunting drivers on the diesel shunting locos at Colombo goods yard. The final three months were spent as assistants on the M1 and M2 locos working all the fast passenger and mail trains.
I was finally appointed Engine Driver Class III on July 6, 1962, as mentioned earlier I lost eight months of my apprenticeship due to being ill and had to make up the time. This appointment was on three years’ probation, on the initial salary of the scale Rs 1,680 – 72 – Rs 2,184, per annum.
Little did the general traveling public realize that they had well trained and qualified engine drivers working their trains to time Victor was stationed in Galle until December 1967, when he resigned from the railway to migrate to Melbourne, Australia to join the rest of his family. He was the last of 11 siblings to leave Ceylon. Their two elder children were born in Galle. Victor and Esther had three more children in Australia. The children, three boys and two girls) were brought up with love and devotion. They have seven grandchildren and two great grandchildren. They meet often as a family.
He worked for the Victorian State Public Service and retired in 1993 after 25 years’ service. At the time of retirement, he worked for the Ministry for Conservation & Environment. He held the position of Project Officer in charge of the Ministry’s Procedural Documents.
He worked part-time for the Victorian Electoral Office and the Australian Electoral Office, covering State and Federal Elections, from 1972 to 2010. From 1972 to 1982 and was a Clerical Officer and then in 1983 was appointed Officer-in-Charge, Lychfield Avenue Polling Booth, Jacana which is my (the writer’s) electorate.
As part of serving the community Victor participated in a number of ways, quite often unremunerated. He worked part-time for the Department of Census & Statistics, and worked as a Census Collector for the Census of 1972, 1976, 1980 and then Group Leader of 16 Collectors in his area for the 1984, 1988, 1992, 1996, 2000, 2004, 2008 and 2012.
In 1970, Victor began this library, now known as the ‘Victor Melder Sri Lanka Library’, for the purpose of making Sri Lanka better known in Australia. On looking back he has this to say: “Forty-five years later, I can say that it is serving its purpose. In 1993 President Ranasinghe Premadasa of Sri Lanka bestowed on me a national honor – ‘Sri Lanka Ranjana’ for my then 25 years’ service to Sri Lanka in Australia. I feel very privileged to be honored by my motherland, which I feel is the highest accolade one can ever get.”
There were many more accolades over the years:
15.10. 2004, Serendib News, 2004 Business and Community Award.
4.2.2008, Award for Services to the SL Community by The Consulate of Sri Lanka in Victoria (by R. Arambewela)
2024 – SL Consul General’s Award
In 2025 , Victor was one of the ten outstanding Sri Lankans in Australia at the Lankan Fest.
An annual Victor Melder Appreciation award was established to honour an outstanding member by the SriLankan Consulate.
The following appreciation by the late Gamini Dissanayake is very appropriate.
Comment by the late Minister Gamini Dissanayake, in the comment book of the VMSL library.
A man is attached to many things. Attachments though leading to sorrow in the end
are the living reality of life. Amongst these many attachments, the most noble are the attachments to one’s family and to one’s country. You have left Sri Lanka long ago but “she” is within you yet and every nerve and sinew of your body, mind and soul seem to belong there. In your love for the country of your birth you seem to have no racial or religious connotations – you simply love “HER” – the pure, clear, simple, abstract and glowing Sri Lanka of our imagination and vision. You are an example of what all Sri Lankan’s should be. May you live long with your vision and may Sri Lanka evolve to deserve sons like you.
With my best Wishes.
Gamini Dissanayake, Minister from Sri Lanka.
15 February 1987.
The Victor Melder Lecture
The Monash council established the Victor Melder Lecture which is presented every February. It is now an annual event looked forward to by Melbournians. A guest lecturer is carefully chosen each year for this special event.
Victor and his library has featured on many publications such as the Sunday Times in 2008 and LMD International in 2026.
