Life style
An impactful and for reaching contribution to the field of visual theory, photography and art.
Bringing Sri Lanka into the global discourse of photography
An accomplishment to celebrate as Shalini Amerasinghe Ganendra’s Veins of Influence, Colonial Sri Lanka (Ceylon) in Early Photographs and Collections enters the public domain. The publication represents the celebrated result of three years of research by author, Shalini Amerasinghe Ganendra, a noted scholar and cultural entrepreneur, who has realized through this writing a ‘life time’s fascination with the photograph, encounter with it and its collecting.”
The publication features over 450 images from seminal collections including the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University Library; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; and The Rothschild Archives. In addition to these UK collections, the publication includes early photographs from important local family collections and period publications and a chapter survey of Julia Margaret Cameron’s Ceylon Women. The collections are mainly those of ‘influencers’ and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes. The writing is accessible and also scholarly, making the book suitable for a wide audience.
Ganendra herself has an interesting inter-disciplinary background. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held numerous visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine’s College and the Pitt Rivers Museum.
She has decades of cultural programming experience including exhibition and scholarship, with notable focus on Sri Lanka. Through specific multi-disciplinary projects, including the Vision Culture Artist Residency Programme and the UNESCO Observatory endorsed Vision Culture Lectures, she has worked to bring into the global creative discourse, the creative practises and histories of understudied regions. She has pioneered exhibitions of Sri Lankan art in Malaysia, the USA and UK, most recently ‘Image & Identity, (Early colonial photography)’ at the Museum of Oxford, Oxford, UK.
This pioneering monograph brings a rich array of early images of Sri Lanka (Ceylon) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. She said at the Colombo launch that her hope is that this book will bring focus on Sri Lanka as an important participant in world history and its telling.
In these pages, Ganendra surveys more than 450 early photographs of colonial Sri Lanka, from important collections, most of which have never been published or otherwise come into the public view, until now. Her focus on the collecting dynamic provides novel perspectives that humanize the image through the nature of their collectors and their related journeys. Experts who reviewed the book have noted:
“The images explored in ‘Veins of Influence’ testify to the giddy intensity of the British vision of Sri Lanka as a land of extraordinary beauty, inexhaustible natural resources, and unbounded commercial opportunity.
The originality of Ganendra’s approach is to emphasize the role played by these “influencers” as intermediary shapers and distributors of the emerging imperial vision of the new colony. By telling this fascinating story in a language that will be accessible to general and specialist audiences, ‘Veins of Influence’ promises to open an important new chapter in our understanding of 19th century photography in South Asia and globally.”
Christopher Phillips
Former Senior Curator, International Centre of Photography, New York City
This seminal publication is for specialists (including scholars, collectors, curators) and general audiences. Ganendra’s unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, but also offers a general approach to colonial image. This publication promises a visual journey that not only informs through the beauty of black and white imaging, but also through the dynamics of impression, considering personal influences that operate on and through these images, including through our own engagement.
“Shalini Ganendra has meticulously scoured extant public and private archives in the UK and Sri Lanka to uncover the various manners that Sri Lanka, or colonial Ceylon, was represented through the earliest photographic records in the 19th century. until the mid-20th century. advent of political independence. As such, she has created a visual documentation of great value for understanding how the country and its evolving cultures were rendered. It is, thereby, a very constructive historical contribution of lasting significance that enriches our awareness not only of indigenous subjects, but the manners chosen by Westerners to represent the country-at-large.”
Prof. John Clifford Holt
William R. Kenan, Jr., Professor of Humanities in Religion and Asian Studies Emeritus
Bowdoin College (USA)
“Dr Anil Seal, Fellow of Trinity College, Cambridge and historian of modern India, who has a layman’s interest in the early photographic archives of the Indian Empire, welcomes this valuable monograph on collections of photographs of colonial Ceylon. It will be of compelling interest to all those who study the history of Sri Lanka, or have the opportunity to visit that Emerald Isle.”
Dr Anil Seal
Fellow of Trinity College, Cambridge and Historian of Modern India
The Colombo launch for the publication hosted by the British Council on September 14th, saw a wonderfully eclectic crowd of ambassadors, cultural leaders, politicians, collectors and academics. Ganendra thought it critical to have a local publisher bring the book to the global platform and chose local stalwart Neptune Publishing Pvt Ltd.
The book will be available online as well as in local book shops: Vijitha Yapa, Barefoot, Sarasavi, M D Gunasena, Sooriya. The next few months will see a series of international launches in major cities including: London, Kuala Lumpur, Washington D.C. and New York. An E-Book version of the publication will be available in November.
