Features
Two brilliant writers – Booker Prize winners
Salman Rushdie (age 75) is back on the world literary stage and welcomed strongly by other novelists and writers in general. His new book, handed over to his publisher –
Random House – in December 2021 is to be released on February 7. He was not physically present at the many seminars and meetings held to herald his book and pay tribute; he is blinded in one eye and still recovering from the stabbing on stage in the Chatutauqua Institute in New York on August 12, 2022, just before he was due to address his audience. The assailant, 24 year old Hadi Matar, was arrested at the scene but has pleaded not guilty to charges of assault and attempted murder.
The government of Iran denied knowing about the stabbing though state media celebrated it. Never to be forgotten is the fatwa declared by the then Iranian Supreme Leader Ayatollah Ruhollah Khomeini with a promised bounty of $3 million for Rushdie’s death soon after he published The Satanic Verses in 1988. Die hard Muslims thought it blasphemous of Prophet Mohammed. Rushdie went into hiding in Britain, protected by British security forces for almost a decade. He then shifted to New York. He was knighted in 2007.
The 2022 attack shocked the world and shook writers. He had been revered as a free speech icon and in spite of the fatwa (rescinded in 1998) he continued to write and speak against intolerance. After the grievous attack last summer, fellow writers and cultural figures expressed outrage and gathered for vigils in his honor, sharing personal stories about him and reading from his novels. One of these I read about was on the steps of the New York Library with Kiran Desai joining many others. Chief Executive of PEN America, Suzanne Nossal commented: “They failed to silence him.”
New Book
Titled Victory City, Rushdie’s recent novel is about a gifted storyteller and poet named Pampa Kampana who creates a new civilization through her imagination. Blessed by a goddess, she lives nearly 240 years, long enough to witness the rise and fall of her empire in southern India – Vijayanagar – which translates to Victory City. Her lasting legacy is an epic poem. She writes a message at the end of her epic which she buries in a pot as a message for future generations: “All that remains is this city of words. Words are the only victors.” So true for the present and particularly in the author’s case where he was nearly killed twice; his books are read and re-read and his new book eagerly awaited and commented on, even pre-publication.
One comment: “Framed as the text of a rediscovered medieval Sanskrit epic, Victory City is about myth making, story-telling and the enduring power of language.” Novelist Colum McCann writes: “He is saying something quite profound in Victory City. He’s saying ‘you will never take the fundamental act of storytelling away from people’. In the face of danger, even in the face of death, he manages to say that storytelling is one currency we all have.”
Margaret Atwood at a panel discussion on the novel said she felt an obligation to speak about Rushdie’s latest work, given that he was not able to appear publicly himself, as reported by Alexandra Alter and Elizabeth A Harris in the January 25 New York Times. “You have to, as it were, foil the attempt to shut him down. He’s been through so much, being in hiding for all those years, feeling under threat.” The article I quote from is titled: Victory City in which a gifted story teller and poet created a new civilization through the sheer power of her imagination. The two reviewers indicate that in the novel Rushdie seems to be saying: “I will use this mighty weapon of language which is stronger than anything you can throw at me.” They also comment on his nature – funny, quick-witted, extraordinarily resilient. “It is hoped Victory City would shift attention back to Rushdie’s fiction – a novelist more than free speech advocate or a victim of malicious assault.” They classify Victory City as a joyful, oversize romp of a book, an extravagant book wherein his full creative capabilities are shown. “He is a story teller and novelist more than a political symbol.”
I admit Rushdie is not easy to read. I attempted many times to get into Midnight’s Children (1981) but failed until I saw the Deepa Mehta directed 2012 film which clearly depicted the plot of two infant boys being exchanged in a maternity ward by a nurse on malicious instructions given her on the night of Partition when Pakistan was created and India gained independence from the British Raj. The boys are from a rich Hindu mother and Muslim roadside singer. Their fortunes are traced magically through terrible vicissitudes against the backdrop of Hindu- Muslim racial tensions and rich against poor. This, Rushdie’s second novel, shot him to fame and won him the Booker Prize.

