Life style
Best Fashion Photographer
by Zanita Careem
Raffealla (an internationally recognized photographer) believes art is how you want to see the world. Passionate about art since her school days in St. Bridget’s Convent Colombo, Raffaella Fernando was a woman who always wanted ‘to do something unique and create art with her innovative ideas. She said with pride “From a my young age, my paint:ings and art were extraordinary, and nothing could stop me once I received a camera as a gift from my father.’ With a motivation to pursue a career of my own, I started photography and designing and reached success at a very young age due to my creative talent and enthusiasm.
Raffealla Fernando Photography is Raffaella’s photography brand, under which her most popular brand, the Raffealla Fernando Celebrity Calendar (RFCC). RFCC has been annually published, featuring multiple celebrities across Sri Lanka. Raffealla has been closely working with an interesting team of celebrities while collaborating with makeup artists, designers, etc. Her luxury designer brand is known as ‘Raffealla’, which she claims to define herself the most, and her more affordable designer brand is ‘Mermaidish’. She has also collaborated with a few other designers while contributing to the above brands.
A highlight of her career was when she became the “Best Fashion Photographer of the Year” at the 5th International Achievers Award 2017 London out of 310 contestants across the globe. She has also made us proud with her World Ranking of the 8th best photographer of the world, competing with 150 other photographers at the BEFTA Awards UK. Another wonderful milestone of her career life is being invited to design for the 69th and 71st Cannes Film Festivals where she could showcase her talent to the world as the first Sri Lankan designer of all. Raffealla also showcased in the London Fashion Week, where her designs were cherished among all. She also reminisces the opportunity she got to showcase one of her collections to the Prince Charles Charity Trust 41st Anniversary as well as becoming a finalist on the New York Fashion Week, bringing pride to Sri Lanka.
Can you tell us about yourself and how you got into photography?
Fashion designing came first, I started off as a fashion designer and after 3 years I started my journey as a fashion Photographer. I was very much passionate about Photography since I was a school girl, I was part of the school photographic society and has also won few interschool photography competitions. When I was about 14 years old I won an Art competition and my father asked me what I need as a gift and I said I want a camera, I still remember my first camera was the F25 lumix SLR camera, my passion and interest grew from there and gradually I found the interest for fashion photography through my fashion background.
How do you describe your individual style?
I have dark twist to my style, not particularly a signature look but I like more black so I mix black with all most all my clothes. I try a lot of looks, makeup and hair styles, I am person who explores and experiment a lot with style and fashion.
When comes to my Photography I have conceptualized style, I love to tell stories I also look at myself as story teller sometimes because a lot of thinking goes into my thought process when it comes to my concept shoots.
To summarize it’s dark, conceptualized and creative.
How do account for your fearless approach to the fashion world?
I’ve always been myself and I let it flow seamlessly. Fashion industry in the only place I always wanted to work since I started dreaming from a right mind. I don’t know if it was fearless because I was very young when I entered the Industry, the excitement was way much that all I can remember is that I worked very hard to do new things in the industry also to have my own place and stay.
As an award winning photographer? What is your first preference?
Fashion a photography?
It’s very hard to pick from both because I started as a designer and then got in to Photography. But if I speak honestly I love taking photographs more because I get to create a whole new different world for my creative eye.
What made you to name your brand Raffealla?
I think My name itself does the best Branding for me , that’s why I using my name as my brand name as well…. I grew up disliking my name so much thinking it is so different and now I think it works in my favor. Also I have a fond memory with my grandmother who is no more with us, she named me Raffealla and I used to ask her ” why did you name me Raffealla , it’s such an ugly name ” and she use to always tell me ” no its such a unique name, thank me later when you grow up “
Why did you change your career from film direction and journalism?
well I’m very new to film direction, at the moment I’m planning on my very first film direction and that is something I’m really looking forward to.
I started to work as a fashion journalist at the age of 18 I continued for 5 years and gradually and sadly I had to stop because I couldn’t find the time to continue.
Actually didn’t change but my direction from it I changed my direction towards it.
