Features
Recent Indian films outclass most Hollywood movies
The major film awards – the 96th Oscars or Academy Awards – were awarded at a glittering event last weekend. Christopher Nolan directed Oppenheimer won eight Oscars, being nominated for 13. In all it has won 30 trophies. Record for most Oscars is jointly held by Ben Hur, Titanic and Lord of the Rings, each winning 11 Oscars. This global interest in films gave me the reason to write about an impression that has grown in me after seeing Netflix films. The selection offered in different areas of the world appears to be different. We in this geographical area seem to be having more eastern films, Hindi and Tamil mostly. My son in the US advises me to watch this or that film – not available in my Netflix streaming.
I came to the conclusion conveyed in my title this Sunday after seeing a couple of movies a week – a justifiable time-spender at my age. I watched Julia Roberts in a film about breaking up a marriage – My Best Friend’s Wedding (1997) after watching a Hindi film and found the Hollywood film trite and trivial – all froth, bubble and glamour against the starkly realistic Hindi film. Why? The Indian films I have watched recently have all dealt cleverly with Indian social norms, customs or beliefs. Messages have been conveyed skillfully and adroitly, with no in-your-face sermonizing. I also seem to relate more to the background, clothes, even acting styles of the Hindi films which certainly are not those Bollywood blockbusters directed and produced for mass entertainment.
General family norm
The very best was the Mira Nair directed adaptation of Vikram Seth’s huge novel published in 1993: A Suitable Boy. The film was screened in 2020 with BBC co-producing. Entertainment was its top priority and the custom/norm presented principally was that a young girl needed to be married off and the usual practice of a mother’ quest for a suitable marriage partner, roping in others to help her.
The story line goes thus: in 1951 when girls had more freedom and went in for higher studies, vivacious Lata Mehra is in university and develops a relationship with a Muslim co-student. Knowing her mother wants her to consent to an arranged marriage, she suggests they elope. Caution and seeing things clearer, he refuses a sudden decision. Finally after much searching, she consents to a suitable, simple man who works for a Czech shoe factory in India.
The themes Seth deals with are limited autonomy to girls of good families; marriage being the be all and end all in mothers’ views for their daughters. With this, he introduces sub themes – the Muslim Hindu conflict; rich men’s penchant for mistresses, lovely courtesans who live in luxury through their availability and singing prowess; and justice and injustice. The film is a brilliant classic for all time.
Dalits and discrimination
These two issues and concerns were so successfully portrayed in the documentary titled Daughters of Destiny which Academy Award winning director Vanessa Roth filmed for seven years chronicling the growing up of four girls living through term time at Shanthi Bhavan and returning to their slum homes for holiday months. Shanthi Bhavan is the home offered to 24 Dalit children each year – 12 boys, 12 girls – from the age of four to adulthood and even funding university education.
Shanti Bhavan Children’s Project was the brain child of Dr Abraham George, Indian American businessman, assisted by his brother Ajit. In 1995 the non-profit organization – The George Foundation – was set up and two years later Shanti Bhavan opened its welcoming doors to very poor, outcast Dalit children. Based in Bangalore, Karnataka, it has at present 300 students who are taught in the English medium. I wrote about this film earlier. The success of helping Dalit youth to integrate themselves in society is wonderful. The messages were strong: all are equal; helping and sharing is humaneness; caring and guiding reap good results.
Widows and stigmatization
A 2018 film directed with a sure hand, produced with sophistication and acted with constraint and skill was Sir. Directed by Rohena Gera it is a romantic film which subtly deals with two Indian slur-issues: the negative, looked down upon status of widows and social class divisions.
Ashwin returns to Mumbai from New York to support his father’s building business and to get married. However, the marriage does not take place. The live-in maid, Ratna, hired by his mother in anticipation of the marriage, is kept on. She is no more than a shadow in Ashwin’s flat, running it perfectly while cooking and serving his meals, and having a life of her own in spare hours with another maid. Ratna’s ambition is to be a dress designing seamstress. Getting to know this as she asks permission to be out of the flat for afternoons, Ashwin buys her a sewing machine.