Then came the fateful Satanic Verses with its satirical depictions of Prophet Muhammad in 1988. The Moor’s Last Sigh followed in 1995 “which traced the downward spiral of expectations experienced by India as post-independence hopes for democracy crumbled during the emergency rule declared by PM Indira Gandhi in 1975.” Fury was out in 2001, after the author’s move to the US. It traces a doll maker’s arrival in New York leaving his wife and child in London. A Times reviewer said “Although Rushdie inhabits his novels in all manner of guises and transformations, he had never been so literally present as in this one.” His one but the last novel Joseph Anton (2012) is a memoir narrating his experiences after the fatwa was issued. The title is the name Rushdie assumed while in hiding, a combination of the names of two of his favourite authors: Joseph Conrad and Anton Chekov. It gives glimpses of his childhood – an alcoholic father and Rushdie’s s marriages. He has been much married! Clarissa Luard 1976-87; Marrianne Wiggins 1888-93; Elizabeth West 1999-2004 and Padma Lakshmi – Latin American actress, model and TV host from 2004 to 2007; having met her in 1999.
Now, with the release of Victory City, writers are again rallying around Rushdie to champion his work. Many see it as a moment to celebrate Rushdie’s exuberant and playful imagination, to turn attention back to his fiction. Some say the book’s “overarching message — that stories will outlast political clashes, wars, the collapse of empires and civilizations” — has taken on a heightened resonance in light of what Rushdie has endured.
One cannot help but mourn the deaths of our own writers who championed honesty and free speech. No closure to most of those instigated assassinations. Lasantha Wickrematunge’s in particular.
Chat with Shehan Karunatilaka Ashok Ferrey
asked a couple of questions from Shehan Karunatilaka and commented on his work with the venue –library of the British Council in Kollupitiya – filled to capacity by invitees and guests who paid for admission.
It is opportune that I write about Salman Rushdie and Shehan K in the same article as they are both Booker Prize winners and thus equal in honour and consideration as novelists. India boasts ten Booker short listed of whom six were winners: V S Naipaul, Salman Rushdie, Arundathi Roy, Kiran Desai, Arvind Adigar and Gitanjali Shree who won the International Booker awarded to a non-English and translated novel. Tiny Sri Lanka boasts three short listed – Anuk Arulpragasam in 2021; and two of them who won the coveted, very competitive prize: Shehan K and Michael Ondaatji. Ondaataji is Canadian but makes it a point to add Sri Lanka to his country origin.
The entire conversation was absorbingly interesting and made light and easy by the two on stage. Shehan noted that plot is easy in novel writing; it is style, voice, choice of language and building up characters that needed concentration and working on. He condensed 40 years of civil war and the turmoil of the late 1980s which was really the tip of the iceberg. A criticism, mentioned by Ashok, that the Seven Moons of Maali Almeida conveys a rather ugly picture of the country and its people, and shows Sri Lanka in a very negative light, had Shehan reply with a chuckle that he was not writing a touristy novel, far from it. He said tourism would not be adversely affected by his descriptions; and for history, his book should not be read. However, his fiction is heavily coloured by fact. He mentioned here the success of the film series The Crown which he watched avidly. He said the protagonist Maali Almeida was not at all him, not even completely Richard de Zoysa on whom he based his character. Maali was a photographer and gambler which Richard was not.
He chose to write about ghosts and the underworld since it was a niche not written much about. He did much research, spoke to people and of course edited heavily as the novel was first published as Chats with the Dead but was revised heavily. He acknowledged the debt he owed Natalia Jansz who suggested improvements and changes, and her husband Mark Ellingham who published his book. He magnanimously said that much of the honour of winning was due to her painstaking and scrupulous editing. For example as suggested by her, he spent much time defining the four minor characters in the book – the van driver and garbage collector included.
He admitted to having a sixth sense in his proven-to-be-successful choice of subject and plot. One was choice of a ‘ghost story’ and in the earlier novel – cricket. He was surprised that though Sri Lankans are crazy about cricket, no novel centered the game.Hence his plot and character development in Chinaman: The Legend of Pradeep Mathew, which won him awards and international fame.
Black humour was hugely present in his novel, pointed Ashok. Shehan admitted it was deliberate, specially its lack of lightness as writing about the dead and where they go to is black. He added that humour and enjoyment of fun are Sri Lankan characteristics.
