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Diamonds, tears and tiaras

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Marilyn Monroe’s genius and tragedy of her life

By Dahami P. Samarathunga

I remember watching “Blonde”, with a few of friends back in 2022 and finding its portrayal of Marilyn Monroe most unfair. Even though the film was dubbed a ‘fictional biopic’, it seemed as though it had failed to be even that presenting her story as an unending tragedy, with too much focus on the negatives. The director described the film as a representation of Marilyn captured through the lens of a camera, with her highlighted beauty, sensuality, and sex appeal saying it was an emphasis on “the idea of Marilyn Monroe” rather than the actual person herself ignoring the fact that she had fought hard to be taken seriously, instead of as some ‘sexual object’, through the major part of her career.

It is no secret that Marilyn was a symbol of Hollywood glitter and arguably the most recognizable movie star of her time. But her success and rise to stardom didn’t come easy as she had to overcome not only the politics behind the scenes in show business but also her own personal demons. In the midst of the multitude of tragedies she endured in her short time on earth, she was one of the hardest working women in show business, who was well aware of the ugly side of Hollywood and as actress Shelly Winters once revealed, “If she was dumber, she would’ve been happier.”

Marilyn was born “Norma Jeane Mortenson on June 1, 1926 and didn’t have a normal upbringing as her mother was diagnosed with schizophrenia and she had never seen her father. Due to her illness, her mother was admitted to a mental institution, making Grace Goddard, a family friend, her guardian. But, due to her husband’s reluctance to keep the child, Norma was later sent back to an orphanage where she was abused and shunted through over a dozen foster homes within a few years greatly affecting her mental state. The orphanage staff believed Norma could thrive in a family setting resulting in Grace Goddard moving her back to her home. But Norma’s happiness was short lived as Grace’s husband, attempted to sexually molest her causing Norma to develop a stutter which she later tried to conceal by adopting to more breathy and softer speaking tone during her studio days.

Through out her school and teenage years, Norma was constantly moved to friends and relatives’ homes. Her foster parents often encouraged her to go out for movies as they didn’t like having her in the house all the time. This led to her becoming infatuated with the idea of being a movie star. To remove Norma out of their home state, Grace Goddard who remained her legal guardian and her husband decided to marry her off to their neighbour James Dougherty, five years her senior. Though she went along with their decision, she felt she was pressured into it and believed her destiny was elsewhere. She was only 16-years old at the time.

After Dougherty was shipped off to the Pacific during World War ll, Norma worked at a “Radioplane” factory where she was discovered by David Conover, a photographer working for the US military. Impressed by her good looks, he invited her to model for an Air Force calendar. This led her to quit her factory job in 1945 and sign up with a modelling agency where she was an instant success, being featured in magazines and advertising commercials. The agency considered her to be one of their most hardworking models.

Around this time Norma bleached her hair blonde, drawing inspiration from her childhood idol Jean Harlow. She signed a contract with a Fox Studio in 1946 and went on to take her iconic screen name Marilyn Monroe adding the ‘Monroe’ which was her mother’s maiden name. She divorced Dougherty in 1947 as he opposed her film career. Marilyn was dropped by Fox after her initial contract and was later signed on by Columbia Pictures. Both studios were hesitant to give her prominent roles as they deemed, ‘she was too timid and shy to be in front of camera’. However, due to her later appearances in a few Fox hits, she was offered a seven-year deal with 20th Century Fox in 1950 but was heartbroken after hearing her rumoured lover, talent agent Johnny Hyde, had died of a heart attack a few days later.

After going back to Fox, Marilyn began to work extensively with her acting coach Natasha Lytess and was determined to make a name for herself as an actress in show business. In 1953, she starred in three consecutive box office hits consolidating her status as one of the most sought-after stars in cinema. “Niagara” was a breakthrough for Marilyn as many believed her years of hard work had finally paid off. Her iconic walking scene in Niagara was considered the longest such scene in the history of cinema and was filmed in a one single take.