Things come to a head when she is asked by his mother to cook and serve at a party. She does it but inadvertently spills a dish on a socialite who berates her. Ashwin is upset, further concerned when he sees Ratna with other servants seated on the floor of the kitchen having dinner. She tells him she was widowed at 17 and ostracized in her village. Her aim is to educate her sister and better herself. He realizes he is in love with her But contains himself. Much later, he kisses her.
She leaves her job and his flat and moves to her sister’s slum tenement; a relationship not being at all suitable or possible. He tells his father he intends marrying Ratna, goes back to New York after arranging her apprenticeship with a dress designer. Ratna settles to a poor life again. He phones her. She who always called him Sir, realizing his sincerity and her love for him, addresses him as Ashwin. The film cleverly ends at this point. No obvious comment on issues dealt with but succeeded with finesse.
Corruption vs Honesty
12th Fail – a 2023 Hindi film subtitled in English was truly remarkable. It is directed, produced and written by Vidhu Vinod Chopra, based on the non-fiction book by Anurag Pathak of Manoj Kumar Sharma, born and bred in dacoit infested Chambal where corruption is rife and even school students are encouraged to cheat to pass the all-important Grade 12 exam. Manoj’s father being totally honest is dismissed from his job for hitting his corrupt boss with his shoe.
Manoj, influenced by a straight police officer, does not cheat at his exam. He fails while others pass. Determination and extreme hard living, but helped by friends, Manoj does pass the final exam to enter the Indian Police Service. The man in the interview board rejects him as 12th Failed but the women pick up his honesty. Manoj returns home in his police uniform.
The film received wide acclaim and won five Filmfare awards for best director, film and actor.
Other social issues
I fail to recall the name of the Hindi film that dealt with child abuse, trafficking and prostitution, but it was excellent. The story wove around a woman rights activist who met a young girl who had been traumatized, but kept mum. The activist felt impelled to investigate further and uncovered thugs in cohorts with the management of a home for destitute children. The girl tells her tale, many women and children are saved and the crime perpetrators duly punished.
Martial violence is the social theme dealt with in Darling. This very pretty and very young girl succumbs to the violence of her husband, by nature violent but taking to excessive alcohol intake too. The film started off well, but the girl turns tables and keeps husband captive in their flat with her mother living in the same building, conniving. The story turned farcical, lightweight and rather ludicrous. I gave up watching it.
To look forward to To Kill a Tiger
directed by Nisha Pahuja is about a family in Jharkamd, India, who campaign for justice after their teenage daughter is brutally raped. Deepa Mehta, Dev Patel, Priyanka Chopra, among others, were co-producers. It was released in Toronto in 2022 and in US in 2023 with
The film was nominated as Best Documentary Feature for an Oscar this year, competing with 20 Days in Mariupol (Ukraine war), Bobi Wine: the People’s President, Four Daughters and The Eternal Memory. The war film won the Oscar; however honour enough for Canada and India to be nominated.
Streaming on Netflix and widespread screening was delayed till the 96th Oscar ceremony this year was over. Hence here is a film to be seen, again assuredly dealing with skill, sensitivity and finesse on a scourge rampant in India: rape.
Features
Cricket and the National Interest
The appointment of former minister Eran Wickremaratne to chair the Sri Lanka Cricket Transformation Committee is significant for more than the future of cricket. It signals a possible shift in the culture of governance even as it offers Sri Lankan cricket a fighting possibility to get out of the doldrums of failure. There have been glorious patches for the national cricket team since the epochal 1996 World Cup triumph. But these patches of brightness have been few and far between and virtually non-existent over the past decade. At the centre of this disaster has been the failures of governance within Sri Lanka Cricket which are not unlike the larger failures of governance within the country itself. The appointment of a new reform oriented committee therefore carries significance beyond cricket. It reflects the wider challenge facing the country which is to restore trust in public institutions for better management.
