Features
China Cultural Centre – Sixth Anniversary celebrations !
By Chamara Ranmandala
Consultant – local Affairs
China Cultural Centre in Sri Lanka
(Based on an interview with
Liwen Yue, Director
China Cultural Centre in Sri Lanka
The China Cultural Centre (CCC) in Sri Lanka is celebrating its 6th year anniversary of its establishment as the official organization for cultural exchange in Sri Lanka.
The Sri Lanka CCC is the 16th overseas China Cultural Centre established globally under the patronage of China’s Ministry of Culture and Tourism, which was inaugurated on 16th September 2014 by his Excellency the Chinese President Xi Jinping and then Sri Lankan President Mahinda Rajapaksa. The preparations and establishment of the CCC was carried out by the Embassy of the People’s Republic of China in Sri Lanka, and it is run and operated by a working team from China’s Ministry of Culture and Tourism.
This article attempts to highlight the significance of this cultural relationship, and the establishment of a path for cultural exchange between the peoples of China and Sri Lanka.
A 1000-year-old friendship refreshed
and renewed
Although the formal bilateral relationship between Sri Lanka and China was established only 63 years ago, the history of the friendship between the two countries dates back far beyond. The recorded history origins from the times of Jin Dynasty of China, where such information is found in the written stories of famous Chinese buddhist monk Faxian, who travelled to Sri Lanka between 410 – 415. Sri Lanka has been a very important partner during the ancient times where significant trade was carried out through the maritime silk route, used as a gateway to bridge East Asia and South Asia. The archaeological findings in Sri Lanka are evident to this trade and exchange of cultural values taking place between Sri Lanka and China.
The establishment of the China Cultural Centre in the year 2014 has significantly brought the bilateral cultural exchange to a totally different level. Across the world, the Chinese Cultural Centres have contributed immensely to establish the meaning and significance of authentic cultural values of China, which is often misinterpreted by many. It is evident that the world has not enough chances to experience the traditional culture and values of China. Hence the 60+ cultural centres established in various countries have attempted to bridge this gap of understanding the real cultural values of China without infiltrating to the local culture but supporting and thriving together with the customs of respective ways and norms.
As the 16th overseas China Cultural Centre amongst the 60+ other centres across the world, and as the first center inaugurated by the two presidents of the respective countries, the CCC in Sri Lanka highlights its importance and the value placed on the friendship of the two countries, which was created many centuries ago between China and Sri Lanka.
Cultural exchange – continued effort with variation
The China Cultural Centre has now become a fully functional apparatus that enables cultural exchange through many different facets and complementing programs. The CCC is in a constant drive to educate the society at large how cultural exchange helps to bridge the gaps and bring the peoples of the countries much closer to each other.
During the past six years, the Sri Lankan culture-loving society was exposed to some of the unique experiences of traditional Chinese art, music and dancing, calligraphy, cinema, drama, authentic Chinese cuisine, photography and intangible cultural heritage through the commitment of China Cultural Centre in Sri Lanka.
The events carried out by the CCC are aligned to the diverse cultural heritage of many different parts of China, and many of them are held in the form of “Cultural Week”, planned by the CCC and organised together with some local partners, including scholars, artists, painters, photographers and journalists who have travelled across China. The “cultural weeks” reflect many aspects of Chinese cultural heritage from different areas. Based on the need, the CCC sponsors and brings down the respective professional artists who are highly regarded as unique contributors of nurturing and preserving the authentic cultural heritage of China. The CCC also accommodates Chinese scholars, journalists and media personnel to be a part of these “cultural weeks”, thus enabling the knowledge sharing amongst different audiences.
The cultural footprint of China is not only limited to events of cultural exchange, but also is extended to long standing relationships through memorandums of understanding (MOU) with many local institutions such as libraries, museums and various friendship associations. The contribution through the Confucius institutions established at various universities in Sri Lanka, such as the University of Kelaniya, is another approach adopted by the CCC to provide greater access to resources and scholarships for the students who pursue higher studies in Chinese language, literature and culture.
