Life style
Architect turns interior designer
A chartered architect by profession specializing in interior designs is Dilini Mapagunaratne.
Her past projects have been associated with apartments, houses and hotels. In the execution of interiors many elements of design are customized to create a unique appearance from one interior to another. This gradually led to the design of concentrated areas of interest associated with wooden items from furniture- to light fittings -to interior décor elements.
She adopted a creative approach with an intention of sustainable design running in my subconscious mind. During the Covid era with imposed restrictions and limiting to practice as architect, she started experimenting and improvising with new design ideas. It started with recreating an old plastic platter which she purchased from a dollar store overseas into a charger plate (a large plate/ base plate where the main dinner plate is placed on). This was a trigger to her new venture that led to the creation of a novel designer wooden homeware range.
Tell us about your design station
Design Station is a hub for replacing homeware products to an eco- friendly – sustainable range. Crafted by solid pieces of wood by local artisans- sourced locally thus creating a complete Sri Lankan product maintaining a high quality finish. The wood is selected carefully based on colour, texture, grain and durability making each piece unique and every item a work of art on its own.
Design Station wooden bowls, charcuterie platters, chopping boards, tumblers, tongs etc provide a burst of organic sophistication to the space it occupies in a sustainable manner. Each piece could serve as a timeless item if taken basic care and even passed on to generations.
(Q) What is your greatest inspiration?
Inspiration has come from many places. As children we were brought up to be sensitive to our surroundings. My grandfather-an Ayurveda physician instilled the importance of healthy living-also to not waste, re-use, recycle, to maximize what is naturally available in our immediate context. My mother never inhibited our ideas and always encouraged us to improvise on our own creativity; being someone who appreciated art and made sure she kept a cozy house. These were some key elements I believe that contributed directly and indirectly to what influenced and inspired me to do.
(Q) Recent successes and highlights ?
(A) Opening my very own wooden homeware store Design Station.A small chic -unpretentious retail outlet that showcases my creativity through my product range.
(Q) Your creative instincts ?
(A) My creative instincts were passed down from my mother-the person who encouraged me to take up a career in architecture. Studying architecture helped me in many ways. To be innovative, think out of the box, to be persevering and push oneself to limits beyond one could ever imagine.
(Q) What has been your highlight over the years ?
(A) To develop a range of items that have reached an export quality value. The Design Station product range has reached quite a few high end restaurants and hotels. Many foreigners value these local products and are more than happy to take them overseas to their homes in spite of its heavy weight. The solidity of the wood ware is what adds to its richness.
(Q) Do the current innovations in technology affect your work as a creative artist?
(A) New innovations will always pop up- this does not affect the product as DS also keeps innovating with time. I am venturing out into different areas of design that is in sync with my wooden products. My aim to give a client a design solution that is beyond my current product range. With design there are no boundaries. One of the key ideas behind the name Design Station is to provide a platform for various areas of design –a holistic approach, not merely limiting one to a specific space but to look beyond.
(Q) Tell us about your creative process ?
(A) My creative process usually starts with requirements for a client or a customer. Depending on the context a concept is formulated to suit the situation. The concept is then carried right through out in every single detail to the making of the end product. However, the detailed design process is quite multi-faceted in each and every situation
(Q)Where does your passion for design come from?
(A) Passion for design comes from the love for aesthetics. Something beautiful always stimulates me.
(Q) What do you love most about your work?
(A) What I love most – when what I have sketched on the drawing board comes into reality and looks even more fulfilling than what was envisioned.
(Q) How would you describe your style?
(A) My style varies –from very simple minimalist to vibrant and energetic
(Q) Design is often surrounded with talk of sustainability ?
(A) Sustainability is a key factor for me- not only in design but in lifestyle
(Q) Plans for the future?
(A) Plan is to diversify into innovating with different locally sourced materials that sync with my wooden products. Eg. Stoneware, recycled glass, clay, rattan etc that is not found anywhere else
(Q) How did you end up in such an offbeat unconventional and facinating career?
(A) I always wanted to do something different with design. The lockdown due to covid facilitated this process which gave me more time to design and execute my ideas. Made sufficient stocks and focused on brand labelling. Upcoming pop ups provided opportunities to market DS.
The Saturday Good Market became a regular spot for promotion. I became a supplier to Pendi and had a shack at a sustainable product store at one Galle Face mall. Eventually I made it to opening up my very own shop at Alwis Place on Perehera Mawatha where a popular café existed once upon a time. It’s difficult to miss the set of bright yellow doors with an unostentatious signage of Design Station in conjunction with my neighbour’s beautiful bougainvillea tree.