“Although having been a railway man, I am a poor traveler and get travel sickness, hence I have not travelled much. I have never been back to Sri Lanka, never travelled in Australia, not even to Geelong. I am happiest doing what I like best, either at Church or in this library. My younger daughter has finally given up after months of trying to coax, cajole and coerce me into a trip to Sri Lanka to celebrate this (90th) birthday.
I am most fortunate that over the years I have made good friends, some from my school days. It is also a great privilege to grow old in the company of friends — like-minded individuals who have spent their childhood and youth in the same environment as oneself and shared similar life experiences.”
Victor’s love of books started from childhood. Since his young years he has been interested in reading. At St Mary’s College, Nawalapitiya, the library had over 300 books on Greek and Roman history and mythology and he read every one of them.
He read the newspapers daily, which his parents subscribed to, including the ‘Readers Digest’.His mother was an avid fan of Crossword Puzzles and encouraged all the children to follow her, a trait which he continues to this day.
At his workplace in Melbourne, Victor encountered many who asked questions about Ceylon. Often, he could not find an answer to these queries. This was long before the internet existed. He then started getting books on Ceylon/SriLanka and reading them. Very soon his collection expanded and he thought of the Vicor Melder SriLanka Library as source of reference. It is now a vast collection of over 7,000 books, magazines and periodicals.
Another driver of his service to fellow men is his deep Catholic faith in which he follows the footsteps of the Master.
Victor was baptized at St Anthony’s Cathedral, Kandy by Fr Galassi, OSB. Since the age of 10 he have been involved with Church activities both in Sri Lanka and Australia. He remains a devout Catholic and this underlies his spirit of service to fellowmen.
He began as an Altar Server at St Mary’s Church, Nawalapitiya, and continued even in his adult life. In Australia, Esther and Victor have been Parishioners at St Dominic’s Church, Broadmeadows, since 1970.He started as an Adult Server and have been an Altar Server Trainer, Reader and Special Minister He was a member of the ‘Counting Team’ for monies collected at Sunday Masses, for 35 years.
He has actively retired from this work since 2010, but is still ‘on call’, to help when required. To add in his own words
“My Catholic faith has always been important to me, and I can never imagine my having spent a day away from God. Faith is all that matters to Esther too. We attend daily Mass and busy ourselves with many activities in our Parish Church.
For nearly 25 years, we have also been members of a religious order ‘The Community of the Sons & Daughters of God’, it is contemplative and monastic in nature, we are veritable monks in the world. We do no good works, other than show Christ to the world, by our actions. Both Esther and I, after much prayer and discernment have become more deeply involved, taking vows of poverty, obedience and chastity, within the Community. Our spirituality gives us much peace, solace and comfort.”
“This is not my CV for beatification and canonization. My faith is in fact an antidote for overcoming evil, I too struggle like everyone else. I have to exorcise the demons within me by myself. I am a perfect candidate for “being a street angel and home devil” by my constant impatience, lack of tolerance and wanting instant perfection from everyone. “
The above exemplifies the humility of the man who admits to his foibles.
More than 25 years ago The Ceylon Society of Australia was formed in Sydney by a group of Ceylon lovers led by Hugh Karunanayake. Very soon the Melbourne chapter of the organization was formed, and Victor was a crucial part of this. At every Talk, Victor displayed books relevant to the topic. For many years he continued to do so carrying a big box of books and driving a fair distance to the meeting place. Eventually when he could no longer drive his car, he made certain that the books reached the venue through his close friend, Hemal Gurusinghe.
He also was the guest speaker at one of the meetings and he regaled the audience with railway stories.
Victor has dedicated his life on this mission, and we can be proud of his achievements. His vision is to find a permanent home for his library where future generations can use it and continue the service that he commenced. The plea is to get like-minded individuals in the quest to find a suitable and permanent home for the Victor Melder Srilankan Library.
by Dr. Srilal Fernando
Features
Sri Lanka to Host First-Ever World Congress on Snakes in Landmark Scientific Milestone
Sri Lanka is set to make scientific history by hosting the world’s first global conference dedicated entirely to snake research, conservation and public health, with the World Congress on Snakes (WCS) 2026 scheduled to take place from October 1–4 at The Grand Kandyan Hotel in Kandy World Congress on Snakes.