Appreciation of the communities
across Sri Lanka
The educational knowledge and unique experience achieved from those programs and events organized by the CCC can meet various appetites of a wider spectrum of the society and intellects. Moreover, the officials of the CCC have made every attempt to reach out to most remote communities in Sri Lanka creating value for all age groups who witness and engage with the programs. This is highly commendable since most international cultural programs are being focused only on a limited crowd in a major city in Sri Lanka. The CCC has done the opposite way and concentrated on both urban and rural areas, which benefited more people here.
At present, the CCC has carried out over 100 programmes, including more than 300 various types of activities and events (including performances, exhibitions, lectures, workshops, teaching programmes, and etc.). More than half of Chinese provinces (Jiangsu, Hubei, Canton, Jiangxi, Shanxi, Yunnan…and etc.), provincial-level autonomous regions (such as Tibet, Inner Mongolia, Guangxi, Xinjiang, and Ningxia), provincial-level municipalities (Beijing, Shanghai, and Tianjin) , and Chinese SAR Hong Kong have been invited by the CCC to conduct different cultural exchange programmes in Sri Lanka.
On the other hand, the events organized by the CCC have reached people in all 9 provinces of Sri Lanka as well, where specially skilled artists are not hesitant to delight an audience of students or parents at a Sunday school, a university, a school in a remote part of a district, government institutions, and even a military camp. All events of cultural heritage are held with complete sponsorship of the CCC, thus enabling all Sri Lankans to experience most of these high-level events free of charge.
These events are a first to many where most Sri Lankans are amused and appreciative of the skill and professionalism of the artists and performers, who participate in these events and create positive vibes about China and its friendly people.
The efforts of the CCC are also extended to enable and strengthen the ties between the media and journalist forums of Sri Lanka and China. The cordial sponsorship of professional programmes conducted for the benefit of the Sri Lanka journalists in China is such an instance that the CCC extends their hand to build friendship and confidence among all stakeholders.
The future of the friendship
It is obvious that the expectation of the CCC is to build a cultural relationship amongst the peoples of both countries. The CCC has successfully created an atmosphere of understanding the true nature of authentic Chinese culture whilst respecting and appreciating the Sri Lankan values and traditions.
With the “Belt and Road Initiative” (BRI), which attempts to bring economic and cultural prosperity to all the nations from far East to Africa and Europe, there is no doubt that the China Cultural Centres will go on playing a vital role in defusing the misconceptions level against the great efforts of the People’s Republic of China. Sri Lanka, being part of the BRI through the maritime silk route and having a better understanding of China and its people, will also play an important role in bridging the gaps between the countries of the BRI.
The future road will probably be a challenging one! However, as proven in the past, the sincere friendship between the two countries and the mutual respect to each other’s culture and value will be the north star for both of our nations to follow during challenging and dark times. With the efforts of past six years, the China Cultural Centre has contributed much more to Sri Lanka and its people, and surely enough, it will continue to do so, nurturing the friendship which China and Sri Lanka value so dearly.
Features
The invisible crisis: How tour guide failures bleed value from every tourist
(Article 04 of the 04-part series on Sri Lanka’s tourism stagnation)
If you want to understand why Sri Lanka keeps leaking value even when arrivals hit “record” numbers, stop staring at SLTDA dashboards and start talking to the people who face tourists every day: the tour guides.
They are the “unofficial ambassadors” of Sri Lankan tourism, and they are the weakest, most neglected, most dysfunctional link in a value chain we pretend is functional. Nearly 60% of tourists use guides. Of those guides, 57% are unlicensed, untrained, and invisible to the very institutions claiming to regulate quality. This is not a marginal problem. It is a systemic failure to bleed value from every visitor.
The Invisible Workforce
The May 2024 “Comprehensive Study of the Sri Lankan Tour Guides” is the first serious attempt, in decades, to map this profession. Its findings should be front-page news. They are not, because acknowledging them would require admitting how fundamentally broken the system is. The official count (April 2024): SLTDA had 4,887 licensed guides in its books:
* 1,892 National Guides (39%)
* 1,552 Chauffeur Guides (32%)
* 1,339 Area Guides (27%)
* 104 Site Guides (2%)
The actual workforce: Survey data reveals these licensed categories represent only about 75% of people actually guiding tourists. About 23% identify as “other”; a polite euphemism for unlicensed operators: three-wheeler drivers, “surf boys,” informal city guides, and touts. Adjusted for informal operators, the true guide population is approximately 6,347; 32% National, 25% Chauffeur, 16% Area, 4% Site, and 23% unlicensed.