He added “I enjoy writing. Research is good. Plotting, character building and rewriting consequent to suggested edits is painstaking. When you start writing you don’t think about sales, targets etc. But you have in mind the imperative that you write a book that appeals, more especially when it’s a novel. “
A personal note here. I found it, like others, difficult to go through Shehan’s book easily. That is a deficit of mine. Seven Moons… is truly multifaceted carrying significance and symbolism, so it is a great book. After all it won the world’s most prestigious literary prize in English, now having to compete with vast numbers of American writers. It and Rushdie’s Midnight’s Children are on par. Our own Shehan Karunatilake is up there among the world’s greatest literary fiction writers in the English language. We appreciatively thank him for bringing honour to this country; and to Ashok Ferrey – Gratiaen Prize winner for 2022 – for making the evening of literary appreciation at the British Council a super event.
Again I end with the thought that haunts many a Sri Lankan, the planned merciless killing of Richard de Zoysa just because, it is surmised, he wrote a play parodying a sentence used to characterize the leader of then. And also of Rajini Thiranagama, mercilessly shot from behind by a Tamil Tiger. These are just two innocents who lost their lives at the whim of the Lankan govt heads, LTTE and JVP terrorists. But the comfort is that their written words lives on. They must never be forgotten.
Features
From the missing to the missing truth and beyond
by Jehan Perera
The government is preparing to meet the challenge of the UN Human Rights Council next month. A Sri Lankan delegation led by Foreign Minister Vijitha Herath is expected to attend the 63rd session of the UNHRC in Geneva, where the UN High Commissioner for Human Rights will present a written update on Sri Lanka. The government has already submitted its response to the advance version of the report prepared by the Office of the High Commissioner for Human Rights. The Foreign Minister, accompanied by officials from Colombo and Sri Lanka’s Permanent Mission in Geneva, is expected to explain the progress made on reconciliation, accountability and human rights. This is therefore an important moment for the government. It is an opportunity not merely to defend its record but to make new commitments.
The government has been criticised, as were its predecessors, for the manner in which it has dealt with past human rights violations, especially those connected with the thirty year war. The vexed issue of thousands of missing persons remains at the centre of this criticism. The government has sought to strengthen the Office on Missing Persons by providing it with additional staff and resources. It has also given support to the excavations at the Chemmani mass grave. Justice and National Integration Minister Harshana Nanayakkara has told Parliament that the government has allocated Rs. 57 million for the excavations and related legal work, though that figure has not been set against the cost of comparable forensic operations elsewhere.
The government also took the significant step of holding a national event in Jaffna to mark the International Day of the Victims of Enforced Disappearances. Minister Harshana Nanayakkara attended the event together with the Chairman of the Office on Missing Persons (OMP), Mahesh Katulanda, and other senior officials and political representatives. Their presence was meant to demonstrate the government’s commitment to addressing the issue. But on the victims’ side there is continuing dissatisfaction. The commemoration in Jaffna was met by a protest outside the District Secretariat, organised by families of the disappeared, who demanded to know what happened to relatives who, according to their accounts, surrendered to or were taken away by the military and were never heard from again.
Jaffna Protests
The protests in Jaffna are a reminder of the gap that remains between what the government is trying to do and what the victims expect. For these families, compensation and death certificates are not substitutes for knowing what actually happened to those they lost. The protests, and the police action taken against some of those who demonstrated, were reported by the international and Tamil media and by international human rights organisations, and overshadowed much of what the government had hoped to showcase at the Jaffna event. The OMP’s mandate is to establish the fate and whereabouts of missing persons, clarify the circumstances in which they went missing, and provide redress and assistance to their families. Accordingly, it has sought to verify complaints, remove duplicate entries, encourage people who have not yet made complaints to come forward, and facilitate compensation and other forms of assistance. The families of victims expect the OMP to do more to clarify the circumstances in which their loved ones went missing. An example would be the disappearance of 158 displaced Tamil persons from the Eastern University campus in Vantharumoolai, Batticaloa District, who were rounded up and forcibly removed in front of thousands of other similarly displaced persons, including the officer in charge Prof T Jayasingam.
The government has also increased the support available to families of the missing, and says it is accelerating the OMP’s investigations. But the scale of what remains undone is stark. There are around 11,000 complaints remaining to be investigated, according to the Justice Minister, while the OMP has reported that final information has been established in only 31 cases, communicated privately to the families concerned. On the government’s own figures, that puts the clearance rate for establishing fate and whereabouts at well under one percent of the outstanding caseload. There is a limit to what the OMP can do even with more resources and time. Its mandate is primarily to establish the fate and whereabouts of individual missing persons. It was not intended to produce the comprehensive, public account of the past that victims and the country as a whole require.
