Life style

Sumitra shines with the Rising Sun

Published

6 years ago

2020/10/4

‘Poetess of Sinhala cinema’ Sumitra Peries was recently conferred Order of the Rising Sun by the Japanese Government. The first Sri Lankan film artiste to have been decorated with this coveted 145-old Order, sits with the Sunday Island to recap her treasured memories of the ‘Land of the Rising Sun’ …

by Randima Attygalle

When the new bride Sumitra Peries impulsively changed her return ticket home from Mexico, having clinched the Golden Head of Palenque for Gamperaliya directed by her soul mate Dr. Lester James Peries (and edited by her) at an international film festival and set foot in the Land of the Rising Sun in 1966, she was “completely bowled over” not only by kimonos, platform slippers and deftly crafted tea ceremonies, but by a ‘cultured nation’ at large.

For young Sumitra who sailed to the University of Lausanne chartering unknown waters as a young girl, exploration of the unknown comes as the most natural. Carrying only the motifs of the dreaded Mount Fuji Volcano and the air attack on Colombo during the Second World War by the Japanese Navy with her, the avant-garde young cinema-maker booked into the Imperial Hotel in Tokyo reputed to have withstood many earthquakes! “Next day when I went to the Sri Lankan Embassy there, our people were horrified to hear of my outrageously expensive choice of accommodation, claiming I had to be just out of my mind. My only concern was that it would be a buffer against a possible earthquake,” recollects the poetess of the Sinhala cinema decked with The Order of the Rising Sun 2020 more than half a century later since she had her first taste of Japan.

Established on April 10, 1875 by Emperor Meiji, the Order was the first decoration awarded by the Japanese government. The badge features rays of sunlight symbolizing energy as powerful as the rising sun in harmony with the Land of the Rising Sun Japan is known to be. The order is conferred on those who have left a footprint in international relations, promotion of Japanese culture, advancements in their fields and development in welfare or preservation of the environment. “Interestingly it was only 20 years later in the same era that the Lumiere brothers first presented moving pictures to an audience with the help of a projector in Paris, sowing the earliest seeds of film-making. For over a century women were not eligible to receive this Order,” reflects Sumitra, the first Sri Lankan film artiste to have been decorated with this 145-year old coveted Order. Former Speaker, Karu Jayasuriya was honoured in 2017.

Followed by her hits Gehenu Lamai, Ganga Addara and Yahalu Yeheli, Sumitra took the silver screen by storm, with Sagara Jalaya madi henduwa oba handa an adaptation of Simon Nawagaththegama’s short story Ohu mala da pasu. The golden couple of Sinhala cinema once again captured the imagination of a nation transcending national boundaries. With Dr. Lester James Peries credited for the script, Lal Piyasena for his editing, Donald Karunaratne for his cinematography and Pandith Amaradeva for his musical score, Japan embraced it and celebrated it. Despite the protagonist Heen Kella’s pathos (played by Swarna Mallawarachchi) threading the plot and the film-maker’s milieu taking a shift to a rustic setting in Sagara Jalaya madi henduwa oba handa, the visual sophistication which is Sumitra’s strong suit is unmistakable in it. “Perhaps it was the kind of lifestyle which was beyond the imagination of the contemporary Japanese living that arrested them to it,” reflects Sumitra. The film which clinched her the Sarasaviya Best Director Award and Swarna, the Best Actress Award was telecast by the NHK in 1990, capturing the hearts of many a Japanese.

The invitation extended to Dr. Lester James Peries to sit on a jury of a film festival of documentaries in Yamagata in the mid-90s further solidified the Japan-Sri Lanka bridge. The communal bonding the couple shared with the rural Yamagata folk still warms Sumitra’s heart. “It was the first time the villagers had seen a ‘coloured’ person, so much so I remember them stroking my hands to see if I had actually applied some paint!” chuckles Sumitra. The ‘Japanese connection’ as she avers, was further fuelled by close friends such as Joy Fernando who came to work as an assistant to Lester and Sumitra. “Joy had studied in Japan and many of his acquaintances which later became mutual friends strengthened our bonding with Japan,” says Sumitra who came to be effortlessly assimilating into its culture over her many visits to Japan. She fondly recollects sleeping on tatami mats, yet laments that she could never master the Japanese language.