- Neptune Publications Pvt Ltd. ISBN: 978-624-6335-44-1
- Pages: 258 with over 450 images; Hardcover Limited Edition: 1000 copies
- Retail Price US $42 (SLR 13,500)
- Bookshops: Vijitha Yapa, Barefoot, Sarasavi, M D Gunasena, Sooriya,
- Order on line : https://neptunepublications.com/product/veins-of-influence/; https://store.goodreads.lk/product/veins-of-influence and soon on AMAZON.COM
See LINKEDIN: https://www.linkedin.com/in/shalini-amerasinghe-ganendra-618b467/?originalSubdomain=my
Life style
Taste of the Swiss Alps comes to Colombo
High in the Swiss Alps, where mountain landscapes shape both life and cuisine, Chef Heinz Rufibach spent more than four decades mastering the art of Alpine cooking. From the grand hotels of St. Moritz and Gstaad to the peaks of Zermatt, his career has been defined by a deep respect for tradition, local flavours and the quiet precision of Swiss craftsmanship.
Now, the chef. affectionately known as Le Cuisinier de Zermatt. brings that remarkable culinary heritage to Colombo for an exclusive Swiss dining experience at Bistro des Marées, Cinnamon Life at City of Dreams Sri Lanka.
From 23 to 26 July, guests will have the opportunity to experience a specially curated menu by Chef Rufibach, celebrating the authentic flavours of Switzerland’s Alpine regions and the dishes that have shaped his lifelong connection with the mountains.
A former Executive Chef of the Grand Hotel Zermatterhof, Chef Rufibach has built a reputation as one of Switzerland’s celebrated culinary figures. Named Swiss Chef of the Year and a holder of a Michelin star for six consecutive years, his cooking reflects the balance between fine dining precision and the warmth of the traditional Alpine table.
For Chef Rufibach, Swiss cuisine is more than a collection of recipes. It is a reflection of place, people and generations of culinary heritage.
“Swiss cuisine is built on tradition, seasonality and a deep connection to the land. Through this menu, I hope to share the flavours and stories of the Alps with guests in Colombo and offer them a true taste of Switzerland,” he said.
The menu at Bistro des Marées takes guests on a journey through Switzerland’s diverse culinary regions, beginning with elegant starters, such as dried meat tartare with green asparagus and Parmesan, marinated salmon with mustard sauce and herbs, and the traditional Gommer Cholera, a Valais speciality of apple, leek and cheese baked in puff pastry.
The experience continues with comforting Swiss classics, including Valais white wine soup with dried apricots and Bündner barley soup, before moving into signature dishes, such as Swiss cheese fondue with bread cubes and potatoes, raclette with traditional accompaniments, and Zürcher Geschnetzeltes with rösti. Other highlights include Basel-style salmon with papet vaudois and fried onions, saffron-infused lamb ragout with mashed potato, and Ghackets mit Hörnli, a beloved Swiss comfort dish of braised beef mince, pasta and apple sauce.
Life style
Goodbye dearest Maria!
My dearest Maria. I never thought I would have to write this, this soon but then I realised, I owe it to you.
Remember the very first day I met you ? It was way back in 1981. I was 19, working at Lake House and writing to the Sunday Observer’s “Sat Mag” magazine. You were 23.
I made a prior appointment with you on the old rotary dial phone and arrived at Ekanayake Mawatha, Nugegoda, sharp on time. I waited and waited. There were (either) dogs or cats playing around me, with their fur flying all around me. That irritated me. I waited and waited. I wanted to, but could not walk out because the Editor was waiting for the article.
You sailed in one wretched hour late. I was furious. You never apologised either. That’s how we began our friendship. Rather a rocky start wasn’t it ?
What struck me most was NOT the fact that you were the highly celebrated Kandy Lamissi at that time, but rather the sparkle in your eyes and the warmth of your smile. It came from the depths of your heart and radiated outwards to everyone you came into contact with – both those who liked you and those who did not like you.
You radiated that sparkle and smile during the best of times and even the most difficult of times. You had your fair share of both in your 68 years. That smile was your trademark. It stayed on until the end.
We were neighbours, too, in Nugegoda. You were on that side of the junction and I was on this side of the junction. Remember in the mid-1990s when fitness fever hit us and we ambitiously started those 6.00 am early morning walks. They were alas short lived when children in passing school vans began shouting “Aunty Aunty” or “Kandy Lamissiiiiii”. That put an end to our walks and we reverted back to being unfit.
You also had a very, very wicked sense of humour which I loved to bits. Remember that evening when, with dead pan faces, you and I walked into the Metro Cinema Nugegoda and bought two balcony tickets for the 6.30 pm show. The man at the ticket counter couldn’t not believe his eyes. And how we, again with dead pan faces, slowly crept upstairs and sat in the (last row) middle seats much to the shock of all those lovers around us.
