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Seeing world thro’ art

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by Zanita Careem

Raffealla (an internationally recognized photographer) believes art is how you want to see the world. Passionate about art since her school days in St. Bridget’s Convent Colombo, Raffaella Fernando was a woman who always wanted ‘to do something unique and create art with her innovative ideas. She said with pride “From a my young age, my paintings and art were extraordinary, and nothing could stop me once I received a camera as a gift from my father.’ With a motivation to pursue a career of my own, I started photography and designing and reached success at a very young age due to my creative talent and enthusiasm.

Raffealla Fernando Photography is Raffaella’s photography brand, under which her most popular brand, the Raffealla Fernando Celebrity Calendar (RFCC). RFCC has been annually published, featuring multiple celebrities across Sri Lanka. Raffealla has been closely working with an interesting team of celebrities while collaborating with makeup artists, designers, etc. Her luxury designer brand is known as ‘Raffealla’, which she claims to define herself the most, and her more affordable designer brand is ‘Mermaidish’. She has also collaborated with a few other designers while contributing to the above brands.

A highlight of her career was when she became the “Best Fashion Photographer of the Year” at the 5th International Achievers Award 2017 London out of 310 contestants across the globe. She has also made us proud with her World Ranking of the 8th best photographer of the world, competing with 150 other photographers at the BEFTA Awards UK. Another wonderful milestone of her career life is being invited to design for the 69th and 71st Cannes Film Festivals where she could showcase her talent to the world as the first Sri Lankan designer of all. Raffealla also showcased in the London Fashion Week, where her designs were cherished among all. She also reminisces the opportunity she got to showcase one of her collections to the Prince Charles Charity Trust 41st Anniversary as well as becoming a finalist on the New York Fashion Week, bringing pride to Sri Lanka.

 

Can you tell us about yourself and how you got into photography?

Fashion designing came first, I started off as a fashion designer and after three years I started my journey as a fashion photographer. I was very much passionate about photography since I was a school girl, I was part of the school photographic society and has also won few interschool photography competitions. When I was about 14 years old I won an Art competition and my father asked me what I need as a gift and I said I want a camera, I still remember my first camera was the F25 lumix SLR camera, my passion and interest grew from there and gradually I found the interest for fashion photography through my fashion background.

How do you describe your individual style?

I have dark twist to my style, not particularly a signature look but I like more black so I mix black with all most all my clothes. I try a lot of looks, makeup and hair styles, I am person who explores and experiment a lot with style and fashion.

When comes to my Photography I have conceptualized style, I love to tell stories I also look at myself as story teller sometimes because a lot of thinking goes into my thought process when it comes to my concept shoots.

To summarize it’s dark, conceptualized and creative.

How do account for your fearless approach to the fashion world?

I’ve always been myself and I let it flow seamlessly. Fashion industry in the only place I always wanted to work since I started dreaming from a right mind. I don’t know if it was fearless because I was very young when I entered the Industry, the excitement was way much that all I can remember is that I worked very hard to do new things in the industry also to have my own place and stay.

As an award winning photographer? What is your first preference?

Fashion photography.

It’s very hard to pick from both because I started as a designer and then got in to Photography. But if I speak honestly I love taking photographs more because I get to create a whole new different world through creative eyes.

What made you to name your brand Raffealla?

I think my name itself does the best branding for me , that’s why I using my name as my brand name as well…. I grew up disliking my name so much thinking it is so different and now I think it works in my favour. Also I have a fond memory with my grandmother who is no more with us, she named me Raffealla and I used to ask her ” why did you name me Raffealla , it’s such an ugly name ” and she use to always tell me ” no its such a unique name, thank me later when you grow up “

Why did you change your career from film direction and journalism?

Well I’m very new to film direction, at the moment I’m planning on my very first film direction and that is something I’m really looking forward to.

I started to work as a fashion journalist at the age of 18 I continued for five years and gradually and sadly I had to stop because I couldn’t find the time to continue.

Actually didn’t change but my direction from it I changed my direction towards it.

Do you have any signature styles?

Not particularly but creating concepts and stories are more of my style and kind of work.

Difference between art photography and fashion photography?

I would like to call both “art” , but there is a whole world of difference between conceptualized photography and fashion photography, because it’s so different to each of the style

In fashion photography we always want to keep it trendy,fashionable , styling and what we always highlight is the fashion, but in conceptualized photography we highlight the concept, the story, the expressions it’s the soul of the concept we try to highlight. Art Photography is more of an abstract style.

What are your plans for this year with the endemic spreading?

Fashion photography is an incredibly

competitive niche .