DO you have any signature styles?
Not particularly but creating concepts and stories are more of my style and kind of work.
Difference between art photography and fashion photography?
I would like to call both “art” , but there is a whole world of difference between conceptualized photography and fashion photography, because it’s so different to each of the style the line itself is created I feel.
In fashion photography we always want to keep it trendy,fashionable , styling and what we always highlight is the fashion, but in conceptualized photography we highlight the concept, the story, the expressions it’s the soul of the concept we try to highlight. Art Photography is more of an abstract style.
What are your plans for this year with the endemic spreading?
Fashion photography is an incredibly competitive niche what steps
you have taken to be above the rest
Consistency is definitely the key of success, as women we sometimes have to work as twice as hard as a man, it is a good thing I am not complaining about it because it helps us a lot to grow. So I always feel consistency is the key just be consistent and do what you do, continue even when you fall and fail. It is a beautiful industry to work , of course like any other industry we do have a different side , it is very competitive like you said and cut throat. I try to be constant as much as I can, do new projects, explore and experiment with myself and I do a lot of work on me to make myself a better and a fuller artist.
What according to you is fashion?
Fashion is the form of clothing, accessories, and furniture. It can be used by everyone. It is related to culture,
style is such a personal thing it does not change with seasons, for an exams Micheal jackson , queen and etc they had such unique style.
The above was the technical part of fashion and style, for me fashion is a language, helps to understand people and also feelings. If you are happy you dress well and when you aren’t you dress down and bad sometimes.
What do feel most challenging/interesting?
Every single working day is challenging and interesting especially these days as we all push more to create, we work a lot on the virtual platforms and I find it the most interesting.
Like last year I conducted Sri lankas very first solo virtual photography exhibition, we launched it online during the second lockdown period. I found it interesting how we make use of platform we previously didn’t consider.
What do you think are the most important traits a fashion model should have?
Understanding of fashion, light and camera. A conscious mind of movement to move with the camera and lights, I appreciate a lot when models listen.
A little bit on jewellery designing
I Have a higher national diploma in Jewellery designing and something I always enjoyed applying for my designs and styling. I create a lot of jewellery with throwing away material and create recycle and upcycled jewellery for my collections.
Life style
Sri Lanka eyes conservation-led tourism boost as Gehan urges integrated approach
Sri Lanka could unlock a powerful new economic pathway by integrating biodiversity, archaeology and cultural heritage into a single conservation-driven tourism model, according to author, banker and naturalist Gehan de Silva Wijeyeratne.
Speaking to The Island, de Silva Wijeyeratne said the country possesses a rare convergence of natural and historical assets that, if strategically presented, could reposition Sri Lanka as a leading global destination for nature and heritage tourism.
“At the moment, these elements exist, but they are not fully connected,” he said. “What Sri Lanka has is extraordinary—a complete story of life, from ancient history to modern biodiversity. The opportunity is to bring that together in a way that creates value.”
His remarks come at a time when policymakers are seeking sustainable avenues to revive the economy, with tourism identified as a key growth sector. De Silva Wijeyeratne is currently researching his next book, ‘Enchanting Sri Lanka’ to be published by John Beaufoy Publishing in the UK.
He said his recent field visit reinforced the untapped potential of integrated landscapes—particularly in the eastern region around Trincomalee.
He spent four days in Trincomalee with Hiran and Hashan Coory, two members of the senior leadership in Jetwing Hotels. Commenting on the visit, he said “Within a short distance, you have forests, marine ecosystems, archaeological sites and protected areas. This is not about isolated attractions—it’s about creating a connected experience that can compete globally.”
He noted that such an approach could continue to transform Sri Lanka’s tourism model beyond traditional beach-centric travel. “You can offer visitors wildlife, marine biodiversity and ancient history in a single journey,” he said. “That’s a very powerful proposition.”
Speaking more on Trincomalee’s potential, he said the combination of ancient history, the more recent colonial history and buildings, the beautiful beaches and coves, the snorkelling and marine mammal watching combined with the potential to create a huge national park that will have large mammals on the doorstep of the city means Trincomalee can become the city with the greatest tourism potential of any city in Sri Lanka.
