Features
Diversifying the playing field with coloured asexual portrayals
The Billionaire actor-producer Gehan Cooray on
By Tharishi Hewavithanagamage
Los Angeles-based Sri Lankan-American independent filmmaker and classical singer Gehan Cooray, recently unveiled his debut feature length film ‘The Billionaire.’ The film is a contemporary, gender-swapped adaptation of George Bernard Shaw’s 1930s play ‘The Millionairess,’ set in the modern day context of gay marriage and asexuality, but pays homage to the style of Classical Hollywood films. The film has been submitted to the Academy of Motion Picture Arts and Sciences and to the Hollywood Foreign Press Association in late 2020, after becoming eligible for both Oscar and Golden Globe awards nominations. Previously the film was awarded the Best Comedy Feature Award at the Burbank International Film Festival. The film has received favorable reviews from select critics in the industry.
The film was directed by Michael Philip, but it was Gehan Cooray who wrote the screenplay and had final creative control. ‘The Billionaire’ was shot on location in Ontario, Canada and the cast includes the seven-time Emmy Award winning actress Heather Tom (from ‘The Bold and the Beautiful’), Jordan Belfi from the hit TV series ‘Entourage’, Davi Santos known for his work in the ‘Power Rangers’ TV franchise, and Randy Wayne from ‘The Dukes of Hazzard’ and numerous Hallmark channel films.
The story follows Victor Ognisanti di Parerga, an exceedingly prudish young gay billionaire of Sri Lankan descent. He seems to be the ultimate narcissist too, but is in fact quite the old-fashioned romantic at heart. His late, beloved father had set daunting conditions for any man who wished to marry Victor, the suitor must turn $10,000 into $3 million in 6 months. Victor subsequently meets a handsome and almost ascetically religious French American doctor who strikes him as spouse material for being very pure and chaste, and indeed the attraction is mutual. Surprisingly, Victor also finds out that the would-be suitor’s deceased religious mother has set her own daunting conditions for any man who wished to marry her son! As things get complicated Victor and the doctor try to find out if they really are soul mates despite the striking incompatibilities between the two personalities.
Born and raised in Sri Lanka, Gehan Cooray is a past pupil of St. Joseph’s College, Colombo and a graduate of the University of Southern California (USC). He is a multitalented and multifaceted artist who made his Carnegie Hall debut in 2019 with a solo concert in New York, with the Chef de Cabinet to the United Nations Secretary General looking on as Chief Guest. Gehan’s love for the cinema began when he was introduced to Classical Hollywood films like ‘My Fair Lady,’ ‘The Sound of Music’ and ‘Mary Poppins’ at a very young age. Gehan has produced and acted in short films that have been praised at many film festivals and ‘The Island’ was fortunate enough to speak to the talented actor-producer.
Q. How did you get involved in the world of cinema?
A: I grew up performing on the stage, but I didn’t consider becoming a filmmaker until I attended the University of Southern California (USC) in Los Angeles, which has the best cinematic arts school in the world and has produced Hollywood greats such as George Lucas.
I took as many film classes as possible and built an excellent foundation on cinema. Years later, a chance meeting with the famous director Jon Favreau got me into this field. Seeing my USC sweatshirt, he asked me if I’m a filmmaker, and at the time I was only an actor, I hadn’t produced or written a script. I made a few short films, which got into some famous film festivals and with the level of recognition I had received for my work, it was my mother who suggested I take the plunge and make a feature film. Making a feature film is an entirely different experience from making short films, and I believe that making feature films is what takes you to the next level as a filmmaker and an actor. I believe that filmmaking in this day and age, can help leave your mark. Immortalizing a performance on screen can benefit future generations.
