Life style
How Fashions Have Changed
It is amazing to see how the different events in history have influenced and changed the way people have dressed throughout time. Some of the most popular fashions are classic, they can stand the test of time and hardly ever “go out of style”, only experiencing minor changes to keep up with the trends.
Other clothing items could be considered “fads”, styles that are only popular for a short season and then never worn again. Often certain fashion trends are dependent on the tastes of particular groups of people or cliques and are usually associated with social status or cultural preferences like the type of music a person likes.
Fashion can also be influenced by world events such as war or the economy. For example, during World War II, people were only allowed a certain amount of fabric so they were forced to create simple outfits that were practical enough for wartime duties. From the 1920s to the 1990s, popular fashions reflected the mood of each decade and showcased changes in society as the styles of clothing and accessories evolved with the times.
Dresses and Skirts – From Mini to Maxi, Pleats to Pencil
Changes in skirts and dress fashion have changed and varied dramatically between the 1920s to the present, as well as within each decade. In 1920, only a few years after World War I, skirt and dress hemlines rose and waist lines lowered to the hip. These changes accompanied the boyish flapper fashions that marked the twenties as a decade of decadence and fun. During 1926 to 1928, hemlines were reported to be at their highest but once the stock market crashed in 1929 and the Great Depression set in, hem lines returned to a more conservative length (below the knee or lower). 1930s boasted a return to femininity and Hollywood glamour was idolized. Evening gowns showed bias-cuts and diamante accents and were made of chiffon or velvet. For a more casual look in the thirties dresses were slim-cut and had wide shoulders and a belt around the waist. Real fur accents and floral prints were also popular during this era until World War II broke out and the glamorous look of the decade lost its luster.
During World War II, luxurious fabrics like wool, silk and nylon were highly regulated and women’s skirts and dresses were often made of viscose and rayon. Skirts and dresses would also be made out of anything that could be found within a home (like curtains, nightgowns or bed sheets) due to the illegality of using excess fabric when making an outfit from about 1942 to 1947. With the economic boom in the 1950s, glamour become fashionable once again and A-line and pencil skirts were very popular form-fitting fashions. Dresses in the decade would often feature stylish ruffles or lace accents and were usually knee-length or tea-length. Going into the late fifties and 1960s mini-dresses and maxi-length skirt outfits entered the scene. Mod styled dresses with short skirts and bold, colorful patterns became popular. Mary Quant, a Mod fashion designer is one of the people credited with creating the iconic mini-skirt of the mid-sixties.
In the late sixties and seventies hippie fashion took over and loose-fitting, flowing maxi skirts and dresses became dominant. Disco music and dance also influenced dresses with slender lines, flowing skirts and the shimmering fabrics that would look best in a night club.
As we entered the 1980s, fashion evolved once more. Skirts and dresses were once again longer and featured straight lines and more serious design. As more and more women joined the professional work force business suits became a trend for women with straight conservative skirts and broad shouldered, boxy blazers topped the look. In the eighties, fashion became highly influenced by music stars and movies with eclectic looks shown off by Madonna, Cyndi Lauper, and movie star Molly Ringwald. In the 1990s, skirts and dresses were not as prominent and more casual looks became acceptable with hip-hop and alternative music setting the scene for fashion early in the decade. Skirts and dresses were usually short and even provocative, especially in the latter part of the decade, however loose and flowing dresses as well as long denim skirts were also notable trends.