It was said that Marilyn had to walk about 35 meters in the shot, with the director, Henry Hathaway initially not planning to shoot a long scene. But, once the cameras started rolling, Marilyn’s graceful walk enthralled the entire film crew and hundreds of onlookers on the street with nobody daring to stop her. She next starred in “Gentlemen Prefer Blondes” alongside Jane Rusell who was an industry veteran. Jane described Marilyn as a ‘sweet individual’ and a ‘workaholic’, revealing how overly critical she was of her own work, “She did look to her coach a lot,” Rusell said. “She worked with her after a full day’s shooting, when I couldn’t think of anything but going home, eating and crashing into bed. “But she’d go on working. She was really determined.”

At the time of the movie’s release, it was revealed that Russell was paid over ten times more than Marilyn due to the contract she held. But despite their pay difference, the pair remained close. Marilyn later spoke of a time when the movie was being shot, she was upset over not having her own dressing room. “The public would be quite disillusioned with the way the industry treats its stars”, Marilyn said. “She (Russel) got $ 200,000 for the film, and I got my 500 a week. But to me it was considerable. The only thing was I couldn’t get my own dressing room. I said look, ‘after all I’m the blonde, and gentlemen prefer blondes!’ “.

Though the studios tried to downplay her acting talent, refusing to look past her beauty, critics believed Marilyn had outshone a cast of seasoned veterans with Russell revealing she didn’t mind playing second fiddle Marilyn as they had formed a bond and didn’t compete with each other. With the success of her movies, Marilyn was offered the same stereotypical “dumb blonde” characters which, she strictly refused. After rejecting series of such movies, she was sent on leave in January 1954 as the studio accused her breaching her contract.

However, Marilyn had the last laugh as she married the baseball star, Joe DiMaggio, at a hugely publicized event a few weeks later. They jetted off to Japan for their honeymoon with Marilyn later detouring to perform before thousands of US soldiers in Korea, creating a media frenzy that became one of the biggest news stories of the year. After this highly publicized tour, she was offered a new contract with Fox in March of 1954.

However, Marilyn’s marriage to DiMaggio ended in less than a year with speculation that their separation was triggered by an iconic scene during the shooting of “The Seven Year Itch.” Here, Marilyn’s skirt gets blown by the gust from a subway grate orchestrated by Fox for publicity reasons. DiMaggio was furious over seeing that photo and the excitement it created that he reportedly struck her later that night at St. Regis Hotel, where they stayed. Many believed Marilyn’s fame overwhelmed DiMaggio who eventually grew jealous.

Tired of being cast as a ‘sex symbol’ upset she couldn’t choose her own roles and conflicts with the studio, Marilyn was suspended from work. She countered by opening her own production company, “MMP” with her photographer Milton Green, in late 1954.

Green’s wife, Amy, a close friend of Marilyn, once said she loved strolling around the streets of New York with the actress hiding behind her glasses or a scarf. Nobody bothered her. Once when they were on such a walk, Marilyn asked, “Do you want to see me become her?” “I just said ‘Yes’, Amy revealed. “And then I saw it. I don’t know how to explain what she did because it was so very subtle. Suddenly cars were slowing and people were turning their heads and stopping to stare. They were recognizing Marilyn Monroe as if she pulled off a mask or something.”

Marilyn in every sense was a fine actress. She often made her movements and mannerisms appropriate for the camera and honed her speaking skills with the help of the books such as, ‘The Thinking Body’ by Mabel Elsworth Todd. This showed how hard she was willing to work to perfect every aspect her career and persona. By the late 1955 Fox was eager to work with her again and offered her a contract with provisions allowing her to pick movies, directors, and projects of her own.

She declared another victory against Fox in 1956 by legally changing her name to “Marilyn Monroe” which was seen as a clever entrepreneurial decision by the same media that once ridiculed her for leaving Fox and going independent. It also was considered a rare feat, as her superstars of her stature typically avoided legal conflicts with major studios fearing potential damage to their careers. She later married playwright Arthur Miller in 1956, seen as controversial by many.

One well documented aspect of Marilyn’s life was how understood and loved she was by fellow female stars. Joan Collins revealed how Marilyn was the first to warn her about the vultures in Hollywood saying, “Beware of the wolves in Hollywood honey. If the studio bosses don’t get what they want from you, they’ll drop your contract”.