Life style
Taste of the Swiss Alps comes to Colombo
High in the Swiss Alps, where mountain landscapes shape both life and cuisine, Chef Heinz Rufibach spent more than four decades mastering the art of Alpine cooking. From the grand hotels of St. Moritz and Gstaad to the peaks of Zermatt, his career has been defined by a deep respect for tradition, local flavours and the quiet precision of Swiss craftsmanship.
Now, the chef. affectionately known as Le Cuisinier de Zermatt. brings that remarkable culinary heritage to Colombo for an exclusive Swiss dining experience at Bistro des Marées, Cinnamon Life at City of Dreams Sri Lanka.
From 23 to 26 July, guests will have the opportunity to experience a specially curated menu by Chef Rufibach, celebrating the authentic flavours of Switzerland’s Alpine regions and the dishes that have shaped his lifelong connection with the mountains.
A former Executive Chef of the Grand Hotel Zermatterhof, Chef Rufibach has built a reputation as one of Switzerland’s celebrated culinary figures. Named Swiss Chef of the Year and a holder of a Michelin star for six consecutive years, his cooking reflects the balance between fine dining precision and the warmth of the traditional Alpine table.
For Chef Rufibach, Swiss cuisine is more than a collection of recipes. It is a reflection of place, people and generations of culinary heritage.
“Swiss cuisine is built on tradition, seasonality and a deep connection to the land. Through this menu, I hope to share the flavours and stories of the Alps with guests in Colombo and offer them a true taste of Switzerland,” he said.
The menu at Bistro des Marées takes guests on a journey through Switzerland’s diverse culinary regions, beginning with elegant starters, such as dried meat tartare with green asparagus and Parmesan, marinated salmon with mustard sauce and herbs, and the traditional Gommer Cholera, a Valais speciality of apple, leek and cheese baked in puff pastry.
The experience continues with comforting Swiss classics, including Valais white wine soup with dried apricots and Bündner barley soup, before moving into signature dishes, such as Swiss cheese fondue with bread cubes and potatoes, raclette with traditional accompaniments, and Zürcher Geschnetzeltes with rösti. Other highlights include Basel-style salmon with papet vaudois and fried onions, saffron-infused lamb ragout with mashed potato, and Ghackets mit Hörnli, a beloved Swiss comfort dish of braised beef mince, pasta and apple sauce.
Life style
Goodbye dearest Maria!
My dearest Maria. I never thought I would have to write this, this soon but then I realised, I owe it to you.
Remember the very first day I met you ? It was way back in 1981. I was 19, working at Lake House and writing to the Sunday Observer’s “Sat Mag” magazine. You were 23.
I made a prior appointment with you on the old rotary dial phone and arrived at Ekanayake Mawatha, Nugegoda, sharp on time. I waited and waited. There were (either) dogs or cats playing around me, with their fur flying all around me. That irritated me. I waited and waited. I wanted to, but could not walk out because the Editor was waiting for the article.
You sailed in one wretched hour late. I was furious. You never apologised either. That’s how we began our friendship. Rather a rocky start wasn’t it ?
What struck me most was NOT the fact that you were the highly celebrated Kandy Lamissi at that time, but rather the sparkle in your eyes and the warmth of your smile. It came from the depths of your heart and radiated outwards to everyone you came into contact with – both those who liked you and those who did not like you.
You radiated that sparkle and smile during the best of times and even the most difficult of times. You had your fair share of both in your 68 years. That smile was your trademark. It stayed on until the end.
We were neighbours, too, in Nugegoda. You were on that side of the junction and I was on this side of the junction. Remember in the mid-1990s when fitness fever hit us and we ambitiously started those 6.00 am early morning walks. They were alas short lived when children in passing school vans began shouting “Aunty Aunty” or “Kandy Lamissiiiiii”. That put an end to our walks and we reverted back to being unfit.
You also had a very, very wicked sense of humour which I loved to bits. Remember that evening when, with dead pan faces, you and I walked into the Metro Cinema Nugegoda and bought two balcony tickets for the 6.30 pm show. The man at the ticket counter couldn’t not believe his eyes. And how we, again with dead pan faces, slowly crept upstairs and sat in the (last row) middle seats much to the shock of all those lovers around us.
You were the Star. I was much lesser known to them than you. They were shocked and looked at you in great disbelief. I remember at one intense moment of the film, we asked the couple next to us, “Meh, excuse me. Aney welaawa keeyada?”. They only didn’t slap us.