The appointment of Eran Wickremaratne brings a professional administrator with a proven track record into the cricket arena. He has several strengths that many of his immediate predecessors lacked. Before the ascent of the present government leadership to positions of power, Eran Wickremaratne was among the handful of government ministers who did not have allegations of corruption attached to their names. His reputation for financial professionalism and integrity has remained intact over many years in public life. With him in the Cricket Transformation Committee are also respected former cricketers Kumar Sangakkara, Roshan Mahanama and Sidath Wettimuny together with professionals from legal and business backgrounds. They have been tasked with introducing structural reforms and improving transparency and accountability within cricket administration.
A second reason for this appointment to be significant is that this is possibly the first occasion on which the NPP government has reached out to someone associated with the opposition to obtain assistance in an area of national importance. The commitment to bipartisanship has been a constant demand from politically non-partisan civic groups and political analysts. They have voiced the opinion that the government needs to be more inclusive in its choice of appointments to decision making authorities. The NPP government’s practice so far has largely been to limit appointments to those within the ruling party or those considered loyalists even at the cost of proven expertise. The government’s decision in this case therefore marks a potentially important departure.
National Interest
There are areas of public life where national interest should transcend party divisions and cricket, beloved of the people, is one of them. Sri Lanka cannot afford to continue treating every institution as an arena for political competition when institutions themselves are in crisis and public confidence has become fragile. It is therefore unfortunate that when the government has moved positively in the direction of drawing on expertise from outside its own ranks there should be a negative response from sections of the opposition. This is indicative of the absence of a culture of bipartisanship even on issues that concern the national interest. The SJB, of which the newly appointed cricket committee chairman was a member objected on the grounds that politicians should not hold positions in sports administration and asked him to resign from the party. There is a need to recognise the distinction between partisan political control and the temporary use of experienced administrators to carry out reform and institutional restructuring. In other countries those in politics often join academia and civil society on a temporary basis and vice versa.
More disturbing has been the insidious campaign carried out against the new cricket committee and its chairman on the grounds of religious affiliation. This is an unacceptable denial of the reality that Sri Lanka is a plural, multi ethnic and multi religious society. The interim committee reflects this diversity to a reasonable extent. The country’s long history of ethnic conflict should have taught all political actors the dangers of mobilising communal prejudice for short term political gain. Sri Lanka paid a very heavy price for decades of mistrust and division. It would be tragic if even cricket administration became another arena for communal suspicion and hostility. The present government represents an important departure from the sectarian rhetoric that was employed by previous governments. They have repeatedly pledged to protect the equal rights of all citizens and not permit discrimination or extremism in any form.
The recent international peace march in Sri Lanka led by the Venerable Bhikkhu Thich Paññākāra from Vietnam with its message of loving kindness and mindfulness to all resonated strongly with the masses of people as seen by the crowds who thronged the roadsides to obtain blessings and show respect. This message stands in contrast to the sectarian resentment manifested by those who seek to use the cricket appointments as a weapon to attack the government at the present time. The challenges before the Sri Lanka Cricket Transformation Committee parallel the larger challenges before the government in developing the national economy and respecting ethnic and religious diversity. Plugging the leaks and restoring systems will take time and effort. It cannot be done overnight and it cannot succeed without public patience and support.
New Recognition
There is also a need for realism. The appointment of Eran Wickremaratne and the new committee does not guarantee success. Reforming deeply flawed institutions is always difficult. Besides, Sri Lanka is a small country with a relatively small population compared to many other cricket playing nations. It is also a country still recovering from the economic breakdown of 2022 which pushed the majority of people into hardship and severely weakened public institutions. The country continues to face unprecedented challenges including the damage caused by Cyclone Ditwah and the wider global economic uncertainties linked to conflict in the Middle East. Under these difficult circumstances Sri Lanka has fewer resources than many larger countries to devote to both cricket and economic development.