Marilyn also had an endearing relationship with Jazz icon Ella Fitzgerald. ‘She’s my very favourite person and I love her as a person as well as a singer; I think she’s the greatest,” she once said of Fitzgerald. Ella later recalled how Marilyn came to her rescue when many venue owners did not let her perform at important theatres and nightclubs because she was black. “I owe Marilyn Monroe a real debt,” She revealed. “She personally called the owner of the Mocambo and told him she wanted me booked immediately. The owner agreed and Marilyn was at the front table, every night. The press went overboard. After that, I never had to play at a small jazz club again.”

Marilyn was diagnosed with endometriosis and suffered a few miscarriages in late 1950’s which made her self medicate to cope with depression. She was later admitted to a hospital after an overdose. With her personal heartaches and career frustrations, she started using alcohol, narcotics, and stimulants to cope with chronic insomnia and stress. But she eventually made a comeback in 1958 with the box office hit “Some like it hot”, which won her the Golden Globe for Best Actress in 1960.

In 1961 Marilyn starred in the movie “The Misfits”, written by Arthur Miller, who had promised her to write a script where she could fully showcase her talent as a dramatic actor. Marilyn later discovered an entry in his notebook, where he allegedly called their marriage “disappointing”, insinuating she was a threat to his creative image. This eventually strained their relationship. She was distraught after seeing his remarks and noticed he had rewritten and changed the movie script persistently making it difficult for her to memorise the dialogues. ‘He was supposed to be writing this for me”, she told a friend, “He could have written me anything, but he comes up with this”.

Following a difficult shooting due to Marilyn’s health and severe prescription drug abuse, Miller and she decided to part in 1961, signifying the culmination of Marilyn’s final released movie.

On August 5, 1962, Marilyn was found unresponsive in her bedroom and her death was ruled as an overdose and “a probable suicide”. It was revealed that she had ingested a lethal dose of Nembutal, which is often associated with treating anxiety. Some believed there was a government involvement in her demise due to rumoured ties between her and the Kennedy brothers in her final days. However, when investigators reopened the case decades later, they failed to find any evidence strong enough to suggest any foul play. Yet, some in the industry still refused to believe that Marilyn had taken her own life, with the likes of Jane Russell opining that there were certainly some “dirty tricks” involved in her death.

Joe DiMaggio was devastated upon hearing of Marilyn’s untimely death and felt guilty as he believed he partly contributed to her demise. They had reconciled shortly before her death. He organized her funeral and barred anyone from Hollywood attending as he believed they all played a part in her tragic end. Arthur Miller didn’t attend the funeral, but criticized the public mourners writing, “glad that it is not you going into the earth, glad that it is this lovely girl who at last you killed”.

In a way “Marilyn”, was Norma Jeane Mortensen’s greatest creation; but that identity slowly became a burden as Marilyn often felt trapped in the image of a sex goddess. Unfortunately, for her there was no turning back as her stardom had hit heights beyond her control. She wasn’t naive, but understood the nature of fame, “‘Fame is also a burden,”, Marilyn once said. She had masterfully built the image of “Marilyn” and played it so effortlessly that the studios wanted her to believe in that image.

“Well, I hope you got something here” she said to Richard Meryman as he was wrapping up the recording of her final interview. “But please don’t make me look like a joke”. It’s no secret that Marilyn despised how superficial the studios painted her to be and hated the media’s guts for pushing that narrative and running along with it. But she also sensed what she deemed as a fantasy was slowly becoming her reality and this left her fragmented and losing control.

(The writer is a Canadian of Sri Lankan descent living in Toronto. She may be contacted at dahamisamarathunga44@gmail.com)



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A life in colour and song: Rajika Gamage’s new bird guide captures Sri Lanka’s avian soul

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Sri Lanka wakes each morning to wings.

From the liquid whistle of a magpie robin in a garden hedge to the distant circling silhouette of an eagle above a forest canopy, birds define the rhythm of the island’s days.