The iconic Japanese film director Akira Kurosawa whom Sumitra dubs as “a wonderful craftsman who projected the soul of Japan to the world,” offered her immense inspiration. His landmark creation Rashomon which shone at the 1951 Venice Film Festival, winning the Golden Lion, enabled the Japanese film industry a window to the Western film markets. “An energetic and a visually rich” architect of cinema as Sumitra alludes to him, Kurosawa first crossed her path in the 1980s, around the time when her box office hit Ganga addara and Lester’s Beddegama toured in Japan.

While Kurosawa inspired Sumitra, it was Yasujiro Ozu whom she found “close to her rhythm of narrative.” Her experience as a juror at several film festivals in Japan including the ‘South Asian Young Film Makers’ had widened her horizons of the Japanese way of life. The film director and screenwriter, Nagisa Oshima of Realm of the Senses fame whom Sumitra befriended at one of such festivals, adds to her list of globally renowned Japanese film acquaintances. “I remember him to be quite bashful man sporting a t-shirt with the slogan ‘Oshima Gang’ which I complemented. To my surprise, I found an ‘Oshima Gang’ t-shirt delivered to me a few days after my return!” smiles Sumitra.

The Fukoka City Public Library which is a repository of a sizable collection of films including several local films and the Japan Foundation are lauded by Sumitra as bridges connecting Japan to the rest of the world. Sumitra who counts several visits to the Fukoka City Public Library lauds it to be “a far sighted institution, opening doors for the entire South East Asia” including students of cinema, film makers, researchers and critics. Sumitra’s evergreen hit Ganga addara had been preserved by the Japanese Foundation. Loku Duwa and Sakman Maluwa are among her other work acclaimed by Japan.

Sumitra’s association with the ‘Bunka Awards’ presented to mid-career artistes by the Japan Sri Lanka Friendship Cultural Fund is a long one. Today only she remains out of the four original committee members. Prof. A.J. Gunawardene, Prof. Ediriweera Saraschandra, Dr. P.R Anthonis were among the rest.

A woman who had always championed ‘human conditions’ transcending gender stereotyping, Sumitra was one of the earliest Sri Lankan women to have shattered the glass ceiling. Behind the camera, she proved to be as good as any of her male counterparts. “I was never given the conventional margin for being a woman, for which I’m thankful,” says the iconic artiste who had never felt inadequate in a male domain. A strong advocate of the mantra, “create for your people first”, Sumitra’s notion of ‘global appeal’ is an extension of this acceptance locally. “If your creation is accepted by your own people and if it has some ripple effect somewhere else enabling the rest of the world to log on to it or have some contact, then you can be content that it had impacted the world outside.”

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Life style

Grace, grooming and confidence

Published

6 days ago

2026/03/29

Thilina Walpola

The leadership team behind the academy at the head table

Ramani Fenando’s new Image and Etiquette Academy

In a world where first impressions speak before words, Sri Lanka’s beauty icon Ramani Fernando has taken a bold step beyond the salon chair to shape confidence from within. Her newly launched Etiquette and Image Academy is designed to refine not only appearance, but presence, poise and personal power.

Step into a space where confidence meets sophistication, Ramani Fernando Academy is redefining how Sri Lankans approach personal branding ,offering a unique blend of ettiquette, style and communication mastery.

Her newly launched personal branding and EtiquetteAcademy was unveiled in a simple ceremony at the Galle Face hotel. This marks a bold and timely step into the realm of confidence leadership, presence and modern social grace.

Colombo’s social elite, corporate leaders, fashion insiders and longtime clients gathered in celebration of a vision that seeks to shape not just appearance but cofidence building.

Ramani, in her opening speech, said “our courses are carefully designed to meet with international standards, ensuring participants recieve training that meets both local and global expectations.

Ramani Fernando – shaping confidence

Professional face of etiquette training

Faith Launders who is the Director of Etiquette and Protocol in the Academy pointed out this personal branding and etiquette programmes will help participants cultivate grace, confidence and refined personal style through expert guidance. A former Miss Sri Lanka beauty queen, with experience in aviation, will contribute a creative and professional lens to the Academy’s curriculam.

Invitees from the world of fashion gathered to celebrate the occasion

Carolyn Jurie

Chalana at the helm of beauty

She brings professionalism, poise and a strong commitment to cultivate confidence and promote refined social skills among students. Known for her approachable style and inspiring presence, she strives to create an inclusive learning space where students can transform into confident individuals to navigate life with dignity and elegance.

