Life style
An impactful and for reaching contribution to the field of visual theory, photography and art.
Bringing Sri Lanka into the global discourse of photography
An accomplishment to celebrate as Shalini Amerasinghe Ganendra’s Veins of Influence, Colonial Sri Lanka (Ceylon) in Early Photographs and Collections enters the public domain. The publication represents the celebrated result of three years of research by author, Shalini Amerasinghe Ganendra, a noted scholar and cultural entrepreneur, who has realized through this writing a ‘life time’s fascination with the photograph, encounter with it and its collecting.”
The publication features over 450 images from seminal collections including the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University Library; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; and The Rothschild Archives. In addition to these UK collections, the publication includes early photographs from important local family collections and period publications and a chapter survey of Julia Margaret Cameron’s Ceylon Women. The collections are mainly those of ‘influencers’ and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. The writing is accessible and also scholarly, making the book suitable for a wide audience.
Ganendra herself has an interesting inter-disciplinary background. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held numerous visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine’s College and the Pitt Rivers Museum.
She has decades of cultural programming experience including exhibition and scholarship, with notable focus on Sri Lanka. Through specific multi-disciplinary projects, including the Vision Culture Artist Residency Programme and the UNESCO Observatory endorsed Vision Culture Lectures, she has worked to bring into the global creative discourse, the creative practises and histories of understudied regions. She has pioneered exhibitions of Sri Lankan art in Malaysia, the USA and UK, most recently ‘Image & Identity, (Early colonial photography)’ at the Museum of Oxford, Oxford, UK.
This pioneering monograph brings a rich array of early images of Sri Lanka (Ceylon) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. She said at the Colombo launch that her hope is that this book will bring focus on Sri Lanka as an important participant in world history and its telling.
In these pages, Ganendra surveys more than 450 early photographs of colonial Sri Lanka, from important collections, most of which have never been published or otherwise come into the public view, until now. Her focus on the collecting dynamic provides novel perspectives that humanize the image through the nature of their collectors and their related journeys. Experts who reviewed the book have noted:
“The images explored in ‘Veins of Influence’ testify to the giddy intensity of the British vision of Sri Lanka as a land of extraordinary beauty, inexhaustible natural resources, and unbounded commercial opportunity.
The originality of Ganendra’s approach is to emphasize the role played by these “influencers” as intermediary shapers and distributors of the emerging imperial vision of the new colony. By telling this fascinating story in a language that will be accessible to general and specialist audiences, ‘Veins of Influence’ promises to open an important new chapter in our understanding of 19th century photography in South Asia and globally.”
Christopher Phillips
Former Senior Curator, International Centre of Photography, New York City
This seminal publication is for specialists (including scholars, collectors, curators) and general audiences. Ganendra’s unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, but also offers a general approach to colonial image. This publication promises a visual journey that not only informs through the beauty of black and white imaging, but also through the dynamics of impression, considering personal influences that operate on and through these images, including through our own engagement.
“Shalini Ganendra has meticulously scoured extant public and private archives in the UK and Sri Lanka to uncover the various manners that Sri Lanka, or colonial Ceylon, was represented through the earliest photographic records in the 19th century. until the mid-20th century. advent of political independence. As such, she has created a visual documentation of great value for understanding how the country and its evolving cultures were rendered. It is, thereby, a very constructive historical contribution of lasting significance that enriches our awareness not only of indigenous subjects, but the manners chosen by Westerners to represent the country-at-large.”
Prof. John Clifford Holt
William R. Kenan, Jr., Professor of Humanities in Religion and Asian Studies Emeritus
Bowdoin College (USA)
“Dr Anil Seal, Fellow of Trinity College, Cambridge and historian of modern India, who has a layman’s interest in the early photographic archives of the Indian Empire, welcomes this valuable monograph on collections of photographs of colonial Ceylon. It will be of compelling interest to all those who study the history of Sri Lanka, or have the opportunity to visit that Emerald Isle.”
Dr Anil Seal
Fellow of Trinity College, Cambridge and Historian of Modern India
The Colombo launch for the publication hosted by the British Council on September 14th, saw a wonderfully eclectic crowd of ambassadors, cultural leaders, politicians, collectors and academics. Ganendra thought it critical to have a local publisher bring the book to the global platform and chose local stalwart Neptune Publishing Pvt Ltd.
The book will be available online as well as in local book shops: Vijitha Yapa, Barefoot, Sarasavi, M D Gunasena, Sooriya. The next few months will see a series of international launches in major cities including: London, Kuala Lumpur, Washington D.C. and New York. An E-Book version of the publication will be available in November.