Q. Why did you make The Billionaire?
A: To start off I’m a big fan of Bernard Shaw and his works, and one reason I began work on adapting the play is because I was drawn to the type of rich English language that Shaw used in his work. If you compare modern scripts, they tend to be very conversational, informal and sometimes profane, which is why I wanted to work on this particular project. In addition to the language aspect, I wanted my adaptation to relate to the modern era. I switched the genders around and renamed it ‘The Billionaire’ and while Shaw’s play had very sexual characters, here I bring in the theme of asexuality. In the film, I portray the role of the billionaire and chose the role because normally, when people hear the term, they immediately picture a white, heterosexual man, be it Donald Trump, Elon Musk or Bill Gates.
I wanted to step away from the norm and present a brown gentleman, who is also asexual. I’ve also addressed the stereotypical view where people assume that the rich and wealthy engage in promiscuous acts, by offering audiences a title character who is very pure and chaste. I wanted to present a complex character, who is pure and virtuous on the one hand, but is haughty and conceited on the other. Being an operatic singer, I incorporated singing into the film. For me, when singing opera, the emotions are grand, epic and larger than life and in the film the singing is a transcendent experience. One could even say that the singing is even better than sex.
Q. What is the significance of the theme of asexuality?
A: As someone who identifies as asexual even in real life, I’ve never seen a single movie or TV show in America or around the world that focuses on asexual characters. I wanted to champion that in my own art. I think that a small percentage of the population identifies as asexual but some aren’t even given the opportunity to discover that about themselves. Many are lead to believe that sex is the norm. Even in my own life I’ve received questions like ‘Oh Gehan, how are you going to find someone who doesn’t want to have sex?’ and my answer is that, if two people can connect emotionally, psychologically and romantically, sex doesn’t have to be the defining characteristic of a relationship or marriage. Today almost everyone is aware about heterosexuality and homosexuality, but asexual individuals have been left in the dark and, going forward I’d like to portray more asexual characters and provide role models for asexual individuals in society. I hope that people in the industry see colored people differently and engage in making the playing field more diverse.
Q. What challenges did you face?
A: Perhaps the first challenge was finding a good director who could bring my vision to life. My acting coach suggested I take on the role of director initially, but my mother actually pointed out that since this was my first time working on a feature length film while playing a lead role, it would be best that I find a good director. Eventually I found Michael who had his own production company in Canada, so we were able to shoot on location in Canada and gather a cast and crew as well. Michael was willing to give me a lot of freedom and control in the way I portrayed my character, and he allowed me to rehearse with the other actors on my own. His view was that since I wrote the script and since I knew the characters well, I could guide the other actors in their respective roles in order to bring my vision to life. Everything worked out beautifully as he directed everyone on set and gave me suggestions that made a significant difference.
Another challenge for me was getting to know the cast and crew, because this was my first time working with them. I had to discuss technical details, like how to ‘light’ a brown skin person in contrast to a white skin person. It was also challenging to explain my vision for the characters to some of the actors who took on the respective roles. As we worked our way through shooting, we came to really respect and admire each other more. Overcoming whatever challenges were thrown our way, the cast and crew really came together to create this masterpiece.
The real nightmare was post-production. The footage was held up in Canada for a long time and it took a while to get it down. I wasn’t happy with the post-production so I had to take it to Warner Bros. Studios and get it re-done. I felt like I would never reach the finish line but through perseverance and believing that the end product was going to be something of substance and quality, we made it. Winning the Best Comedy Feature Award at the Burbank International Film Festival, validated all our hard work and effort that went into creating this film.
Q. When will the film be released?
A: The film is yet to have its theatrical release. Ceylon Theatres reached out and is interested in distributing the film in Colombo and other areas as well, hopefully by the end of February or early March. While I was studying at USC, in one of my very first introductory cinema classes, we were told that movies were meant to be seen on the big screen, so I really didn’t want to take the Netflix route with this film. Big screens have a certain grandeur and it allows audiences to truly appreciate a good work of art. I’m old-fashioned that way but I’m happy with streaming on Netflix, after the theatrical run. I hope that audiences in Sri Lanka and in Los-Angeles will be able to see the movie on the big screen sometime soon. In Los Angeles, the Laemmle Theatres have chosen to release the film on its virtual platform, seeing as the cinema halls are still closed.