“A vast national park on the scale of better-known parks such as Wilpattu and Yala can be created by connecting the forest reserves which stretch from Kantalai and through to the Naval Headworks Sanctuary, almost to the borders of the Trincomalee town” he says. “A new national park could be constructed with a network of safari roads and water holes and grass plains to increase the prey density for iconic mammals like the leopard. Trincomalee can then become a top land safari destination with an entrance gate to a national park just 15 minutes drive from the town. No other city will be able to rival it for land safaris, marine safaris, ancient and colonial history, staggering views and beaches and the heady mix of various ethnic groups with their religious beliefs, cuisine and arts. Trincomalee could overshadow every other city in Sri Lanka for tourism if developed properly”.
De Silva Wijeyeratne emphasised that conservation must be positioned not as a constraint, but as an economic enabler. “If you encourage and enable responsible visitation, it brings revenues to these areas,” he said. “That supports conservation and also creates livelihoods for local communities.”
However, he cautioned that development must be carefully managed to avoid damaging sensitive ecosystems. “You need development that is sensitive to these landscapes and the proper infrastructure to manage visitation,” he said. “The value lies in preserving what is already there.”
In addition to tourism, de Silva Wijeyeratne highlighted the need to strengthen Sri Lanka’s conservation capacity through international collaboration. He has proposed the introduction of a special visa to attract experienced global conservationists willing to work on a voluntary basis.
He referenced his article ‘A visa for bringing in expertise and expanding tourism’ which was published in The Island on Friday, 23 May, 2025, and is available online. In this he proposes a special visa to address four strands – volunteering, internships, academic exchange and short term study. The idea is that the visa should be as easy as to obtain an online tourist visa, but the visitor can now apply for a longer term visa for a declared purpose, such as volunteering.
He was careful to emphasise that the proposed visa is not for paid work and does not give the visitor special rights, and any relevant permits and permission need be obtained by the local partner. “There are people with 30 or 40 years of experience in research and conservation who would gladly come to Sri Lanka and contribute” he said. “If we create a proper framework, they can work with local organisations, share knowledge and build expertise.” Such a system, he stressed, would not undermine local employment. “These are unpaid roles—they are not taking jobs away. Furthermore, they will help locals to upskill,” he said. “They are helping to strengthen the system.”
De Silva Wijeyeratne also underscored the importance of science communication in driving conservation outcomes. Drawing from his recent lecture to the Wildlife and Nature Protection Society, he said public understanding of biodiversity remains limited, particularly when it comes to foundational elements, such as plant life. “In my recent lecture I started with plants because they are often overlooked,” he said. “In Sri Lanka we have the descendants of ancient plant groups, like lycophytes and bryophytes, as well as an abundance of the relatively more modern flowering plants (or angiosperms). They all form the basis of all ecosystems.” Sri Lankan researchers would benefit from international collaborations to describe and study the ecology of species found in Sri Lanka. As an example of the gaps in our knowledge, he pointed that it is hard to find online even a species inventory of Sri Lankan species of Lycophytes.
He further highlighted the interconnected nature of life, pointing to the role of microscopic organisms. “Every cell in our body contains mitochondria, and that DNA originated from bacteria,” he said. “So we are, in a sense, composite organisms built on ancient biological relationships. “This perspective, he said, is critical to fostering a deeper appreciation of biodiversity and the need for its conservation. “If people understand how interconnected life is, they begin to value it differently,” he said.
De Silva Wijeyeratne’s ongoing research for ‘Enchanting Sri Lanka,’ to be published by John Beaufoy Publishing, also touches on Sri Lanka’s layered history, including its colonial past. During his recent visit to Trincomalee, he visited the grave of Rear Admiral Charles Austen, the brother of renowned novelist Jane Austen. “I read in the Bradt Guide to Sri Lanka that her brother was buried in the Esplanade Cemetery. There was an article online by Nishan Fernando in the Sunday Times where he describes how, in 1984, he and his father, Admiral Clancy Fernando, located the grave. Fernando wrote of the burial ground on the Esplanade in the middle of Trincomalee town, opposite the beautiful horseshoe shaped Dutch Bay.”