Their colours ignite the imagination; their calls stir memory; their presence offers reassurance that nature still breathes alongside humanity. For conservation biologist Rajika Gamage, these winged lives are more than fleeting beauty—they are a lifelong calling.

Now, after years of patient observation, artistic collaboration, and scientific dedication, Gamage’s latest book, An Illustrated Field Guide to the Fauna of Sri Lanka – Birds, is set to reach readers when it hits the market on March 6.

The new edition promises to become one of the most comprehensive and visually rich bird guides ever produced for Sri Lanka.

Speaking to The Island, Gamage reflected on the inspiration behind his work and the enduring fascination birds hold for people across the country.

“Birds are an incredibly diverse group,” he said. “Their bright colours, distinct songs and calls, and showy displays contribute to their uniqueness, which is appreciated by all bird-loving individuals.”

Birds, he explained, occupy a special place in the natural world because they are among the most visible forms of wildlife. Unlike elusive mammals or secretive reptiles, birds share human spaces openly.

“Birds are widely distributed in all parts of the globe in large enough populations, making them the most common wildlife around human habitations,” Gamage said. “This offers a unique opportunity for observing and monitoring their diverse plumage and behaviours for conservation and recreational purposes.”

This accessibility has made birdwatching one of the most popular forms of wildlife observation in Sri Lanka, attracting everyone from seasoned scientists to curious schoolchildren.

A remarkable island of avian diversity

Despite its small size, Sri Lanka possesses extraordinary bird diversity.

According to Gamage, the country’s geographic position, varied climate, and diverse habitats—from coastal wetlands and rainforests to montane cloud forests and dry-zone scrublands—have created ideal conditions for birdlife.

“Sri Lanka is home to a rich diversity of birdlife, with a total of 522 bird species recorded in the country,” he said. “These species are spread across 23 orders, 89 families, and 267 genera.”

Of these, 478 species have been fully confirmed. Among them, 209 are breeding residents, meaning they live and reproduce on the island throughout the year.

Even more remarkable is Sri Lanka’s high level of endemism.

“Thirty-five of these breeding resident species are endemic to Sri Lanka,” Gamage noted. “They are confined entirely to the island, making them globally significant.”

These endemic species—from forest-dwelling flycatchers to vividly coloured barbets—represent evolutionary lineages shaped by Sri Lanka’s long geological isolation and ecological uniqueness.

In addition to resident birds, Sri Lanka also serves as a seasonal refuge for migratory species traveling thousands of kilometres.

“There are regular migrants that arrive annually, as well as irregular migrants that visit less predictably,” Gamage explained. “Vagrants, birds that appear outside their typical migratory routes, have also been spotted occasionally.”

Such unexpected visitors often generate excitement among birdwatchers and scientists alike, providing valuable insights into migration patterns and environmental change.

Rajika Gamage

A guide born from passion and necessity

The new field guide represents the culmination of years of research and builds upon Gamage’s earlier publication, which was released in 2017.

“The stimulus for this bird guide was due to the success of my first book,” he said. “This new edition aims to facilitate identification and provide an idea of what to look for in observed habitats or regions.”

The book is designed not merely as a scientific reference but as an accessible companion for anyone interested in birds. Its structure reflects this dual purpose.

“The first section is dedicated to the introduction, geography, and life history of Sri Lankan birds,” Gamage explained. “The second section is the main body of the guide, which illustrates 532 species of birds.”

Each illustration has been carefully crafted in colour to capture the distinctive plumage of each species.

“All illustrations are designed to show each bird’s significant and distinct plumage,” he said. “Where possible, the breeding, non-breeding, and juvenile plumages are provided.”

This attention to detail is especially important because many birds change appearance as they mature.

“Some groups, especially gulls, display many plumages between juveniles and adults,” Gamage noted. “Many take several years to develop full adult plumage and pass through semi-adult stages.”

By illustrating these stages, the guide helps birdwatchers avoid misidentification and deepen their understanding of avian development.

New discoveries and evolving science

One of the most exciting aspects of the new edition is its inclusion of newly recorded species and updated scientific classifications.