But even this understates reality. Industry practitioners interviewed in the study believe the informal universe is larger still, with unlicensed guides dominating certain tourist hotspots and price-sensitive segments. Using both top-down (tourist arrivals × share using guides) and bottom-up (guides × trips × party size) estimates, the study calculates that approximately 700,000 tourists used guides in 2023-24, roughly one-third of arrivals. Of those 700,000 tourists, 57% were handled by unlicensed guides.
Read that again. Most tourists interacting with guides are served by people with no formal training, no regulatory oversight, no quality standards, and no accountability. These are the “ambassadors” shaping visitor perceptions, driving purchasing decisions, and determining whether tourists extend stays, return, or recommend Sri Lanka. And they are invisible to SLTDA.
The Anatomy of Workforce Failure
The guide crisis is not accidental. It is the predictable outcome of decades of policy neglect, regulatory abdication, and institutional indifference.
1. Training Collapse and Barrier to Entry Failure
Becoming a licensed National Guide theoretically requires:
* Completion of formal training programmes
* Demonstrated language proficiency
* Knowledge of history, culture, geography
* Passing competency exams
In practice, these barriers have eroded. The study reveals:
* Training infrastructure is inadequate and geographically concentrated
* Language requirements are inconsistently enforced
* Knowledge assessments are outdated and poorly calibrated
* Continuous professional development is non-existent
The result: even licensed guides often lack the depth of knowledge, language skills, or service standards that high-yield tourists expect. Unlicensed guides have no standards at all. Compare this to competitors. In Mauritius, tour guides undergo rigorous government-certified training with mandatory refresher courses. The Maldives’ resort model embeds guide functions within integrated hospitality operations with strict quality controls. Thailand has well-developed private-sector training ecosystems feeding into licensed guide pools.
2. Economic Precarity and Income Volatility
Tour guiding in Sri Lanka is economically unstable:
* Seasonal income volatility: High earnings in peak months (December-March), near-zero in low season (April-June, September)
* No fixed salaries: Most guides work freelance or commission-based
* Age and experience don’t guarantee income: 60% of guides are over 40, but earnings decline with age due to physical demands and market preference for younger, language-proficient guides
* Commission dependency: Guides often earn more from commissions on shopping, gem purchases, and restaurant referrals than from guiding fees
The commission-driven model pushes guides to prioritise high-commission shops over meaningful experiences, leaving tourists feeling manipulated. With low earnings and poor incentives, skilled guides exist in the profession while few new entrants join. The result is a shrinking pool of struggling licensed guides and rising numbers of opportunistic unlicensed operators.
3. Regulatory Abdication and Unlicensed Proliferation
Unlicensed guides thrive because enforcement is absent, economic incentives favour avoiding fees and taxes, and tourists cannot distinguish licensed professionals from informal operators. With SLTDA’s limited capacity reducing oversight, unregistered activity expands. Guiding becomes the frontline where regulatory failure most visibly harms tourist experience and sector revenues in Sri Lanka.
4. Male-Dominated, Ageing, Geographically Uneven Workforce
The guide workforce is:
* Heavily male-dominated: Fewer than 10% are women
* Ageing: 60% are over 40; many in their 50s and 60s
* Geographically concentrated: Clustered in Colombo, Galle, Kandy, Cultural Triangle—minimal presence in emerging destinations
This creates multiple problems:
* Gender imbalance: Limits appeal to female solo travellers and certain market segments (wellness tourism, family travel with mothers)
* Physical limitations: Older guides struggle with demanding itineraries (hiking, adventure tourism)
* Knowledge ossification: Ageing workforce with no continuous learning rehashes outdated narratives, lacks digital literacy, cannot engage younger tourist demographics
* Regional gaps: Emerging destinations (Eastern Province, Northern heritage sites) lack trained guide capacity
1. Experience Degradation Lower Spending
Unlicensed guides lack knowledge, language skills, and service training. Tourist experience degrades. When tourists feel they are being shuttled to commission shops rather than authentic experiences, they:
* Cut trips short
* Skip additional paid activities
* Leave negative reviews
* Do not return or recommend
The yield impact is direct: degraded experiences reduce spending, return rates, and word-of-mouth premium.