And then, during the movie we crunched on and made a helluva din with the prawn crackers, much to the irritation of those around us.
We hadn’t come to watch the film. We just wanted to shock and annoy those lovers. Mission accomplished, we sailed out in the Interval, our sides splitting with laughter. We could not remember the movie either.
Remember those incessantly chats we used to have on a variety of topics? You could hold forth on practically any topic. Those chats sometimes went on till well past midnight and we hadn’t finished talking either.
Teshan your son was the apple of your eye, to use a cliché. How proud you were of him and how very much you used to talk about him. You took pride in his academic success and the fine young man he has turned out to be.
In our 46-year friendship, you and I have had our misgivings, too. Remember Mariazelle how we didn’t speak to each other for about three years?
And then in December 2015 you were a guest artiste and I the emcee at the Break-Away New Year’s Eve Ball organised by (your cousin) Sohan Weerasinghe and Corrine Almeida. We were still not talking to each other, but then, just after the countdown to midnight, you came up to me, hugged me and wished me with tears in your eyes. My respect for you hit the ceiling that night. Our friendship became rock solid from that day onwards.
We last met over dinner at Harpos Commons in Kotte, just before illness dragged you down. You had medical problems but you never complained. Remember the stories we traded and how much we laughed and laughed, at times much to the displeasure of the other diners. Harpo might have got the complaints but he never told me either.
And now you’re gone. Gone just like that. Before I close, I’d like to quote a few lines from your dear friend Aruna Siriwardhana’s tribute :
“I take a moment to mention two special beings in Mariazelle’s life. One is surgeon Prof. Srinath Chandrasekera (a musician himself) who for the past six months or so, together with his team at the Kalubowila Hospital, took indescribably attentive care of her. The other is singer Dinu, who virtually placed her life and work on hold, to care for Mariazelle”.
It was heart-breaking to see you lie in that coffin at Barney Raymonds last Monday (13 July). You were dressed in ivory and gold. You looked peaceful. You were free from suffering and free from pain.
“Kandy Lamissi” will ALWAYS be sung at parties and weddings and home comings and dinner dances and batch get-togethers. “Kandy Lamissi” and You have an unlimited life span. You will both go on forever!
And I will always remember that sparkle in your eyes and the warmth of your smile. That to me was You.
Goodbye my dearest Maria. May your journey in Samsara be speedy.
by Kumar de Silva ✍️
Life style
20-year-old filmmaker Joshua Alailima breaks into Hollywood
Production has officially begun on Missing Threads, marking it the first time a Sri Lankan production has been aimed first and foremost at an American audience. On Tuesday the 7th of July, a dinner was held bringing together the cast, crew, funders, and friends and family to mark the occasion.
The evening opened with guests arriving to chatter and press photography. Talavou Alailima opened proceedings, and a selection of Director Joshua Alailima’s previous films were screened, between speeches from key figures behind the production. The night closed with a large buffet and the signing of contracts.
Missing Threads
is an investigative crime thriller compared to films such as Zodiac and Se7en. The film follows journalist Maya Perera as she unravels a string of lies, all tying back to the mega corporation Verdeon, leading to a far more sinister truth about the internal affairs of the country at large.
This marks a significant milestone for Sri Lanka. It is the first time a Sri Lankan film has targeted primarily the USA Hollywood audience. This will further foreign relations, opening the door to industry expansion and significant economic potential.
Missing Threads
brings together a standout cast of actors, including Kaushalya Fernando (The Forsaken Land), Buddika Jayaratne (Sunny’s Mansion), Dharmapriya Dias (Machan), and Shyam Fernando (Paradise). It is led by international Sri Lankan actress Rebecca Munasinghe and leading social media influencer “Neesh.” Missing Threads is produced by Talavou Alailima, founder of Power World Gyms and Edge Nutrition.
Director Joshua Alailima is currently studying at one of the top film universities in America, Biola University, whose alumni network includes Doctor Strange director Scott Derrickson and world famous influencer Zach King.
Joshua has been directing since he was a young teenager. He is now 20 and directing his feature debut, a rare feat by Hollywood industry standards.
Missing Threads
brings in an international crew, with people from the USA, Sri Lanka, and Australia flying in to work on the project. Post production will take place in Sri Lanka, India, and the USA. The film is shot on the Arri Alexa LF, the same camera used for the movie Dune. It is the only one currently in Sri Lanka.
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