Latest News
Social media platforms swamped with fake news on the Israel-Hamas war
Hours after Hamas, the armed Palestinian group, attacked Israel on Saturday, X, the social network owned by the world’s richest man Elon Musk was awash with fake videos, photos and misleading information about the conflict.
“Imagine if this was happening in our neighbourhood, to your family,” posted Ian Miles Cheong, a far-right commentator whom Musk interacts with often, along with a video that he claimed showed Palestinian fighters killing Israeli citizens.
A Community Note, an X feature that lets users add context to posts, stated that the people in the clip were members of Israeli law enforcement, not Hamas.
But the video is still up and has racked up millions of impressions. And hundreds of other X accounts have shared the clip on the platform, some of them with verified check marks, an Al Jazeera search showed.
Disinformation – fake news that is spread deliberately – about the war and the Israel-Palestine conflict in general spread across other social networks like Facebook, Instagram and TikTok too, but thanks to Musk’s revamped policies that let anyone pay to be verified as well as large scale layoffs in X’s Trust and Safety teams, the platform appears to have seen the worst of it.
X, Meta, which owns Facebook, Instagram and Threads, TikTok, and BlueSky, did not respond to Al Jazeera’s request for comment.
On Monday, X declared there were more than 50 million posts on the platform over the weekend about the conflict.
In response, the company said it had removed newly-created accounts affiliated with Hamas, escalated “tens of thousands of posts” for sharing graphic media and hate speech, and updated its policies that define what the platform considers “newsworthy”.
“These massive companies are still stumped by the proliferation of disinformation, even as no one is still surprised by it,” said Irina Raicu, the director of the Internet Ethics Program at Santa Clara University.
“They put out numbers – how many posts they’ve taken down, how many accounts they’ve blocked, what settings you might want to change if you don’t want to see carnage. What they don’t put out are their metrics of their failures: how many distortions were not accompanied by ‘Community Notes’ or otherwise labelled, and for how long. It’s left to the journalists and researchers to document their failures after they happen.”
‘Old and recycled footage’
Over the last few years, bad actors have repeatedly used social media platforms to spread disinformation in response to real-world conflicts. In 2019, for instance, Twitter and Facebook were flooded with rumours and hoaxes after India and Pakistan, two nuclear powers, came to the brink of war following Pakistan’s shooting down of two Indian warplanes and its capture of an Indian pilot.
This week, on X, a user called The Indian Muslim shared a video with the caption “More power to you #Hamas” and claimed that the clip showed a Hamas armed fighter firing a large, shoulder-mounted rocket cannon and taking down an Israeli helicopter.
Multiple disinformation researchers, both on social media and in interviews with Al Jazeera, pointed out that the footage was from a video game called Arma 3. The post, which has Community Notes on it, is still up and has more than half a million views.
Another post by Jim Ferguson, a British social media influencer, claims to show Hamas soldiers using US weapons “left behind in Afghanistan used to attack Israel”.
But according to Community Notes, the photo shows Taliban soldiers from 2021, not Hamas. Fergusson’s post, which is still available on the platform, has more than 10 million views.
Dina Sadek, a Middle East research fellow at the Atlantic Council’s DFRLab, told Al Jazeera that another false narrative her team had seen spreading on platforms was that Hamas had received help from inside Israel to plan the attack.
“There’s old and recycled footage circulating online that is overwhelming and makes it difficult for users to discern what is real and what is not,” Sadek said.
Disinformation around the attack is also travelling between platforms, Sadek added. “Some TikTok videos find their way to X, and some footage that appeared on Telegram first is then seen on X,” she said.
“The flood of grifters spreading lies and hate about the Israel-Gaza crisis in recent days, combined with algorithms that aggressively promote extreme and disturbing content, is exactly why social media has become such a bad place to access reliable information,” Imran Ahmed, CEO of the Center for Countering Digital Hate, told Al Jazeera.
“Tech companies have proven themselves uninterested, if not utterly complicit, in the spread of dangerous propaganda.”
(Aljazeera)
Foreign News
Jackson Pollock painting sells for record $181m at auction
A Jackson Pollock artwork, described as one of history’s “first truly abstract paintings”, has sold at auction for $181m (£135m) in New York.
Number 7A, 1948, which went under the hammer at the renowned Christie’s auction house on Monday, smashed the previous record for the most a work by the late American artist has taken at auction.