“Changes in the bird list of Sri Lanka, especially newly added endemic birds such as the Sri Lankan Shama, Sri Lanka Lesser Flameback, and Greater Flameback, are now included,” Gamage said.

Scientific names and classifications are not static; they evolve as researchers learn more about genetic relationships and species boundaries. The guide reflects these changes, ensuring it remains scientifically current.

The book also incorporates conservation status information based on the latest National Red Data Report and global assessments.

“The conservation status of Sri Lankan birds, as listed in the 2022 National Red Data Report and the global Red Data Report, are included,” Gamage said.

This information is vital for conservation planning and public awareness, highlighting which species face the greatest risk of extinction.

The guide also documents rare and accidental visitors, including species such as the Blue-and-white Flycatcher, Rufous-tailed Rock-thrush, and European Honey-buzzard.

“These represent accidental visitors and newly recorded vagrants,” Gamage said. “Altogether, the first edition offers some 25 additional species, all illustrated.”

Art and science in harmony

Unlike many field guides that rely heavily on photographs, Gamage’s book emphasises detailed illustrations. This choice reflects the unique advantages of scientific art.

Illustrations can emphasise diagnostic features, eliminate distracting backgrounds, and present birds in standardised poses, making identification easier.

“The principal birds on each page are painted to a standard scale,” Gamage explained. “Flight and behavioural sketches are shown at smaller scales.”

The guide also includes descriptions of habitats, distribution, nesting behaviour, and alternative names in English, Sinhala, and Tamil.

“The majority of birds have more than one English, Sinhala, and Tamil name,” he said. “All of these are included.”

This multilingual approach reflects Sri Lanka’s cultural diversity and ensures the guide is accessible to a wider audience.


A tool for conservation and connection

Beyond its scientific value, Gamage believes the book serves a deeper purpose: strengthening the bond between people and nature.

By helping readers identify birds and understand their lives, the guide fosters appreciation and responsibility.

“This field guide aims to facilitate identification and provide a general introduction to birds,” he said.

In an era of rapid environmental change, such knowledge is essential. Habitat loss, climate change, and human activity continue to threaten bird populations worldwide, including in Sri Lanka.

Yet birds also offer hope.

Their presence in gardens, wetlands, and forests reminds people of nature’s resilience—and their own role in protecting it.

Gamage hopes the guide will inspire both seasoned ornithologists and beginners alike.

“All these changes will make An Illustrated Field Guide to the Fauna of Sri Lanka – Birds one of the most comprehensive and accurate guides available within Sri Lanka,” he said.

A lifelong devotion takes flight

For Rajika Gamage, birds are not merely subjects of study—they are companions in a lifelong journey of discovery.

Each call heard at dawn, each silhouette glimpsed against the sky, each feathered visitor from distant lands reinforces the wonder that first drew him to ornithology.

With the release of his new book on March 6, that wonder will now be shared more widely than ever before.

In its pages, readers will find not only identification keys and scientific facts, but also something more enduring—the story of an island, told through wings, colour, and song.

 

By Ifham Nizam

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Letting go: A Buddhist perspective

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The Buddha

Buddhism, one of the world’s oldest religions, offers profound insights into the nature of existence and the ways we can alleviate our suffering. As one of the world’s most profound spiritual traditions, it offers a transformative solution: the art of letting go. Unlike simply losing interest in things or giving up, letting go in Buddhism is about liberation, releasing ourselves from the chain of attachment that prevents us from experiencing true peace and happiness. Letting go is a profound philosophical concept in Buddhism, deeply intertwined with an understanding of suffering, attachment, and the nature of reality. This philosophy encourages us to release our grip on desires, attachments, and on what we hold dear- whether relationships, material goods, or even their identities, ultimately leading to greater peace and enlightenment. Our tendency to cling tightly to the various aspects of life leads to a significant source of stress. We tend to grasp at things, perceiving them as solid and permanent, yet much of what we hold onto is transient and subject to change. This mistaken belief in permanence can trap us in cycles of worry, fear, and anxiety.