In 2015, the government headed by President Maithripala Sirisena and Prime Minister Ranil Wickremesinghe committed itself to establishing such a commission as part of a comprehensive approach to dealing with Sri Lanka’s past. Human Rights Council Resolution 30/1, which the government co-sponsored, specifically welcomed the proposed establishment of a “commission for truth, justice, reconciliation and non-recurrence”, together with an Office on Missing Persons and an Office for Reparations. However, the commitment to a truth-seeking mechanism was never fulfilled. The government should consider setting one up now. There is a growing feeling among Tamil people in the North and East that the government is failing to deliver on promises that are important to them. On issues important to them, they feel this is once again a Sinhala-dominated government like all the ones that came before.
Establish Truth
For the past two years the government has been concentrating on problems that it deems are important to the country as a whole such as the economy, development, poverty alleviation and corruption and criminality. However, the government needs to demonstrate that national unity means addressing the concerns of all communities, including those whose wounds from the war remain unhealed. Some of its own institutions have begun to act on this. The Office for National Unity and Reconciliation recently staged a drama entitled From Yakaweva to Nandikadal, depicting relationships between people that transcend the destruction caused by war. The drama portrayed the sufferings as well as the prejudices on both sides of the divide, from the Kebithigollewa bus bombing to the final days of the war around the Nandikadal lagoon. Its central message is that without forgiveness there cannot be reconciliation.
Particularly moving was the fact that the actors themselves came from families touched by the violence on both sides. The son of an LTTE Black Tiger leader and the daughter of an Army officer were among those who performed, alongside others who had experienced and survived some of the sites of carnage. The fact that a state institution is taking this message of reconciliation forward is itself a testament to the government’s openness to dealing with the past. A government institution can reach a population far larger than any civil society campaign could reach on its own, simply because the machinery of the state is so much more extensive. It is in this context that the government needs to give serious thought to setting up a Truth and Reconciliation Commission as the next step in the truth-seeking process. Special care will need to be taken to ensure that those who are appointed are not only politically non-partisan, but are acceptable to all the communities.
A Truth and Reconciliation Commission cannot by itself resolve all the wounds of the past. Nor can it replace criminal investigations or judicial proceedings where these are necessary. But it can provide something that existing institutions cannot provide on their own. This would be a comprehensive national process through which victims can be heard and the truth can be established. The general population needs to understand what happened, so that the country can begin to acknowledge its past without passing it on indefinitely to future generations. The government has already taken several steps. It is supporting the search for the truth at Chemmani. It has begun reaching out to families of the disappeared. Its own institutions are producing messages of reconciliation. But these are still not delivering the results that the victims and their families want. The next step should be to bring these efforts together to begin the journey from the missing to the missing truth, and from there to comprehensive justice.
Features
The long road to educating Sri Lanka’s Bhikkhunis
A robe without recognition:
by Anushka Kahandagamage
Education is the right of every child. Yet somewhere between childhood and the robe, that right becomes precarious for many Buddhist women in Sri Lanka, threatening not only their social standing, but their fundamental access to learning and the institutional discrimination they face. This piece is not about Buddhist disciplinary rules, which discriminates women, rather about how the state’s refusal to fully recognise bhikkhunis as bhikkhunis quietly determines what they are, and are not, permitted to learn.
Unlike dasasil mathas, who occupy a distinct and unofficial category within Buddhist renunciation, bhikkhunis belong to a formally ordained order recognised within Buddhist monastic tradition itself. Dasa sil mata means ‘ten-precept mother.’ They are women who observe the ten precepts (rather than the fuller Vinaya) and live a renunciant, celibate life, often in robes, but formal ordination has not translated into formal recognition by the state. Even after a Supreme Court ruling affirmed their right to be identified as bhikkhunis on their National Identity Cards, many still do not hold one. This stems from the hesitation of the male-dominated Buddhist hierarchy to recognise these women as part of the Theravada tradition, specifically refusing to validate their higher ordination. The identity card lists her title as Dasa Sil Mata. The ruling exists on paper, but they are still waiting for their identity cards. This is not a small bureaucratic oversight. It is the first link in a longer chain, one that reaches, eventually, into the classroom.