Q. What projects are in the pipeline? Will we see you as a director in the future?
A: With ‘The Billionaire’ reaching new heights, it brings in good exposure. I’ve managed to get in touch with a few big names in the industry. They are aware that a ‘Gehan Cooray’ exists, but getting an Oscar nomination will surely pave the way to working alongside veterans in the industry. I’m very happy about being given the opportunity to submit the film to the Academy of Motion Picture Arts and Sciences and to the Hollywood Foreign Press Association. It’s a great honour.
On a more independent level, I’m looking to work on a project that could be shot in Sri Lanka and engage our young and aspiring filmmakers, actors and cinematographers as well. I’m envisioning a project that will feature a big Hollywood actor or actress, but will promote our country at the same time. We have so many talented people in Sri Lanka, and while I’m in the country I hope to have some acting workshops for local groups of actors. I’d like to unearth some of our hidden talents and show our potential to the world, and bring in more Sri Lankans to the Hollywood film making industry. In addition, I have also recorded my first album, which will be released in 2021, which I cannot wait to share with everyone.
Directing is an art form in and of itself and going forward I do have certain story ideas where I might not take up the role of an actor. I wouldn’t necessarily direct on my own, in the coming years, but I might take on the role of co-director. Maybe when I’m in my 40s I’ll take up the role of a director and aspire to be like Jon Favreau.
The Oscars is around the corner and it’s certainly a nail-biting wait for Gehan and the cast and crew who worked on ‘The Billionaire.’ We will be seeing more of Gehan and his talent in the days and years to come as he plans his future projects with the hopes of creating a special place for Sri Lankans and for more representation for asexual individuals in Hollywood.

Features
Quandary of Dengue: Some roving perspectives
Sri Lanka is currently well and truly trapped in the strangling grip of a devastating and severely enhanced dengue outbreak. The numbers alone are staggering; over 44,000 cases have been recorded across the island so far this year, with the highest concentration systematically suffocating the Western, Southern, and Central provinces. Hospitals and healthcare providers are under extreme pressure, but the cold metrics of morbidity do not capture the true implications and dismay of this current wave. What has profoundly shaken the public consciousness and even sent a shudder through the medical community is a grim shift in the implications for the populace.
Dengue has always been quite a threat, looming over our Motherland from time to time. Yet for all that, historically, child deaths due to the virus were relatively rare in Sri Lanka, thanks to scrupulously adhering to robust clinical guidelines, as well as exceptional paediatric monitoring and management. This year, that safety net seems to be straining quite a bit at the edges and among the reported fatalities are a tragic number of children. The virus is moving faster, hitting harder, and exposing a terrifying reality, even stressing that our existing defence mechanisms are perhaps no longer totally sufficient to deal with the problem.
In response, public health authorities have deployed their traditional arsenal. Teams are busy with intensive surveillance, conducting house-to-house inspections, enforcing strict penalties for standing and stagnant water, and sending fogging machinery through the streets to blanket neighbourhoods in chemical mists. Yet, as case counts climb by nearly 50% week over week, an uncomfortable question must be asked: Are these traditional measures sufficient, or are they bordering on an exercise in futility?
The Illusion of the Fog: Why Our Current Strategy May Be Failing?
To understand why Sri Lanka might be in a tight corner, one must look closely at the enemy. Dengue is transmitted primarily by the Aedes aegypti mosquito, a highly adapted, urbanised insect. While Aedes aegypti is widely considered the primary culprit, Aedes albopictus (commonly known as the Asian tiger mosquito) plays a massive, highly dangerous role in Sri Lanka’s dengue transmission as well. In fact, the interplay between these two species is one of the biggest reasons why controlling dengue on the island is so incredibly difficult. These two vectors behave differently, breed in different places, and require distinct strategies to combat their well-recognised roles in the propagation of the disease that is dengue. Understanding how these two mosquito species split the territory could explain why a single controlling method might not always work across the board.