2. Commission Steering → Value Leakage
Guides earning more from commissions than guiding fees optimise for merchant revenue, not tourist satisfaction.
This creates leakage: tourism spending flows to merchants paying highest commissions (often with foreign ownership or imported inventory), not to highest-quality experiences.
The economic distortion is visible: gems, souvenirs, and low-quality restaurants generate guide commissions while high-quality cultural sites, local artisan cooperatives, and authentic restaurants do not. Spending flows to low-value, high-leakage channels.
3. Safety and Security Risks → Reputation Damage
Unlicensed guides have no insurance, no accountability, no emergency training. When tourists encounter problems, accidents, harassment, scams, there is no recourse. Incidents generate negative publicity, travel advisories, reputation damage. The 2024-2025 reports of tourists being attacked by wildlife at major sites (Sigiriya) with inadequate safety protocols are symptomatic. Trained, licensed guides would have emergency protocols. Unlicensed operators improvise.
4. Market Segmentation Failure → Yield Optimisation Impossible
High-yield tourists (luxury, cultural immersion, adventure) require specialised guide-deep knowledge, language proficiency, cultural sensitivity. Sri Lanka cannot reliably deliver these guides at scale because:
* Training does not produce specialists (wildlife experts, heritage scholars, wellness practitioners)
* Economic precarity drives talent out
* Unlicensed operators dominate price-sensitive segments, leaving limited licensed capacity for premium segments
We cannot move upmarket because we lack the workforce to serve premium segments. We are locked into volume-chasing low-yield markets because that is what our guide workforce can provide.
The way forward
Fixing Sri Lanka’s guide crisis demands structural reform, not symbolic gestures. A full workforce census and licensing audit must map the real guide population, identify gaps, and set an enforcement baseline. Licensing must be mandatory, timebound, and backed by inspections and penalties. Economic incentives should reward professionalism through fair wages, transparent fees, and verified registries. Training must expand nationwide with specialisations, language standards, and continuous development. Gender and age imbalances require targeted recruitment, mentorship, and diversified roles. Finally, guides must be integrated into the tourism value chain through mandatory verification, accountability measures, and performancelinked feedback.
The Uncomfortable Truth
Can Sri Lanka achieve high-value tourism with a low-quality, largely unlicensed guide workforce? The answer is NO. Unambiguously, definitively, NO. Sri Lanka’s guides shape tourist perceptions, spending, and satisfaction, yet the system treats them as expendable; poorly trained, economically insecure, and largely unregulated. With 57% of tourists relying on unlicensed guides, experience quality becomes unpredictable and revenue leaks into commission-driven channels.
High-yield markets avoid destinations with weak service standards, leaving Sri Lanka stuck in low-value, volume tourism. This is not a training problem but a structural failure requiring regulatory enforcement, viable career pathways, and a complete overhaul of incentives. Without professionalising guides, high-value tourism is unattainable. Fixing the guide crisis is the foundation for genuine sector transformation.
The choice is ours. The workforce is waiting.
This concludes the 04-part series on Sri Lanka’s tourism stagnation. The diagnosis is complete. The question now is whether policymakers have the courage to act.
For any concerns/comments contact the author at saliya.ca@gmail.com
(The writer, a senior Chartered Accountant and professional banker, is Professor at SLIIT, Malabe. The views and opinions expressed in this article are personal.)
Features
Recruiting academics to state universities – beset by archaic selection processes?
Time has, by and large, stood still in the business of academic staff recruitment to state universities. Qualifications have proliferated and evolved to be more interdisciplinary, but our selection processes and evaluation criteria are unchanged since at least the late 1990s. But before I delve into the problems, I will describe the existing processes and schemes of recruitment. The discussion is limited to UGC-governed state universities (and does not include recruitment to medical and engineering sectors) though the problems may be relevant to other higher education institutions (HEIs).
How recruitment happens currently in SL state universities
Academic ranks in Sri Lankan state universities can be divided into three tiers (subdivisions are not discussed).