The painting, which came from the private collection of media magnate SI Newhouse, is also now the fourth most expensive artwork ever sold at auction, according to ARTnews.
Also in the collection was a bronze sculpture by Romanian artist Constantin Brancusi, which sold for $107.6m – the second highest amount a sculpture has ever gone for at auction.

Pollock, who died in 1956, was a major figure in the abstract expressionist art movement. His drip painting technique is one the art world’s most recognisable and often imitated.
The previous auction record for one of Pollock’s artworks was $61.2m for his Number 17, 1951 painting, which was sold in 2021. Other pieces have sold for higher prices in private sales.
Christie’s called Number 7A, 1948, which depicts black drips of paint with touches of red on a huge canvas spanning more than three metres, a key piece of art history.
“It is with this work that Pollock finally frees himself from the shackles of conventional easel painting and produces one of the first truly abstract paintings in the history of art,” it wrote in its description of the piece online.
Other artworks sold at the Christie’s auction included pieces by Mark Rothko and Joan Miro, which also both broke previous records for works by the artists at auction.
[BBC]
Latest News
President inquires into the well-being of soldiers at the Ragama “Ranaviru Sevana”
President Anura Kumara Dissanayake visited the “Ranaviru Sevana” Rehabilitation Centre in Ragama this morning (19) and inquired into the well-being of military personnel receiving residential treatment there.
During the visit, the President engaged in cordial discussions with the soldiers and commended the sacrifices made by all of them in safeguarding the unity of the motherland.
Thereafter, President Dissanayake also held discussions with the medical staff, including doctors serving at the “Ranaviru Sevana” Rehabilitation Centre, and looked into the possibility of further improving medical and other welfare facilities available for the military personnel undergoing treatment.
Minister of Science and Technology Professor Chrishantha Abeysena, Deputy Minister of Labour Mahinda Jayasinghe, Secretary to the Ministry of Defence Air Vice Marshal Sampath Thuyacontha (Retired), Commander of the Army Lieutenant General Lasantha Rodrigo, Director of Ranaviru Services and Rehabilitation of the Sri Lanka Army Brigadier R.G.L.K. Weerakoon, and Chairman of the Ranaviru Seva Authority Brigadier Senarath Kohona (Retired) were among those who attended the occasion.
(PMD)
Latest News
Rizwan and Agha resist but Bangladesh on course for 2-0 sweep
It’s taking longer than most expected, but Bangladesh are inevitably moving towards history. Bangladesh and Pakistan will go into a fifth day in Sylhet, with Bangladesh on the cusp of another 2-0 clean sweep of Pakistan. They need just three wickets to get there, with Mohammed Rizwan, unbeaten on 75, the final, valiant point of resistance for a visiting side who still need an improbable 121 for victory.
It was thanks primarily to Rizwan, and his 134-run partnership with Salman Agha in the final session, that kept Bangladesh waiting for so long when they appeared to be on course to finish Pakistan off. But two crucial wickets from Taijul Islam – who bowled more than a third of the overs on Tuesday – in the final half hour saw that partnership broken, and the hosts burrow deep into Pakistan’s tail.
Rizwan and Agha got together off the back of three quick wickets, and a resurgent Bangladesh sniffing for a quick knockout. Instead, they held them at bay for over three hours, counterattacking early on before seeing off wave after wave of spin and seam from Bangladesh. Even as Bangladesh attacked with the field, the duo kept run-scoring front and centre of their survival strategy, using their feet against spin and timing the ball expertly when pace returned.
That the stand had begun to frustrate Bangladesh became evident when tempers flared in the final hour, with Litton Das taking exception to Rizwan slowing play down after disturbances from the sightscreen. The contest took on a distinct edge, but the Pakistan pair did not lose focus, inching their way towards stumps.
No more wickets might have given Bangladesh a sleepless night, but Taijul put them at ease. With Nahid Rana operating with a new ball from the other end, Taijul produced an arm delivery that skidded through Agha’s defences and knocked back his stumps, prompting wild celebrations from the hosts, who understood the importance of the moment. Hasan Ali, whom Rizwan curiously decided against shielding from the strike, posed little resistance, leaving Bangladesh just three wickets adrift.
Brief scores:
Pakistan 232 and 316 for 7 (Shan Masood 71, Babar Azam 47, Salman Agha 71, Mohammad Rizwan 75*; Taijul Islam 4-113, Nahid Rana 2-58) need another 121 runs to beat Bangladesh 278 and 390
[Cricinfo]
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