Aedes aegypti mosquitoes are strictly urban and indoor creatures. They live alongside humans inside houses, apartments, and in heavily built-up commercial areas. They rest on dark clothes in closets, under furniture, and behind curtains. They breed in artificial containers, clear, stagnant water in flower vases, plastic cups, concrete sumps, and overhead tanks. They prefer human blood almost exclusively and bite multiple people to get one full meal, thereby spreading the dengue virus rapidly within even a single household.
In contrast, Aedes albopictus is semi-urban and rural, thrives in vegetations, gardens, rubber plantations, and peri-urban areas where green spaces meet houses. The creature rests in shaded bushes, high grass, and low canopy foliage, as well as holes in trees, leaf axils, coconut shells, discarded tyres and trash. The biting behaviour of these mosquitoes is opportunistic. They bite humans but also feed on birds and domestic mammals, indicating that they can survive easily even when human density is low.
The traditional responses we rely on, most notably thermal fogging, are largely cosmetic public relations exercises rather than a totally effective vector control mechanism. Such fogging misses indoor resting sites, drives resistance, and stagnant water elimination fails against cryptic, microscopic breeding sites.
Fogging utilises “adulticides“, chemical sprays meant to kill flying mosquitoes. However, Aedes aegypti is a domestic creature; it rests indoors, hidden in the dark recesses of closets, under beds, and behind curtains. A fogging process achieves very little penetration into these indoor sanctuaries. Furthermore, over-reliance on these pyrethroid-based chemical sprays has accelerated insecticide resistance, effectively rendering the chemicals useless over time.
Similarly, while the National Dengue Control Unit (NDCU), to their eternal credit, aggressively pursues the elimination of visible standing water, the sheer adaptability of the mosquito outpaces manual human labour in trying to eliminate the breeding places of the vectors. Aedes eggs can remain dormant in dry containers for months, hatching the moment a drop of water touches them. In dense, urbanised areas like Colombo and Gampaha, microscopic breeding sites, from the rim of a discarded plastic bottle cap to the base of an indoor potted plant, are impossible to completely police.
If we continue to rely solely on manual cleaning and chemical fogging, we are fighting a twenty-first-century climate-driven crisis with mid-twentieth-century tools. We must look beyond our borders to see how global science is shifting the paradigm of mosquito control.
The Biological Frontier: Insects fighting Mosquitoes
When searching for international alternatives, many look towards the United States, where vector control districts manage complex mosquito populations across diverse ecosystems. A common point of curiosity is the historical use of “mosquito-eating insects.”
In the US, biological control has long featured predatory species. While some point to insects like dragonfly nymphs or giant non-biting mosquito larvae (Toxorhynchites, which actively prey on other mosquito larvae), the most widely used traditional biological agent in American municipal water systems is actually the Gambusia affinis, commonly known as the “mosquitofish.” A single one of these surface-feeding fish can devour hundreds of mosquito larvae a day.
However, American vector management has largely evolved past simply dumping predatory fish into ponds. The true modern frontier in global mosquito control relies on advanced biological and genetic interventions that turn the mosquitoes against themselves.
1. The Wolbachia Revolution
Perhaps the most successful international intervention against dengue is the introduction of Wolbachia-infected mosquitoes. Wolbachia is a naturally occurring bacterium found in up to sixty per cent of all insect species, but crucially, not naturally present in Aedes aegypti.
When scientists introduce Wolbachia into Aedes mosquitoes in a laboratory and release them into the wild, two extraordinary things happen: –
· Viral Suppression: The bacterium competes with viruses like dengue, Zika, and chikungunya inside the mosquito’s body, making it incredibly difficult for the virus to replicate. If the virus cannot replicate, the mosquito cannot transmit it to a human.