After a false start at another cemetery, using Google maps, de Silva Wijeyeratne with others, including Hiran and Hashan Cooray, some of the senior team from Jetwing Hotels, visited St. Stephan Cemetery which is around 400 meters from the Maritime and Naval History Museum. ‘We found the grave as described in the Sunday Times article by Nishan Fernando. But talking to various hoteliers and people in tourism in Trincomalee, we were struck by how many people were unaware of its existence. Hopefully, knowing that the grave of Rear Admiral Charles Austen, brother of Jane Austen, is roughly in the middle of St. Stephan Cemetery, in Trincomalee, will help others, with an interest in Jane Austen, to locate it.”
During his time in Trincomalee, with the Jetwing Hotels team, de Silva Wijeyeratne also visited Mederigiriya, Seruwila and Velgam Vehera. They encountered elephants on their visits to Seruwila and Velgam Vehera. “That brief visit alone shows how rich and complex Sri Lanka’s story is,” he said. “It spans pre-colonial, colonial and post-colonial periods.” For de Silva Wijeyeratne, the challenge now lies in translating this richness into a coherent national narrative. “This country has everything—biodiversity, ancient civilisation, marine ecosystems, etc.,” he said. “Few places in the world can offer such an all-round package.”
He stressed that aligning conservation with tourism and knowledge-sharing could deliver long-term benefits. “It’s about connecting the dots,” he said. “If we do that successfully, Sri Lanka can position itself as a world-class destination, while protecting its natural and cultural heritage.” As the country looks to rebuild and diversify its economy, de Silva Wijeyeratne’s message is clear: Conservation, when strategically integrated, could become one of Sri Lanka’s strongest assets. (Pictures courtesy Gehan de Silva) Wijeyeratne
By Ifham Nizam
Life style
Bringing the flavours and spirit of Jaffna to life
Long before the first dish was placed at the Jaffna food festival at Cinnamon Bentota Beach, a dedicated team of staff and culinary staff journeyed to Jaffna.
In the North they stepped out of professional hotels and into homes, road side eateries and bustling local markets. They observed, listened and, most importantly, tasted. The experience was as much about unlearning as it was learning.
They spent time with local people, women who have perfected their craft over decades, fishermen who spoke of the day’s fresh catch, spice vendors who explained the subtle difference in dried chillies and roasted blends.
They saw the liberal use of black peppers, tamarind and the depth of roasted curry powders.
In the end, what the team brought back from the North was not just technique or taste, it was perspective. What stayed most was the spirit of Jaffna, its people resourceful grounded and deeply connected to roots.
And so when the festival came to life in Bentota, it was not just a recreation, it was a reflection. They realised the heart of Jaffna is not only in its flavours but in its people.
Cinnamon Bentota Beach — signature selection celebrated the rich heritage, vibrant culture, and authentic cuisine of Northern Sri Lanka with its signature “Jaffna Night” recently. The evening was a heartfelt journey into Jaffna’s traditions, inviting guests to experience the warmth, flavours, and stories of this remarkable region.
- Time honoured rituals
- Jaffna’s bold flavours
- Warm welcome from heart of southern hospitality
- General Manager welcoming guests
Guests were welcomed with the traditional greetings, followed by religious rituals that set the evening in a meaningful cultural context. The highlight was the launch of the “Jaffna Culinary Journey” video series, capturing the resort team’s immersive exploration of Jaffna’s culinary landscape and community life.
From preparing local delicacies alongside villagers, to stepping into traditional homes, participating in early morning poojas, and wandering bustling fish markets; vegetable markets, the team discovered that Jaffna’s cuisine is inseparable from its identity, history, and community spirit.
Cinnamon Bentota Beach — Signature Selection shared reflections on the journey, emphasising how meaningful experiences can preserve and honour cultural heritage. The evening culminated in the official launch of the Jaffna Food Festival at the resort – a continuation of the journey that brings authentic Jaffna flavours and stories directly to guests in Bentota.