* Lecturer (Probationary)
– recruited with a four-year undergraduate degree. A tiny step higher is the Lecturer (Unconfirmed), recruited with a postgraduate degree but no teaching experience.
* A Senior Lecturer can be recruited with certain postgraduate qualifications and some number of years of teaching and research.
* Above this is the professor (of four types), which can be left out of this discussion since only one of those (Chair Professor) is by application.
State universities cannot hire permanent academic staff as and when they wish. Prior to advertising a vacancy, approval to recruit is obtained through a mind-numbing and time-consuming process (months!) ending at the Department of Management Services. The call for applications must list all ranks up to Senior Lecturer. All eligible candidates for Probationary to Senior Lecturer are interviewed, e.g., if a Department wants someone with a doctoral degree, they must still advertise for and interview candidates for all ranks, not only candidates with a doctoral degree. In the evaluation criteria, the first degree is more important than the doctoral degree (more on this strange phenomenon later). All of this is only possible when universities are not under a ‘hiring freeze’, which governments declare regularly and generally lasts several years.
Problem type 1
– Archaic processes and evaluation criteria
Twenty-five years ago, as a probationary lecturer with a first degree, I was a typical hire. We would be recruited, work some years and obtain postgraduate degrees (ideally using the privilege of paid study leave to attend a reputed university in the first world). State universities are primarily undergraduate teaching spaces, and when doctoral degrees were scarce, hiring probationary lecturers may have been a practical solution. The path to a higher degree was through the academic job. Now, due to availability of candidates with postgraduate qualifications and the problems of retaining academics who find foreign postgraduate opportunities, preference for candidates applying with a postgraduate qualification is growing. The evaluation scheme, however, prioritises the first degree over the candidate’s postgraduate education. Were I to apply to a Faculty of Education, despite a PhD on language teaching and research in education, I may not even be interviewed since my undergraduate degree is not in education. The ‘first degree first’ phenomenon shows that universities essentially ignore the intellectual development of a person beyond their early twenties. It also ignores the breadth of disciplines and their overlap with other fields.
This can be helped (not solved) by a simple fix, which can also reduce brain drain: give precedence to the doctoral degree in the required field, regardless of the candidate’s first degree, effected by a UGC circular. The suggestion is not fool-proof. It is a first step, and offered with the understanding that any selection process, however well the evaluation criteria are articulated, will be beset by multiple issues, including that of bias. Like other Sri Lankan institutions, universities, too, have tribal tendencies, surfacing in the form of a preference for one’s own alumni. Nevertheless, there are other problems that are, arguably, more pressing as I discuss next. In relation to the evaluation criteria, a problem is the narrow interpretation of any regulation, e.g., deciding the degree’s suitability based on the title rather than considering courses in the transcript. Despite rhetoric promoting internationalising and inter-disciplinarity, decision-making administrative and academic bodies have very literal expectations of candidates’ qualifications, e.g., a candidate with knowledge of digital literacy should show this through the title of the degree!
Problem type 2 – The mess of badly regulated higher education
A direct consequence of the contemporary expansion of higher education is a large number of applicants with myriad qualifications. The diversity of degree programmes cited makes the responsibility of selecting a suitable candidate for the job a challenging but very important one. After all, the job is for life – it is very difficult to fire a permanent employer in the state sector.
Widely varying undergraduate degree programmes.
At present, Sri Lankan undergraduates bring qualifications (at times more than one) from multiple types of higher education institutions: a degree from a UGC-affiliated state university, a state university external to the UGC, a state institution that is not a university, a foreign university, or a private HEI aka ‘private university’. It could be a degree received by attending on-site, in Sri Lanka or abroad. It could be from a private HEI’s affiliated foreign university or an external degree from a state university or an online only degree from a private HEI that is ‘UGC-approved’ or ‘Ministry of Education approved’, i.e., never studied in a university setting. Needless to say, the diversity (and their differences in quality) are dizzying. Unfortunately, under the evaluation scheme all degrees ‘recognised’ by the UGC are assigned the same marks. The same goes for the candidates’ merits or distinctions, first classes, etc., regardless of how difficult or easy the degree programme may be and even when capabilities, exposure, input, etc are obviously different.