A Name Withheld
In Sri Lanka, there are 827 pirivenas, traditional monastic colleges that have, for centuries, served as the primary institutions of Buddhist education. Of these, only 12 are dedicated to female renunciants at all, and of those 12, just five serve fully ordained nuns specifically. The imbalance is stark on its face: 827 institutions for monks, five for fully ordained nuns. But the discrimination here is not only a matter of numbers, but it is also written into the very language used to name these institutions. Monks’ schools are called pirivena, a term carrying centuries of institutional weight, historical continuity, and state recognition under Sri Lanka’s education laws. Bhikkhunis’ schools, by contrast, are not called pirivenas at all. They are designated Buddha Sravika Meheni Adhyapana Ayathanaya (Institute for the Education of Buddha’s Female Disciples), a separate, parallel term that, however similar in function, withholds from bhikkhuni institutions the same legal and institutional status that the word ‘pirivena’ confers. Since there are ten-precept mothers, the institutes have not given the same name as the pirivena and lack the official as well as social recognition they deserve.
A Pattern a Century in the Making
Following the decline of the Buddhist nun (bhikkhuni) order after the Polonnaruwa period, the first woman to be robed again was ordained in 1905 as a dasasil matha. Although dasasil mathas have long served important religious and societal roles, they have historically lacked access to formal education. Unfortunately, today also, this pattern continuous to exist. Education, in this context, is never just about literacy or dhamma study. It is the currency of religious authority. A bhikkhuni denied equivalent education or educated in an institution the state refuses to name a pirivena, is denied that religious authority. She may know the Tipitaka as well as any monk yet will lack the institutional stamp that would make a lay community trust her reading of it. It was not indifference from the public; it was the accumulated effect of a system that has spent centuries teaching devotees, implicitly, that a woman’s robe does not carry the same weight as a man.
The female renunciants, both dasasil mathas and bhikkunis, although they wear robes, have not been regarded as individuals capable of comprehending or preaching dhamma, simply because they are women. This is most visible in education, the pirivena system, developed historically to train bhikkhus, offered dasasil mathas and bhikkunis no equivalent institutional pathway, no comparable curriculum, certification, or state recognition. This exclusion is notable because it runs counter to Sri Lanka’s broader educational trends, where women have historically outnumbered men in general university enrolment, the gap here is specific to monastic/religious education rather than a reflection of wider societal restrictions on women’s schooling. The country’s National Education Commission Policy has a section on Pirivena education. However, it does not address the education of Buddhist nuns, nor does it mention nuns within the policy. I recently learned that the policy was being reviewed, with a committee appointed by the Ministry of Education, scheduled to begin the review on the 1st of September. This presents an important opportunity to raise the issue of nuns’ education and advocate for its inclusion in the revised policy.
The monks and nuns’ education institutes are funded by the government, which allocates only 5,000–6,000 LKR per student for the entire year. This sum is grossly inadequate to cover even basic institutional needs, accommodation, food, learning materials, and the maintenance of the physical premises, let alone to support any meaningful expansion of the curriculum. With this level of funding, these education institutes are struggling to sustain themselves, and many are forced to rely almost entirely on external support simply to remain operational. This is where the disparity becomes most visible. As female renunciants have historically not been taken seriously, regarded neither as authoritative teachers of dhamma nor as figures worthy of the same reverence extended to their male counterparts, their education centres receive far fewer lay offerings than those for male renunciants. The result is a widening resource gap that mirrors and reinforces the very discrimination that caused it. Underfunded institutions produce fewer well-trained female scholars, which in turn reinforces the perception that female renunciants are less capable, a perception that then justifies continued underinvestment. Without deliberate intervention, either through equitable government allocation or targeted lay support, this cycle is likely to persist rather than resolve on its own.