· Population Replacement:
Through a mechanism called cytoplasmic incompatibility, when a Wolbachia-carrying male mates with a wild female that does not carry the bacteria, her eggs do not hatch. If a Wolbachia female mates with a wild male, her offspring will carry the bacteria. Over time, the local mosquito population is entirely replaced by harmless, non-transmission-capable mosquitoes.
In comprehensive global trials, such as those conducted by the World Mosquito Programme in Yogyakarta, Indonesia, the introduction of Wolbachia mosquitoes led to a staggering 77% reduction in dengue incidence and an 86% reduction in dengue-related hospitalisations.
2. Sterile Insect Technique (SIT) and Genetic Modifications
Other countries, including parts of the US (such as the Florida Keys) and Brazil, have turned to genetic engineering. Using the Sterile Insect Technique (SIT) or advanced genetic variants (like those developed by Oxitec), millions of bio-engineered male mosquitoes are released into the wild. Because male mosquitoes do not bite humans, and they feed exclusively on nectar, thereby posing zero risk to the public. These males mate with wild females, but pass on a self-limiting gene that causes the female offspring to die in the larval stage before they can ever mature, bite, or transmit disease. This results in a drastic collapse of the localised vector population without the use of even a single drop of toxic chemical pesticide.
Moving beyond the Status Quo: A Blueprint for Sri Lanka
The current dilemma in Sri Lanka is a classical gridlock: we are deploying immense physical effort and economic capital into vector control measures that yield diminishing returns, while our clinical wards fill with critically ill patients. If we are to break this cycle, our public health policy must undergo a rapid structural evolution
We cannot instantly replicate the multimillion-dollar genetic laboratories of the West, but we can modernise our strategy immediately by adopting a highly targeted, multi-tiered approach.
Comprehensive Vector Management Strategy
The following are some thoughts that need to be carefully evaluated in a venture towards getting things under control.
· Shift from Adulticides to Target Microbial Larvicides Immediate Phase
Cease the reliance on sweeping chemical thermal fogging. Instead, deploy specialised microbial larvicides such as Bacillus thuringiensis israelensis (Bti). Bti is a naturally occurring soil bacterium that, when ingested by mosquito larvae, destroys their digestive tracts. It is completely non-toxic to humans, pets, and other aquatic life, and can be distributed via localised backpack sprayers or drones into inaccessible urban sumps.
· Scale Up Localised Wolbachia Trials Intermediate Phase
Sri Lanka has previously initiated small-scale, localised pilot releases of Wolbachia mosquitoes in select urban pockets. Given the severity of the 2026 outbreak, these programmes must be aggressively scaled up into an industrial-level national initiative. Public-private partnerships must be leveraged to establish sustainable, high-capacity mosquito-rearing facilities locally.
· Implement Digital Ovitrap Surveillance Continuous Integration
Replace manual, retroactive searching with predictive digital mapping. Deploy networks of smart “ovitraps” (oviposition traps) across high-burden provinces. These traps monitor egg-laying rates in real-time, allowing automated data systems to predict a spike in the adult mosquito population weeks before an actual clinical outbreak occurs, enabling preventative targeting.
The Cost of Inaction
Maintaining our current trajectory is not a neutral choice; it is an endorsement of escalating mortality. The 2026 outbreak has proven that the ecological dynamics of dengue have changed, fuelled by changing weather patterns and urban density. Our public health response must change with it.
The heart-breaking loss of young lives in this current surge must serve as a stark wake-up call. We must look at the international landscape, embrace the biological innovations that have saved lives across the globe, and transition from a policy of panic-driven reaction to one of scientific eradication. It is no longer just a matter of cleaning our drains; it is a matter of upgrading our science.
Why Aedes albopictus Makes the Sri Lankan Crisis Harder
In Sri Lanka, the geographic landscape transitions quickly from dense concrete cities to lush, tropical vegetation. This creates the perfect environment for both species to thrive simultaneously.