Blouses, Shirts and Tops
In the 1920s, the jumper blouse was introduced and became incredibly popular. Usually the jumper blouse was made of cotton or silk and had a sailor collar. Perfect for pairing with a skirt, it usually reached just below the hips and would be accompanied by a belt or sash. Another popular type of twenties blouse was a low-cut v-neck shirt with a chemisette attached to promote modesty. Knitted long-sleeve shirts with rounded collars and tank blouses were also popular in the decade. For men, polo shirts, dress shirts and sweaters were the tops of choice. Going into the thirties, feminine blouses that featured v-necks and long bow ties attached around the neck, sleeveless blouses and knit shirts of Shoes and Boots
In the 1920s, women’s shoes would often feature high and wide heels whether on a pump or loafer style shoe. Many women would even wear heeled shoes with their swimming costumes as a mark of femininity. Oxfords of varying styles and colors were popular too with men and women, as well as lace up boots. During the 1930’s strapped heels and pumps surged in popularity, while more traditional styles of heels were still worn. For men and women, laced leather leisure shoes were popular for outdoor activities and exercise during the decade. In the forties, as a result of the war, shoes became more conservative and practical. Women’s shoes were usually made with flatter heels and had either cork or wooden soles.

Flat shoes, sandals, heels and pumps with rounded toes and feminine lines were worn by women in the 1950s. Saddle shoes, white lace up shoes with brown or black leather accents, were also popular for both men and women. Canvas basketball shoes (high-tops) or black leather oxfords were worn by men. Suede shoes also enjoyed moments of popularity during this decade. In the 1960s, black slip-on boots (most likely of leather or faux leather material) were popular for men and women, and heels became thinner on pumps. Vinyl boots, moccasin-style loafers with wide heels, wedge heels, and slip-on heels with leather cut-out patterns were all popular in the 1970s. Sandals and western style cowboy boots were also popular with both men and women.
In the 1980s, pumps were designed with higher and thinner heels than in decades before and they became more of a hit. For casual wear, tennis shoes (both high-tops and standard ankle high shoes) and leather dress shoes were very popular. Flats became popular too, especially with working women. By the 1990s, styles had returned to Earth and the casual look was key. During this decade leather substitutes became more popular due to environmental concerns, and cork-soled sandals like Birkenstocks defined the alternative look early in the decade. Walking shoes had bulkier heels, and gym-type athletic shoes were most people’s every day choice. As with the late 1980s and 1990s, branding became a driving force behind shoe sales. People would show off their Reebok, Nike or Adidas shoes with pride and special editions would sell for hundreds of dollars.
Hairstyles
Short boyish haircuts were popular throughout the 1920s to the late 1930s. In the Forties, hair was often still hid under hats, but usually was longer and tied in a bun or other up-do. During the Second World War, scarves and turbans were also popular. Hats and turbans (sometimes even worn together) remained popular until the 1960s. After this time women began to perm and/or dye their hair. Wigs were more popular after this time as well, and the wearing of hats declined dramatically. Men’s hair (just like the short women’s cuts) of the 1920s and 1930s was usually neatly combed and groomed, and usually parted to the side. Hair for men was “greased” back. In the 1950s hair was still greased back, but hairstyles usually consisted of more hair on the top of the head (especially biker styles).
For women in the 1950s, hair was waved and fit to frame the face, or to be pulled back. Some actresses had wore their hair extremely short-way above the ears, as if it had been cut with a hair trimmer.
In the 1960s, beehive and flip-style hairdos were more popular for women. For the men, bowl cuts, such as the ones that are similar to what the Beatles wore are very popular as well. These looks continued on to the late 1960s. From the 1970s on, long, straight hair was popular for women, as well as for some men. Hairstyles were usually parted down the middle. Large puffy hair worn by Motown singers were considered stylish from 1969 on to the 1970s, and short wavy hairstyles like Jodie Foster wore in 1976 were popular too. During the seventies layered haircuts were also popular and this trend continued into the 1980s. From the mid to late eighties big hairstyles that were teased and curly or wavy with bangs were very popular. In the early 1990s straight hair and long spiral perms became popular, while later in the decade angled bobs and shaggy, mid-length haircuts were made popular by celebrities like Jennifer Aniston and Courteney Cox on the TV show Friends.