Sitting Alone at the Bo Tree
I was at Jaya Sri Maha Bodhi in Anuradhapura, where a few monks sat preaching in the shade of the Bo Tree, each surrounded by small clusters of lay devotees. Nearby, I noticed a few female Buddhist renunciants, though I could not immediately tell whether they were bhikkhunîs or dasasil mathas, since visually, in their robes and demeanour, they appeared indistinguishable to an outside observer. Most of them sat alone, without the small crowds of devotees gathered around the monks nearby. This, too, is not incidental. Because women cannot enter the sâsana through the same pathway to ordination, available to men, many Buddhist female renunciants remain dasasil mathas, a status that carries the appearance of monastic life without its legitamised spiritual standing. They observe the 10 precepts, wear robes, and live in renunciation, yet occupy a lower, unofficial rung in the religious hierarchy, one that grants them neither the ordination lineage nor the institutional recognition given to monks. However, in June last year, the Supreme Court of Sri Lanka delivered a landmark majority ruling in SC/FR/218/2013, affirming that fully ordained Buddhist nuns have the fundamental right to use the title ‘Bhikkhuni’ on their National Identity Cards, legally recognising the de facto existence of the Bhikkhuni Sanga.
A Closed Loop
Social discrimination and educational discrimination feed each other in a closed loop. Because bhikkhunis have fewer, less recognised institutions, fewer are formally trained to a standard the public recognises. Because fewer are recognised as authoritative teachers, fewer devotees seek them out or support them. Because they attract fewer devotees, the education institutions of female renunciants remain under-resourced and easy to overlook in state budgets and in popular imagination alike. A dasasil matha or bhikkhuni without an active following also lacks the economic support that following brings, since in Sri Lanka’s monastic economy, devotees are patrons as much as students. The precarity is not only spiritual or bureaucratic; it is material, and it compounds across a lifetime spent in robes.
Until bhikkhunis’ education is named, funded, and recognised on the same terms as that of bhikkhus, this will remain a story not only about missing ID cards or under-resourced schools, but about an education system that continues to decide, quietly and continuously, which students are worth investing in. Education was supposed to be the one place where the women can speak for themselves, instead, for these women, it has become just another place where women have to ask permission to be heard.
(Anushka is a Sociologist who is working on contemporary Buddhist movements. She was formerly attached to the University of Colombo)
Kuppi is a politics and pedagogy happening on the margins of the lecture hall that parodies, subverts, and simultaneously reaffirms social hierarchies.
Features
‘Memories of Milton – Live in Concert’ to enchant Dubai
Sri Lankan music knows no borders. Wherever our people go, our melodies follow — and our musicians make sure of it.
From Qatar’s Exit, to Melbourne’s EBONY, to Toronto’s Ceymphony, and Dubai’s Seven Notes, Sri Lankan bands abroad continue to keep the community connected to home, through song.
In July, Rajiv Sebastian set the Dubai stage alight with the band Seven Notes, creating an unforgettable night for Sri Lankans in the UAE. And the live-wire behind that magic? Niluk Uswaththa of Seven Notes.
Well, Niluk says he isn’t stopping there.
Now, Dubai is preparing for something truly special — ‘Memories of Milton – Live in Concert’, a grand musical tribute to one of Sri Lanka’s most beloved voices: Milton Mallawarachchi.
For more than a decade, Milton Mallawarachchi was a trending force in Sri Lankan music. With nearly 850 songs and over 35 albums to his name, he gave us melodies that became the soundtrack to our lives — songs of love, longing, and life itself.
On Saturday, 26th September 2026, from 8:00 PM to 3:00 AM, the Mercure Hotel, Al Barsha Heights, Dubai, will transform into a space of nostalgia.

Ranil Mallawarachchi; Carrying forward his father’s legacy / Yenuli Neriah
With the spotlight on Ranil Mallawarachchi — Milton’s eldest son, carrying forward his father’s legacy — along with Yenuli Neriah and Tharaka, the evening will certainly bring Milton’s timeless classics back to life … on one stage.
Seven Notes will do the needful, providing the live music that made Dubai dance before.
According to Niluk, this isn’t just a concert.
“It’s designed as a nostalgic musical journey — to bring cherished memories and beloved songs back to life,” he says.
And he promises: 26th September will be a night to remember.
In fact, Niluk Uswaththa has become a driving force for Sri Lankan entertainment in Dubai.
Through Seven Notes, he ensures the community always has something special to look forward to — especially when it comes to music that feels like home.
The success of these overseas shows naturally raises one big question back in Sri Lanka.
Yes, music lovers, in Sri Lanka, are keen to know whether the Seven Notes band will pop up in Colombo, sometime soon, for a live performance?
Music lovers, island-wide, will be watching … and waiting!
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