What steps you have taken to be above the rest

Consistency is definitely the key of success, as women we sometimes have to work as twice as hard as a man, it is a good thing I am not complaining about it because it helps us a lot to grow. So I always feel consistency is the key just be consistent and do what you do, continue even when you fall and fail. It is a beautiful industry to work , of course like any other industry we do have a different side , it is very competitive like you said and cut throat. I try to be constant as much as I can, do new projects, explore and experiment with myself and I do a lot of work on me to make myself a better and a fuller artist.

What according to you is fashion?

Fashion is the form of clothing, accessories, and furniture. It can be used by everyone. It is related to culture,

style is such a personal thing it does not change with seasons, for example, Micheal jackson , queen etc they had such unique styles.

The above was the technical part of fashion and style, for me fashion is a language, helps to understand people and also feelings. If you are happy you dress well and when you aren’t you dress down and bad sometimes.

What do feel most challenging/interesting?

Every single working day is challenging and interesting especially these days as we all push more to create, we work a lot on the virtual platforms and I find it the most interesting.

Like last year I conducted Sri lankas very first solo virtual photography exhibition, we launched it online during the second lockdown period. I found it interesting how we make use of platform we previously didn’t consider.

What do you think are the most important traits a fashion model should have?

Understanding fashion, light and camera. A conscious mind of movement to move with the camera and lights, I appreciate a lot when models listen.

A little bit on jewellery designing

I have a higher national diploma in Jewellery designing and something I always enjoyed applying for my designs and styling. I create a lot of jewellery with throwing away material and create recycle and upcycled jewellery for my collections.



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From 1906 to today: Nestle’s 120-year journey in Sri Lanka

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Bernie Stefan - proud of Nestle’s 120 years jouney

Bernie Stefan is the Chairman and Managing Director of Nestlé Lanka Limited, overseeing Nestlé’s operations in Sri Lanka and the Maldives. He assumed this role in March 2023. Under his leadership, Nestlé has strengthened its footprint in Sri Lanka, touching individuals and families, communities and spearheading sustainable development.

Since taking charge in 2023, Stefan has brought with him over two decades of international experiences, steering the company with a clear focus on sustainability, innovation and long term growth.

Bernie describes the anniversary as a moment of pride and reflection on over a century of commitment to Sri Lanka and its people.

Under his leadership, Nestle has expanded its footprint while staying true to its mission: to improve lives by providing nutrition and wellness for all Sri Lankans. Beyond the commercial success, the company has focused on community impact – supporting local farmers. promoting sustainable practices and contributing to public health initiatives.

(Q) Nestlé has been part of Sri Lankan homes for 120 years. How has the brand evolved alongside the changing lifestyles of Sri Lankan families?

(A) We at Nestlé are extremely proud of our 120 year journey of enriching Sri Lankan lives. It has been a journey guided by purpose and working together for good – touching individuals and families, the community, and the planet. As lifestyles and needs have evolved, so, too, have our products – offering convenient, tasty and nutritious solutions that meet everyday moments, whether it’s energy on the go or a quick and tasty meal. A true symbol of this legacy is our flagship brand, Nestomalt – synonymous with power, strength and energy – which today is enjoyed as the first cup of the day by a majority of Sri Lankan households.

(Q) Many Sri Lankans have grown up with Nestlé products at their breakfast table or during tea time. How does the company stay emotionally connected with generations of consumers?

(A) Our product range caters to the nutritional needs of consumers from birth to old age. We always ensure that the consumer is at the centre of everything we do. This deep understanding of consumer preferences, ensures not only that our products deliver taste and nutrition but also our communication is in tune to the local context. Our brands have been deeply rooted in the lives of the Sri Lankan community over many decades – be it through Milo school sports programmes or Nestomalt marathons. Being an organisation that has been present in Sri Lanka for such a long time, it also means that consumers hold many nostalgic memories from their childhood with our products.

(Q) From childhood treats to everyday beverages, Nestlé products often carry nostalgic memories. How important is this sense of nostalgia to the brand’s identity?

(A) Brands need to evolve with time and remain relevant. Nostalgia does bring a deep bond and connect with consumers. However, through product and packaging renovations, we have successfully ensured that our brands remain relevant to consumers. One of our oldest Nestlé brands in Sri Lanka, Milkmaid , today, has an online recipe platform with over 300 recipes. This is another example where we have ensured that our brands are able to connect with today’s consumers.

(Q) Has Nestlé adapted its products to suit modern lifestyles while still respecting local tastes?