“Jaffna Night” was more than a culinary celebration; it was a testament to connection, culture, and the shared joy of learning through food and tradition.
By Zanita Careem
Life style
Sun Siyam Pasikudah paves the way in sustainability
Sun Siyam Pasikudah has added another milestone to its growing list of achievements by earning the prestigious Travel Gold Certification, a recognition that reflects the resort’s dedication to exceptional hospitality, high service standards and memorable guest experience. At this resort, sustainability isn’t just a concept it is a commitment. So driving eco conscious change, behind the scenes, is Chaminda Upul Kumara, shaping a hospitality experience where luxury meets responsibility .
Q: Sun Siyam Pasikudah has earned Travelife Gold Certification, covering 147 criteria, from energy and water to wildlife and community welfare. What did that journey genuinely push the property and the wider group to do differently?
A: Earning Travelife Gold was never just about getting the certificate. Working through 147 criteria covering energy, water, waste, wildlife, and community welfare made us look hard at ourselves and ask whether we were truly doing enough in each of those areas.
What it really pushed us to do was move beyond compliance. We tightened our conservation practices, improved how we manage waste, and put more deliberate effort into biodiversity and community programmes. But perhaps the most meaningful shift was weaving sustainability into the guest experience itself, making it visible and accessible without ever compromising on comfort or quality.
At the group level, Pasikudah became a working model. The practices we refined here have since been adapted and adopted across our other properties, creating a culture where sustainability is not a side project managed by one department but something that shapes how every team member thinks and works. It reinforced what Sun Siyam Care stands for: that responsible hospitality is not a goal we work towards. It is simply who we are.
Q: Most of the Sun Siyam story has been written in the Maldives. How does Pasikudah write its own chapter, given how different the setting, the coastline, and the community around it are?
A: When the civil conflict in Sri Lanka’s Eastern Province ended in 2009, our founder Ahmed Siyam Mohamed saw something in Pasikudah Bay that many others had not yet noticed. The calm, shallow waters and unspoiled beaches were extraordinary, but he also saw a region ready for renewal and an opportunity to be part of that through responsible tourism.
The property opened in 2014 as a 34-room luxury boutique resort, quietly introducing refined hospitality to Sri Lanka’s east coast. Then came COVID-19 and the country’s economic crisis, two of the hardest back-to-back challenges any hospitality business could face. Rather than simply wait it out, General Manager Mohamed Arshed Refai led a comprehensive transformation of the property.
The refurbishment was guided by international design firm Studio 67, but its real character came from a very deliberate decision: every single material used was locally sourced, and Sri Lankan artisans and craftspeople were involved throughout the process. It was not just a renovation. It was a recommitment to the region and the people in it.
That is what sets Pasikudah apart within the Sun Siyam family. The Maldives properties have their own extraordinary identity, but Pasikudah’s chapter is distinctly Sri Lankan. From post-conflict rebuilding to post-crisis renewal, it is a story of courage, community, and the belief that investing in a place means investing in its people.
Q:There is an organic farm on the property growing over 38 varieties of fruits, vegetables, and herbs. Tell us about that. It feels like it says something bigger about how the resort thinks about its place here.
A: The farm is a fairly direct expression of how we think about our responsibility to this place. At least 30 percent of our menu is plant-based, and being able to grow a meaningful portion of that on the property makes that commitment tangible rather than theoretical. Guests receive their welcome drinks made with fruit grown here. The chefs know exactly where their produce comes from and what it took to grow it.
We also have what we call climate-conscious dishes on the menu, options designed around sustainable food principles that prompt guests to think about what they are eating and where it originated. Beyond the farm itself, we source a significant share of our ingredients from local farmers and producers in the surrounding community. That reduces food miles and carbon emissions, but it also means the resort is actively supporting the local food economy rather than bypassing it.
Put simply, the farm is not a marketing feature. It reflects a commitment to operating in a way that is connected to this land and these communities, rather than sitting apart from them.
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