Similar issues are faced when we consider postgraduate qualifications, though to a lesser degree. In my discipline(s), at least, a postgraduate degree obtained on-site from a first-world university is preferable to one from a local university (which usually have weekend or evening classes similar to part-time study) or online from a foreign university. Elitist this may be, but even the best local postgraduate degrees cannot provide the experience and intellectual growth gained by being in a university that gives you access to six million books and teaching and supervision by internationally-recognised scholars. Unfortunately, in the evaluation schemes for recruitment, the worst postgraduate qualification you know of will receive the same marks as one from NUS, Harvard or Leiden.
The problem is clear but what about a solution?
Recruitment to state universities needs to change to meet contemporary needs. We need evaluation criteria that allows us to get rid of the dross as well as a more sophisticated institutional understanding of using them. Recruitment is key if we want our institutions (and our country) to progress. I reiterate here the recommendations proposed in ‘Considerations for Higher Education Reform’ circulated previously by Kuppi Collective:
* Change bond regulations to be more just, in order to retain better qualified academics.
* Update the schemes of recruitment to reflect present-day realities of inter-disciplinary and multi-disciplinary training in order to recruit suitably qualified candidates.
* Ensure recruitment processes are made transparent by university administrations.
Kaushalya Perera is a senior lecturer at the University of Colombo.
(Kuppi is a politics and pedagogy happening on the margins of the lecture hall that parodies, subverts, and simultaneously reaffirms social hierarchies.)
Features
Talento … oozing with talent
This week, too, the spotlight is on an outfit that has gained popularity, mainly through social media.
Last week we had MISTER Band in our scene, and on 10th February, Yellow Beatz – both social media favourites.
Talento is a seven-piece band that plays all types of music, from the ‘60s to the modern tracks of today.
The band has reached many heights, since its inception in 2012, and has gained recognition as a leading wedding and dance band in the scene here.
The members that makeup the outfit have a solid musical background, which comes through years of hard work and dedication
Their portfolio of music contains a mix of both western and eastern songs and are carefully selected, they say, to match the requirements of the intended audience, occasion, or event.
Although the baila is a specialty, which is inherent to this group, that originates from Moratuwa, their repertoire is made up of a vast collection of love, classic, oldies and modern-day hits.
The musicians, who make up Talento, are:
Prabuddha Geetharuchi:
(Vocalist/ Frontman). He is an avid music enthusiast and was mentored by a lot of famous musicians, and trainers, since he was a child. Growing up with them influenced him to take on western songs, as well as other music styles. A Peterite, he is the main man behind the band Talento and is a versatile singer/entertainer who never fails to get the crowd going.
Geilee Fonseka (Vocals):
A dynamic and charismatic vocalist whose vibrant stage presence, and powerful voice, bring a fresh spark to every performance. Young, energetic, and musically refined, she is an artiste who effortlessly blends passion with precision – captivating audiences from the very first note. Blessed with an immense vocal range, Geilee is a truly versatile singer, confidently delivering Western and Eastern music across multiple languages and genres.
Chandana Perera (Drummer):
His expertise and exceptional skills have earned him recognition as one of the finest acoustic drummers in Sri Lanka. With over 40 tours under his belt, Chandana has demonstrated his dedication and passion for music, embodying the essential role of a drummer as the heartbeat of any band.
Harsha Soysa:
(Bassist/Vocalist). He a chorister of the western choir of St. Sebastian’s College, Moratuwa, who began his musical education under famous voice trainers, as well as bass guitar trainers in Sri Lanka. He has also performed at events overseas. He acts as the second singer of the band
Udara Jayakody:
(Keyboardist). He is also a qualified pianist, adding technical flavour to Talento’s music. His singing and harmonising skills are an extra asset to the band. From his childhood he has been a part of a number of orchestras as a pianist. He has also previously performed with several famous western bands.
Aruna Madushanka:
(Saxophonist). His proficiciency in playing various instruments, including the saxophone, soprano saxophone, and western flute, showcases his versatility as a musician, and his musical repertoire is further enhanced by his remarkable singing ability.
Prashan Pramuditha:
(Lead guitar). He has the ability to play different styles, both oriental and western music, and he also creates unique tones and patterns with the guitar..
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