· The Surveillance Blindspot: When health authorities focus heavily on checking indoor water storage and concrete drains in cities, they can completely miss the massive Aedes albopictus populations breeding in the surrounding vegetation, suburban gardens, and rural homesteads of the Southern and Central provinces.
· The Failure of Indoor Fogging:
While indoor residual spraying or targeted indoor fogging might hit Aedes aegypti, it has virtually no effect on Aedes albopictus, which spends its life cycle outdoors in the bushes.
· Climate Resilience:
Aedes albopictus eggs are remarkably tolerant of colder temperatures and varied environments. This allows the vector to push higher into the mountainous terrains of the Central Province, bringing dengue to areas that historically saw very few cases.
To truly bring down the case numbers in a severely enhanced outbreak, public health interventions must be dual-targeted: addressing the indoor, urban threat of Aedes aegypti while simultaneously tackling the outdoor, ecological stronghold of Aedes albopictus. We cannot sit back on our laurels of the past. We need to move forward resolutely.
Features
ANURADHAPURA ANTHEM c.1893
R. W. Ievers, who wrote this poem, was the Government Agent of the North Central Province during 1884, 1886, and 1890. He is the author of the Manual of the North Central Province (1899) and a half dozen published reports on the life and practices in the Province. Before his death, he shared it with his good friend H.C.P. Bell, the Archaeological Commissioner of Ceylon at the time. In 1917, Bell had it published in the Times of Ceylon – Christmas Number. Since then, it remained unknown for 109 years, until Ievers’s great-grandson, Turtle Bunbury, historian and author of Living in Sri Lanka (2006) with James Fennell, tipped me off about its source – H.C.P. Bell: Archaeologist of Ceylon and the Maldives (1993), written by Bell’s granddaughters Bethia N. Bell and Heather M. Bell.
THE ANTHEM
Anuradhapura! City grand and vast,
Lanka’s famous Capital, in ages of the past:
In the Mahawansa the story has been told
Of thy palaces, and temples, and pinnacles of gold.
Hail! then hail! to the worth of a bygone day,
Hail! all hail! to the relics of kingly sway
Hail to thee, Fair City, glorious in decay,
Hail! thrice hail! Forever and for aye!
Si monumentum quaeris
– cast your gaze around
Ruined fanes and dagobas everywhere abound
Alas! for glory faded, for erstwhile beauty sped
For hierarchs and heroes, long numbered with the dead
Hail! then hail!…
Great Ruwanaveli Seya, once fairest of the fair,
The splendour of thy palmy days has melted into air;
And like Imperial Caesar now ‘dead and turned into clay’,
Thy sacred bricks ‘may stop a hole to keep the wind away.’
Note by Tillakaratne:
Since 1873, Bhikku Naranvita Sumanasara has been doing conservation work on this stupa. In 1876, Governor William Gregory, after visiting the work site, wrote that its conservation was not just a religious work but a great National Monument.
See ‘Bayagiri’ massive – ‘Fearless Mount’ forsooth – Centre once of schism rank, from ‘Great Vihara’ truth.
Patched up by prison labour, anew it flaunts on high
A ‘hideous excrescence’ athwart a tranquil sky.
Note by H. C. P. Bell
: T. N. Christie, Planting Member at the time protested in the Legislative Council against the abortive “restoration” by prison labour of the Abhayagiri Dagaba, dubbing its truncated pinnacle, half restored, a “hideous excrescence”.
Jetawanarama, Great Sena’s priestly boon
Comely shape and giddy height will crumble all too soon;
Where forest trees and chequered shade a peaceful picture lend,
From cruel axe and ruthless spade, may gracious Heaven defend.
Note by H. C. P. Bell:
Two decades after these poems were written, the surrounding area of the Jetawanarama was still covered in forest, and the Atamasthana Committee conditionally allowed a monk to clear a limited number of trees. But not a tree remained unfelled, contrary to what the monk was authorized to do.