The challenge of letting go is especially evident during difficult periods in life. We may find ourselves ruminating over lost opportunities, failed relationships, and unmet expectations. Such thoughts can keep us ensnared in emotions like hurt, guilt, and shame, hindering our ability to move forward. By holding onto the past, we often prevent ourselves from embracing the present and future.

At the heart of Buddhist practice lies the concept of letting go, often encapsulated in the term “non-attachment.” Letting go is a crucial concept in both Buddhism and Christianity, emphasising the release of attachments that bind us and contribute to our suffering. At its core, letting go is about finding freedom from desires and acknowledging that both relationships and material possessions are fleeting and transient.

In Buddhism, letting go, or non-attachment, is fundamental for achieving inner peace. The First Noble Truth acknowledges that life is filled with suffering, often rooted in our cravings and attachment to things. The Second Noble Truth teaches that by letting go of this craving, we can transcend the cycles of life and attain enlightenment.

Spiritually, Buddhism emphasises the impermanence of all things (annica). We tend to cling to people, experiences, and even our identities, but everything is fleeting. Recogniing this helps us appreciate the present moment and fosters compassion. Instead of allowing attachments to cloud our relationships, letting go encourages us to engage with others without judgment or expectation, fostering deeper connections.

Philosophically, Buddhism challenges the notion of a permanent self (anatta) that is often the focus of human attachment. It teaches that our identity is not a fixed entity but a collection of experiences and perceptions in constant flux. Understanding this can help us see the futility of clinging to desires and identities, paving the way for a liberated state of being built on wisdom cultivated through meditation and mindfulness.

From a psychological standpoint, letting go can significantly improve our emotional health and well-being. Attachment often breeds fear, anxiety, and stress, while non-attachment promotes resilience and adaptability. When we embrace the idea of impermanence, we become more capable of handling life’s challenges without being overwhelmed. Mindfulness—being present and accepting our emotions without judgment—allows us to process difficult feelings constructively, making it easier to let go of what we cannot control.

Letting go is also an essential concept in Christianity, which emphasises surrender and trust in God. Biblical teachings encourage believers to let go of worries and anxieties, placing their faith in divine providence. For instance, verses like Matthew 6:34 remind individuals not to be anxious about tomorrow, but to focus on the present. By surrendering our burdens to God, we find peace and freedom from the weight of excessive attachment.

Moreover, both traditions highlight the importance of community. In Buddhism, the sangha, or community of practitioners, supports individuals on their journeys toward non-attachment. Similarly, the Christian community encourages believers to lean on one another for support, fostering a sense of belonging and shared faith that helps mitigate the loneliness that comes with attachment.

Ultimately, the concept of letting go serves as a powerful antidote to suffering in both Buddhism and Christianity. By embracing impermanence, cultivating wisdom, and practising mindfulness or faith, individuals can experience profound liberation. In our chaotic world, the principles of letting go offer a clear path toward inner peace, fulfilment, and deeper connections with ourselves, others, and the divine.

Buddhism explores the profound concept of letting go, providing valuable insights into the human experience and pathways to alleviating suffering. Rooted in one of the world’s oldest spiritual traditions, Buddhism presents letting go as a transformative practice, distinct from mere disengagement or giving up. Instead, it encompasses liberation from the chains of attachment that hinder us from experiencing genuine peace and happiness. Christianity too explore this profound concept in its teachings

At the core of Buddhist philosophy lies the idea of non-attachment, which encourages individuals to free themselves from desires and possessions, ultimately leading to tranquility and enlightenment. Letting go is intertwined with an understanding of suffering, attachment, and the transient nature of existence. This philosophy instructs us to relinquish our grip on what we hold dear—whether relationships, material goods, or even our identities—recognising that these are impermanent.

Buddhism’s First Noble Truth acknowledges that life inherently involves suffering, often stemming from our cravings and attachments. The Second Noble Truth reveals that overcoming this craving is key to transcending the cycles of life and achieving enlightenment. Emphasising the impermanence of all things, Buddhism invites us to appreciate the present moment and fosters compassion by helping us detach from fixed identities and experiences. This awareness enriches our relationships, allowing us to connect with others free from judgment or expectation.