From the 1970s to the current time punk hairstyles such as shaved heads, Mohawks, and painted hair were worn. These were usually the hairdos of those who wanted to make a statement, or just simply to be different from mainstream society. Many mainstream and independent artists had punk hairdos. Heavy metal hairstyles for men were quite popular, especially after the 1980s. Male heavy metal rock groups would tease and/or color their hair, which usually was let to grow long. There are still standards for hairstyles in the present. For the workplace hairdos are very conservative, usually in a straight style, or sometimes waved or slightly permed.
Names of designers that were alive during the 1920s and the 1950s include Jeanne Lanvin, “Coco” Chanel, and Pierre Cardin. Each these designers have set his or her personal mark.
Life style
Meet the author rewriting the rules of children’s fiction
Representation matters:
By Ifham Nizam
“There are no books written about pirates with prosthetic limbs, sporting blades, or racing wheelchairs—that is, until now,” says award-winning international children’s author Jann Weeratunga, whose Polly’s Piralympics series is challenging conventional ideas about who gets to be the hero in children’s literature.
For Weeratunga, representation is not simply about placing a disabled character somewhere in a story. It is about putting that character at the centre—leading, competing, winning, making friends, overcoming challenges and, most importantly, having adventures on their own terms.
Her books are designed not merely to be read, but to be experienced. Through interactive pages, children can colour, draw, write and respond to the stories, leaving something of themselves behind as they explore themes, ranging from disability and bullying to friendship, resilience and family.
At the heart of her growing literary brand is Polly’s Piralympics, a series in which disability is not presented as a limitation, but as part of a character’s identity and adventure.
The inspiration came from an unexpected moment during the closing speech of the 2012 London Paralympic Games by Sir Philip Craven. He recalled a young boy looking at an illustration of a pirate with an eye patch, a hook, a parrot and a wooden leg.
When his mother asked who the figure was, the boy replied that because the man had only one leg, “he must be an Olympian.”
The story moved Weeratunga deeply.
That moment of innocent perception—where disability was associated with sporting achievement rather than limitation—sparked the idea of Polly and her extraordinary Piralympic world.
In the series, Polly, a bird-napped African parrot, finds herself bullied in a Scottish pet shop before being rescued by Captain Hake. Their shared one-eyed view of the world becomes the beginning of an unusual friendship. Captain Hake teaches Polly the ways of a pirate, while Polly creates the Fellowship of Pirates and the Pirates Paralympics.
Soon, pirates from around the world are competing in events ranging from three-legged races and climb-the-rigging gymnastics to walk-the-plank diving and even a MasterChef competition.
It is an imaginative world, but behind the humour and adventure lies a serious message about inclusion and leadership.
Weeratunga recalls one school visit that brought home to her exactly why the books mattered.
A student with a prosthetic leg embraced her and said: “Thank you for writing these books for me, Auntie.”
The words left her overwhelmed.
“That was why I had written these books,” Weeratunga reflects.
Her journey towards becoming an author, however, began long before Polly sailed into the world of children’s fiction.
Earlier in her life, Weeratunga was a Scout Leader in the UK, where volunteering became a way of life. She subsequently spent a decade in Sri Lanka, falling in love not only with a Sri Lankan, but with the country itself.
After her husband died just four years into their marriage, she joined five other women to establish a small school in Senarathwela to teach English to those who wanted to learn. Many of her pupils, subsequently, found employment at the newly opened Victoria Golf Course.
When she returned to Sri Lanka in 2025 and revisited the village and golf course, she found a landscape transformed by new roads, homes, shops and businesses. But the people she had taught remained.
“The village is unrecognisable, with new roads, homes, shops and businesses, but my dear pupils were still there as Caddies, Caddy Master and Golf Pro. I was so proud of them,” she says.
Her connection with Sri Lanka deepened further during one of the country’s darkest moments.
On Boxing Day 2005, while holidaying in the UK with her recently widowed mother, Weeratunga was woken by the words: “Something terrible has happened in Sri Lanka.”
She rushed to the television and witnessed the devastating aftermath of the Indian Ocean tsunami.