Thuparama graceful, in outline clear and bold,
Begirt with column chaste and slim, a gem in the ring of gold
To thee pertains high honour a pious people gave – The tomb of Sanghamitta, and Prince Mahinda’s grave.
Note by
H. C. P. Bell: The ruins are pointed out, wrongly, as the tradional tombs of Arahat Mahinda and Sanghamitta Theranee.
With bricks and mortar bolstered up, behold the Sacred Bo;
To some – misguided mortals – ‘tis but a ‘bo-gas’ show.
Where humble Mirisveti a monarch’s fad recalls,
Lo! Royal Siam’s silver now builds its futile walls.
Note by H. C. P. Bell:
According to Mahawansa, Mirisavetiya was so named after King Dutugemunu’s compunction at forgetting chillies (miris) in his alms giving to monks on one occasion. The restoration work on the Mirisavetiya began under the Ceylon Government, with funds provided by the King of Siam. When the money flow began to cease, work also ceased, and bats began to frequent the holed structure.
- Ruwanveli Seya in the background. Murage in the front c. 1900 From Sacred City of Anuradhapura (1908)
- Bhayagriya (Abhayagiriya) c. 1900 From: Sacred City of Anuradhapura (1908)
- Jetawanaramaya c. 1900. From Sacred City of Anuradhapura (1908)
What need to tell of sculptures, of ‘pokunas’ galore,
Of balustrades and Yogi stones and half a hundred more,
Of Brazen Palace spacious, with gilt-roofed storeys dight –
A modern race more ‘brazen’ would desecrate each site.
For midst these sacred ruins of shrines and cloistered hall,
A reckless generation disports with little balls,
Whilst ‘Parliamentary language’ and imprecations deep
Disturb the peaceful solitude where saintly Rahats sleep.
Note by H. C. P. Bell:
After European residents, old city Anuradhapura in the late 19th century, the area still being cleared between Ruwanveli Seya and Thuparama, was used a ‘golf links’. Ievers did not like the area used as a playground:
Iconoclasts and vandals have had their little day;
No more shall ancient pillars to culverts find their way.
No more a watchful Government such sacrilege condones –
One may not meddle with the gods, nor tamper with the stones.
Anuradhapura! Thy glory shall revive;
Yhu [sic] sons shall swarm within thee like bees about a hive.
The effort of the present for past neglect atones;
New breath of life resuscitates this vale of driest bones.
Composed by R. W. Ievers
(1850-1905)
Introduced by Lokubanda Tillakaratne
Features
Meththa Rehabilitation Foundation: Restoring Mobility, Dignity and Hope Across Sri Lanka
For thousands of Sri Lankans living with limb loss and physical disabilities, access to quality rehabilitation services remains a significant challenge. Yet, for more than three decades, our organisation has quietly transformed lives through innovation, compassion and community-based care. The Meththa Rehabilitation Foundation Guarantee Limited (MRFGL), supported by the Meththa Foundation-UK and in partnership with the Manitha Neyam Trust, the LEBARA Foundation and the Oblates of Mary Immaculate in Jaffna, emerged as one of Sri Lanka’s most effective voluntary rehabilitation service providers, restoring mobility, independence and dignity to some of the country’s most vulnerable citizens.
The Foundation’s roots stretch back to 1994, when a group of expatriate Sri Lankan professionals in the United Kingdom recognised the severe shortage of rehabilitation services available to disabled persons in Sri Lanka. Drawing upon their expertise in rehabilitation medicine and allied healthcare professions, they established the Meththa Foundation-UK with a simple but powerful vision: to provide affordable, high-quality prosthetic and rehabilitation services to those who needed them most.
What began as an effort to recycle and repurpose high-quality prosthetic components donated by the UK’s National Health Service has evolved into a comprehensive rehabilitation network serving communities across the island.
Clinical services commenced in Sri Lanka in 1995 through a mobile outreach programme that initially supported injured soldiers and later expanded to civilians affected by conflict and disability. The majority of them were victims of land mines. In 2010, the Sri Lankan arm of the organisation was formally registered as the Meththa Rehabilitation Foundation Guarantee Limited, strengthening its ability to deliver sustainable services nationwide.