(A) Our ability to cater to local taste preferences has been a crucial factor to the success of our brands. With the setting up of our local manufacturing operations in 1984, we now manufacture over 90% of Nestlé products sold locally. The deep consumer understanding our teams possess, combined with our global R&D expertise in the food and beverage sector, have given us the ability to tailor make our products to cater to the Sri Lankan taste palette while offering convenience. This is evident in the success of our Nescafe and Nestea 3-in-1 variants and the Ready-to-drink beverage range of Milo and Nescafe, that deliver convenience and great taste.

(Q) How is Nestlé aligning its practices to sustainability and mindful living?

(A) We are committed to reaching net zero carbon emissions by 2050. Promoting circularity is also a focus area in this journey. We have plans to be 100% plastic neutral this year. Our sustainability initiatives cover the entire value chain, from farm to fork. In Sri Lanka, we are focusing a lot on increasing yield and promoting regenerative agricultural practices across our dairy and coconut value chains. In our manufacturing operations, we have continuously striving towards reducing water and energy usage. We have also implemented numerous initiatives to reduce our carbon footprint in logistics, such as the adoption of rail transportation. We also focus on fostering behavioural change on responsible waste disposal amongst the youth through our School Waste Management Programme.

(Q) What moments or milestones best reflect its connection with everyday life in the country?

(A) Our ability to provide consumers with good food moments each and every day is something that I and the team are extremely passionate about. Also, the deep connect we have with the community, be it our dairy and coconut farmers, the numerous suppliers and trade partners, has been built on trust over the years. Today, we have farmers, suppliers and even employees from across generations and this speaks volumes about our business practices and the trust we have built in Sri Lanka for over a century.

(Q) Nestlé is known globally for innovation. How do you balance global expertise with the unique lifestyle and culinary culture of Sri Lanka?

(A) As I mentioned, understanding the taste palette, nutritional needs and the lifestyles of Sri Lankan consumers and ensuring our products fulfill these needs is key. Having access to one of the world’s leading R&D facilities gives us the unique ability to ensure our products deliver to these consumer needs and preferences. Further, it enhances our ability to ensure the freshness and bio-availability of certain nutrients contained in our products. We’ve also made significant strides in packaging innovation, where we use less plastic and materials that are better suited for recycling. The introduction of Coconut Milk Powder in 1986 was a first for Sri Lanka, and this is another great example of the deep understanding we have of local culinary culture.

(Q) How is the younger generation engaged with the brand today?

(A) Appealing to the discerning youth population will be key to ensuring the future success of our brands. Understanding the nuances of each generation is important. It is also evident that consumption patterns and lifestyles across generations are evolving rapidly. Staying abreast of these changes is something we are deeply committed to. In addition to delivering on taste and nutrition, being trendy and youthful – the purpose for which our brands stand for – is equally important. NESCAFÉ and MAGGI PAPARE BLAST are two brands that have developed a strong connect with Sri Lankan youth.

(Q) What vision do you have for the next chapter in Sri Lanka, especially in shaping lifestyle trends?

(A) Looking ahead, our vision is to continue enriching Sri Lankan lives by providing tasty and nutritious products and promoting healthier and active lifestyles. We will keep innovating to meet evolving consumer needs, while strengthening local sourcing and reducing our environmental impact. The next chapter is about deepening our positive impact – supporting communities, empowering youth and contributing to a resilient food system.

(Q) As the head of Nestlé Sri Lanka, what does celebrating 120 years personally mean to you?

(A) Celebrating 120 years in Sri Lanka is deeply meaningful to us, as it reflects the trust generations of Sri Lankan families have placed in Nestlé. This milestone is a testament to the dedication of our people and the strong partnerships we have built across the country. For me personally, it is both a moment of pride and a responsibility – to honour this legacy while continuing to work together for good, doing what is right for our consumers, our communities, and Sri Lanka.

By Zanita Careem

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A hat-trick for knowledge: Saranga’s triple triumph at Raigam Tele’es

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K.C. Saranga

At a time when entertainment often overshadows education on television, K.C. Saranga has rewritten the script—securing a remarkable third consecutive win for Best Educational Programme at the Raigam Tele’es 2025.

His flagship programme, Jeevithayata Vidyawa (Science for Life), aired on Ada Derana, has not only dominated its category but also elevated the standards of educational broadcasting in Sri Lanka.

Reflecting on the milestone, Saranga described the win as more than a personal achievement. “Maintaining an award ceremony of this magnitude for 22 years is no small feat. Raigam Tele’es plays a pivotal role in uplifting the industry. By consistently recognising and rewarding Sri Lankan creators, it provides the necessary oxygen for television to evolve as a professional craft,” he said.

A veteran with over 25 years in the industry, Saranga—currently General Manager (News and Current Affairs) at TV Derana and Head of the Ada Derana News Channel—has seamlessly transitioned from hard news to impactful educational programming. His success underscores a broader vision: to harness television’s full potential as an audio-visual learning tool.