Philosophically, Buddhism challenges the notion of a static self (anatta), asserting that our identity is not a fixed concept but rather a fluid collection of experiences. Recognising this notion helps highlight the futility of clinging to desires and identities, opening the door to a liberated existence founded on wisdom cultivated through meditation and mindfulness practices.

From a psychological perspective, the act of letting go can significantly enhance emotional health and well-being. Attachment often fuels fear, anxiety, and stress, while embracing non-attachment cultivates resilience and adaptability. By accepting impermanence, we equip ourselves to face life’s challenges with greater ease. Practicing mindfulness—being present and accepting emotions without judgment—further facilitates the process of releasing what is beyond our control.

In Christianity, the theme of letting go is also prominent, emphasizing surrender and trust in God. Scripture encourages believers to release their worries and anxieties by placing their faith in divine providence. For example, Matthew 6:34 advises individuals to focus on the present rather than fret over the future. By surrendering our burdens to God, we can experience relief from the weight of excessive attachment.

Both traditions underscore the significance of community in supporting the journey of letting go. In Buddhism, the sangha, or community of practitioners, encourages the pursuit of non-attachment. Likewise, Christian fellowship fosters belonging and shared faith, helping believers lean on one another for strength and mitigating the loneliness that can arise from attachment.

Ultimately, the concept of letting go serves as a powerful antidote to suffering in both Buddhism and Christianity. Embracing impermanence, nurturing wisdom, and practising mindfulness or trust can lead individuals toward profound liberation. In an increasingly chaotic world, the principles of letting go illuminate a pathway to inner peace, fulfilment, and deeper connections with ourselves, others, and the divine. By understanding and embodying this philosophy, we can navigate life’s complexities with grace and openness.////Buddhism delves into the profound concept of letting go, offering valuable insights into the human experience and pathways to alleviating suffering. As one of the world’s oldest spiritual traditions, Buddhism presents letting go as a transformative practice that goes beyond mere disengagement or resignation. It represents liberation from the chains of attachment that prevent us from experiencing true peace and happiness. Similarly, Christianity explores this profound concept in its teachings.

At the heart of Buddhist philosophy is the idea of non-attachment, which encourages individuals to free themselves from desires and possessions, ultimately leading to tranquility and enlightenment. Letting go is closely related to an understanding of suffering, attachment, and the impermanent nature of existence. This philosophy guides us to loosen our hold on what we cherish—be it relationships, material possessions, or even our own identities—recognizing that everything is transient. Through this understanding, we can cultivate a deeper sense of peace and fulfillment in our lives.

BY Dr. Justice Chandradasa Nanayakkara

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Brilliant Navy officer no more

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Bandi (R) with the writer on his retirement day in 2016)

Rear Admiral Udaya Bandara, VSV, USP (retired)

This incident happened in 2006 when I was the Director Naval Operations, Special Forces and Maritime Surveillance under then Commander of the Navy Vice Admiral Wasantha Karannagoda. Udaya (fondly known as Bandi) was a trusted Naval Assistant (NA) to the Commander.

We were going through a very hard time fighting the LTTE Sea Tigers’ explosive-laden suicide boats that our Fast Attack Craft (s) and elite SBS’ Arrow Boats encountered in our littoral sea battles.

Brilliant Marine Engineer Commander (then) Chaminda Dissanayake, who was known for his “out of the box” thinking and superior technical skills on research and development, met me at my office at Naval Headquarters and showed me a blueprint of an explosive- laden remotely controlled small boat.

Udaya’s Naval Assistant’s office was next to mine, the Director Naval Operations office. Both places are very close to the Navy Commander’s office. I walked into Bandi’s office with Commander Dissa and showed this blueprint a brilliant idea. Being a Marine Engineer “par excellence”, Bandi immediately understood the great design. I urged him to brief the Commander of the Navy with Commander Dissa.

My burden was over! Bandi took over the project and within a few weeks we tested our first prototype “Explosive-laden Remotely Controlled arrow boat “at sea off Coral Cove in the Naval Base Trincomalee. It was a complete success.