When resources are scarce they cannot be wasted through corruption or incompetence. Drawing upon the strengths of all those who are competent for the tasks at hand regardless of party affiliation or ethnic or religious identity is necessary if improvement is to come sooner rather than later. The burden of rebuilding the country cannot rest only on the government. The crisis facing the country is too deep for any single party or government to solve alone. National recovery requires capable individuals from across society and from different sectors such as business and civil society to work together in areas where the national interest transcends party politics. There is also a responsibility on opposition political parties to support initiatives that are politically neutral and genuinely in the national interest. Not every issue needs to become a partisan battle.
Sri Lanka cricket occupies a special place in the national consciousness. At its best it once united the country and gave Sri Lankans a sense of pride and international recognition. Restoring integrity and professionalism to cricket administration can therefore become part of the larger task of national renewal. The appointment of Eran Wickremaratne and the new committee, while it does not guarantee success, is a sign that the political leadership and people of the country may be beginning to mature in their approach to governance. In recognising the need for competence, integrity and bipartisan cooperation and extending it beyond cricket into other areas of national life, Sri Lanka may find the way towards more stable and successful governance..
by Jehan Perera
Features
From Dhaka to Sri Lanka, three wheels that drive our economies
Court vacation this year came with an unexpected lesson, not from a courtroom but from the streets of Dhaka — a city that moves, quite literally, on three wheels.
Above the traffic, a modern metro line glides past concrete pillars and crowded rooftops. It is efficient, clean and frequently cited as a symbol of progress in Bangladesh. For a visitor from Sri Lanka, it inevitably brings to mind our own abandoned light rail plans — a project debated, politicised and ultimately set aside.
But Dhaka’s real story is not in the air. It is on the ground.
Beneath the elevated tracks, the streets belong to three-wheelers. Known locally as CNGs, they cluster at junctions, line the edges of markets and pour into narrow roads that larger vehicles avoid. Even with a functioning rail system, these three-wheelers remain the city’s most dependable form of everyday transport.
Within hours of arriving, their importance becomes obvious. The train may take you across the city, but the journey does not end there. The last mile — often the most complicated part — belongs entirely to the three-wheeler. It is the vehicle that gets you home, to a meeting or simply through streets that no bus route properly serves.
There is a rhythm to using them. A destination is mentioned, a price is suggested and a brief negotiation follows. Then the ride begins, edging into traffic that feels permanently compressed. Drivers move with instinct, adjusting routes and squeezing through gaps with a confidence built over years.
It is not polished. But it works.
And that is where the comparison with Sri Lanka becomes less about what we lack and more about what we already have.
Back home, the three-wheeler has long been part of daily life — so familiar that it is often discussed only in terms of its problems. There are frequent complaints about fares, refusals or the absence of meters. More recently, the industry itself has become entangled in politics — from fuel subsidies to regulatory debates, from election-time promises to periodic crackdowns.
In that process, the conversation has shifted. The three-wheeler is often treated as a problem to be managed, rather than a service to be strengthened.
Yet, seen through the experience of Dhaka, Sri Lanka’s system begins to look far more settled — and, in many ways, ahead.
There is a growing structure in place. Meters, while not perfect, are widely recognised. Ride-hailing apps have added transparency and reduced uncertainty for passengers. There are clearer expectations on both sides — driver and commuter alike. Even small details, such as designated parking areas in parts of Colombo or the increasing standard of vehicles, point to an industry slowly moving towards professionalism.
Just as importantly, there is a human element that remains intact.
In Sri Lanka, a three-wheeler ride is rarely just a transaction. Drivers talk. They offer directions, comment on the day’s news, or share local knowledge. The ride becomes part of the social fabric, not just a means of getting from one point to another.
In Dhaka, the scale of the city leaves less room for that. The interaction is quicker, more direct, shaped by urgency. The service is essential, but it is under constant pressure.
What stands out, across both countries, is that the three-wheeler is not a temporary or outdated mode of transport. It is a necessity in dense, fast-growing Asian cities — one that fills gaps no rail or bus system can fully address.