“There is a significant void in Sri Lankan television when it comes to high-quality educational productions,” he noted. “Television is an audio-visual medium; its true power lies in its ability to show, not just tell. We use multimedia elements—graphics, animation, and dynamic presentation—to grip the viewer’s attention.”

Saranga emphasised that his goal was to match global benchmarks. “If world-class science documentaries are available in English, our mission was to bring that same global standard to the Sinhala-speaking audience,” he said.

Through Jeevithayata Vidyawa, complex scientific concepts—from aerodynamics to cyclones—are presented in a manner that is both accessible and engaging, redefining the notion of “edutainment” in local television.

Expressing gratitude, Saranga credited his team and network for the continued success.

“This achievement is a result of a shared vision. My deepest gratitude goes to the management of Ada Derana. In an industry often driven by conventional ratings, they have consistently provided a sanctuary for creative freedom, allowing ‘out-of-the-box’ ideas to flourish,” he said.

He added: “To my incredible production team—this trophy belongs to you. Your technical skill and commitment have transformed simple ideas into a national standard. Finally, thank you to our viewers; your curiosity is our ultimate motivation. We will continue to prove that learning is an inspiring journey.”

Saranga’s hat-trick stands as a testament to the power of innovation in educational broadcasting—proving that knowledge, when presented with creativity and purpose, can captivate audiences just as effectively as mainstream entertainment.

By Ifham Nizam

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‘Style Surge’ blends glamour with a cause

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Lighting up the evening with effortless charm

The event “Style Surge,” organised by the Lions Club Elevate, was an evening filled with glamour, leadership and purpose collided in a spectacular fusion. The grand Ballroom at Galle Face Hotel became a canvas of fashion; every detail, from the floral centrepiece to the curated lighting, whispered elegance, while glamour set the stage, purpose was the back bone.

The show featured a curated selection of Sri Lankan designers, each bringing their signature styles to the stage.

The designers captivated the audience with bold, contemporary silhouettes that fused modern trends with traditional influence, creating pieces that were both sophisticated and wearable.

The batik ensembles by doyen of Batiks, Eric Suriyasena, were masterpieces, demonstrating the designer’s mastery in balancing artistry and practicality. Each piece told a story, highlighting the cultural nuances of Sri Lanka, while contributing to the glamour of the event.

The hair and make up for the models were curated by Salon Avra by Thushari de Silva and was nothing short of perfection,

From sleek, modern looks to elegant textured styles, Salon Avra ensured every model complemented the designer’s vision, highlighting the intricate details of each ensemble. The artistry on stage reflected a seamless collaboration between fashion beauty and presentation.

Style Surge unfolded an evening of elegance, creativity and purpose. It brought together Colombo style conscious crowd, social leaders and fashion enthusiasts and transformed the venue into a vibrant celebration of couture and compassion.

As the lights dimmed,the runaway came alive with a striking showcase of designs, ranging from contemporary chic to timeless sophistication, by designers like Eric Suriyasena, Anushko, Azeena Sulaiman and Jaywanthi Panibharatha. Leading fashion brands showcased were Aluminium, Disala, Eriq and Elegant Closet, and they presented a blend of contemporary and traditional fashion. Jewellery for the show was designed and sponsored by Blue Majestara Ceylon, . The Chief Guest was District Governor Lion Mahesh Borolugoda and his wife Lion Lady Sunethra Borolugoda.

Beyond glamour, this event, Style Surge, carried a meaningful mission to help rennovate two schools and improve educational facilities for future students

Lions Club of Colombo Elevate district 306D6, the organisers of this event, have been long synonymous with community development .The event underscores the power of fashion as a force of good.

Proceeds and awareness generated though the evening will be directed towards the clubs ongoing humanitarian initiatives, reinforcing its commitment to uplifting communities while engaging the public in an inspiring way.

In every sense, the event was more than a fashion show, it was a statement. This event reaffirms that glamour can also carry a purpose, creativity can spark compassion, and a runaway that can become a powerful platform for social change. This fashion show was graced by distinguished guests of honour , including designers Aseka Wijewardena, Michael Wijesuriya, Yolande Aluwihare, and Shyara Mendis

This event was organised by Lion Diana Nilanthi, Shen, Lion Thushari de Silva and Lion Shashika Hettiarachchi, whose commitment to creativity and attention to detail transformed the event into a truly memorable evening. They were the driving force that brought the vision of the show to life. Their meticulous planning, conceptualising the theme, coordinating the designers ensured the show ran seamlessly, from start to finish Pix by Thushara Attapathu

By Zanita Careem

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