For decades, Ramani has been a transformative force in Sri Lanka’s beauty industry.

and now this venture signals a natural evolution from external refinement to the art of personal distinction.

The programme blends traditional etiquette with contemporary relevance, offering personal branding and professional image building both in social and corporate etiquette. These are some of the programmes:

= Communication skills and body language, grooming, style and wardrobe alignment.

= Digital image and social media conduct.

= Platforms or in social events the ability to command attention with confidence has to become an important tool.

In today’s hyper connected world, impressions are formed in seconds often long before a handshake, whether in boardrooms, diplomatic circles or in the media.

The teaching staff consists of industry experts trainers amd adminitrators led by othe senior professionals

The Managing Director, Lakmini Lenagala, Training and Administrative Manager, Ramono, Navaratnarajah, Personal Assistant, Merisha Aserappa and Chalana Munasinghe are all industry professionals who have experience, theoretical knowledge and practical skills.

They are experienced instructors with hands on expertise in grooming, etiquette, image building and communication.

While the vision of the Personal Branding and Etiquette Academy belongs to Ramani Fernando, its strength lies in the collective expertise of the professionals who bring the programmes to life.

By bringing together specialists from diverse fields, the Academy offers participants a rare opportunity to refine every dimension of their public and private persona under one roof.

Sessions cover skin care, hair, make up, wardrobe planning and colour coordination.

Communication and public speaking recognising that presence is also conveyed though voice and expression, the Academy offers training in articulation tones, posture and body language.

The training also includes table manners, event conduct, professional courtesy and cross cultural awareness. This Etiquette Academy us designed for both women and men offering guidance on grooming, communication, professional conduct and social confidence.

The Academy acts as a transformative space – one that equips individuals not merely to succeed but to stand out with authencity and grace. The institution reflects Ramani Fernando’s belief that true elegance is a way of being not simply a way of dressing!.

By Zanita Careem

Pix by Thushara Athapatu

Life style

From rescue to rewilding, Kalo’s journey continues

Published

6 days ago

2026/03/29

Thilina Walpola

World Wildlife Day 2026:

He arrived at the Elephant Transit Home in Udawalawe on March 23, 2024, barely eight months old. Kalo had spent an unknown number of days trapped at the bottom of an abandoned well near Galenbidunuwewa in Sri Lanka’s Anuradhapura District, separated from the herd he had lost. When wildlife officers from the Department of Wildlife Conservation pulled him out, they found a frightened calf, but also something else: resilience.

Today, nearly two years after his rescue, Kalo is no longer the fragile elephant calf who arrived at the Transit Home alone. He is growing steadily, eating well, and has fully integrated into a group of calves preparing for eventual release. His progress is measured not only in size, but in behaviour like social bonding, herd interaction, and independent foraging skills that will determine his readiness for life beyond human protection. Since his arrival, Kalo has grown from 125 kilograms to over 300 kilograms. The wounds he sustained before rescue have fully healed, and he is no longer on any specific medical treatment instead routine management only. He is, by every measure, active, playful, and thriving.

The Elephant Transit Home, also known as Ath Athuru Sevana, has operated within Udawalawe National Park since 1995. It is not an orphanage in the traditional sense. There are no rides, no performances, no human dependency. Human contact is limited strictly to feeding and veterinary care. The rest of the time, the calves are left to bond with one another.

That philosophy is intentional. Elephants are deeply social animals, and calves that grow too attached to humans struggle to survive in the wild. The daily play, the hierarchy, and the formation of peer bonds are all part of a structured rehabilitation process designed to prepare them for rewilding.

Since its establishment, more than 200 orphaned elephants have passed through the Elephant Transit Home. Over 100 have been successfully released back into the wild. In July 2025 alone, six young elephants were returned to Udawalawe National Park during the facility’s 26th release. If all continues as planned, Kalo will follow that path in 2029.

On May 8, 2024, less than two months after Kalo’s rescue, Sun Siyam Pasikudah formalised its long-term commitment to his care through the CarePhant initiative under Sun Siyam Care. The resort pledged ongoing monthly contributions to support Kalo’s nutrition, veterinary care, and daily rehabilitation needs through to his planned release.