Large infrastructure projects, like light rail, are important. They bring efficiency and long-term capacity. But they cannot replace the flexibility of a three-wheeler. They cannot reach into narrow streets, respond instantly to demand or provide that crucial last-mile connection.
That is why, even in a city that has invested heavily in modern rail, Dhaka still runs on three wheels.
For Sri Lanka, the lesson is not simply about what could have been built, but about what should be better managed and valued.
The three-wheeler industry does not need to be politicised at every turn. It needs steady regulation — clear fare systems, proper licensing, safety standards — alongside encouragement and recognition. It needs to be seen as part of the solution to urban transport, not as a side issue.
Because for thousands of drivers, it is a livelihood. And for millions of passengers, it is the most immediate and reliable form of mobility.
The tuk-tuk may not feature in grand policy speeches or infrastructure blueprints. It does not run on elevated tracks or attract international attention. But on the ground, where daily life unfolds, it continues to do what larger systems often struggle to do — show up, adapt and keep moving.
And after watching Dhaka’s streets — crowded, relentless, yet functioning — that small, three-wheeled vehicle feels less like something to argue over and more like something to get right.
(The writer is an Attorney-at-Law with over a decade of experience specialising in civil law, a former Board Member of the Office of Missing Persons and a former Legal Director of the Central Cultural Fund. He holds an LLM in International Business Law)
by Sampath Perera recently in Dhaka, Bangladesh
Features
Dubai scene … opening up
According to reports coming my way, the entertainment scene, in Dubai, is very much opening up, and buzzing again!
After a quieter few months, May is packed with entertainment and the whole scene, they say, is shifting back into full swing.
The Seven Notes band, made up of Sri Lankans, based in Dubai, are back in the spotlight, after a short hiatus, due to the ongoing Middle East problems.
On 18th April they did Legends Night at Mercure Hotel Dubai Barsha Heights; on Thursday, 9th May, they will be at the Sports Bar of the Mercure Hotel for 70s/80s Retro Night; on 6th June, they will be at Al Jadaf Dubai to provide the music for Sandun Perera live in concert … and with more dates to follow.
These events are expected to showcase the band’s evolving sound, tighter stage coordination, and stronger audience engagement.
With each performance, the band aims to refine its identity and build a loyal following within Dubai’s vibrant nightlife and event scene.

Pasindu Umayanga: The group’s new vocalist
What makes Seven Notes standout is their versatility which has made the band a dynamic and promising act.
With a growing performance calendar, new talent integration, and international ambitions, the band is definitely entering a defining phase of its journey.
Dubai’s music industry, I’m told, thrives on diversity, energy, and audience connection, with live bands playing a crucial role in elevating events—from corporate shows to private concerts. Against this backdrop, Seven Notes is positioning itself not just as another band, but as a performance-driven musical unit focused on consistency and growth.
Adding fresh momentum to the group is Pasindu Umayanga who joins Seven Notes as their new vocalist. This move signals a strategic upgrade—not just filling a role, but strengthening the band’s front-line presence.
Looking beyond local stages, Seven Notes is preparing for an international tour, to Korea, in July.

Bassist Niluk Uswaththa: Spokesperson for Seven Notes
According to bassist Niluk Uswaththa, taking a band abroad means: Your sound must hold up against unfamiliar audiences, your performance must translate beyond language, and your discipline must be at a professional level.
“If executed well, this tour could redefine Seven Notes from a local band into an emerging international act,” added Niluk.
He went on to say that Dubai is not an easy market. It’s saturated with highly experienced, multi-genre bands that can adapt instantly to any crowd.
“To stand out consistently you need to have tight rehearsal discipline, unique sound identity (not just covers), strong stage chemistry, audience retention – not just applause.”
No doubt, Seven Notes is entering a critical growth phase—new member, multiple shows, and an international tour on the horizon. The opportunity is real, but so is the pressure.
However, there is talk that Seven Notes will soon be a recognised name in the regional music scene.
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