- Neptune Publications Pvt Ltd. ISBN: 978-624-6335-44-1
- Pages: 258 with over 450 images; Hardcover Limited Edition: 1000 copies
- Retail Price US $42 (SLR 13,500)
- Bookshops: Vijitha Yapa, Barefoot, Sarasavi, M D Gunasena, Sooriya,
- Order on line : https://neptunepublications.com/product/veins-of-influence/; https://store.goodreads.lk/product/veins-of-influence and soon on AMAZON.COM
See LINKEDIN: https://www.linkedin.com/in/shalini-amerasinghe-ganendra-618b467/?originalSubdomain=my
Life style
What I Do, What I Love: A Life Shaped by Art, Wilderness and Truth
In a country where creative pursuits are often treated as indulgences rather than vocations, Saman Halloluwa’s journey stands apart — carved patiently through brushstrokes, framed through a camera lens, and articulated through the written word. Painter, wildlife and nature photographer, and independent environmental journalist, Halloluwa inhabits a rare space where art, ecology and social responsibility converge.
His relationship with art began not in galleries or exhibitions, but in a classroom. From his school days, drawing was not simply a subject but an instinct — a language through which he learned to observe, interpret and respond to the world around him. Under the guidance of two dedicated mentors, Ariyaratne Guru Mahathaya and Gunathilaka Guru Mahathaya, he honed both skill and discipline. Those early lessons laid the foundation for a lifelong engagement with visual storytelling.

“His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes.”
That commitment eventually materialised in two solo art exhibitions. The first, held in 2012, marked his formal entry into Sri Lanka’s art scene. The second, staged in Colombo in 2024, was a more mature statement — both in content and confidence. Featuring nearly fifty paintings, the exhibition drew an encouraging public response and reaffirmed his place as an artist with a distinct visual voice.
His work navigates between traditional Sinhala artistic sensibilities, abstract compositions and expansive landscapes. There is restraint in his use of form and colour, and an underlying dialogue between memory and space. Yet, despite positive reception, Halloluwa speaks candidly about the structural challenges faced by artists in Sri Lanka. Recognition remains limited; fair valuation even rarer.
“This is not merely an artistic issue,” he observes. “It is a social and economic problem.”
In Sri Lanka, art is often viewed through the lens of affordability rather than artistic merit. Many approach a painting by first calculating the contents of their wallet, not the value of the idea or labour behind it. In contrast, he notes, art in Europe and many other regions is treated as cultural capital — an investment in identity, history and thought. Until this mindset shifts, local artists will continue to struggle for sustainability.
The decisive push toward wildlife photography came from Professor Pujitha Wickramasinghe, a close friend who recognised both Halloluwa’s observational skills and his affinity with nature. From there, the journey deepened under the mentorship of senior wildlife photographer Ravindra Siriwardena.
Both mentors, he insists, deserve acknowledgment not merely as teachers but as ethical compasses. In a field increasingly driven by competition and spectacle, such grounding is invaluable.
Wildlife photography, Halloluwa argues, is among the most demanding visual disciplines. It cannot be improvised or rushed. “This is an art that demands restraint,” he says.
Among all subjects, elephants hold a special place in his work. Photographing elephants is not merely about proximity or scale, but about understanding behaviour. Observing social patterns, movement, mood and interaction transforms elephant photography into a constantly evolving challenge. It is precisely this complexity that draws him repeatedly to them.
Halloluwa is cautiously optimistic about the current surge of interest in wildlife photography among Sri Lankan youth. Opportunities have expanded, with local and international competitions, exhibitions and platforms becoming more accessible. However, he issues a clear warning: passion alone is not enough
Sri Lanka, he believes, is uniquely positioned in the global nature photography landscape. Few countries offer such concentrated biodiversity within a compact geographical area. This privilege, however, carries responsibility. Nature photography should not merely aestheticise wildlife, but foster respect, aware ness and conservation.
Parallel to his visual work runs another equally significant pursuit — environmental journalism. For the past seven to eight years, Halloluwa has worked as an independent environmental journalist, giving voice to ecological issues often sidelined in mainstream discourse. His entry into the field was guided by Thusara Gunaratne, whose encouragement he acknowledges with gratitude.
An old boy of D.S. Senanayake College, Colombo, Halloluwa holds a Diploma in Writing and Journalism from the University of Sri Jayewardenepura and has completed journalism studies at the Sri Lanka Press Institute. He is currently pursuing an Advanced Certificate in Wildlife Management and Conservation at the Open University of Sri Lanka — a testament to his belief that learning must remain continuous, especially in a rapidly changing ecological landscape.
Outside his professional life, he enjoys cricket, rugby and badminton. Yet even leisure intersects with responsibility. He is a founding member and former president of the D.S. Senanayake College Old Boys’ Wildlife Forum, an active member of Wild Tuskers Sri Lanka, and a contributor to several independent environmental and wildlife volunteer organisations. In an era dominated by speed, spectacle and short attention spans, Saman Halloluwa’s journey unfolds differently. It is deliberate, reflective and rooted in values. Through art, he captures memory and form. Through photography, he frames life beyond human control. Through journalism, he asks uncomfortable but necessary questions.