That very day, she established a non-profit organisation to raise funds and take relief to Sri Lanka. With support from local McDonald’s franchises, schools in Ferndown, the Mayor of Ferndown, freight companies and her friend Mr Wijekoon, a local Grama Niladhari, she helped rebuild lives in Arugam Bay.
The experience was hands-on and deeply personal. A family’s home had been swept away, and days were spent persuading surfers to help construct a future for her adopted family.
A Montessori was established on the hill, within the Buddhist temple grounds, while evenings were spent crafting, building and working with a small but effective generator.
Meals of rice and curry, prepared by the family’s sisters, using provisions donated from Senarathwela, brought the long days to a close.
When Weeratunga returned to the family, in 2025, she was able to see how far they had come.
Today, living in South Africa, she continues to draw inspiration from the landscape around her.
“Travelling—it leaves you speechless and then turns you into a storyteller,” she says, echoing the famous words attributed to Ibn Battuta.
And storytelling has become her way of opening conversations with a new generation.
While Polly’s Piralympics remains the flagship of her children’s publishing brand, Weeratunga’s wider collection explores a range of issues that matter to children and parents.
Terry and the Bully gives children practical and empowering ways to stand up for themselves, transforming a difficult subject into a story through which young readers can explore courage and self-confidence.
In Evie Visiting Grandma, children encounter the sensitive experience of visiting a loved one who now lives in a residential home. Rather than avoiding a potentially difficult subject, the story gently opens the door to conversations about ageing, family and change.
Terry the Toucane explores another universal childhood experience—the challenge and beauty of being different. Its central message is simple: being different should never prevent us from developing deep and lasting friendships.
Then there is Captain Bluebird, a resilient and entertaining adventure exploring what happens when Captain Bluebird receives a brand-new ship.
Across the collection, Weeratunga combines entertainment with meaningful life lessons, while her interactive approach gives children an opportunity to become participants rather than passive readers.
They can colour illustrations, draw pictures and respond to pages, making each reading experience personal.
That approach also gives the books an added value for parents and educators. They can become conversation starters—helping adults discuss subjects that children may find difficult to raise directly.
For Weeratunga, this is part of the larger purpose of her work.
Her books seek to fill a gap in children’s literature where diverse characters are not simply included for the sake of inclusion, but are given agency, personality and leadership.
In Polly’s Piralympics, disabled characters are not watching from the sidelines. They are the stars.
They lead.
They compete.
They win.
They champion their own adventures.
And that, ultimately, is the brand Weeratunga is building: children’s stories in which every child can find a place, a voice and perhaps even a little courage to become the hero of their own story.
Representation matters.
For young readers in Sri Lanka, Weeratunga’s books are now available through Sarasavi Bookshop, Vijitha Yapa Bookshop, M. D. Gunasena and Expo Graphics, Battaramulla.
Life style
An evening where health say as one
By Zanita Careem
Music, laughter and a generous spirit filled Raflfles Hotel Colombo as Heart to Heart sing along brought together a vibrant gathering for an evening of melody, friendship and giving. The elegant ballroom reverberated with familiar lyrics as guests joined in, sang along and simply let their hair down. Adding to the infections atmosphere was the talented Rajiv and Clan, whose lively performance kept the energy soaring and had the gathering singing to some much loved favourites.
Keeping the evening moving with plenty of wit and warmth was the compere Mirzab Sherifdeen who ensured there was never a dull moment between the music, laughter and spontaneous sing-along moments, Guests were also treated to prizes galore adding an extra element of excitement to an already festive evening. There was cheers as winners stepped forward to collect their prizes, while friends and families aplauded and celebrated every winning moment.
Yet beneath all the sparkle was the meaningful purpose of Heart to Heart Trust Fund, founded by Dr. Rajitha Y de Silva and Dr. Ruwan Ekanayake, bringing people together in support of a cause built on compassion and care.