The congress marks a major milestone not only for Sri Lanka’s biodiversity research community but also for global collaboration in herpetology, conservation science and snakebite management.
Congress Chairperson Dr. Anslem de Silva described the event as “a long-overdue global scientific platform that recognises the ecological, medical and cultural importance of snakes.”
“This will be the first international congress fully devoted to snakes — from their evolution and taxonomy to venom research and snakebite epidemiology,” Dr. de Silva said. “Sri Lanka, with its exceptional biodiversity and deep ecological relationship with snakes, is a fitting host for such a historic gathering.”
Global Scientific Collaboration
The congress has been established through an international scientific partnership, bringing together leading experts from Sri Lanka, India and Australia. It is expected to attract herpetologists, wildlife conservationists, toxinologists, veterinarians, genomic researchers, policymakers and environmental organisations from around the world.
The International Scientific Committee includes globally respected experts such as Prof. Aaron Bauer, Prof. Rick Shine, Prof. Indraneil Das and several other authorities in reptile research and conservation biology.
Dr. de Silva emphasised that the congress is designed to bridge biodiversity science, medicine and society.
“Our aim is not merely to present academic findings. We want to translate science into practical conservation action, improved public health strategies and informed policy decisions,” he explained.
Addressing a Neglected Public Health Crisis
A key pillar of the congress will be snakebite envenoming — widely recognised as a neglected tropical health problem affecting rural communities across Asia, Africa and Latin America.
“Snakebite is not just a medical issue; it is a socio-economic issue that disproportionately impacts farming communities,” Dr. de Silva noted. “By bringing clinicians, toxinologists and conservation scientists together, we can strengthen prevention strategies, improve treatment protocols and promote community education.”
Scientific sessions will explore venom biochemistry, clinical toxinology, antivenom sustainability and advances in genomic research, alongside broader themes such as ecological behaviour, species classification, conservation biology and environmental governance.
Dr. de Silva stressed that fear-driven persecution of snakes, habitat destruction and illegal wildlife trade continue to threaten snake populations globally.
“Snakes play an essential ecological role, particularly in controlling rodent populations and maintaining agricultural balance,” he said. “Conservation and public safety are not opposing goals — they are interconnected. Scientific understanding is the foundation for coexistence.”
The congress will also examine cultural perceptions of snakes, veterinary care, captive management, digital monitoring technologies and integrated conservation approaches linking biodiversity protection with human wellbeing.
Strategic Importance for Sri Lanka
Hosting the global event in the historic city of Kandy — a UNESCO World Heritage site — is expected to significantly enhance Sri Lanka’s standing as a hub for scientific and environmental collaboration.
Dr. de Silva pointed out that the benefits extend beyond the four-day meeting.
“This congress will open doors for Sri Lankan researchers and students to access world-class expertise, training and international partnerships,” he said. “It will strengthen our national research capacity in biodiversity and environmental health.”
He added that the event would also generate economic activity and position Sri Lanka as a destination for high-level scientific conferences, expanding the country’s international image beyond traditional tourism promotion.
The congress has received support from major international conservation bodies including the International Union for Conservation of Nature (IUCN), Save the Snakes, Cleveland Metroparks Zoo and the Amphibian and Reptile Research Organization of Sri Lanka (ARROS).
As preparations gather momentum, Dr. de Silva expressed optimism that the World Congress on Snakes 2026 would leave a lasting legacy.
“This is more than a conference,” he said. “It is the beginning of a global movement to promote science-based conservation, improve snakebite management and inspire the next generation of researchers. Sri Lanka is proud to lead that conversation.”
By Ifham Nizam
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