Sun Siyam Care is the group’s overarching sustainability programme that integrates environmental stewardship, biodiversity conservation, community engagement, and long-term socio-economic value creation across all Sun Siyam Resorts in the Maldives and Sri Lanka. Through Sun Siyam Care, we invest in initiatives that protect marine and terrestrial ecosystems, reduce waste and single-use plastics, improve resource efficiency, support renewable energy and local sourcing, and promote awareness and participation among guests and communities alike. Kalo’s journey from rescue to rewilding is one example of how Sun Siyam Care extends beyond hospitality, connecting responsible tourism with meaningful environmental and wildlife conservation impact.

“We are delighted to embark on the CarePhant project and become stewards of Kalo’s well-being. Sri Lanka’s elephants are not just a conservation issue; they are part of the living identity of this island, and we feel a genuine responsibility to play our part in protecting them,” said Arshed Refai, General Manager, Sun Siyam Pasikudah.

For Chaminda Upul Kumara, Sustainability Project Manager at Sun Siyam Resorts, the commitment reflects the deeper purpose of Sun Siyam Care. “Conservation is not a single moment. It is a process that requires patience and consistency. With Kalo, we committed to being part of that journey from rescue to release. Every month of support is an investment in his return to the wild,” said Upul.

In the month that marks World Wildlife Day, observed on 03rd March, Kalo’s story serves as a reminder that conservation is not abstract. It is individual. It is long term. And it depends on partnerships between public institutions and responsible private sector actors. In a landscape where habitat loss and human–elephant conflict continue to threaten Sri Lanka’s wild elephant population, sustained commitments like CarePhant demonstrate how responsible tourism can contribute to tangible, measurable conservation outcomes.

Sun Siyam Pasikudah, which holds Travelife Gold Certification and operates under the broader Sun Siyam Care sustainability framework, integrates conservation, local sourcing, and community engagement into its daily operations. The CarePhant project builds on that foundation by linking responsible hospitality directly to wildlife protection.

Three years from now, in 2029, Kalo is expected to walk beyond the protective boundaries of the Elephant Transit Home and into Udawalawe National Park as a young wild elephant. Every veterinary check, every month of nutritional support, and every bond formed within his herd brings him closer to that moment.

“When Kalo walks back into the forest in 2029, it will mark the completion of a journey that began in crisis but was sustained through commitment,” added Arshed Refai. “We are proud that Sun Siyam Care is part of that long-term promise.”

Until then, Kalo continues doing what young elephants at Ath Athuru Sevana are meant to do: growing, learning, and preparing quietly for a life in the wild.

Life style

Pakistan’s 86th National Day celebrated in Sri Lanka

Published

6 days ago

2026/03/29

Thilina Walpola

The High Commission of the Islamic Republic of Pakistan and the Pakistani community based in Sri Lanka celebrated the 86th National Day of Pakistan with traditional flavour and resolve to make Pakistan a strong, vibrant and progressive democratic welfare state.

The day commemorates a defining moment that led the foundation for the creation of Pakistan.

The ceremony commenced with the raising of their national flag, fluttering proudly against the morning sky, symbolising faith, unity and discipline, the ideals upon which the nation was built. Dignitaries, members of the diplomatic corps, community leaders and guests gathered in silence as the national anthem resonated creating an atmosphere charged with emotion and national pride .

Cultural elegance added a distinctive charm to the occasion, with traditional attire and warm exchanges reflecting the rich heritage of Pakistan. Guests were later invited to partake in light refreshments, providing an opportunity for cordial interacton and celebration.

Acting High Commissioner of Pakistan, Zunaira Latif unfurled the Pakistani flag to the tune of Pakistan’s national anthem in a ceremony held at the Pakistan High Commission

The National Day of Pakistan is celebrated on 23rd March every year in remembrance of the historic 1940 resolution passed in Lahore, calling for a separate homeland for Muslims of the subcontinent that ultimately led to the creation of Pakistan on August 14, 1947.

Special messages by the President and the Prime Minister of Pakistan were readout, in which both the leaders highlighted the importance of the day and paid tributes to Quaid-e-Azam Muhammad Ali Jinnah.

The Acting High Commissioner of Pakistan in her message on the occasion said that Pakistan and Sri Lanka continue to maintain their traditionally close and mutually beneficial relations, based on mutual respect and trust. She said that the strength of the Pakistan – Sri Lanka relationship lies in diversified engagement in many fields such as trade, defence, science, culture, and education. She also extended sincere greetings and best wishes on behalf of the government and people of Pakistan to the government and people of Sri Lanka.