“What I do, what I love” is not fashion here.
It is conviction — patiently lived, quietly asserted, and urgently needed in a country still learning how to value its artists, its environment and its truth.
By Ifham Nizam ✍️
Life style
Shaping the future of style
Ramani Fernando Sunsilk Hair and Beauty Academy
Ramani Fernando Sunsilk Hair and Beauty Academy marked their graduation of their latest cohort of aspiring hair professionals in a ceremony held at Kingsbury Hotel.
For over two decades, the Ramani Fernando Sunsilk Hair and Beauty Academy has stood as a beacon of excellence in beauty education in Sri Lanka. Founded by industry icon Ramani Fernando, the Academy has built a reputation for producing highly skilled professionals who go on to make their mark in salons, both locally and internationally. As the newly minted graduates step out into the world, they carry forward not just certificates, but also the promise of creative authority and personal empowerment.
The chief guest for the occasion was Rosy Senanayake, a long-standing supporter of the Academy’s mission. Addressing the graduates her message echoed her enduring belief that the beauty industry is not merely about aesthetic but about. confidence, self-worth and future leaders.
Over months of rigorous training, these young professionals honed their skills in cutting colouring, styling and contemporary artistry readying themselves to set trends rather than follow them.
Each graduate walked the stage with confidence, their dedication signalling a promising future for Sri Lanka’s beauty and fashion industry! With this new generation of stylists preparing to raise the standard of professional hairstyling.
Ramani Fernando, addressing the audience reflected on the academy’s mission to cultivate not only skills but vision and confidence in every student.
She urged the graduates to embrace continuous learning to take risks with creativity .The world of beauty is ever evolving, stay curious, stay bold and never underestimate the power of your talent, she added emphasising the importance of confidence, discipline and passion in carving a successful career in shaping the future of style.
These graduates are stepping into a world of endless possibilities. They are future of the country, who will carry a forward legacy of creativity. Behind every successful graduate at Sun silk Hair Academy stands a team dedicated to excellence. While Ramani Fernando serves as a visionary Principal and it is Lucky Lenagala, her trusted person who ensures that the academy runs seemingly.
From overseeing training sessions to guiding students, through hands on practice, Lucky plays a pivotal role in shaping the next generation of hairstylists.
Kumara de Silva, who has been the official compere Ramani’s, Hair graduation ceremony, from inception has brought energy, poise and professionalism. The Sunsilk Hair Academy is a celebration of talent and mentor ship for the graduates stepping confidentially into the next chapter of their careers, ready to make their mark on Sri Lanka beauty landscape
Pix by Thushara Attapathu
By Zanita Careem ✍️
Life style
Capturing the spirit of Christmas
During this season, Romesh Atapattu’s Capello Salon buzzes with a unique energy – a blend of festive excitement and elegance. Clients arrive with visions of holiday parties, office soirees, seeking looks that capture both glamour and individuality. The salon itself mirrors this celebrity mood. Warm lights, tasteful festive décor create an atmosphere where beauty and confidence flourish.
Romesh Atapattu himself curates the festive décor, infusing the space with his signature sense of style. His personal eye ensures that the décor complements the salon’s modern interiors.
As Colombo slips effortlessly into its most glamorous time of year, the Christmas season brings with it more than twinkling lights and celebrity soirees – it signals a transformation season at salons across the city. Capello salons are no exception.
At the heart of this festive beauty movement is Romesh Atapattu of Capello salons, a name synonymous with refined hair artistry, modern elegance and personalised style.
Christmas is about confidence and celebration. Romesh believes ‘People want to look their best without losing who they are”. Our role is to enhance, not overpower. This philosophy is evident in the salon’s seasonal approach.
Beyond trends, what sets Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role in creating the best for Romesh.
Stepping into Romesh’s salon during the Christmas season is an experience in itself. The space hums with festive energy while maintaining an atmosphere of calm sophistication.
The décor embraces the Christmas spirit with understated elegance. Tastefully adorned décor, beautiful Xmas tree, soft gold and ivory tones, and gentle hints of red are woven seamlessly into the salon’s contemporary design.
His staff, known for their warmth and professionalism also plays a key role in shaping the salon’s atmosphere—friendly, stylish and always welcoming. The Capello staff combine skill and creativity to deliver results that have a lasting impression.
Beyond trends, what sets Romesh Atapattu apart is the attention to individuality. Each consultation is treated as a creative collaboration – face shape, lifestyle, hair texture and personal style all play a role.
He is a professional who blends technical mastery with a deeply personal approach to style. His dedicated team of skilled professionals, operate with quiet confidence ensuring styles that create an atmosphere of trust, turning every appointment into a personalised and memorable experience.
(ZC) ✍️
Pic by Rohan Herath
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