The dedications and the volunteering was evident throughout the evening with their commitment adding a special warmth to this special event.
Adding to the evening’s indulgence was a sumptous spread of cuisine by the Raffles, Hotel with an enticing selectiom that kept guests happily returning for more. From savoury favourites to tempting desserts, the food complemented the festive mood perfectly.
As the final song faded and the evening drew to a close, there was a quiet sense of gratitude. Behind the music, laughter, prizs and beautiful memories was a cause built as compassion, a cause that has continued to touch lives through the dedication of Dr. Rajitha de Silva and everyone who has stood beside him in the journey of Heart to Heart.
And as guests left Raffles Hotel with the last melodies still lingering in the air the most beautiful note of the evening remained – the sound of hearts earning for hearts. At the very heart of Hearts to Heart is Dr. Rajitha whose compassion has become the soul of the initiative. Dr. Rajitha’s work reminds us that medicine is not only about repairing what is broken. It is about giving people the courage to believe in tomorrow. And perhaps that is the greatest gift he offers. This spirit was beautifully reflected throughout the evening.It was a beautiful evening of music, friendship and generosity, with every contribution going towards a worthy cause- keeping alive a legacy built one one simple but powerful belief that every heart deserves a chance to beat on.
- Ramzi Rahaman with friends and family enjoying an evening of music
- Sarath Wimalaratne, Chandra and Bunny Bohoron
- Brigadier Bohoron
- Shanti Fernando shares a warm and happy moment with volunteers, adding to the camaraderie and cheerful spirit
- Shahana, Sherin and Shahareen
- Lakshmie with her graceful moves
- Onitha Gurugalle with Arujana Ranasinghe
- Cardiologist and Senior Consultant Dr. Ruwan Ekanayake
- Dr. Rajitha Y de Silva and Dr. Arunie
- Former Cricketer with spouse
- A guest takes centre stage
Life style
Taste of Ceylon leaves a lasting flavour
Taste of Ceylon opened its doors at Beira Kitchen, Courtyard by Marriott Colombo, on September 3rd; a festival of Southern, Central, Uva and Northern regional food, brought together on one table.
Four Regions, One Unforgettable Table
Each night, guests moved between four distinct culinary worlds. From the South came the deep, coconut-rich flavours of malu abulthiyal and Negombo pork curry with pineapple, alongside a lively fish polla roti action station. The Central province brought Kandalama lake fish, black octopus curry and carrot kalupol; dishes rooted in the region’s lakes and forests. Uva’s table leaned rustic and warming, with village chicken stew, prawn curry with murunga, and a coconut pittu drawing steady queues. And from the North came bold, unmistakable flavours of Jaffna crab curry, Jaffna mutton curry, and a dosai action station that quickly became one of the evening’s most talked-about corners.
Layered around the four regional stations was a spread that told its own story of Sri Lankan hospitality, from belimal herbal welcome drinks and a bread corner stretching from curry leaves rolls to kurakkan viyana rolls, to a dessert corner where watalappan, wood-apple coconut wandu and king coconut jelly sat alongside a full spread of traditional Sri Lankan sweets like kokis, athirasa and aluwa.
What the guests had to say
The feedback on opening night carried a common thread: guests were struck by just how different each region’s food tasted, side by side, on the same table. What could easily have blurred into “just Sri Lankan food” instead came through as four distinct culinary identities; the fire of the North, the coastal warmth of the South, the earthiness of the Central hills, and the rustic comfort of Uva, each unmistakably its own.
A Word from the team
Reflecting on the festival, the team at Courtyard by Marriott Colombo shared that Taste of Ceylon was designed from the start to be more than a menu. It was meant to be an experience guests could travel through, one region at a time, without leaving Beira Kitchen. Judging by the response over the four nights, that’s exactly how it landed.
There were many rave reviews and as the Taste of Ceylon experience at Beira Lake drew to a close, the flavours, aromas and vibrant spirit of Sri Lanka lingered on.
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