This remotely controlled boats went out to sea with our SBS arrow boats fleet and had devastating effects against LTTE suicide boats and their small boats fleet. Thanks, Bandi, for your contribution. The present-day Admiral of the Fleet used to tell us during those days “you cannot buy a Navy – you have to build one”!

We built our own small boats squadrons at our boat yards in Welisara and Trincomalee to bring LTTE Sea Tigers. The Special Boats Squadron (SBS) and rapid action boats squadron (RABS) being so useful with remotely controlled explosive-laden arrow boats to win sea battles convincingly.

Bandi used to say, “Navy is a technical service and we should give ALL SRI LANKA NAVY OFFICERS FIRST A TECHNICAL DEGREE AT OUR ACADEMY (BTec degree).” That idea did not receive much attention here, but the Indian Navy—Bandi graduated as a Marine Engineer- at Indian Navy Engineering College SLNS Shivaji in Lonavala, Pune, India— understood this idea well over two decades ago. Indian Navy Commissioned their new Naval Academy at Ezhimala (in Kerala State) which is the largest Naval Academy in Asia (Campus covers area of 2,452 acres) starts its Naval officers training with a BTech degree, regardless of what branch of the navy one joined.

Bandi’s technical expertise was not limited to SLN. He was the pioneer of “Mini – Hydro Power projects” in Sri Lanka. When I was a young officer, he urged me to invest some money in one of these projects and advised me “Sir! as long as water flows through turbines, you will get money from the CEB, which is always short of electricity”. I regret that I did not heed  Bandi’s advice.

When he worked under me when I was Commander Southern Naval Area, as my senior Technical Officer, I observed pencil marks on walls of his chalet and I inquired from him what they were. He said it was the result of his “pencil shooting training”, a drill Practical Pistol Firers do to improve their skills. He used to practice “draw and fire” drills and pencil shooting drills late into nights to be a good Practical Pistol firer in Sri Lanka Navy team. He didn’t stop at that. He represented Sri Lanka National Practical Pistol Firing team and won International Championships.

As the Officer in charge of Technical Training in the Navy, he worked as Training Commander to train Royal Oman Navy Engineering Artificers in Sri Lanka, especially on Fast Attack Craft Main Engine Overhauls. The Royal Oman Navy Commander was so impressed with the knowledge acquired by Artificers that he donated money for the construction of a four-storey accommodation building for Sri Lanka Navy Naval and Maritime Academy, Trincomalee now known as “Oman Building”. The credit for this project should go to Bandi.

Bandi’s wife was a senior Judge of Kegalle High Court, and she retired a few years ago. Their only child, a son studied at the British School, Colombo and followed in his mother’s footsteps became a lawyer. Bandi was so much attached to his family and very proud of his son’s accomplishments.

When Bandi was due to retire in 2016 as a Rear Admiral and Director General Training, after distinguished service of 34 years, and reaching retirement age of 55 years, I requested him to serve for some more years after mobilising him into our Naval Reserve Force. He had other plans. He wanted to take his mini-Hydro Power projects to East African countries.

His demise after a very brief illness at age of 64 years was a shock to his family and friends. His funeral was held on Feb. 27 with Full Military Honors befitting a Rear Admiral at his home town Aranayake.

Dear Bandi, the beautiful Sri Lanka Navy, Naval and Maritime Academy in Trincomalee, which was built with your efforts will serve for Sri Lanka Navy Officer Trainees and sailors for a very long time and remember you forever.

May dear Bandi attain the supreme bliss of Nirvana!

Naval and Maritime Academy, Trincomalee

By Admiral Ravindra C Wijegunaratne
WV, RWP and Bar, RSP, VSV, USP, NI (M) (Pakistan), ndc, psn, Bsc
(Hons) (War Studies) (Karachi) MPhil (Madras)
Former Navy Commander and Former Chief of Defence Staff
Former Chairman, Trincomalee Petroleum Terminals Ltd,
Former Managing Director Ceylon Petroleum Corporation,
Former High Commissioner to Pakistan

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