You were the Star. I was much lesser known to them than you. They were shocked and looked at you in great disbelief. I remember at one intense moment of the film, we asked the couple next to us, “Meh, excuse me. Aney welaawa keeyada?”. They only didn’t slap us.
And then, during the movie we crunched on and made a helluva din with the prawn crackers, much to the irritation of those around us.
We hadn’t come to watch the film. We just wanted to shock and annoy those lovers. Mission accomplished, we sailed out in the Interval, our sides splitting with laughter. We could not remember the movie either.
Remember those incessantly chats we used to have on a variety of topics? You could hold forth on practically any topic. Those chats sometimes went on till well past midnight and we hadn’t finished talking either.
Teshan your son was the apple of your eye, to use a cliché. How proud you were of him and how very much you used to talk about him. You took pride in his academic success and the fine young man he has turned out to be.
In our 46-year friendship, you and I have had our misgivings, too. Remember Mariazelle how we didn’t speak to each other for about three years?
And then in December 2015 you were a guest artiste and I the emcee at the Break-Away New Year’s Eve Ball organised by (your cousin) Sohan Weerasinghe and Corrine Almeida. We were still not talking to each other, but then, just after the countdown to midnight, you came up to me, hugged me and wished me with tears in your eyes. My respect for you hit the ceiling that night. Our friendship became rock solid from that day onwards.
We last met over dinner at Harpos Commons in Kotte, just before illness dragged you down. You had medical problems but you never complained. Remember the stories we traded and how much we laughed and laughed, at times much to the displeasure of the other diners. Harpo might have got the complaints but he never told me either.
And now you’re gone. Gone just like that. Before I close, I’d like to quote a few lines from your dear friend Aruna Siriwardhana’s tribute :
“I take a moment to mention two special beings in Mariazelle’s life. One is surgeon Prof. Srinath Chandrasekera (a musician himself) who for the past six months or so, together with his team at the Kalubowila Hospital, took indescribably attentive care of her. The other is singer Dinu, who virtually placed her life and work on hold, to care for Mariazelle”.
It was heart-breaking to see you lie in that coffin at Barney Raymonds last Monday (13 July). You were dressed in ivory and gold. You looked peaceful. You were free from suffering and free from pain.
“Kandy Lamissi” will ALWAYS be sung at parties and weddings and home comings and dinner dances and batch get-togethers. “Kandy Lamissi” and You have an unlimited life span. You will both go on forever!
And I will always remember that sparkle in your eyes and the warmth of your smile. That to me was You.
Goodbye my dearest Maria. May your journey in Samsara be speedy.
by Kumar de Silva ✍️
Life style
20-year-old filmmaker Joshua Alailima breaks into Hollywood
Production has officially begun on Missing Threads, marking it the first time a Sri Lankan production has been aimed first and foremost at an American audience. On Tuesday the 7th of July, a dinner was held bringing together the cast, crew, funders, and friends and family to mark the occasion.
The evening opened with guests arriving to chatter and press photography. Talavou Alailima opened proceedings, and a selection of Director Joshua Alailima’s previous films were screened, between speeches from key figures behind the production. The night closed with a large buffet and the signing of contracts.
Missing Threads
is an investigative crime thriller compared to films such as Zodiac and Se7en. The film follows journalist Maya Perera as she unravels a string of lies, all tying back to the mega corporation Verdeon, leading to a far more sinister truth about the internal affairs of the country at large.
This marks a significant milestone for Sri Lanka. It is the first time a Sri Lankan film has targeted primarily the USA Hollywood audience. This will further foreign relations, opening the door to industry expansion and significant economic potential.
Missing Threads
brings together a standout cast of actors, including Kaushalya Fernando (The Forsaken Land), Buddika Jayaratne (Sunny’s Mansion), Dharmapriya Dias (Machan), and Shyam Fernando (Paradise). It is led by international Sri Lankan actress Rebecca Munasinghe and leading social media influencer “Neesh.” Missing Threads is produced by Talavou Alailima, founder of Power World Gyms and Edge Nutrition.
Director Joshua Alailima is currently studying at one of the top film universities in America, Biola University, whose alumni network includes Doctor Strange director Scott Derrickson and world famous influencer Zach King.
Joshua has been directing since he was a young teenager. He is now 20 and directing his feature debut, a rare feat by Hollywood industry standards.
Missing Threads
brings in an international crew, with people from the USA, Sri Lanka, and Australia flying in to work on the project. Post production will take place in Sri Lanka, India, and the USA. The film is shot on the Arri Alexa LF, the same camera used for the movie Dune. It is the only one currently in Sri Lanka.
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