Today, the Foundation operates four modern rehabilitation centres located in Mahawa, Mankulam, Balapitiya and Kilinochchi. These centres provide prosthetic and orthotic services, posture and mobility support, limb repairs, and rehabilitation assistance to patients from diverse social and economic backgrounds.
Recognising that many disabled individuals live in remote areas with limited access to healthcare, Meththa Foundation also established a mobile outreach service in 2011. Through a successful “Hub and Spoke” model, rehabilitation teams travel regularly to underserved communities, ensuring that patients are not denied care simply because of distance or financial hardship.
The scale of the Foundation’s work is impressive. During 2025 alone, the organisation recorded approximately 2,000 patient contacts, including the provision of 350 new artificial limbs, 850 limb repairs and around 800 other rehabilitation devices. For many beneficiaries, these interventions represent far more than medical treatment; they offer a pathway back to employment, education and social participation.
Innovation has become a hallmark of the Foundation’s approach. Through an active research and development programme, MRFGL has developed affordable prosthetic technologies specifically suited to Sri Lankan conditions. Among its achievements is the development of a modular below-knee artificial limb system manufactured largely from locally sourced materials. The Foundation has also designed low-cost prosthetic knee components that significantly reduce the financial burden on patients while maintaining quality and functionality. These developments are funded by generous International Grants facilitated by affluent members of the Meththa Foundation-UK. Service users are encouraged to donate whatever they can but for those who cannot, which is a majority the services are entirely free.
These innovations not only make rehabilitation more affordable but also strengthen local manufacturing capabilities and reduce dependence on imported components.
Equally important is the Foundation’s commitment for building local expertise. Recognising the shortage of trained rehabilitation professionals in Sri Lanka, Meththa Foundation
established an apprentice-based vocational training programme that recruits and trains young people as prosthetists, orthotists and rehabilitation technicians. Several locally trained staff members are now employed across the Foundation’s centres, helping to create a sustainable workforce for the future.
The organisation’s work has attracted growing recognition within the healthcare sector. Discussions have already taken place with health authorities regarding the potential use of Meththa-designed prosthetic components within Government hospitals. Such collaboration could significantly expand access to affordable rehabilitation services throughout the country.
Beyond its clinical achievements, the Foundation’s impact is measured in restored confidence and renewed independence. Surveys conducted among beneficiaries indicate that many educated amputees successfully return to productive lives after receiving rehabilitation support. However, the findings also highlight an ongoing challenge among poorer and less educated amputees, many of whom struggle to access follow-up care due to transportation difficulties and financial constraints.
To address this issue, the organisation hopes to -expand its mobile services and community outreach programmes. Additional funding would allow rehabilitation teams to reach isolated communities more frequently, ensuring that vulnerable patients continue to receive the support they need.
Operating on an annual expenditure of approximately Rs. 30 million in Sri Lanka, supplemented by overseas fundraising and donations, the Foundation remains heavily reliant on the partnership of charitable trusts such as the Manitha Neyam Trust and LEBARA Foundation and generosity of individual well-wishers. Every contribution directly supports the provision of artificial limbs, mobility devices, training programmes and outreach services for those who might otherwise be left behind.
As Sri Lanka continues to strengthen its healthcare and social welfare systems, organisations such as the Meththa Foundation demonstrate how innovation, volunteerism and dedication can create lasting social
By helping individuals regain mobility and independence, the Foundation is not merely providing artificial limbs—it is rebuilding lives and restoring hope.
For many “beneficiaries, every step they take is a testament to the life-changing work of the Meththa foundation
www.meththafoundation-sl-uk.org
Chairman’s WhatsApp contact number +94 77 788 6119
Prof S P Lamabadusurira, Chairman and Dr B Panagamuwa, ✍️
First Trustee
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