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The British Prime Minister Wears Prada

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Inside Rishi Sunak’s 4,000 pound wardrobe, including British tailoring and Italian luxury footwear.

Rishi Sunak is Britain’s new prime minister and leader of the Conservative Party, the third in seven weeks. He’s also the first prime minister to confidently love dressing up in Prada, British tailoring, Palm Angels and Common Projects.The new prime minister made headlines on July 21 after it was reported that Sunak, Britain’s former Chancellor of the Exchequer, was wearing a two-piece suit by Henry Herbert that cost 3,500 pounds with Prada shoes costing 490 pounds.

Sunak, an Oxford graduate and Fulbright scholar with an MBA from Stanford and a former banker with Goldman Sachs, has frequently been criticized for his education and wealth. According to The Sunday Times Rich List, he and his wife Akshata Murthy are worth 730 million pounds. Murthy’s family are self-made millionaires and she holds shares in her father’s technology firm Infosys; Jamie Oliver’s Pizzeria and Jamie’s Italian; Wendy’s outlets in India; the nanny agency Koru Kids, and the gym operator Digme Fitness.

The British government hasn’t had a sleek dresser leading it since Theresa May, who resigned in 2019 with Johnson taking over. One of Johnson’s greatest assets in office was his image. It didn’t fit the mold of past prime ministers, which has traditionally been arid and clean-cut in navy blue suits and striped ties — the more rumpled the suit, the better.

Truss followed in those footsteps with her stiff silhouettes, block colors and short, neat, blond hairstyles. She favors British high street labels and outfits that are worlds away from the minimally sleek and corporate uniforms of her colleagues. Her go-to brand is Karen Millen, which is now owned by British fast-fashion retailer Boohoo Group.

For Sunak to eschew Savile Row and opt for a young, low-key tailor such as Henry Herbert is telling. The company, which was founded in 2009, is a newbie compared with the Savile Row giants, some of which are more than 200 years old.In October 2020, during the midst of the pandemic, Charlie Baker-Collingwood, the founder and owner of the tailoring company, died, and Alexander Dickinson, 30, took on the small business that he’d joined in 2014.

Although lockdown was difficult, he’s back making bespoke clothing, and not just suits, for professional clients — lawyers, bankers, tech workers and politicians.The tailor, which once used to sit alongside the corps d’elite on Savile Row, has relocated to a more shy space opposite a Korean restaurant and a humble British pub not far from The British Museum.

“You can come off the beaten track and pay 2,500 pounds for a more personal service with the same fabrics made by the same people where you have a lot more control on your own garments. On Savile Row you’re probably buying into the house style,” Dickinson told WWD over the summer.

“They [Savile Row businesses] are very much clinging on to tradition, which definitely works for the American market but the British gentleman is getting more savvy and realizing that they don’t actually have to pay 5,000 pounds [for a suit],” he added. Although Dickinson declined to comment on Sunak, it’s possible that the politician’s four-figure suit wasn’t new.

Sunak wouldn’t be the first British leader to wear a bespoke suit, either. Winston Churchill started visiting Savile Row from the age of 19, endorsing the likes of Henry Poole & Co. and Turnbull & Asser in wartime and peacetime; John Major and Gordon Brown turned to Gieves & Hawkes.

Tony Blair arrived in Downing Street after winning the election in May 1997. Blair, the man of “New Labour,” gambled on a new sartorial choice when in office by often wearing Paul Smith. Brown’s successor, David Cameron, also favored a hip British brand, often wearing suits by Richard James.

Sunak, with his squeaky-clean, teetotal lifestyle, has never tried to hide his habits, with regular 6 a.m. Peloton workouts and a breakfast of Greek yogurt and blueberries. He steered the country through the depths of the COVID-19 pandemic, providing financial relief to workers hit by the downturn. As prime minister, he now faces the task of stabilizing the U.K. politically and economically, which has been reeling from the disastrous economic policies of Truss that caused the pound to plummet in value against the dollar, gilts to fall, and the stock market to drop. He also will have to try to determine how to tame an inflation rate that is among one of the highest in Europe.

Johnson, who was in the running for the position for a second time, withdrew from the contest recently along with Sunak’s opponent Penny Mordaunt, paving the way for Sunak to become the U.K.’s first British Asian prime minister.

Truss congratulated Sunak on Twitter and pledged her full support to him.If Sunak lasts as prime minister until May 2023, he can show off his British tailored suits at the 49th G7 Summit in Japan, along with other sharply dressed men such as  Canada’s Prime Minister Justin Trudeau and French President Emmanuel Macron.–BBC



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Life style

What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth

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In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.

His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”

That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.

His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.

“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”

In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.

The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.

Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.

Saman Halloluwa

Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.

Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.

Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough

Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.

Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.

An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.

Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.

“What I do, what I love” is not fashion here.

It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.

By Ifham Nizam ✍️

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Life style

Shaping the future of style

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Pride, passion and professionalism

Ramani Fernando Sunsilk Hair and Beauty Academy

Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.

Senaka de Silva, creative force behind Ramani’s shows

For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.

The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.

Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.

Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.

Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.

She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.

These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.

From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.

Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape

A moment of pride Ramani with chief guest Rosy Senanayake

Statement in style

Gliding in romance and sophistication

Pix by Thushara Attapathu

By Zanita Careem ✍️

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Capturing the spirit of Christmas

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Romesh Atapaattu, overseas the magic behind every cut and style at Capello salons

During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.

Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.

As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.

At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.

Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.

Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.

Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.

The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.

His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.

Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.

He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.

(ZC) ✍️

Pic by Rohan Herath

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